OK, then, how would I do that suggestion with the markers? I'd prefer it to be 
a constant tempo, but no, it's not mandatory.
---
Christopher Gilland
Co-founder of Genuine Safe Haven Ministries

http://www.gshministry.org
(980) 500-9575
  ----- Original Message ----- 
  From: Slau Halatyn 
  To: [email protected] 
  Sent: Tuesday, September 19, 2017 6:38 PM
  Subject: Re: Maybe covered before, but I really need help, Bigtime!


  I know of no way of achieving this as a blind user. A sighted user might 
possibly be able to drop warp markers at each bar/beat and then quantize to a 
fixed tempo. I'm not sure how this might specifically work. Is it important 
that everything be at a constant tempo? I mean, you could easily create 
bar/beat markers and the click would simply follow along with the original 
subtle tempo changes.

    On Sep 19, 2017, at 4:04 PM, Christopher-Mark Gilland 
<[email protected]> wrote:


    I asked this a while back on list, but don't recall ever getting a definite 
direct answer.

    I have a song which has been professionally recorded, though without a 
click track. I have absolutely no control over this, as it was done by a very 
famous country music artist.

    Obviously, though fairly steady, the song does waver a bit with tempo. I 
therefore cannot set a constant 4/4 time tempo to say, 90 BPM. I'm not even 
sure that is! the tempo for the song. I'm only using that as a random number. 
The point being, it may vary from 90 to say, 92 in a few places, or maybe 88 in 
others, etc. Point being, the tempo isn't exactly totally on the click track.

    What I am aiming for here, is to find a way that I can somehow tempo beat 
map the song then time stretch/collapse so that the entire song is all the way 
through on that constant tempo. This way, if I added a click track, then set it 
to the determined tempo, the metronome would follow the whole way through and 
not get out of sync.

    Is there a way in ProTools that I can accomplish this, even if it be a 
royal pain in the ass to do?

    Chris.


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