Although time doesn't let me read all the info on your link, from a 
photographer's point of view much of what was said was correct, but some 
wasn't.    The talk about 5000k being ideal for photography is only that 
because sunlight is generally just a bit cooler at 5500K--not much of a 
difference.  There is also mention of 3000K being used for what is 
commonly known as photofloods.  The lights that he might be referring to 
were actually 3400K with Kodak's Kodachrome Type A being the only film 
made in recent history--now obsolete.  Typical photography 'hot' lights 
were in the 3200K range in either a tungsten or quartz varieties.  They 
are still in common use, fairly cheap and durable.  When it comes to a 
Kelvin rating on fluorescent tubes--technically there isn't a rating but 
there are great differences in the color rendering.  The newer compact 
bulbs are generally better for viewing and photography purposes.

Again from a photographer's standpoint the typical overhead valance is a 
real 'bugger' to deal with.  Let me explain,  it's typical to have the 
valance drop down at the edge of the layout.  This causes the front 
elements in the layout to often be in shadow as the lighting is coming 
down in a 12 o'clock noon pattern--typically the worst time in the day 
for lighting.  So when guys like us come in we see all these dark 
shadows up front; we try and light the area, but the valence is now in 
the way.  This is compounded if the layout is double decked.  I recently 
worked on such a layout where the trees and buildings were only a couple 
of inches from the fluorescent tubes.  If you us the laws of physics, 
you will figure out that the lighting on the top of a building might be 
10x what the lighting might be on the 'ground' thus making the layout 
very uneven. 

General rule thumb, if your going to do a valance, put it out front by a 
foot or two--probably just about above the typical viewer.  It's 
generally okay to have lights in the back of the layout also, but keep 
some up front. 

My layout is lit by fluorescent tubes most of the time, but I do have 
track lighting with floods and spots that I use to put emphasis in key 
areas.  I hope they make replacement LED's that are inexpensive (I view 
the CFL's as a temporary solution), because the heat is certainly a factor.

Bob Werre
BobWphoto.com





Jeff Ngowe wrote:

>  
>
> For all you who don't know the intricacies of layout lighting. I 
> recommend you read Bob Sobol's forum post here 
> http://www.aorailroad.com/phpBB3/viewtopic.php?f=3&t=133. 
> <http://www.aorailroad.com/phpBB3/viewtopic.php?f=3&t=133.>
> Jeff
>
> --- In [email protected] <mailto:S-Scale%40yahoogroups.com>, 
> "ctxmf74" <c...@...> wrote:
> >
> >
> >
> > --- In [email protected] <mailto:S-Scale%40yahoogroups.com>, 
> "mhrywest" <mhry19@> wrote:
> > >now it can be done on one circuit saving money for lights and for 
> cooling because of all the heat the incandescent lights put out. I 
> need to do more investigation into exact costs and benefits.
> > >
>
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