Yes the seminars are for prospectives as well as 14n owners and SLRn owners.
We need to do this as most of the bad press around the earlier camera in particular is due to not fully understanding the camera and workflow and also there are so many folk not really understanding high end digital capture and output. Given a bit of tuition, and a reminder of photographic basics, plus lens theory to control flare and chromatic abberations, results are always remarkably improved! We are also currently sponsoring a series of lab days which at a very basic level discusses digital, storage, files and colour management. They are run at or near a lab and with a morning and afternoon session of abot 10 -15 invited customers. It has been a revelation a real revelation as to how people are managing out there. There is a real need for training which many are now realising. I am sure this does not apply to Pro Dig subscribers but very few appreciate anything at all about the differences say between raw and jpeg files and sRGB and Adobe 1998 colour spaces for instance, or the need to claibrate monitors and simply talk with their lab. The idea behind it is that it should prevent photographers wasting time by "preparing " files a lab then has to undo and also save lab time too bythem recieving files that need little if any work. So far it has been highly successful. We have been to Redwood, and Streamline so far. Colin Alford next, then Leach, and Colorworld, then........ =============================================================== GO TO http://www.prodig.org for ~ GUIDELINES ~ un/SUBSCRIBING ~ ITEMS for SALE
