Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
I can just about understand the need
for people to want to belong to something they believe in, or would like
to be a part of, but anything that by nature is exclusive does not get
my support or interest.

Cheers,
   Cotty


2000 people from the PDML will show up at your local pub tomorrow, blocking 
the door so you can't get in and quaff your thirst with a pint.  Then we'll 
see how you feel about exclusive. ;-)

Tom C.



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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
What's *hard* to imagine about Pentax?

Tom C.


From: Jack Davis [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Pentax Gallery Resignation
Date: Thu, 27 Sep 2007 06:58:49 -0700 (PDT)

No way it could be stated any better, Frank.
Their not having anticipating a volume crunch is, however, hard to
imagine. Could be they consider accepted artist voting a handy
explanation..if needed.
When 'proven' laudable work is summarily declined, incentive wanes.

Jack
--- frank theriault [EMAIL PROTECTED] wrote:

  On 9/27/07, Cotty [EMAIL PROTECTED] wrote:
 
  snip
   Actually I see any photographic competition as utterly pointless.
  snip
 
  I agree 100%!
 
  Funny thing is, I didn't see The Pentax Gallery as a competition.  I
  thought that as long as the photos met a minimum standard, they were
  in, and it would be a cool place from which to show photos.  I didn't
  see it as grading or rating photos, merely accepting.
 
  I think it's that misconception that pisses me off most.  I didn't
  understand it as a competition at all, and clearly it is.  I know my
  photos aren't all pretty or pleasing or spectacular, so really they
  don't stand a chance against some that are in the gallery, but I have
  to admit to feeling a bit stung when I saw some rather banal,
  ordinary
  photos that got accepted, while mine all got the boot.  It may be
  that
  these other photos were accepted early, when there were far fewer
  voters, and the gallery needed photos, but it certainly points to a
  glaring inconsitency in the acceptance procedure, IMHO.
 
  Too bad, because had it been set up properly, it could have been fun.
  Having everything rejected isn't fun at all...
 
  cheers,
  frank
 
 
 
  --
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread cbwaters
Tom, what time is this meet... I have a production rehearsal at 7 PM 
EST...so with the travel time to the U.K it's going to tighten up my day 
considerably...


- Original Message - 
From: Tom C [EMAIL PROTECTED]
To: pdml@pdml.net
Sent: Thursday, September 27, 2007 9:55 AM
Subject: Re: Pentax Gallery Resignation


 I can just about understand the need
for people to want to belong to something they believe in, or would like
to be a part of, but anything that by nature is exclusive does not get
my support or interest.

Cheers,
   Cotty


 2000 people from the PDML will show up at your local pub tomorrow, 
 blocking
 the door so you can't get in and quaff your thirst with a pint.  Then 
 we'll
 see how you feel about exclusive. ;-)

 Tom C.



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 follow the directions.


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 No virus found in this incoming message.
 Checked by AVG Free Edition.
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Re: Pentax Gallery Resignation

2007-09-27 Thread Boris Liberman
Fascinating (in Mr Spock of Vulcan way)...

I tend to agree with you on most of the sentiments you expressed.

In fact, I kind of thought it would be competitive (the Pentax gallery 
thingie) from the start. Given the fact that the submitted work is 
filtered by someone else immediately implies that there are criteria to 
be met. And here we have it - the competition.

Boris

Cotty wrote:
 On 27/09/07, Boris Liberman, discombobulated, unleashed:
 
 I really thought that you were rather competitive person, Cotty. I am 
 fairly competitive, but in photography I don't feel any desire to prove 
 anything. So I don't really participate in competitions...
 
 My competitive side extends solely to my professional life. Needs must.
 Beyond that, I'm not a keen advocate of the 'I am better than you and I
 would like it personally vindicated' philosophy.
 
 Actually I see any photographic competition as utterly pointless. To
 encourage creativity? Loada bollux! I can just about understand the need
 for people to want to belong to something they believe in, or would like
 to be a part of, but anything that by nature is exclusive does not get
 my support or interest.
 


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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
LOL Cory. :-)



Tom C.



From: cbwaters [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Pentax Gallery Resignation
Date: Thu, 27 Sep 2007 10:09:46 -0400

Tom, what time is this meet... I have a production rehearsal at 7 PM
EST...so with the travel time to the U.K it's going to tighten up my 
day
considerably...


- Original Message -
From: Tom C [EMAIL PROTECTED]
To: pdml@pdml.net
Sent: Thursday, September 27, 2007 9:55 AM
Subject: Re: Pentax Gallery Resignation


  I can just about understand the need
 for people to want to belong to something they believe in, or would like
 to be a part of, but anything that by nature is exclusive does not get
 my support or interest.
 
 Cheers,
Cotty
 
 
  2000 people from the PDML will show up at your local pub tomorrow,
  blocking
  the door so you can't get in and quaff your thirst with a pint.  Then
  we'll
  see how you feel about exclusive. ;-)
 
  Tom C.
 
 
 
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  follow the directions.
 
 
  --
  No virus found in this incoming message.
  Checked by AVG Free Edition.
  Version: 7.5.488 / Virus Database: 269.13.32/1032 - Release Date:
  9/26/2007 8:20 PM
 
 


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Re: Pentax Gallery Resignation

2007-09-27 Thread John Sessoms
From: ann sanfedele

 Gonz wrote:
 
 Oops that should have been family Leporidae.  I'm not sure whether
 Frank is a Rabbit or a Hare.
  

 wabbit

A wascally wabbit?

he-he-e-e-e

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Re: Pentax Gallery Resignation

2007-09-27 Thread Godfrey DiGiorgi
On Sep 27, 2007, at 12:09 AM, Cotty wrote:

 My competitive side extends solely to my professional life. Needs  
 must.
 Beyond that, I'm not a keen advocate of the 'I am better than you  
 and I
 would like it personally vindicated' philosophy.

 Actually I see any photographic competition as utterly pointless. To
 encourage creativity? Loada bollux! I can just about understand the  
 need
 for people to want to belong to something they believe in, or would  
 like
 to be a part of, but anything that by nature is exclusive does not get
 my support or interest.

I agree completely.

I enter photos into exhibition contests on a regular basis as a  
part of my professional business. It's a crap shoot ... anyone with  
any sense realizes that a competition of this sort is 100%  
subjective whimsy on the part of the juror committee.

Godfrey


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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Jack Davis
Subject: Re: Pentax Gallery Resignation


 No way it could be stated any better, Frank.
 Their not having anticipating a volume crunch is, however, hard to
 imagine. Could be they consider accepted artist voting a handy
 explanation..if needed.
 When 'proven' laudable work is summarily declined, incentive wanes.


 snip
  Actually I see any photographic competition as utterly pointless.
 snip

 I agree 100%!

 Funny thing is, I didn't see The Pentax Gallery as a competition.  I
 thought that as long as the photos met a minimum standard, they were
 in, and it would be a cool place from which to show photos.  I didn't
 see it as grading or rating photos, merely accepting.

 I think it's that misconception that pisses me off most.  I didn't
 understand it as a competition at all, and clearly it is.  I know my
 photos aren't all pretty or pleasing or spectacular, so really they
 don't stand a chance against some that are in the gallery, but I have
 to admit to feeling a bit stung when I saw some rather banal,
 ordinary
 photos that got accepted, while mine all got the boot.  It may be
 that
 these other photos were accepted early, when there were far fewer
 voters, and the gallery needed photos, but it certainly points to a
 glaring inconsitency in the acceptance procedure, IMHO.

 Too bad, because had it been set up properly, it could have been fun.
 Having everything rejected isn't fun at all...

It's unfortunate that you believe that getting your photos to meet a minimum 
standard isn't a competition. Any time someone puts up a bar that you need 
to clear to get a reward, it is a competition.
Just because you aren't competing with another person, doesn't mean you 
aren't competing, it just means that the rules of the competition are such 
that you are competing against a standard.
OTOH, I really do think the people running the gallery totally buggered up 
when they changed the acceptance procedure into a peer based popularity 
contest.

William Robb 


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Re: Pentax Gallery Resignation

2007-09-27 Thread John Sessoms
From: frank theriault

 n 9/27/07, Cotty [EMAIL PROTECTED] wrote:
 
 snip
  Actually I see any photographic competition as utterly pointless. snip
 
 I agree 100%!

Unless the prize for the winning photograph is worth having.

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Re: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
Well, Robb, I'm not surprised that it's being viewed as a competition.
If one chooses to consider the accepted image count as a 'score'
against which one is competing, then it's a competition. Your choice.

Jack
--- William Robb [EMAIL PROTECTED] wrote:

 
 - Original Message - 
 From: Jack Davis
 Subject: Re: Pentax Gallery Resignation
 
 
  No way it could be stated any better, Frank.
  Their not having anticipating a volume crunch is, however, hard to
  imagine. Could be they consider accepted artist voting a handy
  explanation..if needed.
  When 'proven' laudable work is summarily declined, incentive wanes.
 
 
  snip
   Actually I see any photographic competition as utterly
 pointless.
  snip
 
  I agree 100%!
 
  Funny thing is, I didn't see The Pentax Gallery as a competition. 
 I
  thought that as long as the photos met a minimum standard, they
 were
  in, and it would be a cool place from which to show photos.  I
 didn't
  see it as grading or rating photos, merely accepting.
 
  I think it's that misconception that pisses me off most.  I didn't
  understand it as a competition at all, and clearly it is.  I know
 my
  photos aren't all pretty or pleasing or spectacular, so really
 they
  don't stand a chance against some that are in the gallery, but I
 have
  to admit to feeling a bit stung when I saw some rather banal,
  ordinary
  photos that got accepted, while mine all got the boot.  It may be
  that
  these other photos were accepted early, when there were far fewer
  voters, and the gallery needed photos, but it certainly points
 to a
  glaring inconsitency in the acceptance procedure, IMHO.
 
  Too bad, because had it been set up properly, it could have been
 fun.
  Having everything rejected isn't fun at all...
 
 It's unfortunate that you believe that getting your photos to meet a
 minimum 
 standard isn't a competition. Any time someone puts up a bar that you
 need 
 to clear to get a reward, it is a competition.
 Just because you aren't competing with another person, doesn't mean
 you 
 aren't competing, it just means that the rules of the competition are
 such 
 that you are competing against a standard.
 OTOH, I really do think the people running the gallery totally
 buggered up 
 when they changed the acceptance procedure into a peer based
 popularity 
 contest.
 
 William Robb 
 
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Cotty
On 27/09/07, Tom C, discombobulated, unleashed:

2000 people from the PDML will show up at your local pub tomorrow, blocking 
the door so you can't get in and quaff your thirst with a pint.  Then we'll 
see how you feel about exclusive. ;-)

Har!!

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Cheers,
  Cotty


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||=|http://www.cottysnaps.com
_



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Re: Pentax Gallery Resignation

2007-09-27 Thread Cotty
On 27/09/07, William Robb, discombobulated, unleashed:

Just because you aren't competing with another person, doesn't mean you 
aren't competing, it just means that the rules of the competition are such 
that you are competing against a standard.

Question: how subjective is this standard?

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  Cotty


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Re: Pentax Gallery Resignation

2007-09-27 Thread Cotty
On 27/09/07, cbwaters, discombobulated, unleashed:

Tom, what time is this meet... I have a production rehearsal at 7 PM 
EST...so with the travel time to the U.K it's going to tighten up my day 
considerably...

Ceeb I think you'd like it over here. Ever been? We could show you a
pretty nice stadium for starters

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  Cotty


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Re: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
Actually, I consider I'm just vying for a favorable subjective opinion
from da 'judge'.

Jack
--- Cotty [EMAIL PROTECTED] wrote:

 On 27/09/07, William Robb, discombobulated, unleashed:
 
 Just because you aren't competing with another person, doesn't mean
 you 
 aren't competing, it just means that the rules of the competition
 are such 
 that you are competing against a standard.
 
 Question: how subjective is this standard?
 
 -- 
 
 
 Cheers,
   Cotty
 
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Kenneth Waller
 2000 people from the PDML will show up at your local pub tomorrow, 
 blocking
 the door so you can't get in and quaff your thirst with a pint.

 Tom C.

You buying ?


Kenneth Waller
http://tinyurl.com/272u2f


- Original Message - 
From: Tom C [EMAIL PROTECTED]
Subject: Re: Pentax Gallery Resignation


 I can just about understand the need
for people to want to belong to something they believe in, or would like
to be a part of, but anything that by nature is exclusive does not get
my support or interest.

Cheers,
   Cotty


 2000 people from the PDML will show up at your local pub tomorrow, 
 blocking
 the door so you can't get in and quaff your thirst with a pint.  Then 
 we'll
 see how you feel about exclusive. ;-)

 Tom C.


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Re: Pentax Gallery Resignation

2007-09-27 Thread pnstenquist
It's a personal competition, but you're not competing against others. For the 
accepted image count to be a score, everyone would have to make the same number 
of submissions. I recall one PDML member saying he was submitting between five 
and ten shots every day. That obviously will skew the curve. Which is fine, but 
that's why it's not a mine vs. yours competition. At least that's what I think. 
And in the end, none of it matters a hoot:-).
Paul
 -- Original message --
From: Jack Davis [EMAIL PROTECTED]
 Well, Robb, I'm not surprised that it's being viewed as a competition.
 If one chooses to consider the accepted image count as a 'score'
 against which one is competing, then it's a competition. Your choice.
 
 Jack
 --- William Robb [EMAIL PROTECTED] wrote:
 
  
  - Original Message - 
  From: Jack Davis
  Subject: Re: Pentax Gallery Resignation
  
  
   No way it could be stated any better, Frank.
   Their not having anticipating a volume crunch is, however, hard to
   imagine. Could be they consider accepted artist voting a handy
   explanation..if needed.
   When 'proven' laudable work is summarily declined, incentive wanes.
  
  
   snip
Actually I see any photographic competition as utterly
  pointless.
   snip
  
   I agree 100%!
  
   Funny thing is, I didn't see The Pentax Gallery as a competition. 
  I
   thought that as long as the photos met a minimum standard, they
  were
   in, and it would be a cool place from which to show photos.  I
  didn't
   see it as grading or rating photos, merely accepting.
  
   I think it's that misconception that pisses me off most.  I didn't
   understand it as a competition at all, and clearly it is.  I know
  my
   photos aren't all pretty or pleasing or spectacular, so really
  they
   don't stand a chance against some that are in the gallery, but I
  have
   to admit to feeling a bit stung when I saw some rather banal,
   ordinary
   photos that got accepted, while mine all got the boot.  It may be
   that
   these other photos were accepted early, when there were far fewer
   voters, and the gallery needed photos, but it certainly points
  to a
   glaring inconsitency in the acceptance procedure, IMHO.
  
   Too bad, because had it been set up properly, it could have been
  fun.
   Having everything rejected isn't fun at all...
  
  It's unfortunate that you believe that getting your photos to meet a
  minimum 
  standard isn't a competition. Any time someone puts up a bar that you
  need 
  to clear to get a reward, it is a competition.
  Just because you aren't competing with another person, doesn't mean
  you 
  aren't competing, it just means that the rules of the competition are
  such 
  that you are competing against a standard.
  OTOH, I really do think the people running the gallery totally
  buggered up 
  when they changed the acceptance procedure into a peer based
  popularity 
  contest.
  
  William Robb 
  
  
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Re: Pentax Gallery Resignation

2007-09-27 Thread Mark Roberts
Cotty wrote:

On 27/09/07, William Robb, discombobulated, unleashed:

Just because you aren't competing with another person, doesn't 
mean you aren't competing, it just means that the rules of the 
competition are such that you are competing against a standard.

Question: how subjective is this standard?

Same as all competitions: Very.

Personally, I quite like the Pentax Gallery kind of contest because, 
unlike other contests, I get to aim repeatedly at the same target 
(acceptance into the Gallery, in this case). I may not agree with their 
choices, but teaching myself (or trying to teach myself!) to achieve 
what they're after makes me push myself as a photographer. 

I find that creating works that please someone else is a lot more 
demanding, tiring, frustrating and annoying than creating things that 
please just myself. But that's not necessarily a bad thing.




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Re: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
..or a holler!! ;)


Jack
--- [EMAIL PROTECTED] wrote:

 It's a personal competition, but you're not competing against others.
 For the accepted image count to be a score, everyone would have to
 make the same number of submissions. I recall one PDML member saying
 he was submitting between five and ten shots every day. That
 obviously will skew the curve. Which is fine, but that's why it's not
 a mine vs. yours competition. At least that's what I think. And in
 the end, none of it matters a hoot:-).
 Paul
  -- Original message --
 From: Jack Davis [EMAIL PROTECTED]
  Well, Robb, I'm not surprised that it's being viewed as a
 competition.
  If one chooses to consider the accepted image count as a 'score'
  against which one is competing, then it's a competition. Your
 choice.
  
  Jack
  --- William Robb [EMAIL PROTECTED] wrote:
  
   
   - Original Message - 
   From: Jack Davis
   Subject: Re: Pentax Gallery Resignation
   
   
No way it could be stated any better, Frank.
Their not having anticipating a volume crunch is, however, hard
 to
imagine. Could be they consider accepted artist voting a
 handy
explanation..if needed.
When 'proven' laudable work is summarily declined, incentive
 wanes.
   
   
snip
 Actually I see any photographic competition as utterly
   pointless.
snip
   
I agree 100%!
   
Funny thing is, I didn't see The Pentax Gallery as a
 competition. 
   I
thought that as long as the photos met a minimum standard,
 they
   were
in, and it would be a cool place from which to show photos.  I
   didn't
see it as grading or rating photos, merely accepting.
   
I think it's that misconception that pisses me off most.  I
 didn't
understand it as a competition at all, and clearly it is.  I
 know
   my
photos aren't all pretty or pleasing or spectacular, so really
   they
don't stand a chance against some that are in the gallery, but
 I
   have
to admit to feeling a bit stung when I saw some rather banal,
ordinary
photos that got accepted, while mine all got the boot.  It may
 be
that
these other photos were accepted early, when there were far
 fewer
voters, and the gallery needed photos, but it certainly
 points
   to a
glaring inconsitency in the acceptance procedure, IMHO.
   
Too bad, because had it been set up properly, it could have
 been
   fun.
Having everything rejected isn't fun at all...
   
   It's unfortunate that you believe that getting your photos to
 meet a
   minimum 
   standard isn't a competition. Any time someone puts up a bar that
 you
   need 
   to clear to get a reward, it is a competition.
   Just because you aren't competing with another person, doesn't
 mean
   you 
   aren't competing, it just means that the rules of the competition
 are
   such 
   that you are competing against a standard.
   OTOH, I really do think the people running the gallery totally
   buggered up 
   when they changed the acceptance procedure into a peer based
   popularity 
   contest.
   
   William Robb 
   
   
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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
I agree.  If acceptance is left purely to a judging panel, then we can 
expect the regular subjectivity.  If it's based on a general vote of others, 
then it's also suspect, as the general public doesn't know hooey about good 
photography.

I'd like to know the qualifications of the judges, myself.  It is totally 
possible photos are being judged by people with no other particular 
qualifications than that they work for Pentax, which is totally within their 
bailiwick, just not reassuring.

If the gallery is designed to be a high-quality gallery, then all images 
should clearly be outstanding.  If it's not designed to be that, then the 
result will be something less. (Stating the obvious).

Tom C.


From: [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Pentax Gallery Resignation
Date: Thu, 27 Sep 2007 19:45:35 +

It's a personal competition, but you're not competing against others. For 
the accepted image count to be a score, everyone would have to make the 
same number of submissions. I recall one PDML member saying he was 
submitting between five and ten shots every day. That obviously will skew 
the curve. Which is fine, but that's why it's not a mine vs. yours 
competition. At least that's what I think. And in the end, none of it 
matters a hoot:-).
Paul
  -- Original message --
From: Jack Davis [EMAIL PROTECTED]
  Well, Robb, I'm not surprised that it's being viewed as a competition.
  If one chooses to consider the accepted image count as a 'score'
  against which one is competing, then it's a competition. Your choice.
 
  Jack
  --- William Robb [EMAIL PROTECTED] wrote:
 
  
   - Original Message -
   From: Jack Davis
   Subject: Re: Pentax Gallery Resignation
  
  
No way it could be stated any better, Frank.
Their not having anticipating a volume crunch is, however, hard to
imagine. Could be they consider accepted artist voting a handy
explanation..if needed.
When 'proven' laudable work is summarily declined, incentive wanes.
   
  
snip
 Actually I see any photographic competition as utterly
   pointless.
snip
   
I agree 100%!
   
Funny thing is, I didn't see The Pentax Gallery as a competition.
   I
thought that as long as the photos met a minimum standard, they
   were
in, and it would be a cool place from which to show photos.  I
   didn't
see it as grading or rating photos, merely accepting.
   
I think it's that misconception that pisses me off most.  I didn't
understand it as a competition at all, and clearly it is.  I know
   my
photos aren't all pretty or pleasing or spectacular, so really
   they
don't stand a chance against some that are in the gallery, but I
   have
to admit to feeling a bit stung when I saw some rather banal,
ordinary
photos that got accepted, while mine all got the boot.  It may be
that
these other photos were accepted early, when there were far fewer
voters, and the gallery needed photos, but it certainly points
   to a
glaring inconsitency in the acceptance procedure, IMHO.
   
Too bad, because had it been set up properly, it could have been
   fun.
Having everything rejected isn't fun at all...
  
   It's unfortunate that you believe that getting your photos to meet a
   minimum
   standard isn't a competition. Any time someone puts up a bar that you
   need
   to clear to get a reward, it is a competition.
   Just because you aren't competing with another person, doesn't mean
   you
   aren't competing, it just means that the rules of the competition are
   such
   that you are competing against a standard.
   OTOH, I really do think the people running the gallery totally
   buggered up
   when they changed the acceptance procedure into a peer based
   popularity
   contest.
  
   William Robb
  
  
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Re: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
You're right, it isn't. You might look at it from the standpoint of a
vocal 'artist' who looks for applause when she stops singing.
Approval can be intoxicating.

Jack
--- Mark Roberts [EMAIL PROTECTED] wrote:

 Cotty wrote:
 
 On 27/09/07, William Robb, discombobulated, unleashed:
 
 Just because you aren't competing with another person, doesn't 
 mean you aren't competing, it just means that the rules of the 
 competition are such that you are competing against a standard.
 
 Question: how subjective is this standard?
 
 Same as all competitions: Very.
 
 Personally, I quite like the Pentax Gallery kind of contest because, 
 unlike other contests, I get to aim repeatedly at the same target 
 (acceptance into the Gallery, in this case). I may not agree with
 their 
 choices, but teaching myself (or trying to teach myself!) to achieve 
 what they're after makes me push myself as a photographer. 
 
 I find that creating works that please someone else is a lot more 
 demanding, tiring, frustrating and annoying than creating things that
 
 please just myself. But that's not necessarily a bad thing.
 
 
 
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread frank theriault
On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:

 Question: how subjective is this standard?

 Same as all competitions: Very.

 Personally, I quite like the Pentax Gallery kind of contest because,
 unlike other contests, I get to aim repeatedly at the same target
 (acceptance into the Gallery, in this case). I may not agree with their
 choices, but teaching myself (or trying to teach myself!) to achieve
 what they're after makes me push myself as a photographer.

 I find that creating works that please someone else is a lot more
 demanding, tiring, frustrating and annoying than creating things that
 please just myself. But that's not necessarily a bad thing.

I think my problem with the Pentax Gallery is that I don't know what
the standard is.  How can I aim for a target if I can't see it?

There's no explanation as to the criteria to get past the accepted
artists' voting:  How many votes are required to be accepted or
rejected?  What percentage of yes votes is required for acceptance?
 and even then, it states clearly that those that get past the first
screening can be rejected outright by the Pentax Panel.  We don't
know who those people are, and what they're looking for.

It's all very closed door, which to me makes it something of a
crap-shoot.  I'm not sure how submitting many photos and having them
all rejected makes me a better photographer.

It rather just leaves me scratching my head, and thinking that if I
want feedback or reaction, this isn't the place for me.  Some may find
this sort of exercise very valuable, but I don't.

I mean, hey, no hard feelings.  Pentax can run this thing any way they
want;  it's their contest.  However, if this is the way they choose to
run it, my choice is to not participate.

cheers,
frank



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Re: Pentax Gallery Resignation

2007-09-27 Thread Scott Loveless
frank theriault wrote:
 I think my problem with the Pentax Gallery is that I don't know what
 the standard is.  How can I aim for a target if I can't see it?
 
And it's a moving target, to boot.  You never know who may be voting on 
your photo at any given time.  Subjective is one thing.  Variably 
subjective is irritating at best.

-- 
Scott Loveless
http://www.twosixteen.com/fivetoedsloth/

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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
Subjective is one thing.  Variably subjective is irritating at best.

--
Scott Loveless
http://www.twosixteen.com/fivetoedsloth/


... said the married man...

Tom C.



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Re: Pentax Gallery Resignation

2007-09-27 Thread graywolf
Pooka

Gonz wrote:
 Oops that should have been family Leporidae.  I'm not sure whether
 Frank is a Rabbit or a Hare.
 
 
 
 
 On 9/26/07, Gonz [EMAIL PROTECTED] wrote:
 Frank, didn't you read the fine print?  In Title 9, section 4,
 paragraph 110, Item b) : No work shall be accepted from the class
 Lepus and all its associated species and subspecies.


 =:)


 On 9/26/07, frank theriault [EMAIL PROTECTED] wrote:
 Copy of e-mail recently sent to The Pentax Gallery:

 Sirs/Mesdames,

 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.

 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.

 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.

 Thank you for the opportunity to submit my photos.

 regards,
 frank theriault

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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RE: Pentax Gallery Resignation

2007-09-27 Thread Bob W
  How can I aim for a target if I can't see it?

You must follow the Way Of The Blind Archer, grasshopper. The Blind
Archer does not see the target. He allows the target to see him, and
to guide the arrow into his heart, as the heron's beak enters the
stream. For are they not one, the archer, the target and the arrow?
Are they not avatars of each of us, and we of them? Your hand must not
know that it has released the bowstring, it must slip from you as
melting snow slips from the bamboo leaf. Then surely the bow, the
string, the arrow, the archer and the target are one. 

Hope that helps.

--
 Bob
 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of frank theriault
 Sent: 27 September 2007 21:29
 To: Pentax-Discuss Mail List
 Subject: Re: Pentax Gallery Resignation
 
 On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:
 
  Question: how subjective is this standard?
 
  Same as all competitions: Very.
 
  Personally, I quite like the Pentax Gallery kind of contest
because,
  unlike other contests, I get to aim repeatedly at the same target
  (acceptance into the Gallery, in this case). I may not 
 agree with their
  choices, but teaching myself (or trying to teach myself!) to
achieve
  what they're after makes me push myself as a photographer.
 
  I find that creating works that please someone else is a lot more
  demanding, tiring, frustrating and annoying than creating 
 things that
  please just myself. But that's not necessarily a bad thing.
 
 I think my problem with the Pentax Gallery is that I don't know what
 the standard is.  How can I aim for a target if I can't see it?
 
 There's no explanation as to the criteria to get past the accepted
 artists' voting:  How many votes are required to be accepted or
 rejected?  What percentage of yes votes is required for
acceptance?
  and even then, it states clearly that those that get past the first
 screening can be rejected outright by the Pentax Panel.  We don't
 know who those people are, and what they're looking for.
 
 It's all very closed door, which to me makes it something of a
 crap-shoot.  I'm not sure how submitting many photos and having them
 all rejected makes me a better photographer.
 
 It rather just leaves me scratching my head, and thinking that if I
 want feedback or reaction, this isn't the place for me.  Some may
find
 this sort of exercise very valuable, but I don't.
 
 I mean, hey, no hard feelings.  Pentax can run this thing any way
they
 want;  it's their contest.  However, if this is the way they choose
to
 run it, my choice is to not participate.
 
 cheers,
 frank
 
 
 
 -- 
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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RE: Pentax Gallery Resignation

2007-09-27 Thread Tom C
USE THE FORCE, FRANK.



Tom C.

From: Bob W [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: 'Pentax-Discuss Mail List' pdml@pdml.net
Subject: RE: Pentax Gallery Resignation
Date: Thu, 27 Sep 2007 22:07:05 +0100

   How can I aim for a target if I can't see it?

You must follow the Way Of The Blind Archer, grasshopper. The Blind
Archer does not see the target. He allows the target to see him, and
to guide the arrow into his heart, as the heron's beak enters the
stream. For are they not one, the archer, the target and the arrow?
Are they not avatars of each of us, and we of them? Your hand must not
know that it has released the bowstring, it must slip from you as
melting snow slips from the bamboo leaf. Then surely the bow, the
string, the arrow, the archer and the target are one.

Hope that helps.

--
  Bob


  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
  Behalf Of frank theriault
  Sent: 27 September 2007 21:29
  To: Pentax-Discuss Mail List
  Subject: Re: Pentax Gallery Resignation
 
  On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:
 
   Question: how subjective is this standard?
  
   Same as all competitions: Very.
  
   Personally, I quite like the Pentax Gallery kind of contest
because,
   unlike other contests, I get to aim repeatedly at the same target
   (acceptance into the Gallery, in this case). I may not
  agree with their
   choices, but teaching myself (or trying to teach myself!) to
achieve
   what they're after makes me push myself as a photographer.
  
   I find that creating works that please someone else is a lot more
   demanding, tiring, frustrating and annoying than creating
  things that
   please just myself. But that's not necessarily a bad thing.
 
  I think my problem with the Pentax Gallery is that I don't know what
  the standard is.  How can I aim for a target if I can't see it?
 
  There's no explanation as to the criteria to get past the accepted
  artists' voting:  How many votes are required to be accepted or
  rejected?  What percentage of yes votes is required for
acceptance?
   and even then, it states clearly that those that get past the first
  screening can be rejected outright by the Pentax Panel.  We don't
  know who those people are, and what they're looking for.
 
  It's all very closed door, which to me makes it something of a
  crap-shoot.  I'm not sure how submitting many photos and having them
  all rejected makes me a better photographer.
 
  It rather just leaves me scratching my head, and thinking that if I
  want feedback or reaction, this isn't the place for me.  Some may
find
  this sort of exercise very valuable, but I don't.
 
  I mean, hey, no hard feelings.  Pentax can run this thing any way
they
  want;  it's their contest.  However, if this is the way they choose
to
  run it, my choice is to not participate.
 
  cheers,
  frank
 
 
 
  --
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread frank theriault
On 9/27/07, graywolf [EMAIL PROTECTED] wrote:
 Pooka

Just like Harvey...

:-)

cheers,
frank

-- 
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Re: Pentax Gallery Resignation

2007-09-27 Thread John Francis


Gee thanks.  Now how do I get this arrow out of my butt?

Ob.Trivia - did you know that archery targets are called 'butts'?
Do you know why?


As far as the Pentax Gallery goes - I didn't submit originally
for a couple of reasons; my first attempt didn't work (because
I was trying to submit a scanned image, and there was a bug in
their validation code), and I never got round to writing a bio.

Now, after hearing of all the various problems others are having,
I doubt if I'll bother to submit anything (and I *still* haven't
written a bio).


On Thu, Sep 27, 2007 at 10:07:05PM +0100, Bob W wrote:
   How can I aim for a target if I can't see it?
 
 You must follow the Way Of The Blind Archer, grasshopper. The Blind
 Archer does not see the target. He allows the target to see him, and
 to guide the arrow into his heart, as the heron's beak enters the
 stream. For are they not one, the archer, the target and the arrow?
 Are they not avatars of each of us, and we of them? Your hand must not
 know that it has released the bowstring, it must slip from you as
 melting snow slips from the bamboo leaf. Then surely the bow, the
 string, the arrow, the archer and the target are one. 
 
 Hope that helps.
 
 --
  Bob
  
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
  Behalf Of frank theriault
  Sent: 27 September 2007 21:29
  To: Pentax-Discuss Mail List
  Subject: Re: Pentax Gallery Resignation
  
  On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:
  
   Question: how subjective is this standard?
  
   Same as all competitions: Very.
  
   Personally, I quite like the Pentax Gallery kind of contest
 because,
   unlike other contests, I get to aim repeatedly at the same target
   (acceptance into the Gallery, in this case). I may not 
  agree with their
   choices, but teaching myself (or trying to teach myself!) to
 achieve
   what they're after makes me push myself as a photographer.
  
   I find that creating works that please someone else is a lot more
   demanding, tiring, frustrating and annoying than creating 
  things that
   please just myself. But that's not necessarily a bad thing.
  
  I think my problem with the Pentax Gallery is that I don't know what
  the standard is.  How can I aim for a target if I can't see it?
  
  There's no explanation as to the criteria to get past the accepted
  artists' voting:  How many votes are required to be accepted or
  rejected?  What percentage of yes votes is required for
 acceptance?
   and even then, it states clearly that those that get past the first
  screening can be rejected outright by the Pentax Panel.  We don't
  know who those people are, and what they're looking for.
  
  It's all very closed door, which to me makes it something of a
  crap-shoot.  I'm not sure how submitting many photos and having them
  all rejected makes me a better photographer.
  
  It rather just leaves me scratching my head, and thinking that if I
  want feedback or reaction, this isn't the place for me.  Some may
 find
  this sort of exercise very valuable, but I don't.
  
  I mean, hey, no hard feelings.  Pentax can run this thing any way
 they
  want;  it's their contest.  However, if this is the way they choose
 to
  run it, my choice is to not participate.
  
  cheers,
  frank
  
  
  
  -- 
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
  
  -- 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Cotty
On 27/09/07, Mark Roberts, discombobulated, unleashed:

Personally, I quite like the Pentax Gallery kind of contest because, 
unlike other contests, I get to aim repeatedly at the same target 
(acceptance into the Gallery, in this case). I may not agree with their 
choices, but teaching myself (or trying to teach myself!) to achieve 
what they're after makes me push myself as a photographer. 

I find that creating works that please someone else is a lot more 
demanding, tiring, frustrating and annoying than creating things that 
please just myself. But that's not necessarily a bad thing.

Points taken!

-- 


Cheers,
  Cotty


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Re: Pentax Gallery Resignation

2007-09-27 Thread Cotty
On 27/09/07, frank theriault, discombobulated, unleashed:

I think my problem with the Pentax Gallery is that I don't know what
the standard is.  How can I aim for a target if I can't see it?

There's no explanation as to the criteria to get past the accepted
artists' voting:  How many votes are required to be accepted or
rejected?  What percentage of yes votes is required for acceptance?
 and even then, it states clearly that those that get past the first
screening can be rejected outright by the Pentax Panel.  We don't
know who those people are, and what they're looking for.

It's all very closed door, which to me makes it something of a
crap-shoot.  I'm not sure how submitting many photos and having them
all rejected makes me a better photographer.

It rather just leaves me scratching my head, and thinking that if I
want feedback or reaction, this isn't the place for me.  Some may find
this sort of exercise very valuable, but I don't.

I mean, hey, no hard feelings.  Pentax can run this thing any way they
want;  it's their contest.  However, if this is the way they choose to
run it, my choice is to not participate.

Hey Frank, let's start our own gallery pages :-

Avante-garde??? You ain't seen nothin yet baby!!

-- 


Cheers,
  Cotty


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Re: RE: Pentax Gallery Resignation

2007-09-27 Thread Mark Roberts
Bob W wrote:

  How can I aim for a target if I can't see it?

You must follow the Way Of The Blind Archer, grasshopper. The Blind
Archer does not see the target. He allows the target to see him, and
to guide the arrow into his heart, as the heron's beak enters the
stream. For are they not one, the archer, the target and the arrow?
Are they not avatars of each of us, and we of them? Your hand must not
know that it has released the bowstring, it must slip from you as
melting snow slips from the bamboo leaf. Then surely the bow, the
string, the arrow, the archer and the target are one. 

Hope that helps.

That's a funny reply and it's essentially correct. Any kind of artistic 
endeavor is just like real life: There's no definite target, no 
step-by-step instructions that will guarantee success.


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RE: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
Mercy that's deep.

Jack
--- Bob W [EMAIL PROTECTED] wrote:

   How can I aim for a target if I can't see it?
 
 You must follow the Way Of The Blind Archer, grasshopper. The Blind
 Archer does not see the target. He allows the target to see him, and
 to guide the arrow into his heart, as the heron's beak enters the
 stream. For are they not one, the archer, the target and the arrow?
 Are they not avatars of each of us, and we of them? Your hand must
 not
 know that it has released the bowstring, it must slip from you as
 melting snow slips from the bamboo leaf. Then surely the bow, the
 string, the arrow, the archer and the target are one. 
 
 Hope that helps.
 
 --
  Bob
  
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
  Behalf Of frank theriault
  Sent: 27 September 2007 21:29
  To: Pentax-Discuss Mail List
  Subject: Re: Pentax Gallery Resignation
  
  On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:
  
   Question: how subjective is this standard?
  
   Same as all competitions: Very.
  
   Personally, I quite like the Pentax Gallery kind of contest
 because,
   unlike other contests, I get to aim repeatedly at the same target
   (acceptance into the Gallery, in this case). I may not 
  agree with their
   choices, but teaching myself (or trying to teach myself!) to
 achieve
   what they're after makes me push myself as a photographer.
  
   I find that creating works that please someone else is a lot more
   demanding, tiring, frustrating and annoying than creating 
  things that
   please just myself. But that's not necessarily a bad thing.
  
  I think my problem with the Pentax Gallery is that I don't know
 what
  the standard is.  How can I aim for a target if I can't see it?
  
  There's no explanation as to the criteria to get past the accepted
  artists' voting:  How many votes are required to be accepted or
  rejected?  What percentage of yes votes is required for
 acceptance?
   and even then, it states clearly that those that get past the
 first
  screening can be rejected outright by the Pentax Panel.  We don't
  know who those people are, and what they're looking for.
  
  It's all very closed door, which to me makes it something of a
  crap-shoot.  I'm not sure how submitting many photos and having
 them
  all rejected makes me a better photographer.
  
  It rather just leaves me scratching my head, and thinking that if I
  want feedback or reaction, this isn't the place for me.  Some may
 find
  this sort of exercise very valuable, but I don't.
  
  I mean, hey, no hard feelings.  Pentax can run this thing any way
 they
  want;  it's their contest.  However, if this is the way they choose
 to
  run it, my choice is to not participate.
  
  cheers,
  frank
  
  
  
  -- 
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
  
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Re: Pentax Gallery Resignation

2007-09-27 Thread Kenneth Waller
Subjective is one thing.  Variably subjective is irritating at best.

Every photo contest I've ever entered had variable subjectivity IMO

Kenneth Waller
http://tinyurl.com/272u2f

- Original Message - 
From: Scott Loveless [EMAIL PROTECTED]
Subject: Re: Pentax Gallery Resignation


 frank theriault wrote:
 I think my problem with the Pentax Gallery is that I don't know what
 the standard is.  How can I aim for a target if I can't see it?

 And it's a moving target, to boot.  You never know who may be voting on
 your photo at any given time.  Subjective is one thing.  Variably
 subjective is irritating at best.

 -- 
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 http://www.twosixteen.com/fivetoedsloth/

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Re: Pentax Gallery Resignation

2007-09-27 Thread Kenneth Waller
...after hearing of all the various problems others are having, I doubt if 
I'll bother to submit anything (and I *still* haven't written a bio).

I've got a fair number of images accepted into the Gallery  several into 
the Premiere Gallery.
I've handed out my Pentax gallery address to a lot of people  the response 
I get back from most of them is that are really impressed with the overall 
manner in which the images are presented.

I couldn't have done that kind of presentation without having my own web 
site with its attending costs  maintenance.

And yes, I'm getting more rejections now than early on.
I can also say that I see a lot of images up for voting now that I would 
never think of submitting.  The images I saw posted in the gallery in the 
beginning are much better than what I see in the voting section now.

my $.02 worth.

Kenneth Waller
http://tinyurl.com/272u2f


- Original Message - 
From: John Francis [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Thursday, September 27, 2007 6:09 PM
Subject: Re: Pentax Gallery Resignation




 Gee thanks.  Now how do I get this arrow out of my butt?

 Ob.Trivia - did you know that archery targets are called 'butts'?
Do you know why?


 As far as the Pentax Gallery goes - I didn't submit originally
 for a couple of reasons; my first attempt didn't work (because
 I was trying to submit a scanned image, and there was a bug in
 their validation code), and I never got round to writing a bio.

 Now, after hearing of all the various problems others are having,
 I doubt if I'll bother to submit anything (and I *still* haven't
 written a bio).


 On Thu, Sep 27, 2007 at 10:07:05PM +0100, Bob W wrote:
   How can I aim for a target if I can't see it?

 You must follow the Way Of The Blind Archer, grasshopper. The Blind
 Archer does not see the target. He allows the target to see him, and
 to guide the arrow into his heart, as the heron's beak enters the
 stream. For are they not one, the archer, the target and the arrow?
 Are they not avatars of each of us, and we of them? Your hand must not
 know that it has released the bowstring, it must slip from you as
 melting snow slips from the bamboo leaf. Then surely the bow, the
 string, the arrow, the archer and the target are one.

 Hope that helps.

 --
  Bob


  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
  Behalf Of frank theriault
  Sent: 27 September 2007 21:29
  To: Pentax-Discuss Mail List
  Subject: Re: Pentax Gallery Resignation
 
  On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:
 
   Question: how subjective is this standard?
  
   Same as all competitions: Very.
  
   Personally, I quite like the Pentax Gallery kind of contest
 because,
   unlike other contests, I get to aim repeatedly at the same target
   (acceptance into the Gallery, in this case). I may not
  agree with their
   choices, but teaching myself (or trying to teach myself!) to
 achieve
   what they're after makes me push myself as a photographer.
  
   I find that creating works that please someone else is a lot more
   demanding, tiring, frustrating and annoying than creating
  things that
   please just myself. But that's not necessarily a bad thing.
 
  I think my problem with the Pentax Gallery is that I don't know what
  the standard is.  How can I aim for a target if I can't see it?
 
  There's no explanation as to the criteria to get past the accepted
  artists' voting:  How many votes are required to be accepted or
  rejected?  What percentage of yes votes is required for
 acceptance?
   and even then, it states clearly that those that get past the first
  screening can be rejected outright by the Pentax Panel.  We don't
  know who those people are, and what they're looking for.
 
  It's all very closed door, which to me makes it something of a
  crap-shoot.  I'm not sure how submitting many photos and having them
  all rejected makes me a better photographer.
 
  It rather just leaves me scratching my head, and thinking that if I
  want feedback or reaction, this isn't the place for me.  Some may
 find
  this sort of exercise very valuable, but I don't.
 
  I mean, hey, no hard feelings.  Pentax can run this thing any way
 they
  want;  it's their contest.  However, if this is the way they choose
 to
  run it, my choice is to not participate.
 
  cheers,
  frank
 
 
 
  -- 
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
From: Kenneth Waller [EMAIL PROTECTED]
I've got a fair number of images accepted into the Gallery  several into
the Premiere Gallery.
I've handed out my Pentax gallery address to a lot of people  the response
I get back from most of them is that are really impressed with the overall
manner in which the images are presented.

It's not bad, but most people love my photos when I show to them. Yippee! 
:-)  However, I'm pretty sure I could show them my rejects or images I don't 
like and they'd love them just as much.  Most non-serious photographers are 
not looking at an image or a site with a critical eye.

Overall I find people to be too easily impressed.


I couldn't have done that kind of presentat

ion without having my own web
site with its attending costs  maintenance.

And yes, I'm getting more rejections now than early on.
I can also say that I see a lot of images up for voting now that I would
never think of submitting.  The images I saw posted in the gallery in the
beginning are much better than what I see in the voting section now.


That's what I'd expect.

Tom C.



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Re: Pentax Gallery Resignation

2007-09-27 Thread David Savage
On 9/28/07, frank theriault [EMAIL PROTECTED] wrote:
 crap-shoot.

Going off topic.

This phrase always brings to mind Mambo t-shirts  the artwork of Reg Mombassa.

Carry on.

Cheers,

Dave (I don't think non-Aussies will get the connection)

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Re: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
..especially kind people.

Jack
--- Tom C [EMAIL PROTECTED] wrote:

 From: Kenneth Waller [EMAIL PROTECTED]
 I've got a fair number of images accepted into the Gallery  several
 into
 the Premiere Gallery.
 I've handed out my Pentax gallery address to a lot of people  the
 response
 I get back from most of them is that are really impressed with the
 overall
 manner in which the images are presented.
 
 It's not bad, but most people love my photos when I show to them.
 Yippee! 
 :-)  However, I'm pretty sure I could show them my rejects or images
 I don't 
 like and they'd love them just as much.  Most non-serious
 photographers are 
 not looking at an image or a site with a critical eye.
 
 Overall I find people to be too easily impressed.
 
 
 I couldn't have done that kind of presentat
 
 ion without having my own web
 site with its attending costs  maintenance.
 
 And yes, I'm getting more rejections now than early on.
 I can also say that I see a lot of images up for voting now that I
 would
 never think of submitting.  The images I saw posted in the gallery
 in the
 beginning are much better than what I see in the voting section now.
 
 
 That's what I'd expect.
 
 Tom C.
 
 
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Brian Walters

I agree with Mark on this.

For all of its faults, the Pentax Gallery has given my photography a bit more 
focus (pun not intended).  I'm not necessarily taking photos specifically aimed 
at being accepted (because most aren't) but I find I'm taking more care about 
composition and lighting and looking for other possibilities in a subject that 
I may have not noticed previously.  

And I'm a bit more enthusiastic about my photography - and that has to be a 
good thing...



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/


Quoting Mark Roberts [EMAIL PROTECTED]:

 Personally, I quite like the Pentax Gallery kind of contest
 because, 
 unlike other contests, I get to aim repeatedly at the same target 
 (acceptance into the Gallery, in this case). I may not agree with
 their 
 choices, but teaching myself (or trying to teach myself!) to
 achieve 
 what they're after makes me push myself as a photographer. 


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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
... especially kind people.

Point taken and agreed.  That's one of the problems I constantly battle 
against.  I like kind people.

:-)

1.  I don't want to think my images are good just because I pressed the 
shutter or because I may have a personal attachment to the subject.
2.  On the other hand, just because a preponderance of people seeing the 
image say they like it, does not make it a good or successful image.  Those 
people could be responding that way because they really like me, or they 
could be reacting that way because they like the subject matter.  There's a 
fair chance that most people viewing the image couldn't really tell you why 
they like.
3. Or, I may have a good image that just doesn't strike a chord with most 
people.

That's why I've ranted a little bit in the past on this.  Not every image 
displayed is worthy of praise, yet it seems almost invariably the image is 
praised... maybe it's kindness, maybe as a mistaken way of encouraging the 
photographer to keep trying, I don't know.

Could be I'm overanalyzing. :-)


Tom C.


From: Jack Davis [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Pentax Gallery Resignation
Date: Thu, 27 Sep 2007 20:02:43 -0700 (PDT)

..especially kind people.

Jack
--- Tom C [EMAIL PROTECTED] wrote:

  From: Kenneth Waller [EMAIL PROTECTED]
  I've got a fair number of images accepted into the Gallery  several
  into
  the Premiere Gallery.
  I've handed out my Pentax gallery address to a lot of people  the
  response
  I get back from most of them is that are really impressed with the
  overall
  manner in which the images are presented.
 
  It's not bad, but most people love my photos when I show to them.
  Yippee!
  :-)  However, I'm pretty sure I could show them my rejects or images
  I don't
  like and they'd love them just as much.  Most non-serious
  photographers are
  not looking at an image or a site with a critical eye.
 
  Overall I find people to be too easily impressed.
 
  
  I couldn't have done that kind of presentat
 
  ion without having my own web
  site with its attending costs  maintenance.
  
  And yes, I'm getting more rejections now than early on.
  I can also say that I see a lot of images up for voting now that I
  would
  never think of submitting.  The images I saw posted in the gallery
  in the
  beginning are much better than what I see in the voting section now.
  
 
  That's what I'd expect.
 
  Tom C.
 
 
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Doug Franklin
Tom C wrote:

 1.  I don't want to think my images are good just because I pressed the 
 shutter or because I may have a personal attachment to the subject.
 2.  On the other hand, just because a preponderance of people seeing the 
 image say they like it, does not make it a good or successful image.  Those 
 people could be responding that way because they really like me, or they 
 could be reacting that way because they like the subject matter.  There's a 
 fair chance that most people viewing the image couldn't really tell you why 
 they like.
 3. Or, I may have a good image that just doesn't strike a chord with most 
 people.

If you're talking about image displayed on the PDML, I'd guess that at
least some of it is the self selection effect.  Basically, people who
think well of the image are far more likely to post about it.

-- 
Thanks,
DougF (KG4LMZ)

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Re: Pentax Gallery Resignation

2007-09-27 Thread Kenneth Waller
 It's not bad, but most people love my photos when I show to them. Yippee!
 :-)

My point is a lot more people are getting to see my images because of the 
gallery.

Kenneth Waller
http://tinyurl.com/272u2f

- Original Message - 
From: Tom C [EMAIL PROTECTED]
Subject: Re: Pentax Gallery Resignation


 From: Kenneth Waller [EMAIL PROTECTED]
I've got a fair number of images accepted into the Gallery  several into
the Premiere Gallery.
I've handed out my Pentax gallery address to a lot of people  the 
response
I get back from most of them is that are really impressed with the overall
manner in which the images are presented.

 It's not bad, but most people love my photos when I show to them. Yippee!
 :-)  However, I'm pretty sure I could show them my rejects or images I 
 don't
 like and they'd love them just as much.  Most non-serious photographers 
 are
 not looking at an image or a site with a critical eye.

 Overall I find people to be too easily impressed.


I couldn't have done that kind of presentat

 ion without having my own web
site with its attending costs  maintenance.

And yes, I'm getting more rejections now than early on.
I can also say that I see a lot of images up for voting now that I would
never think of submitting.  The images I saw posted in the gallery in the
beginning are much better than what I see in the voting section now.


 That's what I'd expect.

 Tom C.



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Re: Pentax Gallery Resignation

2007-09-27 Thread Scott Loveless
William Robb wrote:
 
 I find people too reluctant to label crap as what it is.
 
 William Robb
 
Good to have you back, Bill.  :)

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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Doug Franklin
Subject: Re: Pentax Gallery Resignation



 If you're talking about image displayed on the PDML, I'd guess that at
 least some of it is the self selection effect.  Basically, people who
 think well of the image are far more likely to post about it.


There have been occassions when a dissenting opinion has triggered an 
outpouring of loathing and abuse at the transgressor, also. There are or 
have been people on this list who are/were at least passingly familiar with 
judging pictures who rarely comment(ed) on photos for this reason.

William Robb 


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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: frank theriault
Subject: Re: Pentax Gallery Resignation




 I think my problem with the Pentax Gallery is that I don't know what
 the standard is.  How can I aim for a target if I can't see it?


You can see what has been accepted can't you? The standard is there to be 
seen, but you need to learn how, and then be willing to judge your own 
pictures against those of others.

William Robb 


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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Jack Davis
Subject: Re: Pentax Gallery Resignation


 Actually, I consider I'm just vying for a favorable subjective opinion
 from da 'judge'.

You may get a favourable enough opinion, and still not win the 
competition, in that if your picture didn't (doesn't) get published in the 
gallery, and some else's does, then subjectively speaking, the other picture 
was considered to be the better picture, given the often rather vague 
subjective criteria that is applied to artistic merit.

Shit, I just used the A word.

Sorry.

William Robb
 


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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: [EMAIL PROTECTED]

Subject: Re: Pentax Gallery Resignation


 It's a personal competition, but you're not competing against others. For
 the accepted image count to be a score, everyone would have to make the
 same number of submissions. I recall one PDML member saying he was
 submitting between five and ten shots every day. That obviously will skew
 the curve. Which is fine, but that's why it's not a mine vs. yours
 competition. At least that's what I think. And in the end, none of it
 matters a hoot:-).

Bullshit, it just proves some are more equal than others, no matter what the
old adage says. Some may consider it very important.
As an example, I don't have breeding rights on Jester, so I have nothing to
gain by his getting his championship other than bragging rights that I own a
peer recognized dog and a warm feeling someplace other than my pants, but I
still intend to show him to championship
A breeder may have several dogs in a show, this doesn't change that it is a 
competition.
Really, does the gallery differ in principle from this?

William Robb



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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Bob W 
Subject: RE: Pentax Gallery Resignation


  How can I aim for a target if I can't see it?
 
 You must follow the Way Of The Blind Archer, grasshopper. The Blind
 Archer does not see the target. He allows the target to see him, and
 to guide the arrow into his heart, as the heron's beak enters the
 stream. For are they not one, the archer, the target and the arrow?
 Are they not avatars of each of us, and we of them? Your hand must not
 know that it has released the bowstring, it must slip from you as
 melting snow slips from the bamboo leaf. Then surely the bow, the
 string, the arrow, the archer and the target are one. 

Bob, that was beautiful.

William Robb

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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Tom C 
Subject: Re: Pentax Gallery Resignation



 
 Overall I find people to be too easily impressed.

I find people too reluctant to label crap as what it is.

William Robb

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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Jack Davis 
Subject: Re: Pentax Gallery Resignation


 Well, Robb, I'm not surprised that it's being viewed as a competition.
 If one chooses to consider the accepted image count as a 'score'
 against which one is competing, then it's a competition. Your choice.

I think we are on the same side of the fence on this one, Davis.

William Robb

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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Cotty
Subject: Re: Pentax Gallery Resignation


 On 27/09/07, William Robb, discombobulated, unleashed:

Just because you aren't competing with another person, doesn't mean you
aren't competing, it just means that the rules of the competition are such
that you are competing against a standard.

 Question: how subjective is this standard?

I've judged a few contests. They are pretty damned subjective.
You wanna see really subjective judging, start hanging out at dog shows.

William Robb


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Pentax Gallery Resignation

2007-09-26 Thread frank theriault
Copy of e-mail recently sent to The Pentax Gallery:

Sirs/Mesdames,

I may be an accepted artist of the PENTAX Photo Gallery, however, my
first 12 photos have been rejected.  As of the date of this e-mail,
there are three pending.

It is obvious that somewhere along the selection process, someone or
some group feels that my photos are not up to the Pentax Photo Gallery
standards.

Accordingly, I will be deleting the three photos still pending.
Please feel free remove me from your list of accepted artists.

Thank you for the opportunity to submit my photos.

regards,
frank theriault

cheers,
frank

-- 
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RE: Pentax Gallery Resignation

2007-09-26 Thread Tom C
At the risk of sounding insensitive... you can't resign from an entity you 
were not a part of.

I hope this cheers you up and provides added incentive to continue. ;-)


Tom C.

From: frank theriault [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List PDML@pdml.net
Subject: Pentax Gallery Resignation
Date: Wed, 26 Sep 2007 12:54:15 -0400

Copy of e-mail recently sent to The Pentax Gallery:

Sirs/Mesdames,

I may be an accepted artist of the PENTAX Photo Gallery, however, my
first 12 photos have been rejected.  As of the date of this e-mail,
there are three pending.

It is obvious that somewhere along the selection process, someone or
some group feels that my photos are not up to the Pentax Photo Gallery
standards.

Accordingly, I will be deleting the three photos still pending.
Please feel free remove me from your list of accepted artists.

Thank you for the opportunity to submit my photos.

regards,
frank theriault

cheers,
frank

--
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: Pentax Gallery Resignation

2007-09-26 Thread P. J. Alling
Frank they simply don't understand you the way we do.

frank theriault wrote:
 Copy of e-mail recently sent to The Pentax Gallery:

 Sirs/Mesdames,

 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.

 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.

 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.

 Thank you for the opportunity to submit my photos.

 regards,
 frank theriault

 cheers,
 frank

   


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Remember, it’s pillage then burn.


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Re: Pentax Gallery Resignation

2007-09-26 Thread pnstenquist
A couple things are working against you here, and neither reflects in a 
negative way on your photography. One: You waited too long. Based on 
observation, I'd say the gallery is getting a lot of submissions now and 
accepting very few. BW street shots seem to be a small minority of the accepted 
submissions. Take it with a grain of salt. You're an excellent photographer.
Paul
 -- Original message --
From: frank theriault [EMAIL PROTECTED]
 Copy of e-mail recently sent to The Pentax Gallery:
 
 Sirs/Mesdames,
 
 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.
 
 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.
 
 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.
 
 Thank you for the opportunity to submit my photos.
 
 regards,
 frank theriault
 
 cheers,
 frank
 
 -- 
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Pentax Gallery Resignation

2007-09-26 Thread frank theriault
On 9/26/07, Tom C [EMAIL PROTECTED] wrote:
 At the risk of sounding insensitive... you can't resign from an entity you
 were not a part of.

 I hope this cheers you up and provides added incentive to continue. ;-)

Actually, I was a part of it in some manner.

I could vote on photos, and in fact I was exhorted to do so.  It's
from that exhortation that I was told that I was an accepted artist
of the PENTAX Photo Gallery.  On that basis (so they told me) I could
vote.

In fact, it was when I read that line I decided to resign.  It seems
rather paradoxical to call me an accepted artist and then reject
every piece of work I submit.  Perhaps they should have waited until
one of my submissions was accepted before calling me an accepted
artist.

BTW, I'm not in need of cheering up.  I find this whole thing amusing.
 If by continue you mean continuing submission of photos to The
Gallery, that seems rather futile.  I'm fine with how things are
going photographically these days, so I'll continue shooting, with or
without The PENTAX Photo Gallery.

;-)

-- 
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Re: Pentax Gallery Resignation

2007-09-26 Thread Boris Liberman
Frank, here is what I think:

1. You're an excellent photographer. You really are.
2. You were somewhat late jumping on the Pentax photo gallery train. I 
for one realize that with the grand amount of submitted photographs my 
chances to have my work accepted are very small. I was lucky enough to 
submit some of my photos when there were only few photographs and 
photographers in the gallery. And some of my work got accepted.

Having said that, I think you should really not dwell much in this 
specific project. I realize it would be cool to be on display on Pentax 
Gallery, but if you're not there it *really* does not make you any less 
a photographer than you actually are.

Cheer up!

Boris


frank theriault wrote:
 Copy of e-mail recently sent to The Pentax Gallery:
 
 Sirs/Mesdames,
 
 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.
 
 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.
 
 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.
 
 Thank you for the opportunity to submit my photos.
 
 regards,
 frank theriault
 
 cheers,
 frank
 


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Re: Pentax Gallery Resignation

2007-09-26 Thread frank theriault
On 9/26/07, Boris Liberman [EMAIL PROTECTED] wrote:
 Frank, here is what I think:

 1. You're an excellent photographer. You really are.
 2. You were somewhat late jumping on the Pentax photo gallery train. I
 for one realize that with the grand amount of submitted photographs my
 chances to have my work accepted are very small. I was lucky enough to
 submit some of my photos when there were only few photographs and
 photographers in the gallery. And some of my work got accepted.

 Having said that, I think you should really not dwell much in this
 specific project. I realize it would be cool to be on display on Pentax
 Gallery, but if you're not there it *really* does not make you any less
 a photographer than you actually are.

 Cheer up!

No worries, and thanks for the vote of confidence (from everybody, not
just you, Boris).

In fact, I'm fine with this, and I'm not depressed about being
rejected.  I've spoken with another list-member who got into the
Gallery early, got a photo or two accepted, then got a bunch rejected
later on.  His theory is that he got in early, when photos were
needed and far fewer accepted artists were voting on images.

I'm sure that there are several things happening here:

As Paul said, there aren't many street photos in the gallery.  A few,
yes, but not many.  (although I did submit several still-lifes, a
sports photo and a portrait or three)

Also, in the FAQ of the gallery, Pentax suggests that voters consider
things such as focus and exposure when assessing photos.  Yikes!  What
chance to I have if one is told to consider such things!  ;-)

I'm not too worried about this, and I likely wouldn't have made
comment at all, except that there were comments made on this list in
the past about the whole voting/acceptance procedure, so I thought
that I'd throw in my two cents.

As for whether I'm a good photographer or not, well let's just say
that I have fun at it, I'm happy with the way some shots turn out, get
some nice feedback once in a while (from this list and elsewhere), all
of which is important to me.

Thanks again,
frank



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Re: Pentax Gallery Resignation

2007-09-26 Thread Steve Sharpe
Well, at least you got rejected. I never a peep from them after 
submitting myself for acceptance.

At 12:54 PM -0400 9/26/07, frank theriault wrote:
Copy of e-mail recently sent to The Pentax Gallery:

Sirs/Mesdames,

I may be an accepted artist of the PENTAX Photo Gallery, however, my
first 12 photos have been rejected.  As of the date of this e-mail,
there are three pending.

It is obvious that somewhere along the selection process, someone or
some group feels that my photos are not up to the Pentax Photo Gallery
standards.

Accordingly, I will be deleting the three photos still pending.
Please feel free remove me from your list of accepted artists.

Thank you for the opportunity to submit my photos.

regards,
frank theriault

cheers,
frank

--
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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-- 
Steve
•

[EMAIL PROTECTED]
[EMAIL PROTECTED]


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Re: Pentax Gallery Resignation

2007-09-26 Thread David J Brooks
Sounds like an internet reality show in the making.:-)

Dave

On 9/26/07, frank theriault [EMAIL PROTECTED] wrote:
 On 9/26/07, Steve Sharpe [EMAIL PROTECTED] wrote:
  Well, at least you got rejected. I never a peep from them after
  submitting myself for acceptance.

 So I'm not the biggest loser on the list?

 ;-)

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: Pentax Gallery Resignation

2007-09-26 Thread frank theriault
On 9/26/07, Steve Sharpe [EMAIL PROTECTED] wrote:
 Well, at least you got rejected. I never a peep from them after
 submitting myself for acceptance.

So I'm not the biggest loser on the list?

;-)

cheers,
frank

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Re: Pentax Gallery Resignation

2007-09-26 Thread Tom C

Actually, I was a part of it in some manner.

I could vote on photos, and in fact I was exhorted to do so.  It's
from that exhortation that I was told that I was an accepted artist
of the PENTAX Photo Gallery.  On that basis (so they told me) I could
vote.

In fact, it was when I read that line I decided to resign.  It seems
rather paradoxical to call me an accepted artist and then reject
every piece of work I submit.  Perhaps they should have waited until
one of my submissions was accepted before calling me an accepted
artist.


Ironic, n'est pas?

Tom C.



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Re: Pentax Gallery Resignation

2007-09-26 Thread Tom C
As the PDML Turns

Last week, Frank decided to discontinue his relationship with the Pentax 
Gallery.  Little did he know that...



Tom C.


From: David J Brooks [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Pentax Gallery Resignation
Date: Wed, 26 Sep 2007 14:44:20 -0400

Sounds like an internet reality show in the making.:-)

Dave

On 9/26/07, frank theriault [EMAIL PROTECTED] wrote:
  On 9/26/07, Steve Sharpe [EMAIL PROTECTED] wrote:
   Well, at least you got rejected. I never a peep from them after
   submitting myself for acceptance.
 
  So I'm not the biggest loser on the list?
 
  ;-)
 
  cheers,
  frank
 
  --
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Pentax Gallery Resignation

2007-09-26 Thread Steve Sharpe
At 2:36 PM -0400 9/26/07, frank theriault wrote:
On 9/26/07, Steve Sharpe [EMAIL PROTECTED] wrote:
  Well, at least you got rejected. I never a peep from them after
  submitting myself for acceptance.

So I'm not the biggest loser on the list?

Apparently not. :^(

-- 

Steve Sharpe
[EMAIL PROTECTED]
•

http://earth.delith.com/photo_gallery.html

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Re: Pentax Gallery Resignation

2007-09-26 Thread Norm Baugher
Right on Frankie, cool, join the club. I resigned my position on Monday. 
Feels good...
Norm

frank theriault wrote:
 Copy of e-mail recently sent to The Pentax Gallery:

 Sirs/Mesdames,

 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.

 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.

 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.

 Thank you for the opportunity to submit my photos.

 regards,
 frank theriault

   

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Re: Pentax Gallery Resignation

2007-09-26 Thread frank theriault
On 9/26/07, Steve Sharpe [EMAIL PROTECTED] wrote:

 
 So I'm not the biggest loser on the list?

 Apparently not. :^(

Clearly a plot against Canadians!

;-)

cheers,
frank

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Re: Pentax Gallery Resignation

2007-09-26 Thread Jack Davis
...Tom had a mole in place to decline Frank's work due of abject
jealousy.
Ahhh, but Frank had a plan...

Jack
--- Tom C [EMAIL PROTECTED] wrote:

 As the PDML Turns
 
 Last week, Frank decided to discontinue his relationship with the
 Pentax 
 Gallery.  Little did he know that...
 
 
 
 Tom C.
 
 
 From: David J Brooks [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Pentax Gallery Resignation
 Date: Wed, 26 Sep 2007 14:44:20 -0400
 
 Sounds like an internet reality show in the making.:-)
 
 Dave
 
 On 9/26/07, frank theriault [EMAIL PROTECTED] wrote:
   On 9/26/07, Steve Sharpe [EMAIL PROTECTED] wrote:
Well, at least you got rejected. I never a peep from them after
submitting myself for acceptance.
  
   So I'm not the biggest loser on the list?
  
   ;-)
  
   cheers,
   frank
  
   --
   Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
  
   --
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 above and 
 follow the directions.
  
 
 
 --
 Equine Photography
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 http://brooksinthecountry.blogspot.com/
 Ontario Canada
 
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 and 
 follow the directions.
 
 
 
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Be a better Heartthrob. Get better relationship answers from someone who knows. 
Yahoo! Answers - Check it out. 
http://answers.yahoo.com/dir/?link=listsid=396545433

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Re: Pentax Gallery Resignation

2007-09-26 Thread Mark Roberts
Tom C wrote:

As the PDML Turns

Last week, Frank decided to discontinue his relationship with the 
Pentax Gallery.  Little did he know that...

...Dave had just accepted a job with an escort service. 

Meanwhile, on the other side of the world there are more strange 
goings-on as the eBay sale of a Pentax endoscope goes awry and...



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Re: Pentax Gallery Resignation

2007-09-26 Thread Steve Sharpe
At 3:38 PM -0400 9/26/07, frank theriault wrote:
On 9/26/07, Steve Sharpe [EMAIL PROTECTED] wrote:

  
  So I'm not the biggest loser on the list?

  Apparently not. :^(

Clearly a plot against Canadians!

By Gosh, you're right! I'll bet the neocons have taken over Pentax! 
Hoya is just a front!

-- 
Steve
•

[EMAIL PROTECTED]
[EMAIL PROTECTED]


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Re: Pentax Gallery Resignation

2007-09-26 Thread Cotty
On 26/09/07, frank theriault, discombobulated, unleashed:

so I'll continue shooting, with or
without The PENTAX Photo Gallery.

Hey Frank. Welcome to my life :-)

I entered a photographic competition once. It was the first and last time.

Absolutely never again.

I only ever make pics for one person: me. If someone else likes them,
too bad ;-)

I suspect you are the same.

I raise a  glass to you sir.

-- 


Cheers,
  Cotty


___/\__
||   (O)   | People, Places, Pastiche
||=|http://www.cottysnaps.com
_



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Re: Pentax Gallery Resignation

2007-09-26 Thread Gonz
Frank, didn't you read the fine print?  In Title 9, section 4,
paragraph 110, Item b) : No work shall be accepted from the class
Lepus and all its associated species and subspecies.


=:)


On 9/26/07, frank theriault [EMAIL PROTECTED] wrote:
 Copy of e-mail recently sent to The Pentax Gallery:

 Sirs/Mesdames,

 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.

 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.

 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.

 Thank you for the opportunity to submit my photos.

 regards,
 frank theriault

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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the directions.


RE: Pentax Gallery Resignation

2007-09-26 Thread John Sessoms
I sent the club a wire stating,
PLEASE ACCEPT MY RESIGNATION.
I DON'T WANT TO BELONG TO ANY CLUB
THAT WILL ACCEPT ME AS A MEMBER.

Groucho Marx

From: frank theriault

 Copy of e-mail recently sent to The Pentax Gallery:
 
 Sirs/Mesdames,
 
 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.
 
 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.
 
 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.
 
 Thank you for the opportunity to submit my photos.
 
 regards,
 frank theriault
 
 cheers,
 frank


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Re: Pentax Gallery Resignation

2007-09-26 Thread keith_w
frank theriault wrote:
 Copy of e-mail recently sent to The Pentax Gallery:
 
 Sirs/Mesdames,
 
 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.
 
 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.
 
 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.
 
 Thank you for the opportunity to submit my photos.
 
 regards,
 frank theriault

Good for you, Frank!

keith

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Re: Pentax Gallery Resignation

2007-09-26 Thread Gonz
Oops that should have been family Leporidae.  I'm not sure whether
Frank is a Rabbit or a Hare.




On 9/26/07, Gonz [EMAIL PROTECTED] wrote:
 Frank, didn't you read the fine print?  In Title 9, section 4,
 paragraph 110, Item b) : No work shall be accepted from the class
 Lepus and all its associated species and subspecies.


 =:)


 On 9/26/07, frank theriault [EMAIL PROTECTED] wrote:
  Copy of e-mail recently sent to The Pentax Gallery:
 
  Sirs/Mesdames,
 
  I may be an accepted artist of the PENTAX Photo Gallery, however, my
  first 12 photos have been rejected.  As of the date of this e-mail,
  there are three pending.
 
  It is obvious that somewhere along the selection process, someone or
  some group feels that my photos are not up to the Pentax Photo Gallery
  standards.
 
  Accordingly, I will be deleting the three photos still pending.
  Please feel free remove me from your list of accepted artists.
 
  Thank you for the opportunity to submit my photos.
 
  regards,
  frank theriault
 
  cheers,
  frank
 
  --
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Pentax Gallery Resignation

2007-09-26 Thread David Savage
At 01:42 AM 27/09/2007, frank theriault wrote:
On 9/26/07, Tom C [EMAIL PROTECTED] wrote:
  At the risk of sounding insensitive... you can't resign from an entity you
  were not a part of.
 
  I hope this cheers you up and provides added incentive to continue. ;-)

Actually, I was a part of it in some manner.

I could vote on photos, and in fact I was exhorted to do so.  It's
from that exhortation that I was told that I was an accepted artist
of the PENTAX Photo Gallery.  On that basis (so they told me) I could
vote.

They accept that you are an artist. They don't accept that your work is art ;-)

F$k'em

Cheers,

Dave 


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Re: Pentax Gallery Resignation

2007-09-26 Thread ann sanfedele
Gonz wrote:

Oops that should have been family Leporidae.  I'm not sure whether
Frank is a Rabbit or a Hare.
  

wabbit

ann




On 9/26/07, Gonz [EMAIL PROTECTED] wrote:
  

Frank, didn't you read the fine print?  In Title 9, section 4,
paragraph 110, Item b) : No work shall be accepted from the class
Lepus and all its associated species and subspecies.


=:)


On 9/26/07, frank theriault [EMAIL PROTECTED] wrote:


Copy of e-mail recently sent to The Pentax Gallery:

Sirs/Mesdames,

I may be an accepted artist of the PENTAX Photo Gallery, however, my
first 12 photos have been rejected.  As of the date of this e-mail,
there are three pending.

It is obvious that somewhere along the selection process, someone or
some group feels that my photos are not up to the Pentax Photo Gallery
standards.

Accordingly, I will be deleting the three photos still pending.
Please feel free remove me from your list of accepted artists.

Thank you for the opportunity to submit my photos.

regards,
frank theriault

cheers,
frank

--
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: Pentax Gallery Resignation

2007-09-26 Thread P. J. Alling
Ewmew_Fuddheaheaheaheahea/ewmew_fudd

ann sanfedele wrote:
 Gonz wrote:

   
 Oops that should have been family Leporidae.  I'm not sure whether
 Frank is a Rabbit or a Hare.
  

 
 wabbit

 ann

   

 On 9/26/07, Gonz [EMAIL PROTECTED] wrote:
  

 
 Frank, didn't you read the fine print?  In Title 9, section 4,
 paragraph 110, Item b) : No work shall be accepted from the class
 Lepus and all its associated species and subspecies.


 =:)


 On 9/26/07, frank theriault [EMAIL PROTECTED] wrote:


   
 Copy of e-mail recently sent to The Pentax Gallery:

 Sirs/Mesdames,

 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.

 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.

 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.

 Thank you for the opportunity to submit my photos.

 regards,
 frank theriault

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: Pentax Gallery Resignation

2007-09-26 Thread Boris Liberman
Strange.

I really thought that you were rather competitive person, Cotty. I am 
fairly competitive, but in photography I don't feel any desire to prove 
anything. So I don't really participate in competitions...

Boris


Cotty wrote:
 On 26/09/07, frank theriault, discombobulated, unleashed:
 
 so I'll continue shooting, with or
 without The PENTAX Photo Gallery.
 
 Hey Frank. Welcome to my life :-)
 
 I entered a photographic competition once. It was the first and last time.
 
 Absolutely never again.
 
 I only ever make pics for one person: me. If someone else likes them,
 too bad ;-)
 
 I suspect you are the same.
 
 I raise a  glass to you sir.
 


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RE: Pentax Gallery

2007-09-16 Thread Rod Connan
Very, VERY true.

I have watched this in a number of situations - applies in commentary and in
notice given.

Rod

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
graywolf

Welcome to the Camera Club, Frank. If your photos don't look like everyone
else's photos you do not know how to take pictures...

delete for bandwidth


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Re: Pentax Gallery

2007-09-14 Thread Cotty
On 13/09/07, Godfrey DiGiorgi, discombobulated, unleashed:

How about Jackson Pollock's paintings?

Now you're getting nasty!!!

-- 


Cheers,
  Cotty


___/\__
||   (O)   | People, Places, Pastiche
||=|http://www.cottysnaps.com
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Re: Pentax Gallery

2007-09-14 Thread Godfrey DiGiorgi
Art criticism is not art, and does not define art. It merely judges it.

G

On Sep 13, 2007, at 7:32 PM, Paul Stenquist wrote:

 That's why the test of time is critical. Works that are appreciated
 and applauded over the centuries earn the right to be called art.
 Nothing current can rightfully claim that title until generations
 have arrived at a consensus opinion. Almost all serious art critics
 would agree. One can express an opinion of recent works, but one can
 never be certain.


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Re: Pentax Gallery

2007-09-14 Thread Paul Stenquist

On Sep 14, 2007, at 12:49 AM, Godfrey DiGiorgi wrote:


 On Sep 13, 2007, at 7:27 PM, Paul Stenquist wrote:

 The question you posed is indeed What is a good picture?
 a sibling
 to What is art? ...

 We haven't had this debate in at least a month.  It's time...

 :o) that, and does a good subject make a good picture?

 Good pictures come in all shapes and sizes. Sometimes it's
 the compositon that makes a shot memorable. But a fascinating
 subject can achieve that as well. And of course sheer beauty
 is always worth a second look. In truth, there is no single,
 narrow definition.

 What is sheer beauty?

 It is, of course, in the eye of the beholder.

 The logic of your statement is that there is no definition of
 art, or
 beauty, that is not entirely subjective.

 Is that qualitative judgment, in the eye of the beholder, a
 product
 of nature or nurture?

 There are many definitions of art, and all of them are in some way
 subjective. But there can be a consensus.
 ...

 Your choices are far too limiting. It's a product of many things:
 environment, experience, nature, nurture and more. It's quite  
 simple
 really. If it's pleasing to the eye, it's beautiful. To one
 individual, that makes it personal art. If the consensus of opinion
 finds it beautiful, it can be said to be art. But that is still
 somewhat subjective. Because we are unique individuals, the
 subjectivity of these kinds of judgments can never be eliminated
 completely. However, over time, the consensus can become very broad
 and far reaching.

 Consensus does not change whether something is subjective or
 objective. Words mean certain things due to a consensus on their
 meaning, not because a given symbol or utterance has an a priori
 meaning.

 Your choices are far too limiting. It's a product of many things:
 environment, experience, nature, nurture and more.

 The shorthand of nurture or nature means is it something a  
 part of
 the animal (genetics, physiology, atomic structure, what have  
 you) or
 a learned behavior (which includes experience, environment,  
 teaching,
 etc). There are no other choices to these two classes of kind other
 than possibly the supernatural, which we have yet to see a proof of
 existence for.

 It's quite simple really. If it's pleasing to the eye, it's
 beautiful. To one
 individual, that makes it personal art. If the consensus of opinion
 finds it beautiful, it can be said to be art. But that is still
 somewhat subjective. Because we are unique individuals, the
 subjectivity of these kinds of judgments can never be eliminated
 completely. However, over time, the consensus can become very broad
 and far reaching.

 Your statement presumes that pleasing equals beautiful, that things
 considered beautiful are art, and that a consensus of opinion on the
 beauty of something defines it as art. By your definition,  
 everything
 can be art, because nearly everything can be pleasing to someone's
 eye.

 There is plenty of work out there that is considered art which is  
 not
 considered beautiful or pleasing to the eye, from virtually every
 major recognized artist. That would seem to make your definition
 insubstantial.

 How do you account for this conflict between consensus of art and
 your definition of same?

 I said no such thing. You're cherry picking. Go back to my original
 post.

 No, I disagree. All your posts are in sequence above.

 I said that there is no single path to successful photography.

 You said that good pictures come in all shapes and sizes, and in
 addition: ... And of course sheer beauty is always worth a second
 look. ...

 I asked What is sheer beauty?

 Your response was a circular, subjective support of beauty being
 something that you know either by yourself or by consensus with
 others, and then you went on to assert that pleasing equals
 beautiful, which makes it personal art, and agreement on what is
 beautiful by consensus also defines something as art.

 I assert that there is work created by recognized artists and
 considered by consensus not to be beautiful which is considered art.
 And that this is in contradiction to your definition.

 The paths
 to great photography are unlimited.  That is why it's impossible to
 develop rules or precise measurements. In regard to  subjectivity,
 nearly all critics of artistic pursuits — whether the genre be
 painting, music,  literature or even that fledging art known as
 photography — agree that consensus -- or the test of time -- is a
 valid measure of artistic merit.   It's a basic tenet of criticism in
 all the arts.

 It's you who went down the path of defining art as representing
 something recognized as beauty, not I, and deviated from the original
 question of what makes a great picture when you tossed in that
 notion of recognizing sheer beauty.

 How do you define sheer beauty and why is it special?
 What is the criteria by which it is  recognized?
 Why does art have to be beautiful?
 Are you asserting that art is ONLY 

Re: Pentax Gallery

2007-09-14 Thread Paul Stenquist

On Sep 14, 2007, at 12:49 AM, Godfrey DiGiorgi wrote:


 On Sep 13, 2007, at 7:27 PM, Paul Stenquist wrote:

 The question you posed is indeed What is a good picture?
 a sibling
 to What is art? ...

 We haven't had this debate in at least a month.  It's time...

 :o) that, and does a good subject make a good picture?

 Good pictures come in all shapes and sizes. Sometimes it's
 the compositon that makes a shot memorable. But a fascinating
 subject can achieve that as well. And of course sheer beauty
 is always worth a second look. In truth, there is no single,
 narrow definition.

 What is sheer beauty?

 It is, of course, in the eye of the beholder.

 The logic of your statement is that there is no definition of
 art, or
 beauty, that is not entirely subjective.

 Is that qualitative judgment, in the eye of the beholder, a
 product
 of nature or nurture?

 There are many definitions of art, and all of them are in some way
 subjective. But there can be a consensus.
 ...

 Your choices are far too limiting. It's a product of many things:
 environment, experience, nature, nurture and more. It's quite  
 simple
 really. If it's pleasing to the eye, it's beautiful. To one
 individual, that makes it personal art. If the consensus of opinion
 finds it beautiful, it can be said to be art. But that is still
 somewhat subjective. Because we are unique individuals, the
 subjectivity of these kinds of judgments can never be eliminated
 completely. However, over time, the consensus can become very broad
 and far reaching.

 Consensus does not change whether something is subjective or
 objective. Words mean certain things due to a consensus on their
 meaning, not because a given symbol or utterance has an a priori
 meaning.

 Your choices are far too limiting. It's a product of many things:
 environment, experience, nature, nurture and more.

 The shorthand of nurture or nature means is it something a  
 part of
 the animal (genetics, physiology, atomic structure, what have  
 you) or
 a learned behavior (which includes experience, environment,  
 teaching,
 etc). There are no other choices to these two classes of kind other
 than possibly the supernatural, which we have yet to see a proof of
 existence for.

 It's quite simple really. If it's pleasing to the eye, it's
 beautiful. To one
 individual, that makes it personal art. If the consensus of opinion
 finds it beautiful, it can be said to be art. But that is still
 somewhat subjective. Because we are unique individuals, the
 subjectivity of these kinds of judgments can never be eliminated
 completely. However, over time, the consensus can become very broad
 and far reaching.

 Your statement presumes that pleasing equals beautiful, that things
 considered beautiful are art, and that a consensus of opinion on the
 beauty of something defines it as art. By your definition,  
 everything
 can be art, because nearly everything can be pleasing to someone's
 eye.

 There is plenty of work out there that is considered art which is  
 not
 considered beautiful or pleasing to the eye, from virtually every
 major recognized artist. That would seem to make your definition
 insubstantial.

 How do you account for this conflict between consensus of art and
 your definition of same?

 I said no such thing. You're cherry picking. Go back to my original
 post.

 No, I disagree. All your posts are in sequence above.

 I said that there is no single path to successful photography.

 You said that good pictures come in all shapes and sizes, and in
 addition: ... And of course sheer beauty is always worth a second
 look. ...


Exactly. I didn't say beauty defines art. I said something beautiful  
is worth looking at..
 I asked What is sheer beauty?

 Your response was a circular, subjective support of beauty being
 something that you know either by yourself or by consensus with
 others, and then you went on to assert that pleasing equals
 beautiful, which makes it personal art, and agreement on what is
 beautiful by consensus also defines something as art.

I said something that is beautiful CAN be art, just as a great  
composition CAN be art. A consensus that something is beautiful  
doesn't make it art. A consensus, over time,  that something is  
artful, however, is a certain indication of aesthetic value. You are  
again cherry picking.

 I assert that there is work created by recognized artists and
 considered by consensus not to be beautiful which is considered art.
 And that this is in contradiction to your definition.

I never said that art has to be beautiful, only that the beautiful  
can be art. Two different things. Go back and read more carefully.

 The paths
 to great photography are unlimited.  That is why it's impossible to
 develop rules or precise measurements. In regard to  subjectivity,
 nearly all critics of artistic pursuits — whether the genre be
 painting, music,  literature or even that fledging art known as
 photography — agree that consensus -- or the 

Re: Pentax Gallery

2007-09-14 Thread Mark Roberts
P. J. Alling wrote:

Much modern art is a scam, just so much crap, 

Very true.



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Re: Pentax Gallery

2007-09-14 Thread Godfrey DiGiorgi

On Sep 14, 2007, at 3:06 AM, Paul Stenquist wrote:

 Exactly. I didn't say beauty defines art. I said something beautiful
 is worth looking at..

But you still haven't suggested what allows you to recognize what is  
beautiful.

 I said something that is beautiful CAN be art, just as a great
 composition CAN be art. A consensus that something is beautiful
 doesn't make it art. A consensus, over time,  that something is
 artful, however, is a certain indication of aesthetic value. You are
 again cherry picking.

Cherry picking, no. I'm trying to have a discussion and looking for a  
criteria that allows on to separate what is art vs what is not. Sorry  
if you think that is difficult, but I haven't found it in your  
statement yet.

 I never said that art has to be beautiful, only that the beautiful
 can be art. Two different things. Go back and read more carefully.

That's a useful distinction.

 No. You suggested I said that. I never did. But of course you have to
 win every discussion. We all know that. So it's pointless to go on
 and on with you.

Let's not go down the path of a personal insult. I thought we were  
having an interesting discussion. There is nothing to win here.

 I posit that:

 1: Art is intentional and has affect.

 2: Great photographs capture a likeness, are executed with technical
 expertise, express emotion, or convey information.

 3: There are many great photographs in the world. Most of them are
 not art, but some are. How they differ is in how they are conceived
 and how they exhibit affect or influence the viewer.

 4: Likewise there is much great art in the world. Most of it is not
 photographs, but some is. Of that subset of art which is photographs,
 many are not great photographs by the definition above, but that they
 are art can be discerned on the basis of their intent and affect.


 There's enough obfuscation in your definition to make it bullet
 proof. So be it.

I though the notions I posed were fairly simply stated and reasonably  
clear, a set of notions to explore. What is about them is  
obfuscation? what do you take issue with?

Again, there's nothing here to win. I'm enjoying the discussion of  
something other than how many lines of resolution a particular sensor  
might have, or whether it would be more sensible to buy a Nikon or  
Canon over a Pentax. The definition of art and great photographs are  
elusive and complex things, worthy of discussion. What in my positing  
are you uncomfortable with?

Godfrey



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Re: Pentax Gallery

2007-09-14 Thread Jack Davis
An expressed mutual respect for points made will always facilitate a
stimulating discussion. An apparent disregard or correcting exchange
will only last 'til someone feels they have won.

Jack
--- Godfrey DiGiorgi [EMAIL PROTECTED] wrote:

 
 On Sep 14, 2007, at 3:06 AM, Paul Stenquist wrote:
 
  Exactly. I didn't say beauty defines art. I said something
 beautiful
  is worth looking at..
 
 But you still haven't suggested what allows you to recognize what is 
 
 beautiful.
 
  I said something that is beautiful CAN be art, just as a great
  composition CAN be art. A consensus that something is beautiful
  doesn't make it art. A consensus, over time,  that something is
  artful, however, is a certain indication of aesthetic value. You
 are
  again cherry picking.
 
 Cherry picking, no. I'm trying to have a discussion and looking for a
  
 criteria that allows on to separate what is art vs what is not. Sorry
  
 if you think that is difficult, but I haven't found it in your  
 statement yet.
 
  I never said that art has to be beautiful, only that the beautiful
  can be art. Two different things. Go back and read more carefully.
 
 That's a useful distinction.
 
  No. You suggested I said that. I never did. But of course you have
 to
  win every discussion. We all know that. So it's pointless to go on
  and on with you.
 
 Let's not go down the path of a personal insult. I thought we were  
 having an interesting discussion. There is nothing to win here.
 
  I posit that:
 
  1: Art is intentional and has affect.
 
  2: Great photographs capture a likeness, are executed with
 technical
  expertise, express emotion, or convey information.
 
  3: There are many great photographs in the world. Most of them are
  not art, but some are. How they differ is in how they are
 conceived
  and how they exhibit affect or influence the viewer.
 
  4: Likewise there is much great art in the world. Most of it is
 not
  photographs, but some is. Of that subset of art which is
 photographs,
  many are not great photographs by the definition above, but that
 they
  are art can be discerned on the basis of their intent and affect.
 
 
  There's enough obfuscation in your definition to make it bullet
  proof. So be it.
 
 I though the notions I posed were fairly simply stated and reasonably
  
 clear, a set of notions to explore. What is about them is  
 obfuscation? what do you take issue with?
 
 Again, there's nothing here to win. I'm enjoying the discussion of 
 
 something other than how many lines of resolution a particular sensor
  
 might have, or whether it would be more sensible to buy a Nikon or  
 Canon over a Pentax. The definition of art and great photographs are 
 
 elusive and complex things, worthy of discussion. What in my positing
  
 are you uncomfortable with?
 
 Godfrey
 
 
 
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Re: Pentax Gallery

2007-09-14 Thread Tom C
Now that's a classic.

Mark!


Tom C.

From: Digital Image Studio [EMAIL PROTECTED]
 
  If it has a frame around it.

I say a dog shit with a frame around it is still a dog shit.

--
Rob Studdert



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Re: Pentax Gallery

2007-09-14 Thread Tom C

Of course it can concurrently be art and a dog shit but practically
I'd tend towards labeling it the latter if that's what it is.

--
Rob Studdert
HURSTVILLE AUSTRALIA

Honestly.  I have two dogs which make some very nice pieces of work.  If 
anyone here want's some of this doggy art let me know.  I'll take some 
pictures so you can see what your getting.  I accept Paypal and I'll even 
frame it for you, if desired.

Tom C.



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Re: Pentax Gallery

2007-09-14 Thread graywolf
Now, Rob, you know that if it is well composed, properly lit, and shot with 
Velvia it is ART. But crappy ART, of course.

chuckle


Digital Image Studio wrote:
 On 14/09/2007, Kenneth Waller [EMAIL PROTECTED] wrote:
 What I say is art, IS art.
 If it has a frame around it.
 
 I say a dog shit with a frame around it is still a dog shit.
 

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Re: Pentax Gallery

2007-09-14 Thread Gonz
Well if you want to be anal bout it.



On 9/13/07, Digital Image Studio [EMAIL PROTECTED] wrote:
 On 14/09/2007, Kenneth Waller [EMAIL PROTECTED] wrote:
   What I say is art, IS art.
 
  If it has a frame around it.

 I say a dog shit with a frame around it is still a dog shit.

 --
 Rob Studdert
 HURSTVILLE AUSTRALIA
 Tel +61-2-9554-4110 UTC(GMT) +10 Hours
 [EMAIL PROTECTED]
 http://picasaweb.google.com/distudio/PESO
 http://home.swiftdsl.com.au/~distudio//publications/
 Pentax user since 1986, PDMLer since 1998

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Re: Pentax Gallery

2007-09-14 Thread Gonz
Well if it makes you feel better Frank, if HCB would be here today
submitting photos to them, I dont think any of *his* would have been
accepted either


On 9/13/07, frank theriault [EMAIL PROTECTED] wrote:
 To those who've complained that not all of your photos have been
 accepted in the Pentax Gallery, quit yer bitchin'!

 Not one of mine has been accepted so far.

 Not a single one.

 I've still got about 6 pending, but 6 have been rejected outright.
 Street shots, still lifes, sports shots (Corner Kick, fer gawd's sake
 - and if I'm allowed a moment of immodesty, that was a muther of a
 photo!), portraits.  None of it good enough.

 I no longer hold great hope for my participation in this venture.

 I kind of feel like not submitting any more.  If the 6 that I have
 pending are rejected, I guess I'll know that I don't measure up to
 their standards (whatever they may be), and find another place to show
 my piccies...

 cheers,
 frank



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 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: Pentax Gallery

2007-09-14 Thread John Sessoms
Are you going to start that shit again!

From:
Gonz
 Well if you want to be anal bout it.

 On 9/13/07, Digital Image Studio [EMAIL PROTECTED] wrote:
   
  On 14/09/2007, Kenneth Waller [EMAIL PROTECTED] wrote:
   
What I say is art, IS art.
   
  
   If it has a frame around it.
 
 
  I say a dog shit with a frame around it is still a dog shit.


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Pentax Gallery

2007-09-13 Thread frank theriault
To those who've complained that not all of your photos have been
accepted in the Pentax Gallery, quit yer bitchin'!

Not one of mine has been accepted so far.

Not a single one.

I've still got about 6 pending, but 6 have been rejected outright.
Street shots, still lifes, sports shots (Corner Kick, fer gawd's sake
- and if I'm allowed a moment of immodesty, that was a muther of a
photo!), portraits.  None of it good enough.

I no longer hold great hope for my participation in this venture.

I kind of feel like not submitting any more.  If the 6 that I have
pending are rejected, I guess I'll know that I don't measure up to
their standards (whatever they may be), and find another place to show
my piccies...

cheers,
frank



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Re: Pentax Gallery

2007-09-13 Thread Scott Loveless
frank theriault wrote:
 To those who've complained that not all of your photos have been
 accepted in the Pentax Gallery, quit yer bitchin'!

 Not one of mine has been accepted so far.

 Not a single one.

 I've still got about 6 pending, but 6 have been rejected outright.
 Street shots, still lifes, sports shots (Corner Kick, fer gawd's sake
 - and if I'm allowed a moment of immodesty, that was a muther of a
 photo!), portraits.  None of it good enough.

 I no longer hold great hope for my participation in this venture.

 I kind of feel like not submitting any more.  If the 6 that I have
 pending are rejected, I guess I'll know that I don't measure up to
 their standards (whatever they may be), and find another place to show
 my piccies...

 cheers,
 frank



   
I guess I got started early(ish) with the Pentax gallery.  I submitted 
three photos and had one accepted.  When they started the peer review 
process I deleted my photo and politely requested they remove my 
account.  Considering the concerns recently on the list about this 
system, I have no regrets.

-- 
Scott Loveless
http://www.twosixteen.com/fivetoedsloth/


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Re: Pentax Gallery

2007-09-13 Thread P. J. Alling
Frank, that's because they don't understand the Theraultian ethos, 
they're aiming for punchy eye candy, not muddy thought provoking 
existentialism.

frank theriault wrote:
 To those who've complained that not all of your photos have been
 accepted in the Pentax Gallery, quit yer bitchin'!

 Not one of mine has been accepted so far.

 Not a single one.

 I've still got about 6 pending, but 6 have been rejected outright.
 Street shots, still lifes, sports shots (Corner Kick, fer gawd's sake
 - and if I'm allowed a moment of immodesty, that was a muther of a
 photo!), portraits.  None of it good enough.

 I no longer hold great hope for my participation in this venture.

 I kind of feel like not submitting any more.  If the 6 that I have
 pending are rejected, I guess I'll know that I don't measure up to
 their standards (whatever they may be), and find another place to show
 my piccies...

 cheers,
 frank



   


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Re: Pentax Gallery

2007-09-13 Thread P. J. Alling
I haven't even submitted any of mine. I doubt they'd accept the ones I 
like and those I think they'd accept I'm not to sure I'd want there. I 
guess I'm agree with Groucho Marx, I wouldn't join a club that would 
have me as a member.


frank theriault wrote:
 To those who've complained that not all of your photos have been
 accepted in the Pentax Gallery, quit yer bitchin'!

 Not one of mine has been accepted so far.

 Not a single one.

 I've still got about 6 pending, but 6 have been rejected outright.
 Street shots, still lifes, sports shots (Corner Kick, fer gawd's sake
 - and if I'm allowed a moment of immodesty, that was a muther of a
 photo!), portraits.  None of it good enough.

 I no longer hold great hope for my participation in this venture.

 I kind of feel like not submitting any more.  If the 6 that I have
 pending are rejected, I guess I'll know that I don't measure up to
 their standards (whatever they may be), and find another place to show
 my piccies...

 cheers,
 frank



   


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Re: Pentax Gallery

2007-09-13 Thread graywolf
Welcome to the Camera Club, Frank. If your photos don't look like everyone 
else's photos you do not know how to take pictures...


frank theriault wrote:
 To those who've complained that not all of your photos have been
 accepted in the Pentax Gallery, quit yer bitchin'!
 
 Not one of mine has been accepted so far.
 
 Not a single one.
 
 I've still got about 6 pending, but 6 have been rejected outright.
 Street shots, still lifes, sports shots (Corner Kick, fer gawd's sake
 - and if I'm allowed a moment of immodesty, that was a muther of a
 photo!), portraits.  None of it good enough.
 
 I no longer hold great hope for my participation in this venture.
 
 I kind of feel like not submitting any more.  If the 6 that I have
 pending are rejected, I guess I'll know that I don't measure up to
 their standards (whatever they may be), and find another place to show
 my piccies...
 
 cheers,
 frank
 
 
 

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Re: Pentax Gallery

2007-09-13 Thread Rebekah
A lot of the pictures on there seem like crisp snapshots of pretty
things rather than good photographs.  Anyone can take a well focused
picture of something pretty, but is it really worthy?  I don't know.
Perhaps we're just back to the art discussion.

rg2


On 9/13/07, graywolf [EMAIL PROTECTED] wrote:
 Welcome to the Camera Club, Frank. If your photos don't look like everyone 
 else's photos you do not know how to take pictures...


 frank theriault wrote:
  To those who've complained that not all of your photos have been
  accepted in the Pentax Gallery, quit yer bitchin'!
 
  Not one of mine has been accepted so far.
 
  Not a single one.
 
  I've still got about 6 pending, but 6 have been rejected outright.
  Street shots, still lifes, sports shots (Corner Kick, fer gawd's sake
  - and if I'm allowed a moment of immodesty, that was a muther of a
  photo!), portraits.  None of it good enough.
 
  I no longer hold great hope for my participation in this venture.
 
  I kind of feel like not submitting any more.  If the 6 that I have
  pending are rejected, I guess I'll know that I don't measure up to
  their standards (whatever they may be), and find another place to show
  my piccies...
 
  cheers,
  frank
 
 
 

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Re: Pentax Gallery

2007-09-13 Thread Tom C
You need to study the compositional aspects of many of those pictures.  
Sometime it takes more than a quick glance.  What looks like a snapshot may 
only look like that because you don't know what work went into the 
composition.

Anybody can take a picture of a leaf laying on a dirty sidewalk also.  
There's millions of leaves laying on dirty sidewalks all over the USA and 
other parts of the world.  Taking a picture of one of them does not make it 
art.

The fact is people like beautiful photographs of beautiful places because 
beauty is almost universally appreciated.

Tom C.


From: Rebekah [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Pentax Gallery
Date: Thu, 13 Sep 2007 12:25:33 -0400

A lot of the pictures on there seem like crisp snapshots of pretty
things rather than good photographs.  Anyone can take a well focused
picture of something pretty, but is it really worthy?  I don't know.
Perhaps we're just back to the art discussion.

rg2


On 9/13/07, graywolf [EMAIL PROTECTED] wrote:
  Welcome to the Camera Club, Frank. If your photos don't look like 
everyone else's photos you do not know how to take pictures...
 
 
  frank theriault wrote:
   To those who've complained that not all of your photos have been
   accepted in the Pentax Gallery, quit yer bitchin'!
  
   Not one of mine has been accepted so far.
  
   Not a single one.
  
   I've still got about 6 pending, but 6 have been rejected outright.
   Street shots, still lifes, sports shots (Corner Kick, fer gawd's sake
   - and if I'm allowed a moment of immodesty, that was a muther of a
   photo!), portraits.  None of it good enough.
  
   I no longer hold great hope for my participation in this venture.
  
   I kind of feel like not submitting any more.  If the 6 that I have
   pending are rejected, I guess I'll know that I don't measure up to
   their standards (whatever they may be), and find another place to show
   my piccies...
  
   cheers,
   frank
  
  
  
 
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Re: Pentax Gallery

2007-09-13 Thread Rebekah
You need to study the compositional aspects of many of those pictures.

the lack of composition was my point


rg2


On 9/13/07, Tom C [EMAIL PROTECTED] wrote:
 You need to study the compositional aspects of many of those pictures.
 Sometime it takes more than a quick glance.  What looks like a snapshot may
 only look like that because you don't know what work went into the
 composition.

 Anybody can take a picture of a leaf laying on a dirty sidewalk also.
 There's millions of leaves laying on dirty sidewalks all over the USA and
 other parts of the world.  Taking a picture of one of them does not make it
 art.

 The fact is people like beautiful photographs of beautiful places because
 beauty is almost universally appreciated.

 Tom C.


 From: Rebekah [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Pentax Gallery
 Date: Thu, 13 Sep 2007 12:25:33 -0400
 
 A lot of the pictures on there seem like crisp snapshots of pretty
 things rather than good photographs.  Anyone can take a well focused
 picture of something pretty, but is it really worthy?  I don't know.
 Perhaps we're just back to the art discussion.
 
 rg2
 
 
 On 9/13/07, graywolf [EMAIL PROTECTED] wrote:
   Welcome to the Camera Club, Frank. If your photos don't look like
 everyone else's photos you do not know how to take pictures...
  
  
   frank theriault wrote:
To those who've complained that not all of your photos have been
accepted in the Pentax Gallery, quit yer bitchin'!
   
Not one of mine has been accepted so far.
   
Not a single one.
   
I've still got about 6 pending, but 6 have been rejected outright.
Street shots, still lifes, sports shots (Corner Kick, fer gawd's sake
- and if I'm allowed a moment of immodesty, that was a muther of a
photo!), portraits.  None of it good enough.
   
I no longer hold great hope for my participation in this venture.
   
I kind of feel like not submitting any more.  If the 6 that I have
pending are rejected, I guess I'll know that I don't measure up to
their standards (whatever they may be), and find another place to show
my piccies...
   
cheers,
frank
   
   
   
  
   --
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 --
 the subject of a photograph is far less important than its composition
 
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Re: Pentax Gallery

2007-09-13 Thread Godfrey DiGiorgi
The question you posed is indeed What is a good picture? a sibling  
to What is art? ...

Let the debate commence (again) !

Godfrey

On Sep 13, 2007, at 11:39 AM, Rebekah wrote:

 You need to study the compositional aspects of many of those  
 pictures.

 the lack of composition was my point

 On 9/13/07, Tom C [EMAIL PROTECTED] wrote:
 You need to study the compositional aspects of many of those  
 pictures.
 Sometime it takes more than a quick glance.  What looks like a  
 snapshot may
 only look like that because you don't know what work went into the
 composition.

 Anybody can take a picture of a leaf laying on a dirty sidewalk also.
 There's millions of leaves laying on dirty sidewalks all over the  
 USA and
 other parts of the world.  Taking a picture of one of them does  
 not make it
 art.

 The fact is people like beautiful photographs of beautiful places  
 because
 beauty is almost universally appreciated.

 Tom C.


 From: Rebekah [EMAIL PROTECTED]

 A lot of the pictures on there seem like crisp snapshots of pretty
 things rather than good photographs.  Anyone can take a well focused
 picture of something pretty, but is it really worthy?  I don't know.
 Perhaps we're just back to the art discussion.


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