[313] HELP WDTR STICK IT IN YOUR EAR PROGRAM
ATTENTION ALL : 313 MAGIC MIKE YOUNG NEEDS OUR SUPPORT ON HIS RADIO SHOW STICK IT IN YOUR EAR PROGRAM AIRS AT 7:00PM TO 8:30 FRIDAYS ONLY WDTR 90.9 FM NOW THATS NOT NEARLY ENOUGH TIME FOR DETROIT TECHNO! We WILL STAY ON THIS SUBJECT UNTILL HE GETS THE SUPPORT HE NEEDS FOR PLAYING DETROIT TECHNO AND WE AT S.O.S KNOW YOU WILL COME THROUGH VOICE YOUR CONCERNS TO WDTR DON WALKER AT (313) 596-3507 OR PLEASE BLOW UP THE FAX MACHINE (313) 596-3517 Their are rumblings of Program Change.Detroit the Drama goes on..AND on - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] FA eBay: Mills, Transmat, DBX, K.Hand, J.Telecom, etc vinyl
I'm auctioning several Detroit vinyl releases on eBay (auctions end after 10:40pm PST on Sunday). The link below takes you to my list of auctions or search by my seller name on eBay, jpbagdonas: http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?MfcISAPICommand=ViewListedItems&us erid=jpbagdonas&include=0&since=-1&sort=3&rows=25 No reserves, buyer pays actual shipping costs, and I will ship internationally. X-Ray (D.May&J.Atkins) Let's Go- Transmat 01 H&R Interface vinyl EP on Cetron The Martians Ramifying Parallels EP Atom Comm The Pump Panel To The Sky Remix EP -Missile 9 Hysterical Systems EP- Kickin Records Eddie Flashin Fowlkes -Groovin EP- Tresor dbit/sandylevine/kero-Live Wire Rec Detroit Chimera Valley of the Spirits EP on Rephlex The 5th Magnitude Fase 1 Vinyl EP on Nitric Navid Divan Vol.0.3 Vinyl EP Planet Source 04 Vector B.Q. Wave Plast Trax 03 Vinyl EP Tronic Men (Laidback Luke+) Subspace 12" Jeff Mills-The Purpose Maker EP (AXIS 11) Structure -The Black Smoke EP-Surface 08 K Hand Global Warning vinyl EP Warp Records 808 State's Olympic '93/Plan 9 12" Digitek 4 (Motorcity Electro Company-001) Japanese Telecom rmxs- Perspects, Assault,etc Digitek- Batteries Not Included EP (MCEC-02) Quest-Hell on Earth-Machine Code Records Alien Sex Fiend-Evolution rmxs-13th Moon Rec. Feedback vinyl EP on Planet Rhythm UK (002) Carl Finlow & Daz Quayle- il.ek.tro EP- Klang Voice Stealer (Carl Finlow) EP- Subvert Rec. Aubrey Solid Groove EP (SG 10) DBX (Dan Bell)Bleep EP-Accelerate Memory Foundation- Your Last Chance EP-Mplant Bang the Party EP feat. Derrick May- Transmat Christopher Just-Brand New Good For You-Petra Stacey Pullen- Kosmic Messenger- Eclipse Rec. Herwig Maurer Cyklik 12" Telepathic Records Alter Ego- Lycra RMX EP- Harthouse Records Johnny Fiasco- Spectrum EP- Penetrate 01 Thanks! JP - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Monolake picture - lamp?
When Henke performed at Detroit Contemporary last summer, he had only a bare black light hanging precisely like that one is - over his head. Maybe that's what it is. jeff At 01:20 PM 4/5/2002, [EMAIL PROTECTED] wrote: Odd question- anyone recognize what kind of lamp (looks like some kind of fluorescent) is in the first picture on this page? It's that tube like thing. I'm interested in getting something like this myself. Small, compact, portable, that gives off a weird/cold blue light (enough to read by) - preferably battery opp. (or rechargeable that keeps a charge for a least 3-4 hours) and is somewhat energy efficient. Prefer that it's available in the US (fat chance?) but will pay for international shipping if need be. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] TC001 Release Party
http://emphasis.erave.org/tc001releaseparty-flyer.gif Saturday May 18th, 2002 10pm-??am / Detroit, MI GUNJACK (Sheep UK, Deafmosaic Tokyo, Techno City Records)(Tokyo, Japan) With the acclaimed release of his last single, "outlands" on Sheep records out of Birmingham proper, the Jak is finally receiving some long overdue and well deserved attention and if you see him play out, you will understand why. With studio credits too numerous to mention, his records are played by the likes of Surgeon, Ben Sims, James Ruskin and the ever elusive Jeff Mills. Now, with a series of very rare U.S. appearances, the Jak intends to give a hard education to those not already in the know. Look out for his new label DEAFMOSAIC, launching this summer with worldwide distribution by integralemuzique. NEIL V & JIMMY HUNT (techno city rec - next management) T. LINDER (techno city rec / detroit) More info: 248.975.6031 www.technocityrecords.com www.next-management.com (I did this design and thought I'd pass it on..) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] - Forced Exposure...
On Fri, 5 Apr 2002, Mark S Flintoft wrote: > Anyone have any experience dealing with these folks?? > > They have something I REALLY want but I don't wanna get jerked around... > > Any feed back would be greatly appreciated:) > > Thanks in advance... a friend of mine seems to order from them on a relatively regular basis without any problem. i just placed an order last week, so i guess i'll find out either way. ;) glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] strings of life
It's not the one that fades away, returning with a breakdown of the piano sequence solo is it? I actually have that one, but can't remember the specific details. I think it's one of those 'Network' tributes... JB -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, April 05, 2002 11:43 AM To: Maarten Baute; 313@hyperreal.org Subject: Re: [313] strings of life I swear, strings and jaguar are the most remixed songs ever... almost every time I am out I hear a new version somewhere.. maybe that says something about how cultured I am :) -Joe me and my questions... So, i heard this remix of strings of life this saturday (played by smos and baby b, two belgian dj´s). It sounded very new, happy and latin-like (with e-piano).. Does anyone have a clue wich remix this could be? Another Question: Is the record "Pepe Bradock - Atom Funk" ever remixed? I heard Derrick May play a track with the same sounds... Thanks, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] the connection machine
Does anyone have contact info on them? I have not heard anything from them since their release on planet e and remix for morgan geist on environ 001. If anyone has any info or knows how to reach them, please let me know. minto __ Do You Yahoo!? Yahoo! Tax Center - online filing with TurboTax http://taxes.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] - Forced Exposure...
Mark S Flintoft wrote: > Anyone have any experience dealing with these folks?? Just so there's a public reply.. I've ordered online from forcedexposure.com many times. Their service is prompt, their selection phenomenal, everything is well-packaged and arrives in excellent condition. My only complaint is that you have to actually phone them if you have a special order or delivery instructions; they seem to overlook emailed or order-attached requests. - Mike mike j. brown | xml/xslt: http://skew.org/xml/ denver/boulder, colorado, usa | personal: http://hyperreal.org/~mike/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] strings of life
I swear, strings and jaguar are the most remixed songs ever... almost every time I am out I hear a new version somewhere.. maybe that says something about how cultured I am :) -Joe me and my questions... So, i heard this remix of strings of life this saturday (played by smos and baby b, two belgian dj´s). It sounded very new, happy and latin-like (with e-piano).. Does anyone have a clue wich remix this could be? Another Question: Is the record "Pepe Bradock - Atom Funk" ever remixed? I heard Derrick May play a track with the same sounds... Thanks, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] strings of life
Could be that 2001 Remix that was released on White label last year, it has strong piano riffs on it... Cheers, m* - Original Message - From: "Maarten Baute" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, April 05, 2002 2:27 PM Subject: [313] strings of life > me and my questions... > > So, i heard this remix of strings of life this saturday (played by smos and > baby b, two belgian dj´s). It sounded very new, happy and latin-like (with > e-piano).. Does anyone have a clue wich remix this could be? > > Another Question: > Is the record "Pepe Bradock - Atom Funk" ever remixed? > I heard Derrick May play a track with the same sounds... > > Thanks, > Maarten > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Obscure film info?
Managed to locate the vid. here at the uni where I work. Akomfrah is a member of the Black Audio Film Collective based in Birmingham, UK. He's been involved making movies on the Handsworth Riots & Malcolm X. The Last Angel of History (45 mins.) info: "Explores the relationships between Pan-African culture, science fiction, space exploration & expanding computer technology. Posits science fiction as a metaphor for the Pan-African experience of forced displacement, cultural alienation & otherness by exploring the work of musicians G. Clinton, D. May, & DJ Spooky, sf authors S.R. Delaney & O. Fields, astronaut Dr. B.A. Harris Jr., actress N. Nichols, cultural critics G. Tate & K. Eshun, & novelist I. Reed." Wonder if Drexciya are mentioned. Wes On Fri, 5 Apr 2002, Wes wrote: > Does anyone have any info. on a film by John Akomfrah by the name of The > Last Angel of History (1995), which has D. May talking about technology? > Artists must, if they are putting new technology to its correct use, > "take it to the level of human instinct." > > Is it available on video or DVD? The movie's mentioned in the book DJ > Culture. > > Thanks, > Wes > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] strings of life
me and my questions... So, i heard this remix of strings of life this saturday (played by smos and baby b, two belgian dj´s). It sounded very new, happy and latin-like (with e-piano).. Does anyone have a clue wich remix this could be? Another Question: Is the record "Pepe Bradock - Atom Funk" ever remixed? I heard Derrick May play a track with the same sounds... Thanks, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] - Forced Exposure...
Order is placed Thanks for the prompt responses sos and Pete=) Cheers, m* - Original Message - From: "SOS" <[EMAIL PROTECTED]> To: "Mark S Flintoft" <[EMAIL PROTECTED]> Sent: Friday, April 05, 2002 2:14 PM Subject: Re: [313] - Forced Exposure... > They are oh so cool > s.o.s > At 02:14 PM 4/5/2002 -0500, you wrote: > >Anyone have any experience dealing with these folks?? > > > >They have something I REALLY want but I don't wanna get jerked around... > > > >Any feed back would be greatly appreciated:) > > > >Thanks in advance... > > > >m* > > > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] we support magic mike young wdtr
Puzzlebox Records is deffinetly onboard to support and voice our concerns. Peace ATTENTION ALL : 313 MAGIC MIKE YOUNG NEEDS OUR SUPPORT ON HIS RADIO SHOW STICK IT IN YOUR EAR PROGRAM AIRS AT 7:00PM TO 8:30 FRIDAYS ONLY WDTR 90.9 FM NOW THATS NOT NEARLY ENOUGH TIME FOR DETROIT TECHNO! I WILL STAY ON THIS SUBJECT UNTILL HE GETS THE SUPPORT HE NEEDS FOR PLAYING DETROIT TECHNO AND WE AT S.O.S KNOW YOU WILL COME THROUGH VOICE YOUR CONCERNS TO WDTR DON WALKER AT (313) 596-3507 OR PLEASE BLOW UP THE FAX MACHINE (313) 596-3517 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Monolake picture - lamp?
Odd question- anyone recognize what kind of lamp (looks like some kind of fluorescent) is in the first picture on this page? It's that tube like thing. I'm interested in getting something like this myself. Small, compact, portable, that gives off a weird/cold blue light (enough to read by) - preferably battery opp. (or rechargeable that keeps a charge for a least 3-4 hours) and is somewhat energy efficient. Prefer that it's available in the US (fat chance?) but will pay for international shipping if need be. http://www.monolake.de/live/ontour0.html by the way - check out the new mp3 http://www.monolake.de/realaudio.html MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] - Forced Exposure...
Anyone have any experience dealing with these folks?? They have something I REALLY want but I don't wanna get jerked around... Any feed back would be greatly appreciated:) Thanks in advance... m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] FW: DEMF- Larry Heard, Moodymann, Hanna...
> Sunday, May 26th > Banco Building on Woodward > 10pm-7am > $25 (approximately, TBD) Cool! ...but does he mean the "Bankle Building" on Woodward? (around 2900 or so) thanks, Matt MacQueen - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Detroit in A.P.
h isnt setotonin BPFMs label? -Joe New issue of Alternative Press (A.P.) starts on page 56 - but Recloose is on 62 as is Tadd Mullinix. Short blurbs but mentioned nonetheless. John Selway is there too and by the way, outside of Serotonin has he ever done a straight up electro album? I find his electro to be more interesting than the epic techno he releases. MEK (going through my pile of magazines) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] New Dub/Glitch/Techno
Hi everybody, i've been on dial-up for a couple of months, but now i'm back on cable, so i've upload SIX NEW TRACKS get them at: http://mp3.com/bloch Christian Bloch http://mp3.com/bloch http://www.mp313.com/christianbloch.htm Tresor/LL/Deep Night Essentials/Simple Muzik/Funque Droppings/Set.Go/Restructured - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] FW: DEMF- Larry Heard, Moodymann, Hanna...
Forwarding this to the list for Chris Gray... Hey guys, I just spoke with Brett and since there maybe isn't that much definitive information about what to expect at this year's DEMF, I thought I'd pass this along to all those interested. Thanks for allowing my intrusion. Brett Dancer and Track Mode Recordings announce the following event: = Sunday, May 26th Banco Building on Woodward 10pm-7am $25 (approximately, TBD) Live acts: -- Hanna (Warren Harris) Moodymann (J.A.N.) Larry Heard (Mr. Fingers) - Larry also on vocals, accompanied by Norma Jean Bell on sax and Jerry the Cat on percussion DJs: Robert Barrett, Music Is... Records - UK Brett Dancer, Track Mode Recordings Malik Theo Parrish, Sound Signature - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Detroit in A.P.
New issue of Alternative Press (A.P.) starts on page 56 - but Recloose is on 62 as is Tadd Mullinix. Short blurbs but mentioned nonetheless. John Selway is there too and by the way, outside of Serotonin has he ever done a straight up electro album? I find his electro to be more interesting than the epic techno he releases. MEK (going through my pile of magazines) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Test2
trying to reconfigure outlook to send to the list. George Jones Technical Services Administrator PentaMark Worldwide - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] test
test 456. I can't get through for some reason... -Original Message- From: SOS [mailto:[EMAIL PROTECTED] Sent: Friday, April 05, 2002 11:51 AM To: 313@hyperreal.org Subject: [313] test Importance: High test 123 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] May issue of Metropolis
That last line should read "should not break the bank" MEK Michael.Elliot-Knight @fallon.com To: 313@hyperreal.org cc: 04/05/02 11:15 AMSubject: [313] May issue of Metropolis If you aren't familiar with the magazine it is about architecture/design/culture. In the May issue on pages 98-140 there is an article about Detroit's Michigan Central Station written by Kristin Palm (a freelance Detroit writer who is a graduate of urban planning from Wayne State). The article not only addresses that beautiful building but also urban planning in Detroit. Plus, it features some stunning photographs by Robert Polidori. The magazind costs $4.95 US and $6.95 CA so it should break the bank (like so many architecture magazines can). - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] article: broken beats of the underground
on that note, modaji (one of w. london's rising sons) will be playing at the
element art salon tonight @ motor. there's a DJ set in real audio on
http://www.elementdetroit.com. this is a really rare treat around these
parts, and it would be cool to
get a nice crowd out to support. word is orin walters and ayro will be next
month. delicious!
-Original Message-
From: Matthew MacQueen [mailto:[EMAIL PROTECTED]
Sent: Friday, April 05, 2002 1:15 PM
To: 313@hyperreal.org
Subject: [313] article: broken beats of the underground
A pretty thorough backgrounder on the spread(ing) of the broken beat and
electronic fusion (aka - West London) sounds was brought to my attention...
sorry if this has been discussed already, it's from late last year -- Broken
Beats of the Underground - Days of Future Past, by Denise Benson.
There are 2 passages here that I find quite parallel to Detroit, from a
collaboration perspecttive, especially the broad collaborations and rich
"borrowing" of people for productions/labels sessions/remixes that really
reminds of the formative early days of Detroit techno with the UR camps as
centers of activity, plus all the happenings on Gratiot St. area w/
Metroplex, Transmat, Fragile, KMS, etc. etc. A lot of shared talent going
on, people teaching and learning from each other. A really rich mixture of
talent all helping each other out and just fostering some really
concentrated areas of creativity and innovation:
"It's also making challenging music within the context of community and
collaboration: Attias, I.G. and Dego all work in studios in the same
building. They also all work together at times, giving input into one
another's individual projects, coming together as duos (I.G. and Dego as Da
One Away, Dego and Alex as Plutonia), doing remixes, and frequently
releasing each other's music. Two things you learn quickly about this broken
beat scene: everybody works with everybody, leading to more pseudonyms and
project names than fathomable, and it seems like every other producer or
crew runs a label of their own."
and here the writer ties some more direct connections to a central
distribution hub like Submerge as I mentioned above:
"One of the main sources of accurate release and project info is the web
site of Goya Music (www.goyamusic.com), the key distributor for labels such
as Archive and Neroli, Dego's 2000 Black, Attias's Visions, and Bugz in the
Attic's Bitasweet... Goya acts like the scene's central nervous system,
supporting and distributing music from 20-plus indie labels. It's a scene
founded in friendships, trust, and a shared spirit of musical intrepidity.
It's little wonder that many heads draw parallels to Detroit-based kindred
spirit Mad Mike and his Underground Resistance label and distribution
network. In both cases, underground scenes with a sense of urgency and
purpose. Both have contributed to minor paradigm shifts in dance music."
I know some on 313 are more into this sound than others but I think the
reverberations are being felt in techno lately a lot more, with artists like
Aardvarck 'find the cow' on Delsin turning in some stuff like this, and Tom
C's Emoticon label even reaching there with the latest Future Beat Alliance
12" ('Head Ways ep' is absolutely brilliant techno I might add) leaning
towards some broken beats and more experimental things, all with still a
warm deep Detroit feel.
The lowlanders have been keeping pace too, Rush Hour distribution and family
of labels also contributing in great ways too to the expansion of this
sound, even a Domu remix of Aardvarck, etc. Carl Craig seems to have
picked it up (check out some of lineup from DEMF last year! P'Taah, Mark de
Clive-Lowe, Degiorgio, & Orin Walters DJ set at Planet E after party was
mad!!) and now Recloose is getting name checked with a lot of these W.
London folks, as is the detroit-based Omoa label. Nubian Mindz always
feels more Detroit/UR to me than anything else I would compare it to in
London... and finally I for one would also like to see more collaborations
with 4Hero and Mike Banks !
Good stuff spreading out globally and creativity is teeming again in techno
when you smash out the "genre" dividers-- something I've always been a big
fan of...
the full article is here:
http://www.exclaim.ca/common/display.php3?articleid=877
Cheers,
Matt MacQueen
-
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For additional commands, e-mail: [EMAIL PROTECTED]
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL PROTECTED]
[313] article: broken beats of the underground
A pretty thorough backgrounder on the spread(ing) of the broken beat and
electronic fusion (aka - West London) sounds was brought to my attention...
sorry if this has been discussed already, it's from late last year -- Broken
Beats of the Underground - Days of Future Past, by Denise Benson.
There are 2 passages here that I find quite parallel to Detroit, from a
collaboration perspecttive, especially the broad collaborations and rich
"borrowing" of people for productions/labels sessions/remixes that really
reminds of the formative early days of Detroit techno with the UR camps as
centers of activity, plus all the happenings on Gratiot St. area w/ Metroplex,
Transmat, Fragile, KMS, etc. etc. A lot of shared talent going on, people
teaching and learning from each other. A really rich mixture of talent all
helping each other out and just fostering some really concentrated areas of
creativity and innovation:
"It's also making challenging music within the context of community and
collaboration: Attias, I.G. and Dego all work in studios in the same building.
They also all work together at times, giving input into one another's
individual projects, coming together as duos (I.G. and Dego as Da One Away,
Dego and Alex as Plutonia), doing remixes, and frequently releasing each
other's music. Two things you learn quickly about this broken beat scene:
everybody works with everybody, leading to more pseudonyms and project names
than fathomable, and it seems like every other producer or crew runs a label of
their own."
and here the writer ties some more direct connections to a central distribution
hub like Submerge as I mentioned above:
"One of the main sources of accurate release and project info is the web site
of Goya Music (www.goyamusic.com), the key distributor for labels such as
Archive and Neroli, Dego's 2000 Black, Attias's Visions, and Bugz in the
Attic's Bitasweet... Goya acts like the scene's central nervous system,
supporting and distributing music from 20-plus indie labels. It's a scene
founded in friendships, trust, and a shared spirit of musical intrepidity. It's
little wonder that many heads draw parallels to Detroit-based kindred spirit
Mad Mike and his Underground Resistance label and distribution network. In both
cases, underground scenes with a sense of urgency and purpose. Both have
contributed to minor paradigm shifts in dance music."
I know some on 313 are more into this sound than others but I think the
reverberations are being felt in techno lately a lot more, with artists like
Aardvarck 'find the cow' on Delsin turning in some stuff like this, and Tom C's
Emoticon label even reaching there with the latest Future Beat Alliance 12"
('Head Ways ep' is absolutely brilliant techno I might add) leaning towards
some broken beats and more experimental things, all with still a warm deep
Detroit feel.
The lowlanders have been keeping pace too, Rush Hour distribution and family of
labels also contributing in great ways too to the expansion of this sound, even
a Domu remix of Aardvarck, etc. Carl Craig seems to have picked it up (check
out some of lineup from DEMF last year! P'Taah, Mark de Clive-Lowe, Degiorgio,
& Orin Walters DJ set at Planet E after party was mad!!) and now Recloose is
getting name checked with a lot of these W. London folks, as is the
detroit-based Omoa label. Nubian Mindz always feels more Detroit/UR to me
than anything else I would compare it to in London... and finally I for one
would also like to see more collaborations with 4Hero and Mike Banks !
Good stuff spreading out globally and creativity is teeming again in techno
when you smash out the "genre" dividers-- something I've always been a big fan
of...
the full article is here:
http://www.exclaim.ca/common/display.php3?articleid=877
Cheers,
Matt MacQueen
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL PROTECTED]
FW: Re: [313] Europe/US Electroclash Magic Bus rant
*groan* i really thought this was a joke at first... m you know i love the way you think and you have all my respect but honestly this is the WORST proposed thread and i just hope people don't actually start filling up my mailbox with it -k *terrified* blub, sorry - it´s late and it´s in english and where was the 313-link ? ohem: Underground Resistance ? yes - what means underground to you ? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] mail2web - Check your email from the web at http://mail2web.com/ . - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT: Hermann & Kleine
Greetings All, Anyone pick up the new hermann & kleine cd 'our noise' yet? Not quite as epic in scope as 'kickboardgirl,' but a most excellent disc nonetheless. It even contains an excursion into jesus & mary chain styled pop. These are the guys that introduced me to the whole Morr music sound, which I seem to be listening to more and more of lately. Anyway two thumbs up. jim - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Obscure film info?
Does anyone have any info. on a film by John Akomfrah by the name of The Last Angel of History (1995), which has D. May talking about technology? Artists must, if they are putting new technology to its correct use, "take it to the level of human instinct." Is it available on video or DVD? The movie's mentioned in the book DJ Culture. Thanks, Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] May issue of Metropolis
If you aren't familiar with the magazine it is about architecture/design/culture. In the May issue on pages 98-140 there is an article about Detroit's Michigan Central Station written by Kristin Palm (a freelance Detroit writer who is a graduate of urban planning from Wayne State). The article not only addresses that beautiful building but also urban planning in Detroit. Plus, it features some stunning photographs by Robert Polidori. The magazind costs $4.95 US and $6.95 CA so it should break the bank (like so many architecture magazines can). - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] test
test 123 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Frank Tovey
Here's an article released from Ananova about the news: Tributes paid to Fad Gadget star Tributes have been paid to underground music star Frank Tovey, who died earlier this week. The Fad Gadget star is believed to have died at his home on April 3. He played at the Swedish Alternative Music Awards (SAMA) in Gothenburg on April 1, and was currently working on new material. In a posting on his official website, www.fadgadget.co.uk, Tovey said he was planning to appear at music festivals this summer. Daniel Miller, founder of Fad Gadget's record label Mute said: "Frank was the first artist I ever worked with on Mute, he made some very special and influential records and was an exceptional live performer. "Frank played a big part in helping to lay the foundations of what the label was to become in the ensuing years, I will miss him greatly." Fad Gadget was the opening act for the European leg of the recent Depeche Mode Exciter world tour. Alongside Human League, Cabaret Voltaire and The Normal, Tovey was at the forefront of the Electronic Movement of the late '70s and early '80s. -- ken meier interrupt media group [EMAIL PROTECTED] www.interrupt-media.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] model 600
I heard some of this last night at Porter. As soon as it started you get that "No UFO's" feel with less bassline attack. Don't know which track I heard, but I would definitely buy the 12". BTW, Atkins will be having a release party for this 12 at Porter Street. (I believe the last Thursday of this month...) Peace, Alex www.fulcruminn.net -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: Friday, April 05, 2002 8:43 AM To: 313@hyperreal.org Subject: [313] model 600 on the submerge website a new 12 from the above is listedanyone heard this/ got any details? cheers robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] stuff for sale
Memo from Alex Bond of PricewaterhouseCoopers Start of message text u can bid if u want to.. http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=856070090 Quite a bit of good Detroit/IDM/New Wave/Disco going on over the weekend. Apologies to those who aren't interested. Alex. - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Institute of Chartered Accountants in England and Wales to carry on investment business. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. Visit our website http://www.pwcglobal.com The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Lost
well who would adam and eve it? I must be telepathic,,is it in May as Richie is over for Atomic with Speedy J and Neil Landstrumm ( man what a line up).. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 05 April 2002 16:07 To: Ian Cheshire Cc: 'james boylan'; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: [313] Lost It is Richie next - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Lost
It is Richie next - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Lost
a you see someone who else who has the same view as most others that went! Good for you mate! and yeah I heard the same to from John K so your ears must of been on par!!! Fade to Grey I keep hearing and man I wish I wasn't so battered from my 30th that I went just to hear that!! well I wonder who's next, I bet Richie is next...I tell ya who would be nice is Cari Lekibush ( probably spelt worng). I just love his dub style music he does -Original Message- From: james boylan [mailto:[EMAIL PROTECTED] Sent: 05 April 2002 15:48 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: [313] Lost I thought Juan Aktins was excellentyeah he trainwrecked once or thrice but he's tunes were amazing, while Derrick May's set really bored me. Hearing Juan play Home Computer and Fade to Grey on the big system was superb. absolutely kicked Derrick >From: [EMAIL PROTECTED] >To: 313@hyperreal.org >Subject: [313] Lost >Date: Thu, 4 Apr 2002 09:06:17 +0100 > > > > >** >Entertainment UK Limited >Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. >Registered in England Numbered 409775 > >This e-mail is only intended for the person(s) to whom it is addressed and >may contain confidential information. Unless stated to the contrary, any >opinions or comments are personal to the writer and do not represent the >official view of the company. If you have received this e-mail in error, >please notify us immediately by reply e-mail and then delete this message >from your system. Please do not copy it or use it for any purposes, or >disclose its contents to any other person. Thank you for your >co-operation. >** > >Did many 313ers go to Lost on Sunday night? If so then what's the general >opinion? >Personally I thought the venue was poor but then I'd been to it before for >a 'Together' NYE party. It's just a warehouse with poor sound quality. I >thought the queues for the cloak room and bar took the piss and why do >ticket holders have to que with non-ticket holders? > I didn't hear all of Juan Atkins but I wasn't impressed with what I did >hear. The 'train-wrecks' were terrible and he didn't even look confident. >Was this Juan Atkins or a door man who filled in for him coz he didn't turn >up? > Thankfully though Derrick May saved the night. What a complete contrast >from Juan! May had a lot of energy and his mixing was quite good. I think >both of them might have had to battle against poor sound (it was better >near the front) & no monitors but May was much better and more in control. > So to those that have been disappointed when Juan hasn't showed - don't >worry about it, you didn't miss much. > >GG > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Electroclash rant/discussion ?s
> If I'm not mistaken, the whole environment that Techno sprang from was > elitist Social Clubs run by teens unusually interested in high fashion, > naming parties after Clothing stores, fer chrissakes. (Sharivari, > anyone?) What's happening in New York is not all that different; folks yeah but...the early detroit dance/electro scene was quite a few years before techno really began (couldnt have done it without chicago house...), and the fashion element was quite a bit different back then anyways wasnt it? i mean the preps had their prescribed fashion, and the jits did as well...the approach to fashion seems quite a bit different. where is dan sicko anyways? the circumstances and city seem totally different to me. the fact that they were mostly teens in detroit does make a big difference, i think. and detroit is NO nyc. the context is totally different. it's 20 years later. a lot of the "electroclash" music is kitsch and regurgitory (issat a word?). the audience is completely different, nyc people are not like detroit people > are just not in High School while they're doing it, and the bands > playing are more refined. It doesn't help that they (We) live in the more refined? huh? peaches is more refined than a number of names, wow i didnt know that...:P > News Media capital of the Free World, New York City. yeah electroclash is basically a product of scenester nyc media, isn't it? that does seem the culprit in all of this...without media...no hype. oh well jt _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Lost
I thought Juan Aktins was excellentyeah he trainwrecked once or thrice but he's tunes were amazing, while Derrick May's set really bored me. Hearing Juan play Home Computer and Fade to Grey on the big system was superb. absolutely kicked Derrick From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] Lost Date: Thu, 4 Apr 2002 09:06:17 +0100 ** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** Did many 313ers go to Lost on Sunday night? If so then what's the general opinion? Personally I thought the venue was poor but then I'd been to it before for a 'Together' NYE party. It's just a warehouse with poor sound quality. I thought the queues for the cloak room and bar took the piss and why do ticket holders have to que with non-ticket holders? I didn't hear all of Juan Atkins but I wasn't impressed with what I did hear. The 'train-wrecks' were terrible and he didn't even look confident. Was this Juan Atkins or a door man who filled in for him coz he didn't turn up? Thankfully though Derrick May saved the night. What a complete contrast from Juan! May had a lot of energy and his mixing was quite good. I think both of them might have had to battle against poor sound (it was better near the front) & no monitors but May was much better and more in control. So to those that have been disappointed when Juan hasn't showed - don't worry about it, you didn't miss much. GG - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Electroclash rant/discussion ?s
> If I'm not mistaken, the whole environment that Techno sprang from was > elitist Social Clubs run by teens unusually interested in high fashion, > naming parties after Clothing stores, fer chrissakes. (Sharivari, > anyone?) What's happening in New York is not all that different; folks i think you are mistaken. the early detroit electro/dance scene was quite a few years before techno really began (couldnt have done it without chicago house...), and the fashion element was quite a bit different back then anyways wasnt it? i mean the preps had their prescribed fashion, and the jits did as well...where is dan sicko anyways? the circumstances and city seem totally different to me. the fact that they were mostly teens in detroit does make a big difference, i think. and detroit is NO nyc. the context is totally different. it's 20 years later. a lot of the "electroclash" music is kitsch and regurgitory (issat a word?). the audience is completely different, nyc people are not like detroit people > are just not in High School while they're doing it, and the bands > playing are more refined. It doesn't help that they (We) live in the more refined? huh? peaches is more refined than a number of names, wow i didnt know that...:P > News Media capital of the Free World, New York City. yeah electroclash is basically a product of scenester nyc media, isn't it? that does seem the culprit in all of this...without media...no hype. oh well jt _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] and in the news today...
http://detnews.com/2002/entertainment/0204/05/c01-457246.htm - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] model 600
on the submerge website a new 12 from the above is listedanyone heard this/ got any details? cheers robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] The Martian
http://news.bbc.co.uk/hi/english/sci/tech/newsid_1913000/1913228.stm robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Any Italian 313'ers in the house???
anyone? swiss maybe? ciao. fab. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Informations about chicago
- Original Message - From: "celina" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, April 05, 2002 2:39 AM Subject: [313] Informations about chicago > Hello, > > Does somebody know a cool hotel in Chicago and good adresses of record > shops, clubs. (because I wanted to stop in Chicago before the demf and > it will be my first time in this city) ? Gramophone Records is at 2663 N Clark Street. I really like this neighborhood. There's a reasonably priced Mongolian Grill not too far from the store that should hit the spot. I think it's up the block from the Dunkin' Donuts on 3200 N Clark - been a while. :) Tristan --- Upcoming Gigs: 4/14/02 - Filler @ Blue Room, Adams Morgan, DC http://www.mp313.com <- Music http://www.metrotechno.net <- DC techno + more http://www.metatrackstudios.com <- DC DJ/Production studios http://phonopsia.tripod.com <- Hub [EMAIL PROTECTED] <- email - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Warp Magic Bus Tour and Richard Bartz
- Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, April 05, 2002 1:33 AM Subject: Re: [313] Warp Magic Bus Tour > My main point is that - as Tristan put it - the > > grass is always greener on the other side. Lots of US folks think Europe is > > heaven, but that often isn't the case. > > Damn straight. I live in London, but reading about things like the regular little Porter Street Parties in Detroit makes my mouth water more than Derrick May playing Lost ever could! > Yep. But as we know, events like Necto and Porter Street are the exception to the rule even in Detroit. You would think cities loaded with as much talent as Detroit, Chicago and (now) LA, the clubs would be awash with underground offerings. Look at how the Chicago house scene has shrunk in the last 5-10 years! In the US, New York is the only place I can think of that offers this. What doesn't New York offer in abundance??? But even when you have a number of weeklies to chose from, you'll still have your dissapointments in terms of crowd vibe, DJ's, venue/management issues, etc. It's really hard to put together a solid underground weekly... Speaking of N'Yawk... Hit me back offlist if any of you 313NYCers are up for hooking up at the Richard Bartz LIVE performance at Tronic whenever that's announed. I don't think I could handle missing that! Anyone seen him live since he started using a computer to produce? There's a stream from the March 30th Kurbel party in Munich here: http://www.kurbel.com/cgi-local/listen.cgi?stream=bartz_live The first few minutes sound really tight (gonna have to finish listening later). The soundbites from Spiralistic seem a bit more electroclash/disco than what I'd expect from him, but the man can do anything. I'm convinced. Tristan --- Upcoming Gigs: 4/14/02 - Filler @ Blue Room, Adams Morgan, DC http://www.mp313.com <- Music http://www.metrotechno.net <- DC techno + more http://www.metatrackstudios.com <- DC DJ/Production studios http://phonopsia.tripod.com <- Hub [EMAIL PROTECTED] <- email - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Electroclash rant/discussion ?s
> If I'm not mistaken, the whole environment that Techno sprang from was > elitist Social Clubs run by teens unusually interested in high fashion, > naming parties after Clothing stores, fer chrissakes. (Sharivari, > anyone?) What's happening in New York is not all that different; folks > are just not in High School while they're doing it, and the bands > playing are more refined. It doesn't help that they (We) live in the > News Media capital of the Free World, New York City. you are probably correct but you used the expression 'capital of the Free World', immediately making me switch off. oh well robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Fw: Frank Tovey aka Fat Gadget died - official Side-Line report
Bad... I'm not a fan, but i recently discovered his double-CD Fad Gadget comp, and some of these are killer electro cuts... Gwendal > Hi, > This showed up in my mailbox last night...sad:( > He made some cool tunes and got me into electronic music.. > Anyone else? > Regards, > Martijn > > > > - Original Message - > From: "Info" <[EMAIL PROTECTED]> > To: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> > Sent: Thursday, April 04, 2002 7:55 PM > Subject: | side-words | Frank Tovey died - official Side-Line report > > > > www.side-line.com reports: > > > > Frank Tovey died > > It's with a deep sadness and a feeling of total loss that we have to > inform > > you all that Frank Tovey has died. The news is not a late > April joke, we > > wished it was, but comes right from Mute label boss Daniel > Miller who also > > indicates that the circumstances of his death are not yet > known. Daniel: > > "Frank was the first artist I ever worked with on Mute, he > made some very > > special and influential records and was an exceptional live > performer. > Frank > > played a big part in helping to lay the foundations of what > the label was > to > > become in the ensuing years, I will miss him greatly." More > news on Frank > > Tovey's death will be posted on Side-Line as we get it. Our deepest > sympathy > > and condolences go out to Frank's family and to Daniel > Miller who lost a > > great friend. We invite you all to visit the official Fad > Gadget website > to > > join the growing number of grieving fans. > > > > Frank, rest in peace. > > > > www.fadgadget.co.uk > > > > > > > > > > Yahoo! Groups Sponsor > -~--> > > Buy Stock for $4. > > No Minimums. > > FREE Money 2002. > > http://us.click.yahoo.com/k6cvND/n97DAA/ySSFAA/ZxJolB/TM > > > -- > ---~-> > > > > *** > > CD-Shopping made easy > > *** > > - "Venusa XX" female vox only 2CD compilation - 33tracks! > > - "Cryonica Tanz v.1" 2 CD compilation - 31tracks ! > > *** > > Order at side-line.com > > *** > > > > Subscribe: [EMAIL PROTECTED] > > Unsubscribe: [EMAIL PROTECTED] > > List owner: [EMAIL PROTECTED] > > > > > > > > > > Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/ > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Fw: Frank Tovey aka Fat Gadget died - official Side-Line report
Hi, This showed up in my mailbox last night...sad:( He made some cool tunes and got me into electronic music.. Anyone else? Regards, Martijn - Original Message - From: "Info" <[EMAIL PROTECTED]> To: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> Sent: Thursday, April 04, 2002 7:55 PM Subject: | side-words | Frank Tovey died - official Side-Line report > www.side-line.com reports: > > Frank Tovey died > It's with a deep sadness and a feeling of total loss that we have to inform > you all that Frank Tovey has died. The news is not a late April joke, we > wished it was, but comes right from Mute label boss Daniel Miller who also > indicates that the circumstances of his death are not yet known. Daniel: > "Frank was the first artist I ever worked with on Mute, he made some very > special and influential records and was an exceptional live performer. Frank > played a big part in helping to lay the foundations of what the label was to > become in the ensuing years, I will miss him greatly." More news on Frank > Tovey's death will be posted on Side-Line as we get it. Our deepest sympathy > and condolences go out to Frank's family and to Daniel Miller who lost a > great friend. We invite you all to visit the official Fad Gadget website to > join the growing number of grieving fans. > > Frank, rest in peace. > > www.fadgadget.co.uk > > > > > Yahoo! Groups Sponsor -~--> > Buy Stock for $4. > No Minimums. > FREE Money 2002. > http://us.click.yahoo.com/k6cvND/n97DAA/ySSFAA/ZxJolB/TM > -~-> > > *** > CD-Shopping made easy > *** > - "Venusa XX" female vox only 2CD compilation - 33tracks! > - "Cryonica Tanz v.1" 2 CD compilation - 31tracks ! > *** > Order at side-line.com > *** > > Subscribe: [EMAIL PROTECTED] > Unsubscribe: [EMAIL PROTECTED] > List owner: [EMAIL PROTECTED] > > > > > Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/ > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Informations about chicago
Hello, Does somebody know a cool hotel in Chicago and good adresses of record shops, clubs (because I wanted to stop in Chicago before the demf and it will be my first time in this city) ? Thank you ! Célina - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Warp Magic Bus Tour
My main point is that - as Tristan put it - the > grass is always greener on the other side. Lots of US folks think Europe is > heaven, but that often isn't the case. Damn straight. I live in London, but reading about things like the regular little Porter Street Parties in Detroit makes my mouth water more than Derrick May playing Lost ever could! [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Warp Magic Bus Tour
And you don't think this is true for the US?! It is, and by far worse. Everyone I'd love to see are constantly being booked over in Europe. Suburban Knight is right from my hometown, but he plays overseas more than he does right here in Detroit! ---> Maybe that's because he resides in Belgium for a couple of months a year... It's depressing. There are many promoters here that would love to bring people in, but because they are "underground small-atmosphere" functions, they just don't have the money to do it. It often is that no one here cares. People here care about what's on the surface, the commercial attraction. People like Sasha and Digweed, DJ Irene, DJ Skribble, Darude (your basic lame ass shows) are booked in Detroit and in the US, thousands of people will go to those shows. But if someone like Claude Young came and played Detroit, the turn-out rate would be a lot less. Commercialism is HORRIBLE in a capitalist society, things take much longer to evolve. In Europe you have many electronic music festivals and events I would love to go to, there's only a few here that interest me at all. ---> All sounds very familiar, but here you would at least have a decent turnout for Claude Young. My main point is that - as Tristan put it - the grass is always greener on the other side. Lots of US folks think Europe is heaven, but that often isn't the case. Just trying to save you the disappointment I guess. Besides it's up to everyone individual what he/she is looking for in the nightlife. John >>> It's how some promotors try to get money out of every single aspect related to a party. It has nothing to do with music anymore. Another frustration on my side is the fact that almost nobody (mind though, there are exceptions) dares to take any risks anymore: always the same names on the flyers.>>> >> > > You US folks (and other) just enjoy the small-scale underground >atmosphere; > > here everything is turning so commercial. Yeah sure, we do get a lot of > > great artists over, but what's the use if nearly everything these days >gets > > watered down and commercialised. _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] digital copywrite and how it effects you.
I'd like to bring a very important issue to everyone's attention.
My appoligies if this is a repeat topic.
http://saveinternetradio.org/
In the meantime, We've spoken with the guys from
saveinternetradio.org. Turns
out they are in chicago, where my partner, Dave Meeker is from.
We told them that we were in for the fight and had
some pretty strong punches we would be throwing if the chance
arose. I
republished the article that Kurt wrote, and added banners to the
Selekta
Web site that link to the article.
you guys... while we are lucky to be in the music industry that we
*are* in (more underground, etc)... there is still a chance that
any of the
copyrighted materials that we play online could lead to us paying
a fee retroactive to october 1998. Now... PLEASE NOTE: the cost
is not 14 cents... it is .14 of a cent per song per listener.
Regardless... it is a crime and NEEDS to be stopped. Regardless of
how this effects the selekta, it will also effect other sites that
are run by our friends, sites that support the music that we make
and promote.
Please... read up on the legislation. And take 10 minutes out of
your day and spend 5 bucks in long distance and CALL YOUR
CONGRESSMAN! PLEASE?
Explain to them that this is going to kill all small businesses...
This is very, very, very, very important... and as we in selekta
land claim to be "proactive " and "defenders of the scene"...
well... THIS MIGHT be more important than anything weve come
across thusfar.
Please make your elected officals aware that we know about these
laws and don't approve of their far reaching scope. It is not
that people should not get paid for what they have done. Rather,
it is that you should not put in laws that have no limits. Did
you know that according to the DMCA, that all digital devices
will/are now required to have copy protection features built into
them. In other words, you will have to pay for an alarm clock
which comes with digital copy protection built in. Does this law
make sense to you? What is goin on now with CARP is the natural
extention. CARP is not the problem. The problem is the
DMCA. CARP is just a symptom of the problem. We need to address
DMCA to keep future CARPs from cropping up.
If any of you have questions... please feel free to ask.
just drop us an email @ [EMAIL PROTECTED]
We hope to bring as many people together to support this issue.
All the best-
Michelle
Michelle Matuza
Selekta.com
Graphic Director
East Coast Event Coordinator
If Your.Music("selection") < "good" Then
GOTO HTTP://WWW.SELEKTA.COM
Print "DANCE!"
End
selekta.com
-
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[313] Marvin Gaye
This is a pretty good article about the legacy of Marvin Gaye and some new tribute albums. http://www.alternet.org/story.html?StoryID=12613 Tristan --- Upcoming Gigs: 4/14/02 - Filler @ Blue Room, Adams Morgan, DC http://www.mp313.com <- Music http://www.metrotechno.net <- DC techno + more http://www.metatrackstudios.com <- DC DJ/Production studios http://phonopsia.tripod.com <- Hub [EMAIL PROTECTED] <- email - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Europe/US Electroclash Magic Bus rant
what about starting a direct debate - the meaning of "underground" 2002 ? and what this so often used word means to people here ? - and now again a bit of drifting - I think the fashion statement also was interesting to the underground-question in general, because it´s true that most music "categorys" connected with youth-movements also were connected to specific youth-fashion-rituals (the techno-movement in europe was also connected with certain fashion styles) and many culturez include the aspects of decoration, presenting sexuality, beauty, beauty-resistance, body politix, body moves, dancing styles ... - participation and connecting the full range of communication aspects... mixed with the nightlife aspects Though I also do think, that many conclusionz of "pop"-analyziz based on the observation of a short decade in history (from 50ies to 90ies) are not as timeless, as they pretend to be and things have changed a lot "loss of innocence" - as we live in a time were many people in the "civilized world" can get almost any "image" or style home on the computer with a simple mouseclick - this is the reason why for example the senile glamourizing of the uncoded neo-80ies-nu-wave-style is yawn galore to me (most of it is obvioulsy created on the background of too lazy copied strategies of pop and pop-models (mirror-images) for selling more records) I think this level of "cleverness" can hardly feed any movement (underground or whatever) with substance - blub, sorry - it´s late and it´s in english and where was the 313-link ? ohem: Underground Resistance ? yes - what means underground to you ? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] paging robyn - formerly [EMAIL PROTECTED] (no msg)
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[313] Tinnitis therapy
'Scuse the crosspost, but someone on one of these list recently posted a link to an article about new breakthroughs in therapy for chronic tinnitis sufferers. Could you repost, please? Private email is fine. Thanks. jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Europe/US and Oncetwice/Filler: Was - Re: [313] Warp Magic Bus Tour
- Original Message - From: "Otto" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Thursday, April 04, 2002 3:34 PM Subject: Re: [313] Warp Magic Bus Tour > John Osselaer wrote: > > > PS Before jumping me: Yes, there still are good and enjoyable events even > > for a picky bore like me, but they sure are getting scarce. > > I don't think 'back then' there were that much more high quality events > in absolute numbers. I think it just seems that way because it's the > percentage that has dropped because there are more average parties. In > the past, say there were 10 events every month, 5 of which were high > quality and now there are 100 every month, but the 5 high quality ones > are still there. The overground may grow, but the underground will > always be there. > > Otto, whose glass is always at least half full :) I'd say things are not that different stateside as far as all of this is concerned. The main difference I can see is that the underground actually exists throughout most of continental Europe and parts of the UK, where there is little to no scene whatsoever in most of the U.S., save a few larger markets and Michigan/Ohio. Please correct me if I'm wrong. :) That said, I got over my "grass is greener" syndrome a while back. I think clubbing is an inherently frustrating experience. I'd number my dissapointment to enjoyment ratio at about 3:1, and I don't even go out that much. A good local deep house scene keeps me going if I feel the itch - that and the one trully underground weekly that focuses on electroclash/IDM/techno/ambience, which keeps me sane, even if on a Sunday. On that note, if anyone's coming down to Baltimore for the oncetwice festival, you should think about stopping by Filler on Sunday for Sutekh, Safety Scissors, Tomas Jirku and Richard Chartier in Adams Morgan, DC. Only about 40 minutes away and it's free! If you're gonna come, it's a small place so get there early to find a couch (there isn't a dancefloor). I adore this place. More info below (these bios are hillarious): *FILLER* / SUNDAYS BEATS . BLEEPS . TONES . DRONES . SPOTS . DOTS . PIXELS . POPS "Filler...the most cutting edge stuff you'll hear in town" - WASHINGTON POST APRIL 7, 2002 * * *GUESTDJ . SUTEKH* (San Francisco)http://www.context.fm Since 1997, Sutekh has released consistently inconsistent electronic music on local and international labels Force Inc./Mille Plateaux, Source, Background, Plug Research, Cytrax/Delay, Tektite, and his own Context. Manipulating computers, samplers, synthesizers, ping pong tables, Scrabble pieces, and found sounds, he has created everything from minimal house and techno to dense, dissonant noise collage. Unable to explain his reasons for making such music, he blankets himself with sarcasm. People often have a difficult time deciding whether or not he is serious. Sutekh established Context Free Media and its associated record label in 1999. *GUESTDJ . SAFETY SCISSORS* (Berlin)http://www.context.fm + http://www.proptronix.com The boundary between 'artist' and 'geek' is fine, yet frequently unacknowledged or concealed by overzealous intellectuals. MPC (i.e., Safety Scissors) does little to hide his social awkwardness in the quirky techno he produces and performs. Although he is the ultimate dork debonair, MPC does not over-obsess with the computing process. Singing on his latest works for Force Tracks and Plug Research, MPC experiments with camp techno. Upcoming releases on Carpark and his own label Proptronix similarly pervert techno formula with an electric ukelele and bubble gum. Currently residing in Berlin, MPC is working on his next album for Plug Research and a collaborative project with Kit Clayton on Carpark. - MPC has an abstract and clumsy approach to making music and distinguishes himself from the intellectualism of abstract/minimal techno. The proud drop-out of the art school establishment pursues neither expressions of unmediated human feeling found in Abstract Expressionism or regimented lines of stucture in minimalism. Rather, with subtlety and smoothness, he references both in his unique sense of sarcasm. *GUESTDJ . TOMAS JIRKU* (Toronto)http://www.yirku.com Tomas Jirku has quickly established himself on the international minimal techno scene. Jirku's unrelenting, unpredictable explorations have since been released on such prestigious labels as Force Inc., Klang Elektronik, Alien8, and Traum, to name only a few. _A crowd pleaser with every live and DJ performance, Jirku is sure to treat the audience with his latest developments on the leading edge of the minimal techno movement, mixed with his own brand of techno nostalgia. Despite the visual limits with entertaining an audience with a laptop, Jirku manages to hold the crowd's attention with his upbeat mixes. He's even been known to throw in his own one-off remixes of dance music classics most of us are embarrassed to recognize. By the end of his live sets, the audienc
