On: Mon, 9 Jun 2003 paul savage wrote:- > I guess everyone has their own ways of doing things..... some people I > know would not go anywhere but the channel mixer..... > > :)
CHOP's and bouncing from RGB to Lab and back again, allows massive changes in tonality all throughout the tonal range with impunity. It's extreme and takes awhile to get used to it. Action scripting just rips it up to eleven. Nah, seriously - I really do recommend that working fast and loose on low rez proxies with action scripting, and THEN to play the script back as a slideshow on full rez files, can tell you a LOT about what's actually in the file as material content. It is a good way of learning as you go, and VERY intuitive. There comes a time when the manual has to be put down. Thinking about it, there is so much of Photoshop that I simply do not use, until it comes at me at a rush.....I mean one little turn in a different new direction can bring quite dramatic changes in both digital workflow and ways of thinking about pictures. It's like bending the notes on an electric guitar through a nice amp, and action scripting turns Photoshop into a fantastic multi-track recording studio with every lick in place. I kid you not! William Curwen http://william.ws =============================================================== GO TO http://www.prodig.org for ~ GUIDELINES ~ un/SUBSCRIBING ~ ITEMS for SALE
