have to
pause and rewind some video tutorials, I am expecting everybody to do
the same.
I was (still am) obsessed with the total length so that no one potential
viewer gets scared away by a 5+ minutes long video, as I often am.
I can do better.
Best,
--
Francisco Vila, Ph.D. - Badajoz
sic features of the language.
I fell in some stupid mistakes in the first one. They were replaced by
some other stupid mistakes in the second.
First https://youtu.be/7i30bGI6Wmw
Second https://youtu.be/vWhZDpnXJPo
Thanks
--
Francisco Vila, Ph.D. - Badajoz (Spain)
paconet.org , lilypond.es
php/s/rF8bdjTkZCH2H5L/download
Document available.
--
Francisco Vila, Ph.D. - Badajoz (Spain)
paconet.org , lilypond.es
other simultaneous
expression could change time signature and that would change durations
in this one.
This would be dangerous for those who expect a robust, hardwired
duration as usual in lilypond code. Code is not visual, for good or bad.
You can always use macros for this.
--
Francisco Vila,
t;
> Anybody knows what am I doing wrong?
>
> Regards
> Pablo
It's easier if you put the file in c:\Users\ana
and then just
C:\Users\ana> lilypond a.ly
because all the fuss with slashes, escaping and folders are a source of
problems.
maybe c: should be C: instead, for exam
\new Voice { \voiceOne \melody }
\harm
>>
}
I.e. go explicit as often as you can, so you don't lose control over
which voice number the music is in.
The part
\voiceFour 1
comes from the aim to be an intermediate secondary voice.
https://cloud.paconet
\addlyrics {
\set includeGraceNotes = ##t
Do
Re %grace
Do
Do
Do }
* document.png (24,9 KB) *cloud:
https://cloud.paconet.org/index.php/s/EAEgCHDsRfARz2A/download
--
Francisco Vila, Ph.D. - Badajoz (Spain)
paconet.org , lilypond.es
binUURtzxgTm8.bin
Description: Binary data
For example, I instruct it to print with the bravura
font, but it doesn't follow through.
Trying to render a file with an alternative font is the last thing I
would ever try before having made a simple file to work.
Any ideas?
Strip the problem, use { b } or any other simple input. Tell m
ou press Ctrl+M on a modified document, or on a new
document you have not saved yet, then lilypond is run on a temporary file.
That's why the MIDI file is not overwritten.
Please set the option to always save, of get used to the key sequence
Ctrl+S,Ctrl+M every time.
--
Francisco Vil
El 14/3/20 a las 0:18, antlists escribió:
On 13/03/2020 11:29, Francisco Vila wrote:
So my question for Kieren is, for large scores involving transposing
wind instruments along with strings etc, how do you manage this by
using only clefs and no transposition?
This is a double question
ings etc, how do you manage this by using
only clefs and no transposition?
--
Francisco Vila, Ph.D. - Badajoz (Spain)
paconet.org , lilypond.es
poet composer meter arranger opus piece copyright)))
(for-each (lambda (prop) (module-define! header prop #f)) props)
(ly:book-set-header! bookpart header)
(ly:book-add-bookpart! $current-book bookpart)))
--
Francisco Vila, Ph.D. - Badajoz (Spain)
paconet.org , lilypond.es
s a potential
source of problems for reusing that music (maybe in another
transposition) unless you want the music definitions transposed at
origin once and forever, for some reason.
--
Francisco Vila. Badajoz (Spain)
paconet.org , csmbadajoz.com
___
lily
;
> Hope this makes sense. Thanks!
One common setup is the following:
- Define variables for all parts. If this is a separate file, don't put
any score in it.
- Include the file above with the music. Prepare separate score blocks
for parts and the orchestral score. Use the variables you
d-"@" f g
c d-"@" f g
}
May I ask, after \cadenzaOn there is no moment anymore? Is there some
other internal counter for this?
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On 15/08/17 20:55, Francisco Vila wrote:
> All in all, one of the most usefulness of LilyPond is completely lost,
> which is to make beautifully typeset music automatically from a terse,
> meaningful symbolic language.
>
It must be said, however, that a blind Spanish user today
al digits could easily be limited to 2 without a
> great loss IMHO.
Yes, eleven decimals look like a bit too many for me.
> The various settings in \paper seem to come from the MusicXML data
> itself, and having them there makes it easy for the user to adapt
>
gitversion-header.ily
Then the same script calls lilypond on the files to compile as usual.
The lilypond file or your stylesheet \includes the file
gitversion-header.ily and prints the version with a \markup{\hash} or
similar.
--
Francisco Vila. Badajoz (Spain)
paconet.org , csmbad
port from to XML process
from the other side.
As an alternative, smart regular expressions could be of help to filter
out certain elements from the ly code after the conversion. I'll try to
post those I used.
--
Francisco Vila. Badajoz (Spain)
paconet.org , csmbadajoz.com
__
ww.rosannephilippens.com/
Aristos Quartet
https://www.grachtenfestival.nl/musician_detail.vm?ens=8711&lang=en
http://aristosquartet.nl/home/
Evelien Jaspers - Dmitry Ivanov - Sylvain Dessane - Otto Bakker
--
Francisco Vila. Badajoz (Spain)
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___
l Rights Reserved
comes into place. That way he reserves the right to be asked when a use
of the material could potentially be outside of the limits of fair use.
I don't know if the license is perfectly well chosen, but the compromise
looks reasonably safe.
>
> On Mon, Aug 14, 2017 a
On 12/08/17 13:09, Francisco Vila wrote:
> Hello all,
>
> I'd like to share what I'm been working on lately. Daahoud Salim, a
> young Spanish composer and pianist has been commited by the Grachten
> Festival Amsterdam to compose a short work for one main violin plu
g=en
http://aristosquartet.nl/home/
Evelien Jaspers - Dmitry Ivanov - Sylvain Dessane - Otto Bakker
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Hi,
AMD FX-3600 here.
real1m26.823s
cpu MHz : 1400.000
bogomips: 7032.75
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easy to configure a filter or
just ignore him.
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2016-11-18 18:27 GMT+01:00 David Kastrup :
> Francisco Vila writes:
>
>> David: I don't know what to say. I am very grateful to you for your
>> huge, unvaluable work and I wish you luck.
>
> In spite of the respectively English and Latin prefixes having the same
>
vid Kastrup wrote:
>
> Hi folks and team,
>
> ...
>
> ___
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> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
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__
2016-10-21 16:43 GMT+02:00 Francisco Vila :
> 2016-10-21 10:18 GMT+02:00 Andrew Bernard :
>
>> I am engraving the Soler Fandango, an 18c Spanish piece. the LH and RH
>> indications in the MS I am working from are a little unclear. Given that
>> mano izqueirda is left
ano sinistra, if I'm not wrong. Spanish
scores use them more than any Spanish terms, I think.
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core{
{ \clef bass << \upprC \\ \lowrC >> }
}
doo={ \override NoteHead.stencil = #ly:text-interface::print
\override NoteHead.text = #(markup #:musicglyph "dots.dot")
\omit Flag
\omit Stem
a' c''
er vertically,
They are, by default. Only melismata are not.
> 4) make ragged last line,
\layout { ragged-last = ##t } as usual.
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so, Helvetica font is not embedded but it is standard (this is fine), but
NewBaskerbille-SC and NewBaskerbille-Roman are not embedded and they are
not standard. So, they get substituted, maybe by a different font in every
system.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org
6
cisis4 deses eis
fes2 bis,8. deses16
eses4 bis fisis'
geses2 c,8. deses16
\key cis \major bis'4 beses eis,8. geses16
disis4 eses \fermata ais8. ceses16
\key ces\major gisis4 geses g
geses2 \bar "|."
}
\layout{}
\midi{}
}
--
Francisco V
other eye-catcher.
>
> cheers Marco
>
> ___
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Francisco Vila. Badajoz (Spain
ot exactly quick and simple; the second one isn't
> good for my case (I need the glyphs, not a score);
>
An SVG score has all the glyphs. Moreover, some common music such as { b8[
d'] } produces output that you just can not type as glyphs from a font.
--
Francisco Vila. Badajoz (
; }
\score { \new Staff \common }
}
% end of main.ly
The idea is: the title is inherited from common.ly for all scores. The
subtitle is specified for every score. All scores go on different
pages and the result is a single PDF.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.cs
5at7/download
}
Document available if you like it.
>
> ___
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> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
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_
c, I think a thick
default 'middle' stroke in white on a lower layer would work. See
example.
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odel just like the one you
posted, then try to print the same model using Python and taking the
note variables from the list.
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OooLilyPond config
> dialog. If I switch to "eps" it works again.
>
> I am using Libre Office 4.3.5.2, LilyPond 2.19.15, OooLilyPond 0.4.0
Jus tested with LibreOffice 4.3.3.2, LilyPond 2.19.16 and OooLilyPond
0.4.0 , works well with png output.
--
Francisco Vila.
2014-12-06 0:54 GMT+01:00 Francisco Vila :
> The this solution works:
"Then" this solution works.
To create thelogo.pdf I first saved a lilypond score as SVG, then
added the logo with inkscape, then deleted everything but the logo,
then saved as PDF.
--
Francisco Vila. B
2014-12-05 19:12 GMT+01:00 Markus Baertschi :
> On Fri, Dec 5, 2014 at 6:39 PM, Francisco Vila wrote:
>> Did you try a toplevel markup before the actual score?
>>
>> \markup {the logo}
>>
>> \score {
>> { c' }
>> }
>
> I tried adding it
e actual score?
\markup {the logo}
\score {
{ c' }
}
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the
scroll bar in gitk (without --all) at the bottom and there it was:
commit 4f4ad24a3bfeb77cfd0ecca104319607bfd28a63
Author: Han-Wen Nienhuys
Date: Wed Oct 9 14:04:46 1996 +0100
Initial.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.
Sorry for the cross-posting. Just a short note to say LIlyPond is 18
since october if our git history is true.
Congrats to all for using/developing/maintaining/enjoying this great
piece of software.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
2014-07-05 16:49 GMT+02:00 Nicolas Sceaux :
> Le 5 juil. 2014 à 16:09, Francisco Vila a écrit :
>
>> Hello. This is mainly for Monsieur N. Sceaux. I have been trying to
>> compile nenuvar/Haendel/Oratorio/Messiah and the standard way via
>> 'make' does no
on is Messiah's code at? I can say
Haendel/Opera/GiulioCesare is in \version "2.11.57" for example, but
did not find any version statement in Messiah.
If you were going to compile all of nenuvar/ , where would you start from?
Thanks!
--
Francisco Vila. Badajoz (Spain)
www.pa
7;2 g'
> }
>
> ?
Ah yes, improvisation notes without the stems. Thank you!
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sure?
Thanks
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https://paconet.org/cloud/public.php?service=files&t=ac52b58ec2937de6eef67f51bc07ff9c
(PDF,235Kb)
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El 14/05/2014 22:32, "Nick Payne" escribió:
>
> On 15/05/2014 5:53 AM, Francisco Vila wrote:
>>
>>
>> El 14/05/2014 21:16, "Thomas Morley" escribió:
>> >
>> > 2014-05-14 20:45 GMT+02:00 Pierre Perol-Schneider
>> > :
>>
El 14/05/2014 21:16, "Thomas Morley" escribió:
>
> 2014-05-14 20:45 GMT+02:00 Pierre Perol-Schneider
> :
> > 2014-05-14 18:43 GMT+02:00 Tim Roberts :
> >
> >
> >>
> >> If the notes really do sound an octave below what is written, then the
"8"
> >> under the clef is exactly the right notation. If
--
>
> As said, this set all verse/note to the correct pitch, but the tabs pitch
will be wrong (the \relative definition in the TabScore section will be
ignored).
Use relative to define the correct pitches in music variables and nowhere
else. Do not nest relative statements.
>
Using relative per variable at the moment of their definition is robust
pitchwise.
Sorry for top posting
El 12/05/2014 10:48, "Carlo Vanoni" escribió:
> Hi everyone,
>
> I'm transcribing a song that is, as usual, versex2-chorus-verse-chorus.
> Instead of copying all the notes of the verse/chorus
for comments and
lyrics in Spanish I change to suggestions on demand and accents can be
typed normally.
The bug comes undoubtedly from a conflict between auto-complete
feature and dead keys. HTH,
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
__
rather simple, with a minimum of tweaks.
Also, technical needs of this sort of notation aren't complex.
We are fairly satisfied with the results. It is not on sale yet (no
funds for that). What you see in the photos is a b/w homemade print.
Cheers,
--
Francisco Vila. Badajoz (Spain)
www.pacone
making it to show a figure as if one of the
notes had to be stroke again. In the standard staff we can see three
ties on both chords. Image attached.
Do you know why, and how to avoid that? Thank you!
--
Francisco Vila. Badajoz (Spain)
www.pacon
r/2014-02/msg00087.html).
This is true but he is talking about using "their MusicXML importer" I think.
Without knowing all the internal details, I can say this sounds easy
but it is Not. Because, it imports, and converts to what exactly?
Certainly not to a LilyPond-usable representation
2014-03-19 13:27 GMT+01:00 Klaus Föhl :
> Did not spot a stand for Sibelius. I looked but did not hunt for it.
Last time I had news of, it was defunct. Sure, they still could be
trying to sell it, but IMHO only a fool would buy a copy.
--
Francisco Vila. Badajoz (Spain)
www.paconet.
Music Publishers' Association, and we'll receive the award at the
> Frankfurt Musikmesse on Friday!
>
> :-) :-) :-)
>
WowWowWow!! Congratulations!!
And in addition, this is a very good advertisment for LilyPond.
--
Franc
ist
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
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I forgot the images. They are for 2.0 and 2.19
I added \override TupletBracket.bracket-visibility = ##f
to match the 2.0 version. So, how to force the same behavior?
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
t? See image.
I can not set outside staff priority for the slur because that makes
the slur go completely outside staff.
It's worth noting that lilypond 2.0 (!) behaved correctly here, see
ms.29 of http://www.mutopiaproject.org/ftp/FaureG/O7/apres/apres-a4.pdf
, upper staff.
Thanks
--
Fra
2014-02-20 8:13 GMT+01:00 Jan-Peter Voigt :
> OK, this is again the free-software-theme ... \relative c'' { \time 2/4
> \key c \minor r8 g[ g g] | ees2
\fermata % :-)
> | }
--
Francisco Vila. Badajoz (Spain)
www.paconet.org ,
tad better if all the stems were printed upwards:
> \relative c' {
> g' a b a g8 a b a g2
> }
> (I'll be adding that to the tracker if I'm told there's something that
> can reasonably be expected here.)
I really believed lily already did this. In fact,
lilypond 2.18, see
http://lilypond.org/doc/v2.19/Documentation/notation/bars#bar-lines
Besides, my advice is to use the repeat command for repeats and let
lilypond choose a good barline automatically.
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of both cases would be very useful.
If the former, you found a bug.
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oes the convert-ly tool manage that
properly? I don't know.
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y slow for me because I
never was able to remember where to find a command.
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is a music expression
and so are these:
\relative c { f g a b }
\transpose c c' \relative c { f g a b }
\new Staff \transpose c c' \relative c { f g a b }
et cetera.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
__
El 30/12/2013 21:31, "Tom Cloyd" escribió:
>
> Mark -
>
>
> On 12/30/2013 01:22 PM, Mark Stephen Mrotek wrote:
>>
>> Hello,
>>
>>
>>
>> Does 2.18 install over the previous version (2.16.2 for me), or must the
previous version be uninstalled first?
>
> I think this REALLY should be made quite clear
El 07/12/2013 15:48, "Joseph Rushton Wakeling"
escribió:
> I don't see why you assume that. There's no particular reason why you
need an identical bundled install for every platform -- different platforms
come with different expectations on the part of users, so it should be fine
to have e.g. a
ut the need of calling them stupid for having done so"
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2013/12/4 David Kastrup :
> The last time this discussion came up, Frescobaldi did not work on
> MacOSX. And it comes with its own dependencies. And installers.
Fresco is now in Macports (whatever that means) and I think that means
it is now very easy to install there.
--
Francisc
tput console. Not a paragraph in the docs explaining you
have to find a log and read it. This is impossible to be popular.
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https://li
hell/editor. I find this path tortuous. People double-click
the lilypond icon, and don't see this shell as many of them could
expect. Instead, ugly things happen. Therefore, lilypond is ugly. I
think this summarizes the start and the end of a newcomer's
experience.
--
Francisco
weak as to be useful for all except
mid-high level nerdies.
I always think all you do to lower the entry threshold is never enough
and ours is currently a bit too high. It's not the language, it's the
experience. And never forget Windows users are
2013/11/19 Luca Rossetto Casel :
> I can answer: it's a tenorized treble clef. The elements to the right of the
> G clef represent a stylized tenor clef.(...)
Also, don't be surprised if you find a double treble clef, two closely
overlapped g-clef symbols, with the same meaning
me.
Some filenames make gs crash; expect bug reports on this sooner or later.
A pity tiger.ly does not work
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Hello. I bring this from the Spanish list:
{
\time 2/4
\repeat percent 3 << b'2 \\ b2 >>
\repeat percent 3 b2
}
[image attached]
Here, the repeated part which has polyphony lacks one of the percent
symbols. Anyone knows why? Thanks.
--
Francisco Vila. Badajoz (Spain
erve as an actual 2.18 page.
Or, we could name it "2.17 since 2.16" to be clearer, and change this
to 2.18 on its release. That would indeed be clearer because the page
is under lilypond.org/doc/v2.17/ .
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
Here ends my knowledge. Please send me a copy of
the lilypond source file and/or press Ctrl-Shift-M in Frescobaldi and
tell me what's the content of the commandline area at the bottom in
that dialog.
--
Francisco Vila. Badajoz (Spain)
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___
o me or the comments section on the pull
> request.
I run and install Frescobaldi from git, but I am not an user of
github. How to test the pull request in a console?
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
___
lil
2013/5/8 Silas S. Brown :
> Hi, I'm trying to set up a recent LilyPond on someone's old
> laptop.
Have you tried the recommended installers? Follow the download link in
lilypond.org
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Francisco Vila. Badajoz (Spain)
www.paconet.org , ww
;
>> Because 2.16 released well after the freeze of wheezy, it won't be
>> included in the release.
...
>
> Anyway, good to know that 2.16 will reach testing and backports quite soon.
Just a note to point out that Ubuntu Raring (released april) comes
with lilypond 2.16
--
Fran
2013/4/30 David Kastrup :
> Francisco Vila writes:
>
>> 2013/4/30 Julien Rioux :
>>> On 30/04/2013 5:56 AM, Francisco Vila wrote:
>>>>
>>>> In theory yes, but does this make lilypond-book generate a myfile.tex
>>>> that includes the PNG
2013/4/30 Julien Rioux :
> On 30/04/2013 5:56 AM, Francisco Vila wrote:
>>
>> In theory yes, but does this make lilypond-book generate a myfile.tex
>> that includes the PNG images? I think not.
>>
>
> The generated .tex file does not specify the file extension for
2013/4/30 Julien Rioux :
> On 29/04/2013 12:07 PM, Francisco Vila wrote:
>>
>> Hello. I am trying to create an e-book in ePub format from a latex
>> document via lilypond-book and pandoc.
>>
>> EPubs can not have images in PDF format, so I'd like to p
lilypond code, preprocess it, and
generate another document with the images of music in it.
Thanks. I suspect I am missing something obvious here.
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Francisco Vila. Badajoz (Spain)
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Thank you,
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Francisco Vila. Badajoz (Spain)
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from scratch. As long as they have scores especially prepared for them,
their lifes are now happier as they are.
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Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
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2013/4/24 Francisco Vila :
>>It seems a shame, because the Tex source probably contains all
>> the information one would need to produce a nice e-book)
> Maybe this http://www.latex2html.org/ can help, if you can customise
> it for your needs.
Also google for "latex to
rce probably contains all
> the information one would need to produce a nice e-book)
Maybe this http://www.latex2html.org/ can help, if you can customise
it for your needs.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
__
a d f e d
cis a cis e a g f e } } } >>
is the same as
\relative c' { \time 3/4 \key c \minor f d f a d f e d cis a
cis e a g f e }
unless you really need to use several nested music expressions.
Although must confess I also use trial&error for constructs I think I
master but I do
he otf fonts on disk are called emmentaler.
>
> What is the proper name for the font?
Read these threads and tell me whether it is of any help:
http://lists.gnu.org/archive/html/lilypond-devel/2009-05/msg00222.html
http://lists.gnu.org/archive/html/lilypond-user/2013-03/msg00651.html
--
Franc
, also (say, 2.11.x;
Archaeolilypondlogy.).
Whatever. I think this has some logic if you have nothing else but
lilypond installed. New programs you install could associate with
themselves, which has also some logic.
--
Francisco Vila. Badajoz (Spa
.png -r 25 timelapse.mp4
# same for webm VP8
ffmpeg -r 25 -i png/frame%05d.png -vcodec libvpx -r 25 -b1k timelapse.webm
There is much room for improving, so suggestions are appreciated. Thanks
--
Francisco Vila. Badajoz (Spain)
www.paconet.
2013/4/10 Francisco Vila :
> It must have been downsampled at some stage. I see stairs at 100% (1:1
> to screen)
Hm, probably I should see stairs in either case because pixels of my
screen are bigger than cone cells of my retina, so to speak, but now I
think I see them because the image is
t nominal 300 dpi. This is its attempt at 1200 dpi.
It must have been downsampled at some stage. I see stairs at 100% (1:1
to screen)
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Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
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staves using different
\mark\markup{} . I found it useful for labeling staves.
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Francisco Vila. Badajoz (Spain)
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