Moonbase;379968 Wrote: 
> Floyd’s »Ummagumma« was actually a good example: Mine shows an album RG
> of -2.60 on the »Live« disc 1, and -3.58 on the »Studio« disc 2.
> (Values may not be that accurate, since I still only have that album as
> MP3, not as FLAC.)
> 
> For me, the »live« and »studio« parts thus would somehow be kinda
> »separate« albums, and RG'ed accordingly.
Yes, I totally agree. Ummagumma is an example of when I wouldn't
combine disks 1 and 2 onto one album.  They are two different
productions, with different mastering, and I do see them as different
albums.

I have ripped that one as "Ummagumma [Studio]" and "Ummagumma [Live]". 
I could never remember that disk 1 was studio and disk 2 was live
(actually, I think it is vice-versa, which is counter-intuitive).  They
are not even presented as "disk 1" and "disk 2" - I think they are "The
Studio album" and "The live album". 
http://en.wikipedia.org/wiki/Ummagumma.

Like you, I'd play one or the other; playing both in one session would
be too much like hard work (although I have been known to play "Careful
with That Axe, Eugene" and "Several Species of Small Fury Animals
Gathered Together In A Cage and Groovin' With A Pict" on repeat, I
couldn't listen to Sysyphus once in totality!).

Even in this example, is there really much noticeable volume difference
between -2.60 and -3.58 (=-1dB)?  If there was a gain difference of 4dB,
then I'd be concerned, but this doesn't seem extravagent - I'd probably
not notice much, considering the difference in the music between live
and studio content and dynamic range.

Live albums especially are split across two disks, and I'd always
consider them to be one album.  I'll have to try some subjective
listening between tracks from the end of disk 1 to the start of disk 2,
to see if the crowd noise sounds noticeably different.


-- 
Philip Meyer
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