On Mar 14, 2010, at 9:35 PM, Noel Stoutenburg wrote:
It is my experience with various versions of Windows Finale, that
copying lyrics into a file which already contains lyrics produces
results which cannot be predicted based upon Finale documentation.
In general, when trying to copy lyrics
Ray Horton wrote:
One could also try zapping all of the lyrics in the target file (go into
"edit lyrics" and erase them there), then copy the lyrics from the lyric
staves in each both source files onto the same staves in the target
file. (Change the filter under "Edit" if necessary.). I believe
Excellent instructions, Noel.
I would add one thing:
Noel Stoutenburg wrote:
When files contain lyrics, I have had the best luck when I did not try
to merge the lyrics by this method. Based upon my experience, if I
were called upon to do this, between step 2 and 3 above, I would
delete all o
Katherine Hoover wrote:
I'm working on a Mac OS 10, with Finale 2004. I would like to combine
two files (parts for movements 1 & 2) into one. I couldn't find
information under "combine" or under "merge". How can i do this?
[Note: My experience is that trying to merge files involves a lot of
Eric Dannewitz wrote:
Well, it is true that it will do the same thing as I want, assigning
the dotted quarter the same numeric value as the quarter, but ideally
i think in a score you'd want the graphical dotted quarter = quarter
and then when it switches back to 2/4 a graphical quarter = dotted
Eric,
When I want to do this, I use text expressions, defined for playback.
In this case, I'd have three expressions. One is a quarter note, which
is not defined for playback. The other two look the similar--"(=
000)" and "( . = 000)" where 000 is the value representing the tempo.
These
Well, it is true that it will do the same thing as I want, assigning
the dotted quarter the same numeric value as the quarter, but ideally
i think in a score you'd want the graphical dotted quarter = quarter
and then when it switches back to 2/4 a graphical quarter = dotted
quarter. Just seems that
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Man, thats lamewe have all this other fluff in Finale, but
something like this you have to hack around to get the playback to
work correctly?
On Sun, Mar 14, 2010 at 4:56 PM, dershem wrote:
> On 3/14/2010 4:45 PM, Eric Dannewitz wrote:
>>
>> Oh, so you can't just graphically have a quarter n
On 3/14/2010 4:45 PM, Eric Dannewitz wrote:
Oh, so you can't just graphically have a quarter note then an = then a
dotted quarter? :-/
That's the easy part. But if you use playback, it will change the
tempo. If you don't use playback, it's very simple.
cd
On Sun, Mar 14, 2010 at 4:44 PM,
I'd try putting in a hidden expression for playback where the dotted
quarter had the same mm values as the preceding half note. Seems to
me that should work.
Chuck
On Mar 14, 2010, at 4:26 PM, Eric Dannewitz wrote:
I'm trying to get Finale to play back a piece of music that goes from
2/4
Oh, so you can't just graphically have a quarter note then an = then a
dotted quarter? :-/
On Sun, Mar 14, 2010 at 4:44 PM, dershem wrote:
> On 3/14/2010 4:26 PM, Eric Dannewitz wrote:
>>
>> I'm trying to get Finale to play back a piece of music that goes from
>> 2/4 to 6/8 and I want it to do do
On 3/14/2010 4:26 PM, Eric Dannewitz wrote:
I'm trying to get Finale to play back a piece of music that goes from
2/4 to 6/8 and I want it to do dotted quarter note = quarter
notebut the human playback doesn't seem to catch it.
ideas/
If you set your parameters right, it should be fairly s
I'm trying to get Finale to play back a piece of music that goes from
2/4 to 6/8 and I want it to do dotted quarter note = quarter
notebut the human playback doesn't seem to catch it.
ideas/
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On Mar 14, 2010, at 5:16 PM, dershem wrote:
On 3/14/2010 1:44 PM, David W. Fenton wrote:
On 14 Mar 2010 at 13:17, John Howell wrote:
lute with brass choir
This made me laugh out loud, and start imagining impossible
ensembles. I started with the bass lute with brass choir, and turned
it int
At 4:44 PM -0400 3/14/10, David W. Fenton wrote:
On 14 Mar 2010 at 13:17, John Howell wrote:
lute with brass choir
This made me laugh out loud, and start imagining impossible
ensembles. I started with the bass lute with brass choir, and turned
it into solo lute on-stage with antiphonal brass
I'm sorry that there's no stock in the online store at the moment. I
checked on this with my colleagues this past Friday and they assure me
that more stock is on its way to the warehouse, and it should be back in
stock on Tuesday or Wednesday.
Daniel
--
Daniel Spreadbury
Senior Product Manager
On 3/14/2010 1:44 PM, David W. Fenton wrote:
On 14 Mar 2010 at 13:17, John Howell wrote:
lute with brass choir
This made me laugh out loud, and start imagining impossible
ensembles. I started with the bass lute with brass choir, and turned
it into solo lute on-stage with antiphonal brass choi
On 14 Mar 2010 at 13:17, John Howell wrote:
> lute with brass choir
This made me laugh out loud, and start imagining impossible
ensembles. I started with the bass lute with brass choir, and turned
it into solo lute on-stage with antiphonal brass choirs in the side
galleries.
Other than mixing
dershem wrote:
On 3/14/2010 10:03 AM, Katherine Hoover wrote:
Dear Finale List
Working on a mac OSX, Finale 2004.
The glissando marking comes with the word"glissando" running up its
back. How can I get rid of the word? Or is there another way to mark a
gliss?
Also - I received no answer about
Thanks!
On Sun, Mar 14, 2010 at 1:15 PM, John Howell wrote:
> At 11:53 AM -0700 3/14/10, toronado...@gmail.com wrote:
>
>> Been checking the Sibelius/Avid websites on the crossgrade frequently over
>> the last few weeks, and it is always showing as "SOLD OUT" for the boxed
>> version. I'd reall
On Mar 14, 2010, at 11:17 AM, John Howell wrote:
... just as it would be if he tried to write for lute with brass
choir?
That sounds like a challenge!
mdl
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On Mar 14, 2010, at 2:03 PM, Robert Patterson wrote:
reversing the mouthpiece *definitely*
does.
As radical an idea as actual experimentation may be, I tried it on my
trumpet, and by gosh, you get a much louder sound
using the reversed mouthpiece. Imagine that !
timothy.key.price
timoth
At 11:53 AM -0700 3/14/10, toronado...@gmail.com wrote:
Been checking the Sibelius/Avid websites on the crossgrade frequently over
the last few weeks, and it is always showing as "SOLD OUT" for the boxed
version. I'd really rather have the shipped box than the download. The offer
ends this Friday
Been checking the Sibelius/Avid websites on the crossgrade frequently over
the last few weeks, and it is always showing as "SOLD OUT" for the boxed
version. I'd really rather have the shipped box than the download. The offer
ends this Friday, the 19th. Any suggestions?
_
On Sun, Mar 14, 2010 at 11:21 AM, Aaron Rabushka
wrote:
> All depends on who wins the power game.
>
As a composer visiting for a couple of days to a professional ensemble
that plays together all the time, you can't win the power game, and
you best not try. Orchestras are one of the most tribal in
On 3/14/2010 10:03 AM, Katherine Hoover wrote:
Dear Finale List
Working on a mac OSX, Finale 2004.
The glissando marking comes with the word"glissando" running up its
back. How can I get rid of the word? Or is there another way to mark a
gliss?
Also - I received no answer about merging, or com
Dear Finale List
Working on a mac OSX, Finale 2004.
The glissando marking comes with the word"glissando" running up its
back. How can I get rid of the word? Or is there another way to
mark a gliss?
Also - I received no answer about merging, or combining files.
Perhaps
All depends on who wins the power game.
Aaron J. Rabushka
arabus...@austin.rr.com
- Original Message -
From: "John Howell"
To:
Sent: Sunday, March 14, 2010 1:17 PM
Subject: Re: [Finale] OT: blowing air through brass instruments
At 9:52 PM -0600 3/13/10, Robert Patterson wrote:
So
At 9:52 PM -0600 3/13/10, Robert Patterson wrote:
So help me to understand. You are sitting in the audience of a large
hall listening to an ensemble with a large number of players. How do
you know whether they were reversing their mouthpieces? I ask in all
seriousness, because many players do it
Robert Patterson wrote:
On Sat, Mar 13, 2010 at 7:47 PM, dhbailey
wrote:
Perhaps the effect differs with different numbers of people doing it, but
I've heard it done quite effectively without anybody reversing mouthpieces.
So help me to understand. You are sitting in the audience of a large
When we used this technique, the players simply blew through the instruments
with the mouthpieces in place. It was audible from the audience.
Cheers,
Lawrence
--
Lawrenceyates.co.uk
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