I'm going to describe the steps to identify beats. I'm not going to go through 
describing all of the things you should already know about selecting tracks, 
linking timeline and edit selections, positioning the insertion point, etc.

You're going to be scrubbing or moving the insertion point to positions within 
the song and identifying those positions as specific bars. It'll be the first 
beat of each bar. From here on in, when I say "scrub or move insertion point 
to" a position in the timeline, it doesn't matter how you get there, as long as 
the insertion point is located at the beginning of each bar of music. This has 
nothing to do with bar numbers. You move to the points in the song based on 
your ears and then you specify the number based on math. It sounds more 
complicated than it is but only because it's more complicated to put it into 
words than to actually do it.

OK, here we go:

Put the insertion point at the beginning of the song. Press command+i to 
identify the beat. The Identify Beat dialog will open. Don't navigate the 
dialog because there's no need. Simply type the number 1 and press Return. 
You've now defined the first point in the song as bar 1, beat 1. Now get the 
insertion point to the beginning of bar 2. Press Command+i again and this time 
type 2 and press Return. You've now defined bar 2, beat 1.

Continue this process. You don't necessarily have to do each and every bar. You 
can do every 4 bars or even 8 bars if you want. Thing is, if there are 
fluctuations in tempo, doing every bar is ultimately better because it'll 
follow tempo changes more closely. For stuff that is very steady, you can 
easily identify beats every 8 bars and be fine.

Let me stress that you have to be precise with the bar numbers. If you 
inadvertently identify bar 27 then move 4 bars later but, instead of typing 31, 
you type 32, your bar numbers will be off and, therefore, your click will speed 
up inappropriately. You have to be absolutely exact in what you type.
That should get you going.
Slau


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