Re: (313) save me, I think I'm going over to the darkside...
Yes, I agree. Just because it is popular doesn't mean it shouldn't be relevant. People forget that Kraftwerk had top 40 hits. I really adore a lot of the 'French touch', and French house, I think the overall quality is v hugh and the French have a wonderful eccentricity in the music. Discovery is a sublime album! Homework is a classic. This latest just disappointed me, however. DP is as 313 as you can get mn! ok, jokes aside, i always thought Homework was some sort of tribute album to Detroit, Chicago and New York...i mean, the references were pretty clear to me, and thats what made it enjoyable. to be honest, i used to listen to it when it had just come out, and this was when i was *just* starting to investigate electronic music, and way before listening to incunabula (which for me was like an epiphany) fab. - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, March 23, 2005 3:42 PM Subject: RE: (313) save me, I think I'm going over to the darkside... *puts on spw hat* right. so talking about theo parrish or italo disco isn't on (innovative, fresh sounding - at respective periods of course), cos it aint techno enough, but talking about a daft electronic disco-pop band is alright? come off it. theres nothing innovative or forward thinking about daft-punk. there isn't supposed to be, that aint the point, so its hardly suitable for here is it? bah. load of tosh. *takes off spw hat* _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) 'Snowflake falling' ...
Just looked-up Juan Atkins on the iTunes Music Store. There's a lot of classic stuff on there (including some of the great recent New Religion material.) But wait. What is this odd-looking entry on an LP called 'Christmas Eclectic' (genre: 'holiday') with a track called 'Snowflakes Falling'? The compilation appears to be a sort of Christmas gift record. I'm not wanting to believe that the track 'Snowflakes Falling' is actually the man himself. Going by the sample, it's about +12 on the cheesy, cornball, schamltz scale (add your own adjectives!). It's got kids singing, twee lyrics, triangles etc. But I have to say: those chord changes, that melody, that bassline, even the synth sequencing they *do* have a certain familiar feel to them. Someone tell me I'm way off-beam or this may turn into a little cause celebre! Ken Music is an open sky. http://bleep43.com
(313) juan
I know, I'm a slack bas*ard, can we have those links to the new juan on tresor again please minto? thanx! p
RE: (313) Vault Radio 3-15-05
Click the link to hear the show. www.antonbanks.com/audio/vault-1.mp3 Playlist for March 15, 2005 Tim Track, The Release, Panic Voice, Abyss Pablo Bolivar, Near The House, Nominal, Regular Volker Dornhagen, Schwarzlicht, Triebstoff Deputy, My Other Hand, My Dad Ain't No Girl, Parotic Estronel/ Tutera, Tema C, Sub Static Alex Smoke, Don't See The Point, Soma Jori Hulkkonen Feat. Nick Triani, Jesper Dahlbeck Rmx, Science, F-Com Air Liquide, Autopilot, Let Your Ears Be The Receiver, Multicolor Maitrik, Sentidos, Cologne And Back, Triebstoff False, Wav Pool, Plus 8 John Tejada Justin Maxwell, Unpleasant Hard Disk Surprise, Higher, Palette The Missing Link, Mike, Screw Loose Ep, Wagon Repair 4/4 Territory, Minimal Means, Various Artists Volume 2, Affected --- The Vault airs every other Tuesday night from 9:00 pm until 10:30 pm (21:00 to 22:30 US Eastern Time = GMT -5:00) on 89.3 FM WRTC. The station's 300 watt signal can be heard from as far north as Springfield, MA to as far south as North Haven, CT. WRTC also broadcasts via the internet. There are now several other ways to listen to the station online. Visit the station's website www.wrtcfm.com for the details. In addition to hosting this radio program, I am a freelance DJ and occasionally write record reviews. I welcome any questions, suggestions, or comments. Please feel free to reply to this message or visit my website, www.antonbanks.com, for more information. *** I appreciate all promotional music sent to me and will never sell any of it online or anywhere else. All promotional material sent to me is aired on my show as well as used in my DJ sets when I play out. I respect your privacy. Reply to this message with the word remove in the subject to stop receiving these mailings.
Re: (313) Kenny D Jr
there's a bunch of motor sets floating around slsk. almost every friday for two years was broadcast live on the radio. i have a bunch of those. need to get around to encoding the cassettes. some very early sets are on betalounge- like the kdj that was before my time. there's also a bunch of motor sets on paxahau. the '02-'03 era On Wed, 23 Mar 2005, /0 wrote: i wonder if they archived all the shows at motor there were some absolutely insane nights there, and I'd love to have copies of the music - Original Message - From: John Sokolowski To: [EMAIL PROTECTED] ; 313@hyperreal.org Sent: Wednesday, March 23, 2005 4:41 PM Subject: Re: (313) Kenny D Jr He played there in late 97 with Saunderson. I only remember because it was one of the first times I went there. I believe the recording from that evening is also on betalounge.com. Cheers! From: [EMAIL PROTECTED] To: Maarten Baute [EMAIL PROTECTED] CC: Martin Dust [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: (313) Kenny D Jr Date: Wed, 23 Mar 2005 21:21:18 + (UTC) that's odd only because i don't remember kdj ever playing motor. On Wed, 23 Mar 2005, Maarten Baute wrote: Couple of mixes here: http://www.djbillywoods.com/mixes.htm 2000 would be my pick, proper mental... The Motor mix is not bad either. At 11 minutes in he plays the balled of dorothy parker by Prince. Now there you have a track! And at 27 minutes he plays a track he sampled for forverernevermore, I think... And then he plays a Rhythim Is Rhythim track! MOVE IT. An edit to be precise. Thanks for sharing, Martin! Cheers, Maarten
Re: (313) juan
Philip wrote: I know, I'm a slack bas*ard, can we have those links to the new juan on tresor again please minto? These ones? http://audio.syntaxmusic.com/audio/81341.RAM http://audio.syntaxmusic.com/audio/81341B1.RAM http://audio.syntaxmusic.com/audio/81341B2.RAM http://audio.syntaxmusic.com/audio/81341C1.RAM http://audio.syntaxmusic.com/audio/81341D1.RAM http://audio.syntaxmusic.com/audio/81341D2.RAM
Re: (313) Vault Radio 3-15-05
mm300wattsignal how many watts until it reaches sydney? On 24/03/2005, at 12:19 PM, Anton Banks ((313)) wrote: 300 watt signal
Re: (313) 'Snowflake falling' ...
Yeah, I downloaded that one. I'm pretty sure it's Atkins, given that Ming and FS and Up, Bustle, and Out are on that comp too :) (I posted about this like a year ago and nobody paid any attention!) On Mar 23, 2005, at 19:17, Ken Odeluga wrote: Just looked-up Juan Atkins on the iTunes Music Store. There's a lot of classic stuff on there (including some of the great recent New Religion material.) But wait. What is this odd-looking entry on an LP called 'Christmas Eclectic' (genre: 'holiday') with a track called 'Snowflakes Falling'? The compilation appears to be a sort of Christmas gift record. I'm not wanting to believe that the track 'Snowflakes Falling' is actually the man himself. Going by the sample, it's about +12 on the cheesy, cornball, schamltz scale (add your own adjectives!). It's got kids singing, twee lyrics, triangles etc. But I have to say: those chord changes, that melody, that bassline, even the synth sequencing they *do* have a certain familiar feel to them. Someone tell me I'm way off-beam or this may turn into a little cause celebre! Ken Music is an open sky. http://bleep43.com -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk || mkbwriu [EMAIL PROTECTED]
RE: (313) Vault Radio 3-15-05
Far too many to calculate :-( Which brings us to the wonderfull world of internet broadcasts... -Original Message- From: r [mailto:[EMAIL PROTECTED] Sent: Wednesday, March 23, 2005 8:50 PM To: [EMAIL PROTECTED] Cc: 313 Subject: Re: (313) Vault Radio 3-15-05 mm300wattsignal how many watts until it reaches sydney? On 24/03/2005, at 12:19 PM, Anton Banks ((313)) wrote: 300 watt signal
(313) equinox 23-03-05
Here's the playlist for a very varied edition of Equinox. Everything from techno to hip hop, to acid house, to New Wave! ...and a little bit more. Listen/Download the archive from the Equinox page at www.gerald-matrix.com Cheers! G Artist - Title (Label) Rob Hood - Sleep Cycles (M Plant) Mathew Jonson - Typerope (It Is What It Is) E.R.P. aka Convextion - A2 (Down Low) Dan Lui - 006 EP (Chair) DJ Gregory - Elle [EOL Ritual] (Defected) Maurizio - Ploy [Strategic Mix] (M) Toxit Taste vs. The Advent - Runners Kookies [Advent Battle mix] (Konsequent) Killa bite - Killa bite 1 (Killabite) Blacklist - Override (Archive) Molesey Kawasaki - Drug User (Subhead) Mad Mike - Clap It Up [Happy Claps] (Happy) Analogue Man - Bubble Man (Djax) Ecstasy Club - Jesus Loves The Acid (AN LD) Robert Armani - Old Acid (Dance Mania) Moonstarr - Scoliosis (Blue Collar) John Tejada feat: Carmen Tejada Divine Styler - Genetical Love (deFocus) Quasimoto - Astro Black (Stones Throw) The Unknown DJ - 808 Beats (!K7) Tom Tom Club - The Man With The 4-Way Hips (Sire) Kraftwerk - Electric Café (Warner Brothers) Wall Of Voodoo - Ring of Fire (Index) Laid Back - White Horse (Sire) Depeche Mode - Any Second Now [altered] (Mute) website: www.gerald-matrix.com event organiser/writer/dj: Kick Magazine - www.kickmagazine.ca radio host: Equinox Radio on Electrique @ www.netmusique.com
(313) NAW AND FRIENDS LIVE APRIL 1ST 2005
PRESS RELEASE: APRIL 1st 2005 Noise Factory Records will be holding another one of its artist showcase series at the Casa Del Popolo. This time around Noise Factory presents label artist NAW performing live along side 2 of his favorite local Montreal electronic music making collectives; Le-son666's very own INTERCOM and Panospria's ARGON FLOOZY. The night will be a FREE no frills but all thrills type of evening and promisses to feature all new material by these 3 local montreal electronic music talents. so make sure to come out and get your chin scratching, head bobbing, body moving, feet shuffeling thing on FRIDAY APRIL 1 2005 at the Casa Del Popolo 4873 St-Laurent, show time is 9pm. FRIDAY APRIL 1st 2005 Noise Factory Records brings you another night of free live music featuring live performances by: NAW - gearing up for yet another new release this time on the newly founded quebec city label pertin_nce, as well as an up comming appearence at this years SONAR festival in barcelona spain, NAW will once again showcase his own personal take on post electronic dance music featureing all new never heard befor material, so get ready to have your dancing feet on and your head ready for some bobbing as you never really know what to expect from a live set by this artist. also appearing on this special night will be 2 of naws personal favorite local artists: INTERCOM - le-son666's very onw electronic trio will showcase new digital beats and crunchy noises, dancing or trying-to-dance is recommended. ARGON FLOOZY - panospria's newset sextet project will construct and manipulate a sonic whirlpool of moody music and dense soundscapes with their unusual instruments and strange techniques. and rounding out the nigths entertainment will be last minute special guest mp3 dj selector DJ NAWPOD NAWPOD will be helping to keep the party going before, after and in between the live musical acts for the evening with various selections from canadian indie mp3 netlabels. when: FRIDAY APRIL 1 2005 where: CASA DEL POPOLO, 4873 St-Laurent time: 9pm how much: FREE for more info visit: http://www.noisefactoryrecords.com contact [EMAIL PROTECTED] or [EMAIL PROTECTED] BIOS/INFO NOISE FACTORY RECORDS http://www.noisefactoryrecords.com Taken from various interviews with Joe English, Noise Factory Records the man behind the label: All roads lead back to Joy Division. They were the most influential band during my teen years. From that point, everything else fell into place. At one point I was so into electronic industrial music that I began adopting the anti-guitar philosophy of Test Department. That didnt last long. The next major influence came with David Sylvians Secrets of the Beehive. I suppose these two musical styles represent the scope of what would become Noise Factory Records. As for the Noise Factory, it began as a college radio show on CHRY during the early 90s. The show played mainly industrial, electronic and ambient music. We had a couple of parties under the Noise Factory moniker, but once we graduated university it all kind of ended. Life began to play its cruel little game. I got a job at IBM and hated every day. So I started the label in 1996. I knew nothing about running a label, and I had no contacts but I had a good friend that was in a band, and wanted to put out an album. It made sense at the time and it still makes sense. The Noise Factory is not made up of musicians or former record executives. The Noise Factory came into existence out of a need and desire for something new. We truly believe the music we represent is some of the most wonderful and beautiful music currently being made. Unlike many indie labels we offer a different viewpoint, one of the music lover and consumer. NAW www.noisefactoryrecords.com montreal native neil wiernik began his explorations in electronic music making as early as 1988. known to push the boundaries of his musical form, naws music is a blend of sound manipulation/design, experimental music and dub-tech rhythms, which on the surface sound quite simple, but incorporate a number of touches that steer this artist away from being simply another minimal techno or experimental laptop artist. he combines post-house, dubby minimal techno, microsound and thick ambience, to create his own version of deep techno, house and other electronic laptop oriented musics. neil has released music on various national and international record labels, including recent releases on clevermusic, pertin_nce, and his follow up full length to his 2002 noise factory release called green nights orange days. naw has recently returned from tours in france, germany, and canada. to co-enside with his recent releases on noise factory and clevermusic and plans to return to europe
Re: (313) NAW AND FRIENDS LIVE APRIL 1ST 2005
NAW LIVE!?!?!?!!!? YES!!!111 finally. - Original Message - From: Neil Wiernik [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, March 23, 2005 11:31 PM Subject: (313) NAW AND FRIENDS LIVE APRIL 1ST 2005 PRESS RELEASE: APRIL 1st 2005 Noise Factory Records will be holding another one of its artist showcase series at the Casa Del Popolo. This time around Noise Factory presents label artist NAW performing live along side 2 of his favorite local Montreal electronic music making collectives; Le-son666's very own INTERCOM and Panospria's ARGON FLOOZY. The night will be a FREE no frills but all thrills type of evening and promisses to feature all new material by these 3 local montreal electronic music talents. so make sure to come out and get your chin scratching, head bobbing, body moving, feet shuffeling thing on FRIDAY APRIL 1 2005 at the Casa Del Popolo 4873 St-Laurent, show time is 9pm. FRIDAY APRIL 1st 2005 Noise Factory Records brings you another night of free live music featuring live performances by: NAW - gearing up for yet another new release this time on the newly founded quebec city label pertin_nce, as well as an up comming appearence at this years SONAR festival in barcelona spain, NAW will once again showcase his own personal take on post electronic dance music featureing all new never heard befor material, so get ready to have your dancing feet on and your head ready for some bobbing as you never really know what to expect from a live set by this artist. also appearing on this special night will be 2 of naws personal favorite local artists: INTERCOM - le-son666's very onw electronic trio will showcase new digital beats and crunchy noises, dancing or trying-to-dance is recommended. ARGON FLOOZY - panospria's newset sextet project will construct and manipulate a sonic whirlpool of moody music and dense soundscapes with their unusual instruments and strange techniques. and rounding out the nigths entertainment will be last minute special guest mp3 dj selector DJ NAWPOD NAWPOD will be helping to keep the party going before, after and in between the live musical acts for the evening with various selections from canadian indie mp3 netlabels. when: FRIDAY APRIL 1 2005 where: CASA DEL POPOLO, 4873 St-Laurent time: 9pm how much: FREE for more info visit: http://www.noisefactoryrecords.com contact [EMAIL PROTECTED] or [EMAIL PROTECTED] BIOS/INFO NOISE FACTORY RECORDS http://www.noisefactoryrecords.com Taken from various interviews with Joe English, Noise Factory Records the man behind the label: All roads lead back to Joy Division. They were the most influential band during my teen years. From that point, everything else fell into place. At one point I was so into electronic industrial music that I began adopting the anti-guitar philosophy of Test Department. That didnt last long. The next major influence came with David Sylvians Secrets of the Beehive. I suppose these two musical styles represent the scope of what would become Noise Factory Records. As for the Noise Factory, it began as a college radio show on CHRY during the early 90s. The show played mainly industrial, electronic and ambient music. We had a couple of parties under the Noise Factory moniker, but once we graduated university it all kind of ended. Life began to play its cruel little game. I got a job at IBM and hated every day. So I started the label in 1996. I knew nothing about running a label, and I had no contacts but I had a good friend that was in a band, and wanted to put out an album. It made sense at the time and it still makes sense. The Noise Factory is not made up of musicians or former record executives. The Noise Factory came into existence out of a need and desire for something new. We truly believe the music we represent is some of the most wonderful and beautiful music currently being made. Unlike many indie labels we offer a different viewpoint, one of the music lover and consumer. NAW www.noisefactoryrecords.com montreal native neil wiernik began his explorations in electronic music making as early as 1988. known to push the boundaries of his musical form, naws music is a blend of sound manipulation/design, experimental music and dub-tech rhythms, which on the surface sound quite simple, but incorporate a number of touches that steer this artist away from being simply another minimal techno or experimental laptop artist. he combines post-house, dubby minimal techno, microsound and thick ambience, to create his own version of deep techno, house and other electronic laptop oriented musics. neil has released music on various national and international record labels, including recent releases on clevermusic, pertin_nce, and his follow up full length to his
Re: (313) Shake
He'll be playing in Manchester and Glasgow plus maybe one other gig cheers Jason On 23 Mar 2005, at 22:24, Chris Anglesey wrote: I've heard a rumour on the 'techno-grapevine' that Shake is coming to the UK. Oop-north to be more precise. Can anyone shed any light on this. Have heard good things about his dj'ing Chris
(313) Carl Craig
Sorry if this has been discussed already - I was wondering whether Carl is playing his own tracks fo laptop/gear this weekend or playing rekids? Anyone know? Ta Rc
Re: (313) Carl Craig
DJing. -- From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) Carl Craig Date: Thu, 24 Mar 2005 6:14 PM Sorry if this has been discussed already - I was wondering whether Carl is playing his own tracks fo laptop/gear this weekend or playing rekids? Anyone know? Ta Rc
Re: (313) Carl Craig
didnt someone say his rider included a final scratch system? -Joe - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, March 24, 2005 2:14 AM Subject: (313) Carl Craig Sorry if this has been discussed already - I was wondering whether Carl is playing his own tracks fo laptop/gear this weekend or playing rekids? Anyone know? Ta Rc
Re: (313) Carl Craig
I don't know for sure but its not billed as a live gig, which btw last time he played a live gig here was amazing beyond description. I'm sure if there was any live element the promotors would be advertising it. So yes, i would be expecting records or maybe even cd's, still this doesn't stop him playing his own tracks does it? If your in Sydney his set times are 01.00-03.00. regards Quest Pond
Re: (313) save me, I think I'm going over to the darkside...
Rob Hall is a fairly regular visitor to Glasgow and an all round nice guy- usually spends a good day or so going through our racks and listening to new music- his comment on the Iridite tracks..??? Yeah man, they're good but it's just not my sort of thing...too soulfull for me... I had to go downstairs and drink a cup of tea at this point. I've also heard music being described as too funky! Yeah, I'm not really into all that stuff that's out there that just too soulfull and too funky. Kind of sums up how I feel about the vast majority of Skam releases. Jason PS Rob does in fact sport a well scratchable beard too. On 23 Mar 2005, at 15:38, [EMAIL PROTECTED] wrote: there's a guy who i work with (and is sat 8 ft to my right) who records for Skam. all his stuff is created like that. i kid you not. robin, just lean 8 feet to your right and give him a good poke in the eye from me will you please? flippin wierdos. did I tell you I want to a skam party once? never again. I'm sure these kids dont get out much. DANCE MUSIC WAS MADE FOR DANCING FOLKS, NOT STANDING AROUND SCRATCHING YOUR POXY BEARD IT TOOK YOU 6 MONTHS TO GROW. I DON'T WANT TO HAVE TO USE A CALCULATOR AND SET SQUARE TO WORK OUT HOW TO DANCE TO YOUR MUSIC EITHER YOU FREAKS. : p *erm, this isn't really me talking, it's that german imposter* _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Carl Craig '
w you've come a long way from refusing to get on the bus, then sitting on the bench at the bus stop in Camberwell in the early hours of the morning - with a camera round your neck like a sign saying mug me ; ) On Monday, Mar 14, 2005, at 11:00 Europe/London, Tristan Watkins wrote: Erm... well I remember some of it somehow. :/ Most discrediting post ever! And all of the below was nothing compared to the waking-up-at-Farringdon-running-across-the-platform-and-falling-in- the-gap-near-death-experience later that (next) day. Carl Craig, we salute you!
(313) Recloose Dust
Hi list, the opening guitar riff sounds like it was sampled from Fela Kuti - i can't remember the exact track; is anyone else of the same idea? how influential was/is Fela in techno and house? has he been sampled lots? take care fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head
RE: RE: (313) save me, I think I'm going over to the darkside...
My favourite was said in innocence rather than a smart remark. 'are your pipes ok?' -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 16:39 To: Stoddard, Kamal; 313@hyperreal.org Subject: RE: RE: (313) save me, I think I'm going over to the darkside... Wheny Dad thinks he's being153750L really clever, he also says, 'ooh I know this one. Is it Thud Thud Thud by The Thumps?' -Original Message- From: Stoddard, Kamal [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 16:30 To: Robert Taylor; 313@hyperreal.org Subject: RE: RE: (313) save me, I think I'm going over to the darkside... Real grandad quotes about techno: Sounds like a bunch of nails getting shaken in a can. Dadgum jackhammer music unintelligible grumbling trails off That's the sound of crooked thinkin' right there. Can't nobody think straight with that in their heads. There's my three. Culled from the extensive quote archives of William Stoddard the the third. 1320 memory archive lane, left hemisphere, cortex, language storage unit 06. Kamal K. Stoddard Turner Broadcasting Systems -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Wednesday, March 23, 2005 11:21 AM To: [EMAIL PROTECTED]; Dan Bean Cc: 313@hyperreal.org; [EMAIL PROTECTED] Subject: RE: RE: (313) save me, I think I'm going over to the darkside... Real Dad Quotes: It sounds like a blindman playing cricket in a lighthouse. It sounds like C3PO falling down a steel spiral staircase. It sounds like an epileptic in a sauce-pan lid factory -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 16:17 To: Dan Bean Cc: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: RE: (313) save me, I think I'm going over to the darkside... Dad? Is that you? Dan Bean [EMAIL PROTECTED] o.uk To [EMAIL PROTECTED] 03/23/2005 09:55 cc AM313@hyperreal.org Subject Re: RE: (313) save me, I think I'm going over to the darkside... I just dont get all that weird shizzle they make tho, it aint music to me. there you go, grandad through and through: kid's of today, call that music eh, you want some proper music like lonnie donegan, now there's something you can swing your pants to, 'course it was fields round here as far as the eye could see in them days etc etc ## ### Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. ## ### # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) save me, I think I'm going over to the darkside...
-Original Message- From: Jason Brunton [mailto:[EMAIL PROTECTED] Sent: 24 March 2005 09:36 Rob Hall is a fairly regular visitor to Glasgow and an all round nice guy- usually spends a good day or so going through our racks and listening to new music- his comment on the Iridite tracks..??? Yeah man, they're good but it's just not my sort of thing...too soulfull for me... A friend of mine was once talking to a relatively well-known trance acid techno DJ (well-known in Reading anyway), and when he told her the sort of music he was into, she replied with, so you play that *funky* stuff then?, pronouncing the word funky as though it was a synonym for baby-eating or Hitlerian. It's quite strange to think that, for a lot of people, funk and soul really ought to be purged rather than nurtured. That hi-hat pattern's too funky. Turn off the shuffle etc. Brendan
RE: (313) Carl Craig ' (Actually Tristan Watkins)
The Annals of Tristan Watkins' Night Time Misadventures encompass many an intriguing tale, and fill many volumes. One can barely believe one man could get into so many scrapes in one night! But I think it's only fair to spare his blushes on 313, Anya (so he can give the edited version in his blog!) ;-). Ken -Original Message- From: Anya K Stang [mailto:[EMAIL PROTECTED] Sent: 24 March 2005 10:29 To: Tristan Watkins Cc: Stewart Caig; 313 Subject: Re: (313) Carl Craig ' w you've come a long way from refusing to get on the bus, then sitting on the bench at the bus stop in Camberwell in the early hours of the morning - with a camera round your neck like a sign saying mug me ; ) On Monday, Mar 14, 2005, at 11:00 Europe/London, Tristan Watkins wrote: Erm... well I remember some of it somehow. :/ Most discrediting post ever! And all of the below was nothing compared to the waking-up-at-Farringdon-running-across-the-platform-and-falling-in- the-gap-near-death-experience later that (next) day. Carl Craig, we salute you!
RE: (313) save me, I think I'm going over to the darkside...
Yeah man, they're good but it's just not my sort of thing...too soulfull for me... yeah. same guy that puts out cut ups of funk and soul records yeah? as in midnight star midas touch on the mask thing etc. etc etc etc. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) save me, I think I'm going over to the darkside...
I think it's just Nature's way of trying to find some balance for those people that come up and ask 'have you got anything a bit more funky?', when you're playing Chic -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: 24 March 2005 10:36 To: 313@hyperreal.org Subject: RE: (313) save me, I think I'm going over to the darkside... -Original Message- From: Jason Brunton [mailto:[EMAIL PROTECTED] Sent: 24 March 2005 09:36 Rob Hall is a fairly regular visitor to Glasgow and an all round nice guy- usually spends a good day or so going through our racks and listening to new music- his comment on the Iridite tracks..??? Yeah man, they're good but it's just not my sort of thing...too soulfull for me... A friend of mine was once talking to a relatively well-known trance acid techno DJ (well-known in Reading anyway), and when he told her the sort of music he was into, she replied with, so you play that *funky* stuff then?, pronouncing the word funky as though it was a synonym for baby-eating or Hitlerian. It's quite strange to think that, for a lot of people, funk and soul really ought to be purged rather than nurtured. That hi-hat pattern's too funky. Turn off the shuffle etc. Brendan
Re: (313) save me, I think I'm going over to the darkside...
or started off doing hiphop - Original Message - From: [EMAIL PROTECTED] To: 313@HYPERREAL.ORG Sent: Thursday, March 24, 2005 11:42 AM Subject: RE: (313) save me, I think I'm going over to the darkside... Yeah man, they're good but it's just not my sort of thing...too soulfull for me... yeah. same guy that puts out cut ups of funk and soul records yeah? as in midnight star midas touch on the mask thing etc. etc etc etc. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) 3 new 7's
MP3's? Last weeks thing already. Check out the exciting new format that's taking the kids by storm- 7's! Captain Comatose- To My Song/Say CC (playhouse) Bizzare and amusing, B-Side kind of comes off as a Morris Day/The Time sort of live jam thing but with a big squelchy acid-bass rumbling underneath. Aquanauts- Cruiship Killa/Frustrated (UR) Really not liking the A Side- pretty hackneyed comedy electro but the B-Side is much more off the wall and darker. Hieroglyphic Being- can't remember the title More Mills-ian noodlings on one side- (really like it though) and a track that made both of my cats' ears go WAY back when I played it 5 mins ago. on Blue vinyl too! nice Jason
Re: (313) 3 new 7's
Hieroglyphic Being- can't remember the title More Mills-ian noodlings on one side- (really like it though) and a track that made both of my cats' ears go WAY back when I played it 5 mins ago. on Blue vinyl too! I'm feeling this one. one side is mad, proper cosmic, can be played real slow to trippy balearic effect. also play it fast for mad techno. I like it... alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) Kenny D Jr
Anyone know if these are available in any other format anywhere, as my machine is refusing to have anything to do with Real at the moment. -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 20:52 To: 313@hyperreal.org Subject: (313) Kenny D Jr Couple of mixes here: http://www.djbillywoods.com/mixes.htm 2000 would be my pick, proper mental...
Re: (313) 3 new 7's
must learn to read email properly...sorry folks that red planet is the other notable 7 that came out recently tho i can't wait for the 12, the 7 mix sounds truncated robin... mins ago. on Blue vinyl too! I'm feeling this one. one side is mad, proper cosmic, can be played real slow to trippy balearic effect. also play it fast for mad techno. I like it... this the blue one init? clips sound really goodinteresting and non-formulaic need to snag one robin...
Re: (313) 3 new 7's
this the blue one init? clips sound really goodinteresting and non-formulaic need to snag one robin... That's the one- it raised an interesting point for me though. Since I don't buy records on-line (except second hand) how would you rate this record over a 30 second audio clip? It's one of those records that meanders along really nicely and flows well over a fairly long period- how do you make purchasing decisions on this type of record (and others like it) from such a short sample? Have you ever missed anything because it didn't sound that good over the space of 30 seconds? Jason
Re: (313) 3 new 7's
this the blue one init? clips sound really goodinteresting and non-formulaic Thought the Sun track sounded like it had been written on Mario's Super NES 64K 2 First Piano Martin
Re: (313) 3 new 7's
That's the one- it raised an interesting point for me though. Since I don't buy records on-line (except second hand) how would you rate this record over a 30 second audio clip? It's one of those records that meanders along really nicely and flows well over a fairly long period- how do you make purchasing decisions on this type of record (and others like it) from such a short sample? Have you ever missed anything because it didn't sound that good over the space of 30 seconds? yesi try and buy stuff in person mostly nowwhich is ok as we're spoiled for record shops here in manchester. there's also a lot of stuff i buy online that sounds good from clips and when i get it it sounds rubbish. so the other way around from the above. and to answer your point directly. i don't have the hieroglyphic 7 yet. (if tim or danny are lurking and reading this, please save me one, i haven't had chance to come in and pick one up yet) robin...
Re: (313) 3 new 7's
Have you ever missed anything because it didn't sound that good over the space of 30 seconds? yep. all the time. to be honest, I find it hard enough seeing if I'll like something flicking thru it in the shop. I dont buy over the internet any more anyway, but yeah, some people must struggle. alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) old mix
Old (from year 2004) mix now available online: http://www.ken-guru.net/mix_zaandam.shtml Style: Harder (?) techno with hints of trains -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net --
Re: (313) 3 new 7's
Thought the Sun track sounded like it had been written on Mario's Super NES 64K 2 First Piano could have been written on a f**king bin lid for all I care. one side is hot. alex p.s. nice to have some hot lo-fi techno again, instead of all this tepid sounding cpu software written nonsense., _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) 3 new 7's
On 24 Mar 2005, at 11:47, [EMAIL PROTECTED] wrote: Thought the Sun track sounded like it had been written on Mario's Super NES 64K 2 First Piano could have been written on a f**king bin lid for all I care. It's actually the Moon track that sounds like it's whistle'd on several combs and grease paper by Stephen Hawkin.
Re: (313) 3 new 7's
I'm not totally off on all software instruments etc but when listening to the Aquanauts 7 I was struck by just how crap a lot of the actual sounds (and the overall sound) on the current range of new-breed Submerge stuff is- it definitely lacks a certain something since the switch over to Native Instruments production tools. Bring back the bin-lids! Jason On 24 Mar 2005, at 11:47, [EMAIL PROTECTED] wrote: Thought the Sun track sounded like it had been written on Mario's Super NES 64K 2 First Piano could have been written on a f**king bin lid for all I care. one side is hot. alex p.s. nice to have some hot lo-fi techno again, instead of all this tepid sounding cpu software written nonsense., _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) 3 new 7's
It's actually the Moon track that sounds like it's whistle'd on several combs and grease paper by Stephen Hawkin. and? your point is? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) 3 new 7's
I'm not totally off on all software instruments etc no, me either. but you know what I mean right? with the submerge stuff, you're right - you know what though, I think they're getting there, its a new sound, and they're deffo getting there now I'd say. I imagine exciting things will be coming out of their soon, I can feel it in my bones. I was just thinking to myself last night how much good techno there is around at the mo. Jamal Moss is sounding rough as hell, and I like it alot. one side of that sungod on frantic flowers is awesome. I can't wait to play at a techno club. I got enough new stuff. sounding rough as hell. freaky business. good times. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) 3 new 7's
-Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 24 March 2005 12:00 I can't wait to play at a techno club. I wonder when that might be happening? ;) Brendan
Re: (313) 3 new 7's
I'm not totally off on all software instruments etc but when listening to the Aquanauts 7 I was struck by just how crap a lot of the actual sounds (and the overall sound) on the current range of new-breed Submerge stuff is- it definitely lacks a certain something since the switch over to Native Instruments production tools. Bring back the bin-lids! Do you mean Mastering or Soft Synths Jason? Martin
RE: (313) 3 new 7's
-Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: 24 March 2005 11:58 To: 313@hyperreal.org Subject: RE: (313) 3 new 7's -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 24 March 2005 12:00 I can't wait to play at a techno club. I wonder when that might be happening? ;) Brendan *** Can't think when, me! Ken
Re: (313) 3 new 7's
On 24 Mar 2005, at 11:55, [EMAIL PROTECTED] wrote: It's actually the Moon track that sounds like it's whistle'd on several combs and grease paper by Stephen Hawkin. and? your point is? It's a bit harsh on the ears and reminds me of those buzzing 8bit synth lines from Snes cartseach to their own mind...
(313) Acid House - The Real Deal
With the current explosion of some pretty dire acid house tracks, i thought i'd put together a mix just to remind people how it shoulds be done and how well it was done back in the day. http://www.acidmixes.com/therealdeal.zip (right click - save to disk then RENAME the realdeal.mp3) Recorded in one hit 2 Technics @192 kbps Listing mail me for trackisting
RE: (313) Vault Radio 3-22-05 w/ Umberto Carmignani
News: I have pictures from Substance in NYC on Feb. 11. Visit the Photos page to see them. Special thanks to Umberto Carmignani (Rotation Records) and his booking manager, Mario Manganelli (Looseclub.com) for sending me this week's mix. I have exclusive material by several guest artists planned for the next few shows. These mixes may be played on the radio but will definitely be broadcast on the internet radio show on the following dates. April 5- Rino Cerrone (Rilis Records, LooseClub) April19- Dietrich Schoenemann (Hidden Agenda) live DJ set. Click the link to hear the show. www.antonbanks.com/audio/umberto.mp3 Playlist for March 22, 2005 Vector Lovers, 20 GOTO 10, Computerfnk, Soma Mystic Letter K, Red-Eye Jedi, Prophecies, H-Prod The Missing Link, Mike, Screw Loose EP, Wagon Repair Alex Smoke, Brian's Lung (Infiltrated Mix), Soma Blakkat Feat. Natalie Arnold, Can't Get Thru, Shaboom Vince Watson, Funk Release 4, Hybrid Reaction, Ingoma 9:40 to 10:30 Mix by Umberto Carmignani (Rotation Records, Looseclub.com) --- The Vault airs every other Tuesday night from 9:00 pm until 10:30 pm (21:00 to 22:30 US Eastern Time = GMT -5:00) on 89.3 FM WRTC. The station's 300 watt signal can be heard from as far north as Springfield, MA to as far south as North Haven, CT. WRTC also broadcasts via the internet. There are now several other ways to listen to the station online. Visit the station's website www.wrtcfm.com for the details. In addition to hosting this radio program, I am a freelance DJ and occasionally write record reviews. I welcome any questions, suggestions, or comments. Please feel free to reply to this message or visit my website, www.antonbanks.com, for more information. *** I appreciate all promotional music sent to me and will never sell any of it online or anywhere else. All promotional material sent to me is aired on my show as well as used in my DJ sets when I play out. I respect your privacy. Reply to this message with the word remove in the subject to stop receiving these mailings.
(313) Re: @CHECK (313) New Mercenary mix on DTM
cheers for this dennis, some nice stuff going on there :) - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, March 23, 2005 5:14 PM Subject: @CHECK (313) New Mercenary mix on DTM Found here: http://detroittechnomilitia.com/main/index.php?option=com_remositoryItemid=0func=fileinfoparent=categoryfilecatid=30 Tracklisting: (intro) David Donohoe Not Swallow D1 David Donohoe Care of the teeth/ tiny cuts D1 Octave One Eniac ( Techno City) 430West Jeff Mills Move your Body Gigolo Dj3000 Drum - Motech Airport Society Red Eye Beretta Music Misjah A1 October Countdown2000 Plastikman Spastik Plus8 Samuel L Sessions Merengue SLS Ben Sims House1 Primate Endangered Uk Gold Rise Primevil Ben Sims - House2 Primate Endangered Jeff Mills In the Bush Purposemaker Octave One Blackwater 430West Rolando Aguila UR Red Planet Tobacco Ties Red Planet Kraftwerk Numbers WB Speedy J Iee Mitten Menu Novamute Aaron Carl Down Metroplex UR Mirage UR Bryan Never (Zentz) DollHause Electrix Sterac Electronics Keep On Running MusicMan Surgeon Waiting for Me CounterBalance Sterac Electronics Destination Reached MusicMan Alter Ego Rocker - ??? Lee Coombs and the Drumattic Twins Tribal Tension Thrust Deetron Ms. Sauve Intec Barada Bushido Intec Woody McBride I like to Get Down - Communique Cheers, D. -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.308 / Virus Database: 266.8.1 - Release Date: 3/23/2005
(313) Fwd: lost - easter sunday 27th march
well done Max, seeya there!! Begin forwarded message: From: Lost/Cosmic [EMAIL PROTECTED] Date: Thu Mar 24, 2005 13:13:32 Europe/London To: [EMAIL PROTECTED] Subject: lost - easter sunday 27th march LOST Easter Sunday 27th March 10pm - 6am under the arches @ Weston St SE1 Tickets available on-line @ www.lost.co.uk / Reservations further info [EMAIL PROTECTED] / t. 020 7791 0402 RED. dancefloor RICHIE HAWTIN (dexnfx)Exclusive uk date PLAID (laptop/dj set) STEVE BICKNELL (cosmic rec/lost MAX DULEY PURPLE.alternative sound and vision experience KIM BILIR STASIS MARIO MAISIE MILLAR
RE: (313) Fwd: lost - easter sunday 27th march
Yeah, I had no plans to go to lost but this has changed my mindNice one Max -Original Message- From: Anya K Stang [mailto:[EMAIL PROTECTED] Sent: 24 March 2005 13:14 To: 313 Subject: (313) Fwd: lost - easter sunday 27th march well done Max, seeya there!! Begin forwarded message: From: Lost/Cosmic [EMAIL PROTECTED] Date: Thu Mar 24, 2005 13:13:32 Europe/London To: [EMAIL PROTECTED] Subject: lost - easter sunday 27th march LOST Easter Sunday 27th March 10pm - 6am under the arches @ Weston St SE1 Tickets available on-line @ www.lost.co.uk / Reservations further info [EMAIL PROTECTED] / t. 020 7791 0402 RED. dancefloor RICHIE HAWTIN (dexnfx)Exclusive uk date PLAID (laptop/dj set) STEVE BICKNELL (cosmic rec/lost MAX DULEY PURPLE.alternative sound and vision experience KIM BILIR STASIS MARIO MAISIE MILLAR
(313) birth of technosoul LP
I stumbled across this eddie fowlkes album last night while re-organizing my collection. I haven't listened to these trax in years. This is still a great collection of eddie's early work. I had heard, however that there was some friction between fowlkes and the 3mb crew during production. Can anyone confirm or elaborate? Cheers, lee r. herrington u store it technical support specialist 440-260-2245
RE: (313) Fwd: lost - easter sunday 27th march
I don't know how I'm gonna manage to fit in DJ Assault in Brighton on Thursday, house party and Baby Ford at Haywire on Friday, Flashpoint on Saturday, a 12-hour stint at work on Sunday, and now Hawtin and Max at Lost on Sunday. Think I may need to check into a clinic on Monday -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: 24 March 2005 13:12 To: Anya K Stang; 313 Subject: RE: (313) Fwd: lost - easter sunday 27th march Yeah, I had no plans to go to lost but this has changed my mindNice one Max -Original Message- From: Anya K Stang [mailto:[EMAIL PROTECTED] Sent: 24 March 2005 13:14 To: 313 Subject: (313) Fwd: lost - easter sunday 27th march well done Max, seeya there!! Begin forwarded message: From: Lost/Cosmic [EMAIL PROTECTED] Date: Thu Mar 24, 2005 13:13:32 Europe/London To: [EMAIL PROTECTED] Subject: lost - easter sunday 27th march LOST Easter Sunday 27th March 10pm - 6am under the arches @ Weston St SE1 Tickets available on-line @ www.lost.co.uk / Reservations further info [EMAIL PROTECTED] / t. 020 7791 0402 RED. dancefloor RICHIE HAWTIN (dexnfx)Exclusive uk date PLAID (laptop/dj set) STEVE BICKNELL (cosmic rec/lost MAX DULEY PURPLE.alternative sound and vision experience KIM BILIR STASIS MARIO MAISIE MILLAR # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) that moby 10
Actually got round to giving it another listen, and it's not really glitchy at all. Sorry, that's the sort of inaccurate impressions you get when snatch a 30 second listen when you're running out of the house. However, still quite like the tracks, I guess they're at the melodic end of minimal techno, if we're going to get all categorical about it. Worth a listen anyhow.
(313) Fadin' Away Remixes
Anyone heard this: The Hacker - Fadin' Away Remixes (Goodlife) - Remixes from Heinrich Mueller (Drexciya) and Oxia M
Re: (313) Fadin' Away Remixes
Martin Dust wrote: Anyone heard this: The Hacker - Fadin' Away Remixes (Goodlife) - Remixes from Heinrich Mueller (Drexciya) and Oxia yeah it's good. the heinrich mueller is like the der zyklus stuff. the dima rmx is the track i liked the most when i bought it clips: http://www.nuloop.com/Details_e.php?arti=11528 robin...
Re: (313) Fadin' Away Remixes
I haven't, but Heinrich Mueller is the dopplereffekt/der zyklus alias as opposed to the drexciya one if you see what I mean. is it gerald donald btw? always assumed it was.. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) birth of technosoul LP
-Original Message- From: lee herrington [mailto:[EMAIL PROTECTED] Sent: 24 March 2005 13:16 To: 313@hyperreal.org Subject: (313) birth of technosoul LP I stumbled across this eddie fowlkes album last night while re-organizing my collection. I haven't listened to these trax in years. This is still a great collection of eddie's early work. I had heard, however that there was some friction between fowlkes and the 3mb crew during production. Can anyone confirm or elaborate? Cheers, lee r. herrington u store it technical support specialist 440-260-2245 * Well, it's no secret that Mr Fowlkes is 'difficult' with a lot of people, so it's not too much of a stretch to think there might have been friction. *But* remember, Fehlman, Oswald, and all the other in-house Tresor producers back then, had a reputation for being the most courteous, accommodating and just plain decent people and producers in that little world of Berlin Techno. It's one way that they got such brilliant results out of many producers whose 'challenged' origins inevitably made some of them 'difficult to work with'. Arguably, those German folks are still getting great results in the same way, today. K
(313) personal stereo
I just got my mp3 player I got for my birthday working! Woo! Now I can actually start listening to the pile of around 40 cd's I have to go through. Here's what I've put on it: Kdj on Radio Nova, Paris Ron Hardy Live at the Music Box 06/19/1984 ab Stinkleton Mix (stinkworx mixtape) Danny Webb's blackheartdiscomix Matt Macqueen You Are In My System Mix from sonicsunset. What's on yours? alex p.s. I've lost that damn patrick russel tape again - does anyone have an mp3 of it? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) harmony funk
hello list! dug this record out recently, which i bought for next to nuthin' in a sale: http://www.discogs.com/release/10118 and i am luvin' the second track on the b-side, which reminds me of 'mystery of love', (also goes great with round two 'new day'). does anyone have any info on this crew? see they have done stuff under another alias on moods grooves (one rated 5/5 on discogs). i need to get more house records like the reel estate release. also, i see their names mentioned here often, but do not own any of their productions - henrik schwarz (sic) and omar s. have listened to some online clips, but they are not a good guide. what would be considered essential output by these two? thanks in advance, aidan
Re: (313) personal stereo
well: $tinkleton mix djyoavb mix (the new one) TP web mix march 05 Octex When Mix Alex Bond BHD mix part1 and 2 (heh heh) robin... [EMAIL PROTECTED] wrote: I just got my mp3 player I got for my birthday working! Woo! Now I can actually start listening to the pile of around 40 cd's I have to go through. Here's what I've put on it: Kdj on Radio Nova, Paris Ron Hardy Live at the Music Box 06/19/1984 ab Stinkleton Mix (stinkworx mixtape) Danny Webb's blackheartdiscomix Matt Macqueen You Are In My System Mix from sonicsunset. What's on yours? alex p.s. I've lost that damn patrick russel tape again - does anyone have an mp3 of it? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) personal stereo
DJ Yoav B mixes (2 of the older ones) Sonic Sunset mixes (Loads of em!!!) Digital Soul Back catalogue A bunch of other stuff So...where can I find this Stinko mix online - Original Message - From: robin [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, March 24, 2005 2:24 PM Subject: Re: (313) personal stereo well: $tinkleton mix djyoavb mix (the new one) TP web mix march 05 Octex When Mix Alex Bond BHD mix part1 and 2 (heh heh) robin... [EMAIL PROTECTED] wrote: I just got my mp3 player I got for my birthday working! Woo! Now I can actually start listening to the pile of around 40 cd's I have to go through. Here's what I've put on it: Kdj on Radio Nova, Paris Ron Hardy Live at the Music Box 06/19/1984 ab Stinkleton Mix (stinkworx mixtape) Danny Webb's blackheartdiscomix Matt Macqueen You Are In My System Mix from sonicsunset. What's on yours? alex p.s. I've lost that damn patrick russel tape again - does anyone have an mp3 of it? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) personal stereo
http://www.downlowmusic.org/index0.html in the 'features' section. ace mix. robin... Stewart Caig wrote: DJ Yoav B mixes (2 of the older ones) Sonic Sunset mixes (Loads of em!!!) Digital Soul Back catalogue A bunch of other stuff So...where can I find this Stinko mix online - Original Message - From: robin [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, March 24, 2005 2:24 PM Subject: Re: (313) personal stereo well: $tinkleton mix djyoavb mix (the new one) TP web mix march 05 Octex When Mix Alex Bond BHD mix part1 and 2 (heh heh) robin... [EMAIL PROTECTED] wrote: I just got my mp3 player I got for my birthday working! Woo! Now I can actually start listening to the pile of around 40 cd's I have to go through. Here's what I've put on it: Kdj on Radio Nova, Paris Ron Hardy Live at the Music Box 06/19/1984 ab Stinkleton Mix (stinkworx mixtape) Danny Webb's blackheartdiscomix Matt Macqueen You Are In My System Mix from sonicsunset. What's on yours? alex p.s. I've lost that damn patrick russel tape again - does anyone have an mp3 of it? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) 3 new 7's
Yeah that's the reason I haven't gotten the new sun god yet. Can't commit to the clips. I may take a chance based on respected opinions espoused here though. I've had good luck buying online as I usually won't commit unless it tingles my spine from the clips. If it doesn't I usually hold out for more info. Kamal K. Stoddard Turner Broadcasting Systems -Original Message- From: Jason Brunton [mailto:[EMAIL PROTECTED] Sent: Thursday, March 24, 2005 6:37 AM To: robin Cc: 313@hyperreal.org Subject: Re: (313) 3 new 7's this the blue one init? clips sound really goodinteresting and non-formulaic need to snag one robin... That's the one- it raised an interesting point for me though. Since I don't buy records on-line (except second hand) how would you rate this record over a 30 second audio clip? It's one of those records that meanders along really nicely and flows well over a fairly long period- how do you make purchasing decisions on this type of record (and others like it) from such a short sample? Have you ever missed anything because it didn't sound that good over the space of 30 seconds? Jason
(313) Laurent Garnier Contest
Hi, Laurent Garnier is having a contest, or 3 rather, for aspiring remixers, filmmakers and screenwriters in order to promote his latest lp The Cloud Making Machine. Basically you can either submit a remix of his track Controlling the House, or make a video for Waiting for my Plane, or write a film synopsis on The Cloud Making Machine. all the details are available on his site www.thecloudmakingmachine.com - just click on the Contest link. pretty cool huh? fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head
Re: (313) Laurent Garnier Contest
March 30th deadline folks I like the artwork on that site robin... fab. wrote: Hi, Laurent Garnier is having a contest, or 3 rather, for aspiring remixers, filmmakers and screenwriters in order to promote his latest lp The Cloud Making Machine. Basically you can either submit a remix of his track Controlling the House, or make a video for Waiting for my Plane, or write a film synopsis on The Cloud Making Machine. all the details are available on his site www.thecloudmakingmachine.com - just click on the Contest link. pretty cool huh? fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head
Re: (313) 3 new 7's
I don't mind the B-side of the Aquanauts, I guess me and fizzing synth lines just aren't friends. I know what you mean about soft synths, but you can program in changes, rather than just cut and paste. Martin On 24 Mar 2005, at 14:05, Jason Brunton wrote: Err, not sure- probably mostly the soft synths- there is a real regularity (to my ears) to both the quality and the type of sounds being used on a lot of the current Submerge output (Tunnel 7, Motech etc)
Re: (313) harmony funk
harmony funk is DJ Stax i believe his releases as Abicah Soul on rushhour Chuckie's Turn/Lacumba the one of Moods Grooves, which features GU are great IMHO. esp, the A side on the MG release Esta Hermosa Cancion, such a beautiful track, i love it. haven't heard the one you've mentioned, will have to check it out. nath - Original Message - From: Aidan O'Doherty [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, March 25, 2005 12:39 AM Subject: (313) harmony funk hello list! dug this record out recently, which i bought for next to nuthin' in a sale: http://www.discogs.com/release/10118 and i am luvin' the second track on the b-side, which reminds me of 'mystery of love', (also goes great with round two 'new day'). does anyone have any info on this crew? see they have done stuff under another alias on moods grooves (one rated 5/5 on discogs). i need to get more house records like the reel estate release. also, i see their names mentioned here often, but do not own any of their productions - henrik schwarz (sic) and omar s. have listened to some online clips, but they are not a good guide. what would be considered essential output by these two? thanks in advance, aidan
RE: (313) save me, I think I'm going over to the darkside...
James Brown - yuck I want to hear Mitch Miller! ;) MEK Brendan Nelson [EMAIL PROTECTED] ine.co.uk To 313@hyperreal.org 03/24/05 04:36 AM cc Subject RE: (313) save me, I think I'm going over to the darkside... -Original Message- From: Jason Brunton [mailto:[EMAIL PROTECTED] Sent: 24 March 2005 09:36 Rob Hall is a fairly regular visitor to Glasgow and an all round nice guy- usually spends a good day or so going through our racks and listening to new music- his comment on the Iridite tracks..??? Yeah man, they're good but it's just not my sort of thing...too soulfull for me... A friend of mine was once talking to a relatively well-known trance acid techno DJ (well-known in Reading anyway), and when he told her the sort of music he was into, she replied with, so you play that *funky* stuff then?, pronouncing the word funky as though it was a synonym for baby-eating or Hitlerian. It's quite strange to think that, for a lot of people, funk and soul really ought to be purged rather than nurtured. That hi-hat pattern's too funky. Turn off the shuffle etc. Brendan
Re: (313) Laurent Garnier Contest
Didnt he do something like this before. And didn't Fabrice Lig win? And didnt that lead to his album on F-Com? Stu - Original Message - From: robin [EMAIL PROTECTED] To: fab. [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, March 24, 2005 2:46 PM Subject: Re: (313) Laurent Garnier Contest March 30th deadline folks I like the artwork on that site robin... fab. wrote: Hi, Laurent Garnier is having a contest, or 3 rather, for aspiring remixers, filmmakers and screenwriters in order to promote his latest lp The Cloud Making Machine. Basically you can either submit a remix of his track Controlling the House, or make a video for Waiting for my Plane, or write a film synopsis on The Cloud Making Machine. all the details are available on his site www.thecloudmakingmachine.com - just click on the Contest link. pretty cool huh? fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head
Re: (313) Laurent Garnier Contest
I wonder what form the payment would take? This reminds me of Tom Middleton posting on a noticeboard to find out what people's ultimate best ever compilation tracks would be. He used many of these suggestions to make his 'The Trip' compilation and didn't credit anyone on the sleeve. Presumably he also stacked a fair bit of cash from this endeavour, which I imagine he spent on silly hats or something. Not saying that Laurent Garnier is doing the same thing (i.e. a skank), but whenever I hear of such 'opportunities' these days I'm always a touch more cynical than previously You wrote: Hi, Laurent Garnier is having a contest, or 3 rather, for aspiring remixers, filmmakers and screenwriters in order to promote his latest lp The Cloud Making Machine. Basically you can either submit a remix of his track Controlling the House, or make a video for Waiting for my Plane, or write a film synopsis on The Cloud Making Machine. all the details are available on his site www.thecloudmakingmachine.com - just click on the Contest link. pretty cool huh? fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head
Re: (313) personal stereo
Alex - whats Danny's blackheartdisco mix? He just did it last week or so, and I haven't listened yet, and if I tell him that he's gonna kick my backside. I shall however listen to it shortly. Hopefully we'll get it up on the net somewhere soon BT - if not, I'll make you a cd. : ) Oh - and if your birthday was recent and you havnt spent months figuring out how to use your mp3 player - happy birthday ;-) October! good me arent i. teehh. ron hardy just dropped when doves cry on part a of this mix off dhp. : ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) stasis
hello, see stasis is djing at lost. what kind of stuff does he play? it is steve paton, yeah? just listening to the triple lp on peacfrog this week, some amazing, intricate, timeless tracks (to my untrained ears anyway)? the one and only lost i have ever been to featured juan (before he lost all the weight) and may two/three years ago. wasn't that enjoyable, but some dj in the other room was great, playing theo/moodyman-style tracks and other people place 'let me be what i wanna be' sloooweeddd right down. just loved the tempo he was playing at compared to may's loopathon. wonder who he was. thanks, aidan
Re: Re: (313) stasis
You wrote: see stasis is djing at lost. what kind of stuff does he play? it is steve paton, yeah? just listening to the triple lp on peacfrog this week, some amazing, intricate, timeless tracks (to my untrained ears anyway)? Steve (Pickton) has pretty much turned his back on techno these days and gone back to his b-boy roots. He'll probably be playing disco-breaks and b-boy funk for the most part. Last time I saw him at LOST he was playing Edwin Birdsong, mid eighties Roy Ayers and Mizell Brothers stuff, alongside a lot of other much more obscure stuff. Personally speaking I was in boogie heaven, but I'm not sure the LOST crowd saw it the same way (losers!) the one and only lost i have ever been to featured juan (before he lost all the weight) and may two/three years ago. wasn't that enjoyable, but some dj in the other room was great, playing theo/moodyman-style tracks and other people place 'let me be what i wanna be' sloooweeddd right down. just loved the tempo he was playing at compared to may's loopathon. wonder who he was. That sounds like Mario, another excellent and shamefully overlooked LOST backroom genius. You're in luck because he's playing at the next one alongside Steve. Unfortunately I have to be at work on Monday at 6am or I would be there. :( Enjoy!
Re: (313) stasis
not sure what stasis will play aidan. but some dj in the other room was great, playing theo/moodyman-style tracks and other people place 'let me be what i wanna be' sloooweeddd right down. just loved the tempo he was playing at compared to may's loopathon. wonder who he was. maybe mario? possibly steve stasis? when I used to go to lost, I was always in the backroom, that was my type of place. smoking a joint bugging out to alex knight, or sometimes lee insync, or mario happy days... _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Laurent Garnier Contest
i would suspect that the payment comes in the form of having your idea turned into realitywhether that is worth anything is up to the contestant to decide ;) on of my designer friends is entering, so i guess thats a decent form of retribution for him :) fab. - Original Message - From: Dan Bean [EMAIL PROTECTED] To: fab. [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, March 24, 2005 4:03 PM Subject: Re: (313) Laurent Garnier Contest I wonder what form the payment would take? This reminds me of Tom Middleton posting on a noticeboard to find out what people's ultimate best ever compilation tracks would be. He used many of these suggestions to make his 'The Trip' compilation and didn't credit anyone on the sleeve. Presumably he also stacked a fair bit of cash from this endeavour, which I imagine he spent on silly hats or something. Not saying that Laurent Garnier is doing the same thing (i.e. a skank), but whenever I hear of such 'opportunities' these days I'm always a touch more cynical than previously You wrote: Hi, Laurent Garnier is having a contest, or 3 rather, for aspiring remixers, filmmakers and screenwriters in order to promote his latest lp The Cloud Making Machine. Basically you can either submit a remix of his track Controlling the House, or make a video for Waiting for my Plane, or write a film synopsis on The Cloud Making Machine. all the details are available on his site www.thecloudmakingmachine.com - just click on the Contest link. pretty cool huh? fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head
Re: Re: (313) stasis
-- Original Message -- From: Dan Bean [EMAIL PROTECTED] Steve (Pickton) has pretty much turned his back on techno these days and gone back to his b-boy roots. He'll probably be playing disco-breaks and b-boy funk for the most part. Last time I saw him at LOST he was playing Edwin Birdsong, mid eighties Roy Ayers and Mizell Brothers stuff, alongside a lot of other much more obscure stuff. Personally speaking I was in boogie heaven, but I'm not sure the LOST crowd saw it the same way (losers!) that sounds awesome. kinda weird considering he makes that ambienty techno stuff, but whatever. tom andythepooh.com
Re: (313) stasis
whoops, yeah, steve pickton, not paton. sounds great. think i saw his name as a compiler on one of those harmless 'mellow mellow' comps, would make sense. yeah, that dude mario was top notch. i won't be getting lost either as i'll be babysitting! thanks, aidan - Original Message - From: Dan Bean [EMAIL PROTECTED] Date: Thursday, March 24, 2005 3:17 pm Subject: Re: (313) stasis see stasis is djing at lost. what kind of stuff does he play? it is steve paton, yeah? just listening to the triple lp on peacfrog this week, some amazing, intricate, timeless tracks (to my untrained ears anyway)? Steve (Pickton) has pretty much turned his back on techno these days and gone back to his b-boy roots. He'll probably be playing disco-breaks and b-boy funk for the most part. Last time I saw him at LOST he was playing Edwin Birdsong, mid eighties Roy Ayers and Mizell Brothers stuff, alongside a lot of other much more obscure stuff. Personally speaking I was in boogie heaven, but I'm not sure the LOST crowd saw it the same way (losers!) the one and only lost i have ever been to featured juan (before he lost all the weight) and may two/three years ago. wasn't that enjoyable, but some dj in the other room was great, playing theo/moodyman-style tracks and other people place 'let me be what i wanna be' sloooweeddd right down. just loved the tempo he was playing at compared to may's loopathon. wonder who he was. That sounds like Mario, another excellent and shamefully overlooked LOST backroom genius. You're in luck because he's playing at the next one alongside Steve. Unfortunately I have to be at work on Monday at 6am or I would be there. :( Enjoy!
Re: (313) stasis
and may two/three years ago. wasn't that enjoyable, but some dj in the other room was great, playing theo/moodyman-style tracks and other people place 'let me be what i wanna be' sloooweeddd right down. so i notcied mr. octex do this in his recent mix and i've been doing this for a while too... (no bandwagons here :) ) such a great tune in, fact that whol other people place lp is timeless. robin...
Re: Re: (313) Laurent Garnier Contest
Well, given Stewart's observations about Fabrice, maybe it is worth doing rather than listening to a cynical old git like me! You wrote: i would suspect that the payment comes in the form of having your idea turned into realitywhether that is worth anything is up to the contestant to decide ;) on of my designer friends is entering, so i guess thats a decent form of retribution for him :) fab. - Original Message - From: Dan Bean [EMAIL PROTECTED] To: fab. [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, March 24, 2005 4:03 PM Subject: Re: (313) Laurent Garnier Contest I wonder what form the payment would take? This reminds me of Tom Middleton posting on a noticeboard to find out what people's ultimate best ever compilation tracks would be. He used many of these suggestions to make his 'The Trip' compilation and didn't credit anyone on the sleeve. Presumably he also stacked a fair bit of cash from this endeavour, which I imagine he spent on silly hats or something. Not saying that Laurent Garnier is doing the same thing (i.e. a skank), but whenever I hear of such 'opportunities' these days I'm always a touch more cynical than previously You wrote: Hi, Laurent Garnier is having a contest, or 3 rather, for aspiring remixers, filmmakers and screenwriters in order to promote his latest lp The Cloud Making Machine. Basically you can either submit a remix of his track Controlling the House, or make a video for Waiting for my Plane, or write a film synopsis on The Cloud Making Machine. all the details are available on his site www.thecloudmakingmachine.com - just click on the Contest link. pretty cool huh? fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head
Re: Re: Re: (313) stasis
It was awesome, and he doesn't really make techno anymore You wrote: -- Original Message -- From: Dan Bean [EMAIL PROTECTED] Steve (Pickton) has pretty much turned his back on techno these days and gone back to his b-boy roots. He'll probably be playing disco-breaks and b-boy funk for the most part. Last time I saw him at LOST he was playing Edwin Birdsong, mid eighties Roy Ayers and Mizell Brothers stuff, alongside a lot of other much more obscure stuff. Personally speaking I was in boogie heaven, but I'm not sure the LOST crowd saw it the same way (losers!) that sounds awesome. kinda weird considering he makes that ambienty techno stuff, but whatever. tom andythepooh.com
(313) ron hardy tape
yo yo yo. on this ron hardy mix: www.deephousepage.com mix 1181 part a I've only got 15 mins into it and its freakin me out already. wtf is the version of waiting on my angel? its not like the ones I have, its more, well, 'acid' (?) sounds like a dub, with the accapella over seperate or something, the vocal is much lower in the mix than it normally is. Placieeed, do you know? anyone? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: Re: (313) stasis
Mario is great, and one of the biggest Drexciya enthusiasts I know (and the competition is stiff I can assure you) shame about the babysitting - looks like it's shaping up to be one of those nights :(:(:(:(:( You wrote: whoops, yeah, steve pickton, not paton. sounds great. think i saw his name as a compiler on one of those harmless 'mellow mellow' comps, would make sense. yeah, that dude mario was top notch. i won't be getting lost either as i'll be babysitting! thanks, aidan
Re: Re: (313) stasis
that sounds awesome. kinda weird considering he makes that ambienty techno stuff, but whatever. he's a breaks head innit. (sells hip hop heads breaks to sample) so, I dare say he knows his shizzle. which edwin birdsong btw? rapper dapper? or.. get up whirlpool? get up whirlpool is the hotness. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: Re: (313) stasis
such a great tune in, fact that whol other people place lp is timeless. agreed x10!
Re: (313) stasis
-- Original Message -- From: robin [EMAIL PROTECTED] such a great tune in, fact that whol other people place lp is timeless. its my favorite of the drexciya side projects. i always bring it out but rarely play it. i need to drop some of that sh*t tonight. tom andythepooh.com
Re: Re: Re: (313) stasis
so, I dare say he knows his shizzle. you betcha! which edwin birdsong btw? rapper dapper? or.. get up whirlpool? rapper dapper snapper (aka Kerrier District makes even more sense now)
Re: (313) ron hardy tape
If its the one i'm thinking of, its a reel to reel version only [EMAIL PROTECTED] wrote: yo yo yo. on this ron hardy mix: www.deephousepage.com mix 1181 part a I've only got 15 mins into it and its freakin me out already. wtf is the version of waiting on my angel? its not like the ones I have, its more, well, 'acid' (?) sounds like a dub, with the accapella over seperate or something, the vocal is much lower in the mix than it normally is. Placieeed, do you know? anyone? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) Slowing down (was Stasis)
funny you should mention that - I've noticed that most of the music I've been buying lately and playing has been slower tempo. Haven't clocked the bpms yet but I'd say they are 120 and slower. Like the Rekid Era EP on SoulJazz. I just dig the slow simmer - and I can then mix dub/reggae, slower electro, acid house, old funk records, etc. into it without distorting the vocals. is because I've been looking for it or is there more new music (techno/house) with low bpm now than there has been in the last five years? MEK robin [EMAIL PROTECTED] ctric.com To Aidan O'Doherty [EMAIL PROTECTED] 03/24/05 09:32 AM cc 313@hyperreal.org Subject Re: (313) stasis and may two/three years ago. wasn't that enjoyable, but some dj in the other room was great, playing theo/moodyman-style tracks and other people place 'let me be what i wanna be' sloooweeddd right down. so i notcied mr. octex do this in his recent mix and i've been doing this for a while too... (no bandwagons here :) ) such a great tune in, fact that whol other people place lp is timeless. robin...
(313) OPP was Re: (313) stasis
Thomas D. Cox, Jr. wrote: -- Original Message -- From: robin [EMAIL PROTECTED] such a great tune in, fact that whol other people place lp is timeless. its my favorite of the drexciya side projects. i always bring it out but rarely play it. i need to drop some of that sh*t tonight. well depending on how you drop it but those fade ins are a bit annoying. it's why i figure a lot of djs don't bother robin...
Re: (313) ron hardy tape
If its the one i'm thinking of, its a reel to reel version only its dope I want it. don't tell me. you have it? ; ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Laurent Garnier Contest
we're just grown up dan!!! Big LOL! My wife and parents would probably care to differ been there, done that, etc etc :D never released an LP on F-Comm myself, though open to the right offer naturally...;) have a nice one you too!
Re: (313) Slowing down (was Stasis)
funny you should mention that - I've noticed that most of the music I've been buying lately and playing has been slower tempo. It's called gettin' old Mike. : ) or getting all cosmic innit. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Slowing down (was Stasis)
i've been digging even lower bpms lately (normally i can't cope with anything over 130 :) , old age and creaking bones or somat) i think there's a move to lower bpms generally. i only say this cos i like it like that. :) like calling sensible speed techno electro-house...all wrong init... robin... [EMAIL PROTECTED] wrote: funny you should mention that - I've noticed that most of the music I've been buying lately and playing has been slower tempo. Haven't clocked the bpms yet but I'd say they are 120 and slower. Like the Rekid Era EP on SoulJazz. I just dig the slow simmer - and I can then mix dub/reggae, slower electro, acid house, old funk records, etc. into it without distorting the vocals. is because I've been looking for it or is there more new music (techno/house) with low bpm now than there has been in the last five years? MEK robin [EMAIL PROTECTED] ctric.com To Aidan O'Doherty [EMAIL PROTECTED] 03/24/05 09:32 AM cc 313@hyperreal.org Subject Re: (313) stasis and may two/three years ago. wasn't that enjoyable, but some dj in the other room was great, playing theo/moodyman-style tracks and other people place 'let me be what i wanna be' sloooweeddd right down. so i notcied mr. octex do this in his recent mix and i've been doing this for a while too... (no bandwagons here :) ) such a great tune in, fact that whol other people place lp is timeless. robin...
Re: Re: Re: (313) stasis
which edwin birdsong btw? rapper dapper? or.. get up whirlpool? rapper dapper snapper (aka Kerrier District makes even more sense now) check get up whirlpool acieed disco from the early 80's. : ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Slowing down (was Stasis)
I prefer cosmic and wise (he says while putting on cardigan to fend of cold draft) MEK [EMAIL PROTECTED] com To 03/24/05 09:49 AM 313@hyperreal.org cc Subject Re: (313) Slowing down (was Stasis) funny you should mention that - I've noticed that most of the music I've been buying lately and playing has been slower tempo. It's called gettin' old Mike. : ) or getting all cosmic innit. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Laurent Garnier Contest
never released an LP on F-Comm myself no? you should. The Bean EP : FCommunications121.. a1) Baked Bean a2) Runner Bean b1) Kidney bean b2) Old bean god, somebody help me puuurlease. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Slowing down (was Stasis)
i think there's a move to lower bpms generally. i only say this cos i like it like that. :) nah. you just dont go to any mad techno clubs anymore I reckon. thats all. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Laurent Garnier Contest
And the follow up EP- Bean and Gone- a restrospective Jason On 24 Mar 2005, at 15:58, [EMAIL PROTECTED] wrote: never released an LP on F-Comm myself no? you should. The Bean EP : FCommunications121.. a1) Baked Bean a2) Runner Bean b1) Kidney bean b2) Old bean god, somebody help me puuurlease.
Re: (313) Laurent Garnier Contest
And the follow up EP- Bean and Gone- a restrospective the hype's over now. he's a mere has-bean. cough cough oh gawd. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Slowing down (was Stasis)
[EMAIL PROTECTED] wrote: i think there's a move to lower bpms generally. i only say this cos i like it like that. :) nah. you just dont go to any mad techno clubs anymore I reckon. thats all. hmm yeah you're right. i don't. fast bpms, a bit old hat tho init? *dons flameproof dressing gown and slippers* :) robin...
RE: (313) Slowing down (was Stasis)
I don't really remember when faster tempo's took over or became as much of a deal. I remember older electro (we called it bootyshake music down here). Like hip hop be bop is hecka slow. Most older house used to be pretty slow. Secret tapes of dr eich I remember being pretty slow( at least my neigborhood, parking garage politics, and slam dance). Optic nerve quasar is about there. Those old legowelt trax that JT posted awhile back, pretty slow. I don't think tempo was as big of a deal back then. Thing were still very wide open. This brings me to a conversation that took place between myself and a friend over the weekend. We were on typical Sunday morning after status (treats still in the bloodstream, wine in a glass, 7:30 am, shades on, in a lawn chair on the patio) when he started playing a bunch of older orbital, and slower breakyer rave stuff. Mostly the dubby bassy deep bidness. We had a long talk about the raves we used to go to (not sure if it was the same overseas) and! there was almost always a point (usually 6-7AM) when the party would go underwater and everyone would be locked into a kind of psychedelic midtempo, bodyrock. It's what we looked forward to everytime. No more madness and chaos, just a beat and a vibe controlling like 2000 people at once. Are there any dj's playing that futuristic bodyrock anymore (it wasn't like electro, but drew from it and freestyle just the same)? Do you even know what I'm talking about? Maybe I'll get Jim to do a mix. Kamal K. Stoddard Turner Broadcasting Systems -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Thursday, March 24, 2005 10:54 AM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Slowing down (was Stasis) i've been digging even lower bpms lately (normally i can't cope with anything over 130 :) , old age and creaking bones or somat) i think there's a move to lower bpms generally. i only say this cos i like it like that. :) like calling sensible speed techno electro-house...all wrong init... robin... [EMAIL PROTECTED] wrote: funny you should mention that - I've noticed that most of the music I've been buying lately and playing has been slower tempo. Haven't clocked the bpms yet but I'd say they are 120 and slower. Like the Rekid Era EP on SoulJazz. I just dig the slow simmer - and I can then mix dub/reggae, slower electro, acid house, old funk records, etc. into it without distorting the vocals. is because I've been looking for it or is there more new music (techno/house) with low bpm now than there has been in the last five years? MEK robin [EMAIL PROTECTED] ctric.com To Aidan O'Doherty [EMAIL PROTECTED] 03/24/05 09:32 AM cc 313@hyperreal.org Subject Re: (313) stasis and may two/three years ago. wasn't that enjoyable, but some dj in the other room was great, playing theo/moodyman-style tracks and other people place 'let me be what i wanna be' sloooweeddd right down. so i notcied mr. octex do this in his recent mix and i've been doing this for a while too... (no bandwagons here :) ) such a great tune in, fact that whol other people place lp is timeless. robin...
