Re: [Nuke-users] day rates in the UK

2014-03-14 Thread Steve Newbold
UK companies seem to be very good at making sure that there is no such 
thing as average or 'typical' day rate and its more down to how 
desperate they are and how good you are at talking and whether you mean 
senior as in 'been doing it for a while', or senior as in 'can do the 
hard stuff' - the two can be different things depending on the company 
you are applying to.


I would say between £170-£220 per day is typical for seniors in London 
depending on the facility, more for leads and more again for sups.  At 
this moment there is high demand for compositors but very short 
contracts so you might be able to get a good deal if you are willing to 
move companies every three months.  There is also very little difference 
between pay for film or commercials in the UK, so don't let anyone try 
that move on you...!


Steve


On 13/03/14 21:42, adam jones wrote:

Hey all

I was wondering if some one could inform me of an average day rate for a senior 
nuke comper in the UK. london or bristol

off list replies are fine if you like.

cheers all
-adam


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Re: [Nuke-users] day rates in the UK

2014-03-14 Thread adam jones
Hey steve

Thank you for the info, I find it interesting that the day rate in England sits 
at around 170 - 220 pounds a day it is around 450$ - 550$ AUD per day here in 
oz.

senior I guess I cover both side been doing it for a long time and also can do 
the hard stuff, haven't heard it explained that way before.

cheers mate
-adam


On 14/03/2014, at 8:43 PM, Steve Newbold s...@dneg.com wrote:

 UK companies seem to be very good at making sure that there is no such thing 
 as average or 'typical' day rate and its more down to how desperate they are 
 and how good you are at talking and whether you mean senior as in 'been doing 
 it for a while', or senior as in 'can do the hard stuff' - the two can be 
 different things depending on the company you are applying to.
 
 I would say between £170-£220 per day is typical for seniors in London 
 depending on the facility, more for leads and more again for sups.  At this 
 moment there is high demand for compositors but very short contracts so you 
 might be able to get a good deal if you are willing to move companies every 
 three months.  There is also very little difference between pay for film or 
 commercials in the UK, so don't let anyone try that move on you...!
 
 Steve
 
 
 On 13/03/14 21:42, adam jones wrote:
 Hey all
 
 I was wondering if some one could inform me of an average day rate for a 
 senior nuke comper in the UK. london or bristol
 
 off list replies are fine if you like.
 
 cheers all
 -adam
 
 
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Re: [Nuke-users] day rates in the UK

2014-03-14 Thread Steve Newbold

Hi Adam,

I guess its all down to supply and demand.  There are a lot of guys 
wanting to work in London/UK and the companies receive hundreds of 
applications with many people applying from Eastern Europe or the Far 
East where expectations for salaries are generally lower compared to 
people coming from the States or I guess Oz/New Zealand.  This seems to 
have the affect of driving the salaries down, and only recently we've 
seen big FX houses decide to let go of experienced (expensive) artists 
and try and replace them with cheaper (less experienced) artists.  We'll 
see the effects of this in coming months when some big shows deliver.


I find the whole junior/mid/senior labelling a bit misleading. Once 
company's senior could come in to another facility and struggle.  There 
seems to be quite common that people define their status by how long 
they have been working rather than the level of work they produce.  Most 
artists with more than 5 years experience seem to be called seniors, but 
there will be people doing it half that time who can produce better 
work, so structuring a person's pay purely based on how long they've 
been working seems unfair.


Sounds like things are good in Oz if you guys can make the equivalent of 
£78000 a year.  There won't be too many seniors here on that kind of 
money I'm sur, but come over, negotiate hard and see what you can get :)


Steve

ps.  all this is just my personal opinion and in no way a view based on 
any company or inside knowledge :)




On 14/03/14 10:39, adam jones wrote:

Hey steve

Thank you for the info, I find it interesting that the day rate in England sits 
at around 170 - 220 pounds a day it is around 450$ - 550$ AUD per day here in 
oz.

senior I guess I cover both side been doing it for a long time and also can do 
the hard stuff, haven't heard it explained that way before.

cheers mate
-adam


On 14/03/2014, at 8:43 PM, Steve Newbold s...@dneg.com wrote:


UK companies seem to be very good at making sure that there is no such thing as 
average or 'typical' day rate and its more down to how desperate they are and 
how good you are at talking and whether you mean senior as in 'been doing it 
for a while', or senior as in 'can do the hard stuff' - the two can be 
different things depending on the company you are applying to.

I would say between £170-£220 per day is typical for seniors in London 
depending on the facility, more for leads and more again for sups.  At this 
moment there is high demand for compositors but very short contracts so you 
might be able to get a good deal if you are willing to move companies every 
three months.  There is also very little difference between pay for film or 
commercials in the UK, so don't let anyone try that move on you...!

Steve


On 13/03/14 21:42, adam jones wrote:

Hey all

I was wondering if some one could inform me of an average day rate for a senior 
nuke comper in the UK. london or bristol

off list replies are fine if you like.

cheers all
-adam


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Re: [Nuke-users] day rates in the UK

2014-03-14 Thread Gustaf Nilsson
If you are a senior on 170 a day then you must either be the worst
negotiator on the planet or have stayed at the same company for too long.


On Fri, Mar 14, 2014 at 9:43 AM, Steve Newbold s...@dneg.com wrote:

 UK companies seem to be very good at making sure that there is no such
 thing as average or 'typical' day rate and its more down to how desperate
 they are and how good you are at talking and whether you mean senior as in
 'been doing it for a while', or senior as in 'can do the hard stuff' - the
 two can be different things depending on the company you are applying to.

 I would say between £170-£220 per day is typical for seniors in London
 depending on the facility, more for leads and more again for sups.  At this
 moment there is high demand for compositors but very short contracts so you
 might be able to get a good deal if you are willing to move companies every
 three months.  There is also very little difference between pay for film or
 commercials in the UK, so don't let anyone try that move on you...!

 Steve



 On 13/03/14 21:42, adam jones wrote:

 Hey all

 I was wondering if some one could inform me of an average day rate for a
 senior nuke comper in the UK. london or bristol

 off list replies are fine if you like.

 cheers all
 -adam


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Re: [Nuke-users] day rates in the UK

2014-03-14 Thread Steve Newbold
That's kind of my point.  You'll find plenty of 'seniors' on less than 
45K in small facilities in London, and yup you hit the nail on the head, 
people who stay in one company for a long time, get their 1-2% pay rise 
every year (when not in the perpetual pay freeze) and have zero concept 
oh how they stack up with other artists at other facilities.  It's not 
like it used to be.  It's a double edged sword where its very hard to 
progress unless you stick around for a bit, so you either move around, 
follow the money and do the shots, or stay put and try and work your way up.


But anyway... Nuke eh? ;)



On 14/03/14 11:45, Gustaf Nilsson wrote:
If you are a senior on 170 a day then you must either be the worst 
negotiator on the planet or have stayed at the same company for too long.



On Fri, Mar 14, 2014 at 9:43 AM, Steve Newbold s...@dneg.com 
mailto:s...@dneg.com wrote:


UK companies seem to be very good at making sure that there is no
such thing as average or 'typical' day rate and its more down to
how desperate they are and how good you are at talking and whether
you mean senior as in 'been doing it for a while', or senior as in
'can do the hard stuff' - the two can be different things
depending on the company you are applying to.

I would say between £170-£220 per day is typical for seniors in
London depending on the facility, more for leads and more again
for sups.  At this moment there is high demand for compositors but
very short contracts so you might be able to get a good deal if
you are willing to move companies every three months.  There is
also very little difference between pay for film or commercials in
the UK, so don't let anyone try that move on you...!

Steve



On 13/03/14 21:42, adam jones wrote:

Hey all

I was wondering if some one could inform me of an average day
rate for a senior nuke comper in the UK. london or bristol

off list replies are fine if you like.

cheers all
-adam


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Re: [Nuke-users] day rates in the UK

2014-03-14 Thread Gustaf Nilsson
Funny, the London plumbing scene can take on a wave of millions of
eastern european workers and still charge 40 quid an hour, maybe we can
learn something from them? Its all about connecting pipes, innit? ;)


On Fri, Mar 14, 2014 at 11:20 AM, Steve Newbold s...@dneg.com wrote:

 Hi Adam,

 I guess its all down to supply and demand.  There are a lot of guys
 wanting to work in London/UK and the companies receive hundreds of
 applications with many people applying from Eastern Europe or the Far East
 where expectations for salaries are generally lower compared to people
 coming from the States or I guess Oz/New Zealand.  This seems to have the
 affect of driving the salaries down, and only recently we've seen big FX
 houses decide to let go of experienced (expensive) artists and try and
 replace them with cheaper (less experienced) artists.  We'll see the
 effects of this in coming months when some big shows deliver.

 I find the whole junior/mid/senior labelling a bit misleading. Once
 company's senior could come in to another facility and struggle.  There
 seems to be quite common that people define their status by how long they
 have been working rather than the level of work they produce.  Most artists
 with more than 5 years experience seem to be called seniors, but there will
 be people doing it half that time who can produce better work, so
 structuring a person's pay purely based on how long they've been working
 seems unfair.

 Sounds like things are good in Oz if you guys can make the equivalent of
 £78000 a year.  There won't be too many seniors here on that kind of money
 I'm sur, but come over, negotiate hard and see what you can get :)

 Steve

 ps.  all this is just my personal opinion and in no way a view based on
 any company or inside knowledge :)




 On 14/03/14 10:39, adam jones wrote:

 Hey steve

 Thank you for the info, I find it interesting that the day rate in
 England sits at around 170 - 220 pounds a day it is around 450$ - 550$ AUD
 per day here in oz.

 senior I guess I cover both side been doing it for a long time and also
 can do the hard stuff, haven't heard it explained that way before.

 cheers mate
 -adam


 On 14/03/2014, at 8:43 PM, Steve Newbold s...@dneg.com wrote:

  UK companies seem to be very good at making sure that there is no such
 thing as average or 'typical' day rate and its more down to how desperate
 they are and how good you are at talking and whether you mean senior as in
 'been doing it for a while', or senior as in 'can do the hard stuff' - the
 two can be different things depending on the company you are applying to.

 I would say between £170-£220 per day is typical for seniors in London
 depending on the facility, more for leads and more again for sups.  At this
 moment there is high demand for compositors but very short contracts so you
 might be able to get a good deal if you are willing to move companies every
 three months.  There is also very little difference between pay for film or
 commercials in the UK, so don't let anyone try that move on you...!

 Steve


 On 13/03/14 21:42, adam jones wrote:

 Hey all

 I was wondering if some one could inform me of an average day rate for
 a senior nuke comper in the UK. london or bristol

 off list replies are fine if you like.

 cheers all
 -adam


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[Nuke-users] Gizmo Crashes on loadup

2014-03-14 Thread Neil Rögnvaldr Scholes
Hi - just wondered if anyone out there had managed to take a quick peek 
at my gizmo - struggling to find the problem with it...?


If not no worries - ill plough onwards into the great unknown...

Thanks

--
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www.neilscholes.com

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Re: [Nuke-users] Gizmo Crashes on loadup

2014-03-14 Thread Deke Kincaid
I only get an error about the viewerprocess which is in the gizmo which is
easy enough to fix.  Other then that it works fine here.  Maybe something
in your environment is causing issues or you need a more up to date version
of the 3d tools.  I downloaded the newest Lens Distortion Plugin Kit 1.7
from the 3d site.  I would also try launching nuke with --safe in the shell
and then try loading the Nuke 3de plugins + gizmo manually.

--
Deke Kincaid
Creative Specialist
The Foundry
Skype: dekekincaid
Tel: (310) 399 4555 - Mobile: (310) 883 4313
Web: www.thefoundry.co.uk
Email: d...@thefoundry.co.uk


On Fri, Mar 14, 2014 at 9:55 AM, Neil Rögnvaldr Scholes n...@uvfilms.co.uk
 wrote:

 Hi - just wondered if anyone out there had managed to take a quick peek at
 my gizmo - struggling to find the problem with it...?

 If not no worries - ill plough onwards into the great unknown...

 Thanks

 --
 Neil Rögnvaldr Scholes

 www.neilscholes.com

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Re: [Nuke-users] Gizmo Crashes on loadup

2014-03-14 Thread Neil Rögnvaldr Scholes

Thanks Deke for checking this out; ill go through your advice carefully.

Must have something set wrong on my system

Thanks again

N

Neil Rögnvaldr Scholes

www.neilscholes.com

On 14/03/14 17:32, Deke Kincaid wrote:
I only get an error about the viewerprocess which is in the gizmo 
which is easy enough to fix.  Other then that it works fine here. 
 Maybe something in your environment is causing issues or you need a 
more up to date version of the 3d tools.  I downloaded the newest 
Lens Distortion Plugin Kit 1.7 from the 3d site.  I would also try 
launching nuke with --safe in the shell and then try loading the Nuke 
3de plugins + gizmo manually.


--
Deke Kincaid
Creative Specialist
The Foundry
Skype: dekekincaid
Tel: (310) 399 4555 - Mobile: (310) 883 4313
Web: www.thefoundry.co.uk http://www.thefoundry.co.uk/
Email: d...@thefoundry.co.uk mailto:d...@thefoundry.co.uk


On Fri, Mar 14, 2014 at 9:55 AM, Neil Rögnvaldr Scholes 
n...@uvfilms.co.uk mailto:n...@uvfilms.co.uk wrote:


Hi - just wondered if anyone out there had managed to take a quick
peek at my gizmo - struggling to find the problem with it...?

If not no worries - ill plough onwards into the great unknown...

Thanks

-- 
Neil Rögnvaldr Scholes


www.neilscholes.com http://www.neilscholes.com

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Re: [Nuke-users] day rates in the UK

2014-03-14 Thread HSK
Just out of curiosity,
A bit off topic, 

What do you consider to be the hard stuff?

Sent from my iPad

 On Mar 14, 2014, at 3:43 AM, Steve Newbold s...@dneg.com wrote:
 
 UK companies seem to be very good at making sure that there is no such thing 
 as average or 'typical' day rate and its more down to how desperate they are 
 and how good you are at talking and whether you mean senior as in 'been doing 
 it for a while', or senior as in 'can do the hard stuff' - the two can be 
 different things depending on the company you are applying to.
 
 I would say between £170-£220 per day is typical for seniors in London 
 depending on the facility, more for leads and more again for sups.  At this 
 moment there is high demand for compositors but very short contracts so you 
 might be able to get a good deal if you are willing to move companies every 
 three months.  There is also very little difference between pay for film or 
 commercials in the UK, so don't let anyone try that move on you...!
 
 Steve
 
 
 On 13/03/14 21:42, adam jones wrote:
 Hey all
 
 I was wondering if some one could inform me of an average day rate for a 
 senior nuke comper in the UK. london or bristol
 
 off list replies are fine if you like.
 
 cheers all
 -adam
 
 
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Re: [Nuke-users] day rates in the UK

2014-03-14 Thread Frank Rueter|OHUfx

  
  
Either way, most qualified people I know tend to be under paid, and
based on my experience, companies will always try to take the piss
as the people that negotiate with you often don't have a clue where
your skill set fits into their copmany, and what you actually bring
to the table - and most don't want to know either.

To quote somebody from a local python mailing list:
 "The criteria used for hiring often don't match the culture in
the workplace. "

This can easily be transferred to rates and quality of work, i.e.
"the rates offered to the artists often don't match the expected
performance"

I have had requests from some of the big facilities basically asking
me if I know a junior that could do what I do. Of course they used
different words and tried to make me feel honoured that they would
ask me for my opinion. My reply was "you get what you pay for" -
never heard anything again from them.

Anyway, I guess what I'm trying to say is that we all need to be a
bit more accountable as to the rate we aim for. Aim too low, and you
may get the job today, but you will become part of the problem, and
the ongoing commoditisation of top vfx experience, and your work
will not be valued. One argument I have learned to never accept from
the big facilities when they try to hire you for another million
dollar blockbuster is "it's not in our budget". that is the lamest
excuse. It's like going to the shops, filling up your trolly and
telling the check out girl that the total price is not in your
budget - and expect a friendly "oh, well , that's fine then - have a
good day".

One of the most challenging parts of my career has been to figure
out for myself what I really think my work is worth, rather than
what I think I can get away with. It's been 18 years and am still
struggling with that :-D

frank



On 3/15/14, 12:55 AM, Steve Newbold
  wrote:


  
  That's kind of my point. You'll find
plenty of 'seniors' on less than 45K in small facilities in
London, and yup you hit the nail on the head, people who stay in
one company for a long time, get their 1-2% pay rise every year
(when not in the perpetual pay freeze) and have zero concept oh
how they stack up with other artists at other facilities. It's
not like it used to be. It's a double edged sword where its
very hard to progress unless you stick around for a bit, so you
either move around, follow the money and do the shots, or stay
put and try and work your way up.

But anyway... Nuke eh? ;)



On 14/03/14 11:45, Gustaf Nilsson wrote:
  
  
If you are a senior on 170 a day then you must
  either be the worst negotiator on the planet or have stayed at
  the same company for too long.

  
  On Fri, Mar 14, 2014 at 9:43 AM,
Steve Newbold s...@dneg.com
wrote:
UK
  companies seem to be very good at making sure that there
  is no such thing as average or 'typical' day rate and its
  more down to how desperate they are and how good you are
  at talking and whether you mean senior as in 'been doing
  it for a while', or senior as in 'can do the hard stuff' -
  the two can be different things depending on the company
  you are applying to.
  
  I would say between 170-220 per day is typical for
  seniors in London depending on the facility, more for
  leads and more again for sups. At this moment there is
  high demand for compositors but very short contracts so
  you might be able to get a good deal if you are willing to
  move companies every three months. There is also very
  little difference between pay for film or commercials in
  the UK, so don't let anyone try that move on you...!
  
  Steve
  

  
  
  On 13/03/14 21:42, adam jones wrote:
  
Hey all

I was wondering if some one could inform me of an
average day rate for a senior nuke comper in the UK.
london or bristol

off list replies are fine if you like.

cheers all
-adam


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Re: [Nuke-users] day rates in the UK

2014-03-14 Thread adam jones
well said frank.

you have put into word in an elegant way what I try and explain to people all 
of the time, its a slow road but the more artists that think this way the 
easier it will become.

cheers
-adam


On 15/03/2014, at 10:20 AM, Frank Rueter|OHUfx fr...@ohufx.com wrote:

 Either way, most qualified people I know tend to be under paid, and based on 
 my experience, companies will always try to take the piss as the people that 
 negotiate with you often don't have a clue where your skill set fits into 
 their copmany, and what you actually bring to the table - and most don't want 
 to know either.
 
 To quote somebody from a local python mailing list:
 The criteria used for hiring often don't match the culture in the 
 workplace. 
 
 This can easily be transferred to rates and quality of work, i.e. the rates 
 offered to the artists often don't match the expected performance
 
 I have had requests from some of the big facilities basically asking me if I 
 know a junior that could do what I do. Of course they used different words 
 and tried to make me feel honoured that they would ask me for my opinion. 
 My reply was you get what you pay for - never heard anything again from 
 them.
 
 Anyway, I guess what I'm trying to say is that we all need to be a bit more 
 accountable as to the rate we aim for. Aim too low, and you may get the job 
 today, but you will become part of the problem, and the ongoing 
 commoditisation of top vfx experience, and your work will not be valued. One 
 argument I have learned to never accept from the big facilities when they try 
 to hire you for another million dollar blockbuster is it's not in our 
 budget. that is the lamest excuse. It's like going to the shops, filling up 
 your trolly and telling the check out girl that the total price is not in 
 your budget - and expect a friendly oh, well , that's fine then - have a 
 good day.
 
 One of the most challenging parts of my career has been to figure out for 
 myself what I really think my work is worth, rather than what I think I can 
 get away with. It's been 18 years and am still struggling with that :-D
 
 frank
 
 
 
 On 3/15/14, 12:55 AM, Steve Newbold wrote:
 That's kind of my point.  You'll find plenty of 'seniors' on less than 45K 
 in small facilities in London, and yup you hit the nail on the head, people 
 who stay in one company for a long time, get their 1-2% pay rise every year 
 (when not in the perpetual pay freeze) and have zero concept oh how they 
 stack up with other artists at other facilities.  It's not like it used to 
 be.  It's a double edged sword where its very hard to progress unless you 
 stick around for a bit, so you either move around, follow the money and do 
 the shots, or stay put and try and work your way up.
 
 But anyway... Nuke eh? ;)
 
 
 
 On 14/03/14 11:45, Gustaf Nilsson wrote:
 If you are a senior on 170 a day then you must either be the worst 
 negotiator on the planet or have stayed at the same company for too long.
 
 
 On Fri, Mar 14, 2014 at 9:43 AM, Steve Newbold s...@dneg.com wrote:
 UK companies seem to be very good at making sure that there is no such 
 thing as average or 'typical' day rate and its more down to how desperate 
 they are and how good you are at talking and whether you mean senior as in 
 'been doing it for a while', or senior as in 'can do the hard stuff' - the 
 two can be different things depending on the company you are applying to.
 
 I would say between £170-£220 per day is typical for seniors in London 
 depending on the facility, more for leads and more again for sups.  At this 
 moment there is high demand for compositors but very short contracts so you 
 might be able to get a good deal if you are willing to move companies every 
 three months.  There is also very little difference between pay for film or 
 commercials in the UK, so don't let anyone try that move on you...!
 
 Steve
 
 
 
 On 13/03/14 21:42, adam jones wrote:
 Hey all
 
 I was wondering if some one could inform me of an average day rate for a 
 senior nuke comper in the UK. london or bristol
 
 off list replies are fine if you like.
 
 cheers all
 -adam
 
 
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Re: [Nuke-users] day rates in the UK

2014-03-14 Thread Neil Scholes
Absofrigin-lutley!

Very interesting thread, and considering the shear skill set needed and uber 
high level of expertise required for great vfx creation, the right price can 
always be negotiated confidently and reasonably. 


Neil Scholes

Sent from my iPad

 On 14 Mar 2014, at 23:37, adam jones adam@mac.com wrote:
 
 well said frank.
 
 you have put into word in an elegant way what I try and explain to people all 
 of the time, its a slow road but the more artists that think this way the 
 easier it will become.
 
 cheers
 -adam
 
 
 On 15/03/2014, at 10:20 AM, Frank Rueter|OHUfx fr...@ohufx.com wrote:
 
 Either way, most qualified people I know tend to be under paid, and based on 
 my experience, companies will always try to take the piss as the people that 
 negotiate with you often don't have a clue where your skill set fits into 
 their copmany, and what you actually bring to the table - and most don't 
 want to know either.
 
 To quote somebody from a local python mailing list:
 The criteria used for hiring often don't match the culture in the 
 workplace. 
 
 This can easily be transferred to rates and quality of work, i.e. the rates 
 offered to the artists often don't match the expected performance
 
 I have had requests from some of the big facilities basically asking me if I 
 know a junior that could do what I do. Of course they used different words 
 and tried to make me feel honoured that they would ask me for my opinion. My 
 reply was you get what you pay for - never heard anything again from them.
 
 Anyway, I guess what I'm trying to say is that we all need to be a bit more 
 accountable as to the rate we aim for. Aim too low, and you may get the job 
 today, but you will become part of the problem, and the ongoing 
 commoditisation of top vfx experience, and your work will not be valued. One 
 argument I have learned to never accept from the big facilities when they 
 try to hire you for another million dollar blockbuster is it's not in our 
 budget. that is the lamest excuse. It's like going to the shops, filling up 
 your trolly and telling the check out girl that the total price is not in 
 your budget - and expect a friendly oh, well , that's fine then - have a 
 good day.
 
 One of the most challenging parts of my career has been to figure out for 
 myself what I really think my work is worth, rather than what I think I can 
 get away with. It's been 18 years and am still struggling with that :-D
 
 frank
 
 
 
 On 3/15/14, 12:55 AM, Steve Newbold wrote:
 That's kind of my point.  You'll find plenty of 'seniors' on less than 45K 
 in small facilities in London, and yup you hit the nail on the head, people 
 who stay in one company for a long time, get their 1-2% pay rise every year 
 (when not in the perpetual pay freeze) and have zero concept oh how they 
 stack up with other artists at other facilities.  It's not like it used to 
 be.  It's a double edged sword where its very hard to progress unless you 
 stick around for a bit, so you either move around, follow the money and do 
 the shots, or stay put and try and work your way up.
 
 But anyway... Nuke eh? ;)
 
 
 
 On 14/03/14 11:45, Gustaf Nilsson wrote:
 If you are a senior on 170 a day then you must either be the worst 
 negotiator on the planet or have stayed at the same company for too long.
 
 
 On Fri, Mar 14, 2014 at 9:43 AM, Steve Newbold s...@dneg.com wrote:
 UK companies seem to be very good at making sure that there is no such 
 thing as average or 'typical' day rate and its more down to how desperate 
 they are and how good you are at talking and whether you mean senior as 
 in 'been doing it for a while', or senior as in 'can do the hard stuff' - 
 the two can be different things depending on the company you are applying 
 to.
 
 I would say between £170-£220 per day is typical for seniors in London 
 depending on the facility, more for leads and more again for sups.  At 
 this moment there is high demand for compositors but very short contracts 
 so you might be able to get a good deal if you are willing to move 
 companies every three months.  There is also very little difference 
 between pay for film or commercials in the UK, so don't let anyone try 
 that move on you...!
 
 Steve
 
 
 
 On 13/03/14 21:42, adam jones wrote:
 Hey all
 
 I was wondering if some one could inform me of an average day rate for a 
 senior nuke comper in the UK. london or bristol
 
 off list replies are fine if you like.
 
 cheers all
 -adam
 
 
 ___
 Nuke-users mailing list
 Nuke-users@support.thefoundry.co.uk, http://forums.thefoundry.co.uk/
 http://support.thefoundry.co.uk/cgi-bin/mailman/listinfo/nuke-users
 
 ___
 Nuke-users mailing list
 Nuke-users@support.thefoundry.co.uk, http://forums.thefoundry.co.uk/
 http://support.thefoundry.co.uk/cgi-bin/mailman/listinfo/nuke-users
 
 
 
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