"it was considered that the transfer of images from the Digital Media Laboratory to the Fine Art Printmaking Laboratory required considerable and avoidable re-calibration"
Is it realistic to to try and maintain a colour calibrated workflow in what is essentially a supervised but open access college environment, where there is an expectation that the output from one of several desktop printers (Epson 2000p, Epson 1290, Epson photo 2100) should in some way match it not act as proofing devices for larger format printers (Epson 7000, Epson 9500, ENCAD Novajet pro 600e)
Please post me with any of you thoughts on this.
John
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