There are a bunch of new features and shortcuts in Pro Tools 2018.1 announced 
today at NAMM. Yes, the version numbers are different now and reflect year dot 
month of release. Anyway, below is  a brief look at the new shortcuts and their 
functions but first, the big news:

The track record button now accurately reports when it is selected. No more 
having to read the button multiple times to verify whether it's armed or not 
because of it flashing on and off. The same applies to the Global Record button 
in the Transport. This has been an issue from day one and I asked that this be 
made a priority fix last time I visited Avid and it went through a few 
iterations in beta before they got it right but they did nail it. Yay for fixes!

Designate current playlist as target playlist
Command+Shift+right arrow
Any playlist can now be designated as the target playlist to which clips or 
selections from any other playlist can be copied or moved. When a playlist is 
selected, pressing Command+Shift+Right Arrow designates that playlist as the 
target playlist.

Copy selection to target playlist
Shift+Option+up arrow
Let's say you've  created a track called Vocal and you've recorded a number of 
takes on playlists. Let's assume you have four recorded takes on playlists 
named Vocal.01, Vocal.02, Vocal.03 and Vocal.04. Let's say you've designated 
Vocal as the target playlist. For clarity, let's assume you renamed the 
playlist Vocal Comp and your goal is to compile a series of clips or selections 
from the various takes to put on the comp track. Let's say you decided that 
take 3 was the overall best take. Using Shift+Up/Down Arrows, you'd select the 
Vocal.03 playlist, select the entire range of the timeline and simply press 
Option+Shift+Up Arrow to copy it to the target playlist, Vocal Comp, without 
having to copy, then select the Vocal Comp playlist and paste. It's just one 
shortcut. Of course, you'll still be on Vocal.03. So, now, let's say you know 
that the first phrase in verse 2 is better in take 4. You can Shift down Arrow 
to get to vocal.04, select the phrase in question and hit Option+Shift+Up arrow 
to send it to Vocal Comp. Essentially, this workflow replaces the use of 
playlist lanes where one would have to click in a lane, solo it to hear it and 
then press Control+Option+v to copy to the Main Playlist. The Main playlist is 
the currently selected playlist and, now with the introduction of a Target 
playlist, one can essentially send from any playlist to any designated target 
playlist.

Move selection to target playlist
Option+Shift+t
If, instead of copying a clip or selection to the target playlist, you'd rather 
move the selection to the target playlist rather than copying, Option+Shift+t 
is your friend. Flo Tools users will recognize that this Keyboard shortcut is 
the the command to Speak Selected Tracks. The new version of Flo Tools now uses 
a different shortcut. Refer to the What's New in Flo Tools document to find out 
more.

Toggle recent playlists
Shift+left arrow
Pressing this shortcut will simply toggle quickly between 2 playlists

Show target playlist
Shift+right arrow
No matter how many playlists you have or which playlist is currently selected, 
pressing Shift+Right Arrow will select the Target Playlist.

Cycle in audio from previous playlist
Command+Shift+up arrow
Cycle in audio from next playlist
Command+Shift+down arrow
These two commands are perhaps the most powerful playlist editing shortcuts. 
what these commands do is cycle in audio from other playlists when a selection 
range is made. Without having to switch playlists, it's now possible to 
audition audio from other playlists in context. Let's say you were on your 
Vocal Comp playlist and you had your previously recorded 4 takes and you had 
chosen take 3 as overall best take, just like the previous scenario. Let's say 
the song was "Mary Had a Little Lamb." So let's say you had your chosen take 
copied into the target playlist and you're listening to the first line and the 
word "little just doesn't sound right. What you can now do is select the word 
"little" in the playlist and press Command+Shift+Down Arrow. Now, the word 
"little will be the performance from Vocal.01. Everything else remains the same 
and unchanged. Only the word "little" has changed. Pressing Command+Shift+Down 
Arrow again will now cycle in "little" from Vocal.02. You can continue to 
audition the selected range from each available playlist until you're happy 
with the performance. When you're satisfied, you can simply continue on. The 
entire time, you've never left the Target playlist and only the selected range 
was cycling through the other available playlists. Think of this as sort of 
selecting a different playlist for only the selected range rather than the 
entire timeline. It's extraordinarily powerful and, if you use Pre/Post Roll, 
you can audition the target playlist in context so you hear the result of the 
edit before committing to it. As long as your selection range stays in tact, 
you can keep cycling up or down. When you're happy with the choice, simply move 
on.

Retrospective MIDI record
Shift+c
Some of you will remember the trick of hitting record at the end of a rehearsal 
take to be able to expand the audio in the buffer. Whenever people say, "Oh, I 
wish we had been recording," as long as the transport is still rolling when 
they say it, you can easily retrieve the performance. Well, now the same thing 
exists for MIDI. Press Shift+c to capture the MIDI performance that was 
happening while the transport was engaged.

Transpose Selected MIDI note up/down by half step
up/down arrows
When a MIDI note is selected in Notes View, pressing Up/Down Arrow will 
transpose it on the fly by a semitone. This is great for quick MIDI note 
editing. Thing is, this is also the shortcut for capturing the current time 
code into the Start Counter. Down Arrow will still do this when in an audio 
track and will also work in a MIDI track if there's no note selected. 
Otherwise, if you press down arrow while the transport is engaged, what you'll 
actually do is transpose the selected note down again by one half step. The 
bottom line is that there are a number of shortcuts now in Pro Tools that do 
one thing in an audio track and a different thing in a MIDI track. Be careful 
and stay aware of what is currently selected and you'll be fine.

Transpose Selected MIDI note up/down by octave
Shift+up/down arrows
Same rules apply as above but instead of semitone, notes are transposed by 
octave.

Transpose Selected MIDI Note Up/Down in Key
Control+up/down arrow
This command relies on key signature and chord recognition which is not yet 
accessible but, by default, you might have some success. Essentially, rather 
than chromatic tranposition, notes will increment based on chord.

Note that adding the Option modifier to the above transposition shortcuts will 
duplicate the selected note before transposing. In other words, if you have b3 
selected and you press Option+Up Arrow, the b3 will remain and a new note with 
the pitch c4 will be created at the same point in the timeline. Pressing Up 
Arrow again will transpose the c4 to C Sharp 4. This is a fast way to stack 
notes to generate chords in place.

You can think of the following shortcuts as equivalents to the shortcuts used 
to trim the left and right edges of selected clips only this works for selected 
MIDI notes.
Trim note on by current nudge value
Control+left/right arrow
Trim note on by next greater nudge value
control+Shift+left/right arrows
Trim note off by nudge value
Option+left/right arrows
Trim note off by next greater nudge value
Option+Shift+left/arrows

The following shortcuts provide a quick way of raising or lowering MIDI Note On 
values on the fly rather than typing in a value.
Increase/decrease velocity by 5
Command+up/down arrows
Increase/decrease velocity by 15
Command+Shift+up/down arrows

Save track preset
Option+Shift+p

Track Presets are new to Pro Tools and it's beyond the scope of this email to 
cover how track presets work. You'll need to refer to the What's New pdf to get 
the scoop on that.

Hope this helps,

Slau

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