Hi Ricardo

I absolutely agree with Neil here talking from experience, consistent and
accurate reproduction has become a very important part of my daily workflow
and I would not go back to wasting inks, paper and most of all time.

In a digital age particularly working with high resolution scans on a
calibrated Flextight 848 (custom profiled by Thomas Holm) from
transparencies I can show a client exactly what the images will look like
and it's very reassuring when the proof print matches the screen accurately.

I bought an iOne Monitor on recommendation by Neil Barstow and saw that it
was much better (in my opinion) than my Optical/Spyder combination which I
sold immediately. I am more than happy with my results but more importantly
so are my clients and I have people like Neil and Thomas Holm to thank for
all their expertise.

Regards 
Jagtar Semplay





Neil Barstow29/11/2003 12:41
> Ricardo
> 
> I'd have to say that in the modern world this colleague of yours is making
> a ridiculous statement.
> 
>> I've recently spoke to one (of many) world wide professional graphics
>> and fashion photographer, with over fourteen years in the reprographics
>> industry, mastering the delicacies of high resolution scanning and
>> colour correction, as well as embracing the complexities and change of
>> the digital revolution... - that simply asked me this: Are you one of
>> those who still bother with screen calibration? - Yes, I replied. So
>> his comment was: I gave up many years ago what's the point? Every time
>> you move you mac or you change the light conditions you work with, you
>> have to calibrate it again... so what's the point? As long you have
>> your proofs colour correct, it doesn't matter what it looks on the
>> screen, he says!
>> 
>> Ricardo
> Screen calibration gives us an accurate window on the file's contents.
> 
> When colour correcting we can actually <see> what the proof will look
> like.

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