Hi Brian, Well, the OS question is a personal preference, eh? I'll personally go ahead and update on my laptop but I'll have to find a strategic window of opportunity to upgrade the studio computer. Cheers, Slau
> On Jan 25, 2018, at 1:56 PM, Brian Casey <[email protected]> > wrote: > > Thanks Slau, track presets are very overdue as an official feature. > > Looks like its good timing for me to finally get down to moving up from > Yosemite on the studio machine. > > Any pointers on what OS version to jump to? > > Sent from my smart-ish phone! > > On 25/01/2018, at 9:27 PM, Slau Halatyn <[email protected] > <mailto:[email protected]>> wrote: > >> There are a bunch of new features and shortcuts in Pro Tools 2018.1 >> announced today at NAMM. Yes, the version numbers are different now and >> reflect year dot month of release. Anyway, below is a brief look at the new >> shortcuts and their functions but first, the big news: >> >> The track record button now accurately reports when it is selected. No more >> having to read the button multiple times to verify whether it's armed or not >> because of it flashing on and off. The same applies to the Global Record >> button in the Transport. This has been an issue from day one and I asked >> that this be made a priority fix last time I visited Avid and it went >> through a few iterations in beta before they got it right but they did nail >> it. Yay for fixes! >> >> Designate current playlist as target playlist >> Command+Shift+right arrow >> Any playlist can now be designated as the target playlist to which clips or >> selections from any other playlist can be copied or moved. When a playlist >> is selected, pressing Command+Shift+Right Arrow designates that playlist as >> the target playlist. >> >> Copy selection to target playlist >> Shift+Option+up arrow >> Let's say you've created a track called Vocal and you've recorded a number >> of takes on playlists. Let's assume you have four recorded takes on >> playlists named Vocal.01, Vocal.02, Vocal.03 and Vocal.04. Let's say you've >> designated Vocal as the target playlist. For clarity, let's assume you >> renamed the playlist Vocal Comp and your goal is to compile a series of >> clips or selections from the various takes to put on the comp track. Let's >> say you decided that take 3 was the overall best take. Using Shift+Up/Down >> Arrows, you'd select the Vocal.03 playlist, select the entire range of the >> timeline and simply press Option+Shift+Up Arrow to copy it to the target >> playlist, Vocal Comp, without having to copy, then select the Vocal Comp >> playlist and paste. It's just one shortcut. Of course, you'll still be on >> Vocal.03. So, now, let's say you know that the first phrase in verse 2 is >> better in take 4. You can Shift down Arrow to get to vocal.04, select the >> phrase in question and hit Option+Shift+Up arrow to send it to Vocal Comp. >> Essentially, this workflow replaces the use of playlist lanes where one >> would have to click in a lane, solo it to hear it and then press >> Control+Option+v to copy to the Main Playlist. The Main playlist is the >> currently selected playlist and, now with the introduction of a Target >> playlist, one can essentially send from any playlist to any designated >> target playlist. >> >> Move selection to target playlist >> Option+Shift+t >> If, instead of copying a clip or selection to the target playlist, you'd >> rather move the selection to the target playlist rather than copying, >> Option+Shift+t is your friend. Flo Tools users will recognize that this >> Keyboard shortcut is the the command to Speak Selected Tracks. The new >> version of Flo Tools now uses a different shortcut. Refer to the What's New >> in Flo Tools document to find out more. >> >> Toggle recent playlists >> Shift+left arrow >> Pressing this shortcut will simply toggle quickly between 2 playlists >> >> Show target playlist >> Shift+right arrow >> No matter how many playlists you have or which playlist is currently >> selected, pressing Shift+Right Arrow will select the Target Playlist. >> >> Cycle in audio from previous playlist >> Command+Shift+up arrow >> Cycle in audio from next playlist >> Command+Shift+down arrow >> These two commands are perhaps the most powerful playlist editing shortcuts. >> what these commands do is cycle in audio from other playlists when a >> selection range is made. Without having to switch playlists, it's now >> possible to audition audio from other playlists in context. Let's say you >> were on your Vocal Comp playlist and you had your previously recorded 4 >> takes and you had chosen take 3 as overall best take, just like the previous >> scenario. Let's say the song was "Mary Had a Little Lamb." So let's say you >> had your chosen take copied into the target playlist and you're listening to >> the first line and the word "little just doesn't sound right. What you can >> now do is select the word "little" in the playlist and press >> Command+Shift+Down Arrow. Now, the word "little will be the performance from >> Vocal.01. Everything else remains the same and unchanged. Only the word >> "little" has changed. Pressing Command+Shift+Down Arrow again will now cycle >> in "little" from Vocal.02. You can continue to audition the selected range >> from each available playlist until you're happy with the performance. When >> you're satisfied, you can simply continue on. The entire time, you've never >> left the Target playlist and only the selected range was cycling through the >> other available playlists. Think of this as sort of selecting a different >> playlist for only the selected range rather than the entire timeline. It's >> extraordinarily powerful and, if you use Pre/Post Roll, you can audition the >> target playlist in context so you hear the result of the edit before >> committing to it. As long as your selection range stays in tact, you can >> keep cycling up or down. When you're happy with the choice, simply move on. >> >> Retrospective MIDI record >> Shift+c >> Some of you will remember the trick of hitting record at the end of a >> rehearsal take to be able to expand the audio in the buffer. Whenever people >> say, "Oh, I wish we had been recording," as long as the transport is still >> rolling when they say it, you can easily retrieve the performance. Well, now >> the same thing exists for MIDI. Press Shift+c to capture the MIDI >> performance that was happening while the transport was engaged. >> >> Transpose Selected MIDI note up/down by half step >> up/down arrows >> When a MIDI note is selected in Notes View, pressing Up/Down Arrow will >> transpose it on the fly by a semitone. This is great for quick MIDI note >> editing. Thing is, this is also the shortcut for capturing the current time >> code into the Start Counter. Down Arrow will still do this when in an audio >> track and will also work in a MIDI track if there's no note selected. >> Otherwise, if you press down arrow while the transport is engaged, what >> you'll actually do is transpose the selected note down again by one half >> step. The bottom line is that there are a number of shortcuts now in Pro >> Tools that do one thing in an audio track and a different thing in a MIDI >> track. Be careful and stay aware of what is currently selected and you'll be >> fine. >> >> Transpose Selected MIDI note up/down by octave >> Shift+up/down arrows >> Same rules apply as above but instead of semitone, notes are transposed by >> octave. >> >> Transpose Selected MIDI Note Up/Down in Key >> Control+up/down arrow >> This command relies on key signature and chord recognition which is not yet >> accessible but, by default, you might have some success. Essentially, rather >> than chromatic tranposition, notes will increment based on chord. >> >> Note that adding the Option modifier to the above transposition shortcuts >> will duplicate the selected note before transposing. In other words, if you >> have b3 selected and you press Option+Up Arrow, the b3 will remain and a new >> note with the pitch c4 will be created at the same point in the timeline. >> Pressing Up Arrow again will transpose the c4 to C Sharp 4. This is a fast >> way to stack notes to generate chords in place. >> >> You can think of the following shortcuts as equivalents to the shortcuts >> used to trim the left and right edges of selected clips only this works for >> selected MIDI notes. >> Trim note on by current nudge value >> Control+left/right arrow >> Trim note on by next greater nudge value >> control+Shift+left/right arrows >> Trim note off by nudge value >> Option+left/right arrows >> Trim note off by next greater nudge value >> Option+Shift+left/arrows >> >> The following shortcuts provide a quick way of raising or lowering MIDI Note >> On values on the fly rather than typing in a value. >> Increase/decrease velocity by 5 >> Command+up/down arrows >> Increase/decrease velocity by 15 >> Command+Shift+up/down arrows >> >> Save track preset >> Option+Shift+p >> >> Track Presets are new to Pro Tools and it's beyond the scope of this email >> to cover how track presets work. You'll need to refer to the What's New pdf >> to get the scoop on that. >> >> Hope this helps, >> >> Slau >> >> >> -- >> You received this message because you are subscribed to the Google Groups >> "Pro Tools Accessibility" group. >> To unsubscribe from this group and stop receiving emails from it, send an >> email to [email protected] >> <mailto:[email protected]>. >> For more options, visit https://groups.google.com/d/optout >> <https://groups.google.com/d/optout>. > > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to [email protected] > <mailto:[email protected]>. > For more options, visit https://groups.google.com/d/optout > <https://groups.google.com/d/optout>. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. 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