Re: [Frameworks] Work Exchange URLs (formerly Frameworks DVD Exchange)

[Ingo Petzke]

Sounds interesting :-)

 

- - - - - - - - - - - - - - - - -

Ingo Petzke

Alte Steige 17

97204  Höchberg

Tel +49 931 4049949

NEW Mob +49 176 53674464

- - - - - - - - - - - - - - - - - -

 

  _  

Von: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] Im Auftrag
von Michael Betancourt
Gesendet: Samstag, 8. Juni 2013 20:16
An: Experimental Film Discussion List
Betreff: [Frameworks] Work Exchange URLs (formerly Frameworks DVD Exchange)

 

Is anyone interested in a work exchange?

A few years ago I organized some exchanges of DVDs. That seems a bit 'old
fashioned' today so how about a list of URLs?

Just post in reply, or email me, and I'll compile a list to share and can
post to the group too.



Michael Betancourt
Savannah, GA USA


michaelbetancourt.com
twitter.com/cinegraphic | vimeo.com/cinegraphic
www.cinegraphic.net | the avant-garde film  video blog

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[Frameworks] Contested Bodies

[Gawthrop, Rob]

Contested Bodies

Murdoch House Redruth Cornwall  UK 19th June 6.30pm

Programmed by Jo Millett and Rob Gawthrop for Gaslighting, an exhibition and 
programme of events at CMR Gallery in conjunction with the West Cornwall 
Freedom from Torture supporters group.

Contested Bodies is a programme of short works which include both contemporary 
and historical artists’ films and video that focus on the question of the body 
as a contested cultural site for control and spectatorship.  How can images 
pertaining to or referencing torture be presented without being voyeuristic or 
making an audience complicit?

Artists have often used their own bodies as sites of experimentation and 
inquiry, making films and videos that are not always easy to watch. In Desert 
Storm artist Grace Ndiritu addresses rape as a tool of war, in an uncomfortable 
and at times intimate video.  Mona Hatoum’s work, So Much I Want to Say shows a 
female face whose mouth is covered by male hands,  a voice speaks the title, 
repeatedly.  In her Eyes Skinned, a knife scratches at  the eyes of a hooded 
face, with images of torture projected intermittently on it.  In Quarantine, 
Gina Czarnecki challenges the viewers’ reading of pain, pleasure endurance and 
torture, through the repetitive movements of a dancer. in Sine, Gillian Dyson 
outlines the territory of a gallery through licking the wall, etching a line to 
mark a bodily and spatial limit. Both works by Fiona Leus Lambert prompt 
questions of empathy, through the human face.  In Crying, a woman silently 
cries in front of the camera and in Faces from Hadamar, a series of still 
photographs of victims of the Nazi euthanasia programme slowly pass by.

Thanks to the artists and Lux for their support.

http://gaslightingfft.tumblr.com/ http://gaslightingfft.tumblr.com/


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[Frameworks] Liquid Light onto clear 16mm - any tips

[petehumble]

I've been reading this thread with interest as I really dont have much idea 
what everyone is talking about when referring to liquid light. I've been 
trying to find out with no success.
Is it home made emulsion? 
Can someone explain or point me to a reference?
Thanks. 
Peter humble

Sent from my iPhone

On 10/06/2013, at 2:22 PM, lindsay mcintyre email.li...@gmail.com wrote:

 hi devon
 
 i haven't had much luck with liquid light but in my experience (both at the 
 handmade film institute and on my own), with handmade emulsions, it seems to 
 have something to do with the gelatin content. you could try heating up the 
 liquid light with some extra gelatin so that it'll stick better.  also, in 
 the coating, the type of brush and amount of pressure used seems to make a 
 difference.  i've always found that spraying the emulsion is better than 
 applying with a brush. it doesn't seem to matter whether it's on clear 
 acetate or fogged stock - results are equally good.  i find though, that the 
 hand-processing afterwards needs to be quite delicate - and is best done in 
 very cold solutions - less than 10 degrees Celsius if possible, and in small 
 batches.   
 
 please share if you come up with something interesting!
  
 lindsay mcintyre
 
   
 
 
 On Mon, Jun 3, 2013 at 12:48 PM, j...@kinetta.com j...@kinetta.com wrote:
 Turns out that getting emulsion to stick to different bases is a problem for 
 Kodak, too.  I had a long talk with an ex-Kodak person (soon all of them 
 will be ex, I'm afraid) and he said the reason some stocks weren't available 
 on Polyester (ESTAR) base is that the emulsions formulated for triacetate 
 don't stick.  There are actually different base types and emulsions and only 
 some combinations work.
 
 Who knew?
 
 Jeff Kreines
 Kinetta
 kinetta.com
 j...@kinetta.com
 
 
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Re: [Frameworks] Liquid Light onto clear 16mm - any tips?

[Devon D]

Thanks much to everybody for the excellent suggestions – great info! I'll 
report back how it goes. We were processing in trays, and had coated acetate 
film with Liquid Light* emulsion just before with spongepaintbrushes, and dried 
it with hair driers. 
Next we'll try:
- spraying some clear varnish on and drying overnight
then
- coating with Liquid Light and letting that dry overnight
then exposing and
- processing very gently in buckets, in slightly cooled chemicals (hmm, I guess 
we find a fridge nearby? or ice cubes . . . )
and then setting up a better drying rig and drying the strips with hair drier.

Depending how it goes we might try slightly longer exposures and shorter 
development time to lessen the wet wiggly duration of chances for emulsion 
floating off. I'm also feeling like maybe in this technique one should be 
prepared for extraordinary darkroom feats of keeping emulsion and film 
together, almost treating it like marbelling paper where you're carefully 
lifting the base through the liquid to catch the floating suspended emulsion / 
ink / image, then keeping it there to dry. Darkroom acrobatics, hurrah!

*(fyi “Liquid Light” is a paintable photo emulsion for alternative surfaces - 
http://www.rockaloid.com/products.html)
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Re: [Frameworks] Liquid Light onto clear 16mm - any tips?

[Peter Mudie]

Why Liquid Light? It's such a flimsy and temperamental coating, I've never 
really seen it live up to any of its claims over 20 years – even on crockery.
Why don't you simply use Kodak Fine Grain Release stock (7302) - you expose it 
under an enlarger, you can process in traditional bw print chemistry and it is 
durable, scratch resistant and (most importantly) transparent (not translucent).
Liquid Light is an Edsel in the back paddock that looks like it may rip down 
the road, but it has never started (and never will).
Peter

Thanks much to everybody for the excellent suggestions – great info! I'll 
report back how it goes. We were processing in trays, and had coated acetate 
film with Liquid Light* emulsion just before with spongepaintbrushes, and dried 
it with hair driers.
Next we'll try:
- spraying some clear varnish on and drying overnight
then
- coating with Liquid Light and letting that dry overnight
then exposing and
- processing very gently in buckets, in slightly cooled chemicals (hmm, I guess 
we find a fridge nearby? or ice cubes . . . )
and then setting up a better drying rig and drying the strips with hair drier.

Depending how it goes we might try slightly longer exposures and shorter 
development time to lessen the wet wiggly duration of chances for emulsion 
floating off. I'm also feeling like maybe in this technique one should be 
prepared for extraordinary darkroom feats of keeping emulsion and film 
together, almost treating it like marbelling paper where you're carefully 
lifting the base through the liquid to catch the floating suspended emulsion / 
ink / image, then keeping it there to dry. Darkroom acrobatics, hurrah!

*(fyi “Liquid Light” is a paintable photo emulsion for alternative surfaces - 
http://www.rockaloid.com/products.html)
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[Frameworks] Call For Work-2013 Chicago 8 Small Gauge Film Festival

[Karen Johannesen]

*The Third Annual CHICAGO 8: Small Gauge Film Festival *

*OCTOBER 18-20th 2013 @ The Nightingale*

*CALL FOR ENTRIES*

The Chicago 8 Small Gauge Film Festival focuses on providing an opportunity
to exhibit a wide selection of Super 8 experimental films from around the
world created by new, emerging, and professional filmmakers.

In our first two years we’ve shown over 120 films by 85 filmmakers from the
US, Canada, Argentina, Taiwan, Japan, the United Kingdom, Germany, and, The
Netherlands.

*Please send your completed submission form by email to:
i...@chicago8fest.org*

*Send your preview DVD’s to:*

Chicago 8 Fest

1315 N. Greenview Ave #1R

Chicago, IL 60642

*Please label your DVD with your name, film titles, and email address.*

*OR** You may submit via online by sending us a link to view your films,
along with your completed submission form to i...@chicago8fest.org*

*DEADLINE FOR ENTRIES MUST BE RECEIVED BY: SEPTEMBER 15TH, 2013*

*There is no entry fee*. Work from any year will be considered. Preview
DVD’s will not be returned. Final exhibition must be on film. Final
exhibition formats accepted: Super 8mm, Single 8, and small gauge blown up
to 16mm.

*Notifications:* Filmmakers will be notified by October 1st.

*Shipping:* If selected, please have your* film* print/original set to
arrive no later than *October 10th, 2013.* Shipment to the Chicago8fest is
the responsibility of the filmmaker. We will pay for return shipment only.

Any questions can be directed to *i...@chicago8fest.org*

*Submission Form:*

*Chicago 8: Small Gauge Film Festival October 18-20th 2013*

Film title:

Running time:

Date Completed:_

Country:

Your Name:__

Address:

City, State, Zip:___

Country:

Telephone:__

Email:__

Website:

Exhibition format: __Super/Single 8mm  __S8 blown up to 16mm

Frames Per Second: __18FPS  _24FPS

_Sound

_Silent

Please list any technical specifications, requests, etc:

___

__

___

*Please send us a film synopsis of 50 words or less.*

*Although we will handle your film with the upmost of care Chicago 8 fest,
or anyone associated with this festival is not liable for any loss or
damage to your film or materials during shipment or during exhibition*. *Our
goal is to project small gauge with the upmost of care and quality that
this vital medium deserves.*

*Chicago8fest.org*
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[Frameworks] BASEMENT Media Fest in Brooklyn

[LJ Frezza]

Hello All,

The BASEMENT Media Fest http://basementmediafest.com/ is a survey of
contemporary artists working with lo-def, lo-tech, and lo-fi motion pix
techniques. Founded in response to the commercial race for hi-res and
true-to-life IMG quality, BASEMENT is a celebration of the mediated
experience as an aesthetic experience. Equal parts glitchd digital vidz,
fuzzy VHS, and grimy 16mm film, this year’s screening ought to plaza any
connoisseur of experimental .MOVs.

We'll be screening our first of two identical programs this Saturday
6.15.2013 at 7:30pm at the
Spectaclehttp://www.spectacletheater.com/basement-media-fest/in
Williamsburg (the second program will be the same time on 06.23.13).
Admission is $5 and we'll be joined by artist Clint Enns who will answer
questions and generally hang out after the screening.

For more info, and to see a trailer for the program, check out our
websitehttp://basementmediafest.com/
.

Thanks.
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[Frameworks] 3M 35mm Splice Tape

[Adam Paradis]

Hi All,

I am in search of clear, perforated 35mm splice tape for a specific reason and 
need specific results. I have used the 305 tape but the adhesive seems to not 
stick so well and the splices pull apart. In the past I used the 3M perforated 
tape that would stick great and never pull apart. I see tape listed as 
Acrometal 35mm perforated tape, but know nothing about it. 

I'm curious if anybody has a roll of the older 3M tape around they would be 
willing to sell me, or know anything about the Acrometal tape. 


Thanks, and Cheers

Adam
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Re: [Frameworks] CALL FOR ENTRIES / APPEL A FILM : Festival des Cinémas Différents et Expérimentaux de Paris

[etehram]

Hello!

I hope you are well. I have just found out about this wonderful film
festival and was wondering if there is any chance you would be accepting
more submissions. I am at your liberty.

I look forward to hearing from you.

Respectfully yours,
Jennifer Saparzadeh


Jennifer Saparzadeh
+41 78 909 91 44
Av. du Rond-Point 7
Lausanne, Suisse 1006


On Tue, May 28, 2013 at 6:38 PM, Festival des Cinémas Différents et
Expérimentaux de Paris festi...@cjcinema.org wrote:

 *Dear Frameworkers,

 This is a reminder to let you know about the approaching deadline for
 submitting films to the next edition of the Paris Festival for Different
 and Experimental Cinemas.

 *
  *Please take a moment to submit your latest experiments with films or
 videos :
 http://www.cjcinema.org/pages/festival.php

 *
 *This year, the festival will take place in October 16th-20th.

 *
 *We look forward receiving more film submissions !
 *
 *
 *

 *Festival des Cinémas Différents et Expérimentaux de Paris*
 festi...@cjcinema.org

 http://www.cjcinema.org



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[Frameworks] Laitala's Old Man of the Mountain

[Scott Stark]

Hi all, just wanted to pass on this crowd-funding campaign for our 
prolific filmmaker friend Kerry Laitala, a worthy project with 3 days to go.


http://www.kickstarter.com/projects/2113130589/the-old-man-of-the-mountain

Scott Stark

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Re: [Frameworks] 3M 35mm Splice Tape

[Ed Inman]

I don't think the 3M tape is made anymore. The 305 tape isn't the best, but it generally responds pretty well to heat. You may want to try getting a tack iron or something similar to press down the tape splice (just enough heat to "cure" the tape--not too much to burn the film). It also may help to clean the film splice areas with alcohol before taping to remove any oily residue. Using those two steps the 305 tape should stick OK. good luck, Ed-Original Message-
From: Adam Paradis 
Sent: Jun 10, 2013 1:56 PM
To: "FrameWorks@jonasmekasfilms.com" 
Subject: [Frameworks] 3M 35mm Splice Tape

Hi All,I am in search of clear, perforated 35mm splice tape for a specific reason and need specific results. I have used the 305 tape but the adhesive seems to not stick so well and the splices pull apart. In the past I used the 3M perforated tape that would stick great and never pull apart. I see tape listed as "Acrometal" 35mm perforated tape, but know nothing about it.I'm curious if anybody has a roll of the older 3M tape around they would be willing to sell me, or know anything about the Acrometal tape. Thanks, and CheersAdam
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Re: [Frameworks] 3M 35mm Splice Tape

[Adam Paradis]

Ed,
Thanks for the suggestion. I'll test it out, see how it works. Yeah, the 3M 
isn't made anymore. Hopefully somebody has a roll kicking around. Every now and 
then one pops up. That stuff is, well was, great.
Cheers,
AP




 From: Ed  Inman edin...@earthlink.net
To: Adam Paradis adam...@yahoo.com; Experimental Film Discussion List 
frameworks@jonasmekasfilms.com 
Sent: Monday, June 10, 2013 2:53 PM
Subject: Re: [Frameworks] 3M 35mm Splice Tape
 


I don't think the 3M tape is made anymore. The 305 tape isn't the best, but it 
generally responds pretty well to heat. You may want to try getting a tack iron 
or something similar to press down the tape splice (just enough heat to cure 
the tape--not too much to burn the film).  It also may help to clean the film 
splice areas with alcohol before taping to remove any oily residue.  Using 
those two steps the 305 tape should stick OK.  good luck, Ed


-Original Message- 
From: Adam Paradis 
Sent: Jun 10, 2013 1:56 PM 
To: FrameWorks@jonasmekasfilms.com 
Subject: [Frameworks] 3M 35mm Splice Tape 

Hi All,

I am in search of clear, perforated 35mm splice tape for a specific reason and 
need specific results. I have used the 305 tape but the adhesive seems to not 
stick so well and the splices pull apart. In the past I used the 3M perforated 
tape that would stick great and never pull apart. I see tape listed as 
Acrometal 35mm perforated tape, but know nothing about it. 

I'm curious if anybody has a roll of the older 3M tape around they would be 
willing to sell me, or know anything about the Acrometal tape. 


Thanks, and Cheers

Adam
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[Frameworks] Opportunities at AV Festival 14

[Rebecca Shatwell]

Hi All

Sorry to take up the list with job opps, but I thought it might be of  
interest to some of you.


Please see info below about two new jobs at AV Festival in Newcastle  
upon Tyne - for Festival Producer and Festival  Publicity Assistant.  
Deadline coming up for both is Wed 19 June.


We'll also be starting a new Film Curation Traineeship soon, more info  
to follow later in the summer.


Best, Rebecca


AV FESTIVAL 14: JOB OPPORTUNITIES
We are seeking two exceptional individuals to play a key part in the  
delivery of AV Festival 14 as Festival Producer and Festival   
Publicity Assistant. This is an excellent opportunity to work in a  
dynamic Festival environment, with a range of cultural partners and  
international artists. AV Festival 14 takes place from 1-31 March  
2014. For more information about both roles please visit: http://www.avfestival.co.uk/news/2013/05/30/job-opportunities


FESTIVAL PRODUCER
This is an excellent opportunity for an experienced arts producer to  
take a leading role in the delivery of AV Festival 14. You will be  
responsible for the management, delivery and documentation of all  
Festival artistic projects including new commissions, exhibitions,  
installations, concerts, screenings and talks.
To view the Festival Producer full job description and application  
details see: http://www.avfestival.co.uk/news/2013/05/30/job-opportunities

Salary: £24,000 - £26,000 (pro rata)
Hours: Full Time
Tenure: Fixed Term, until May 2014

FESTIVAL  PUBLICITY ASSISTANT
This is an excellent opportunity for a talented individual to play a  
key part in the delivery of AV Festival 14. You will be part of the  
small Festival core team, working closely alongside the Festival  
Director on all aspects of the Festivals work, including assisting  
with the delivery of the marketing plan, press plan and artistic  
programme. The role includes assisting with visitor services, finance  
management, fundraising, evaluation, documentation and archive.
To view the Festival  Publicity Assistant full job description and  
application details see: http://www.avfestival.co.uk/news/2013/05/30/job-opportunities

Salary: £15,000 (pro rata)
Hours: Full Time
Tenure: Fixed Term, until June 2014

HOW TO APPLY
To apply for each position please download an application form here: 
http://www.avfestival.co.uk/news/2013/05/30/job-opportunities

Email the completed form to: i...@avfestival.co.uk
We would be grateful if you could also complete and return the equal  
opportunities monitoring form in the same email.
Deadline for both roles is: 9am on Wednesday 19 June. Late  
applications will not be accepted. Only shortlisted candidates will be  
contacted.

Interviews for the Festival Producer will be held on Wednesday 3 July.
Interviews for the Festival  Publicity Assistant will be held on  
Thursday 4 July.





Rebecca Shatwell
Director
AV Festival
10 Pilgrim Street
Newcastle upon Tyne
NE1 6QG
Tel: 44 (0)191 227 5523
Mob: 44 (0)7789 305841
Email: rebe...@avfestival.co.uk

Next AV Festival is March 2014: go to www.avfestival.co.uk to  
subscribe to our e-bulletin for regular updates

Or find us at www.facebook.com/AVFest - click 'like' to become a fan

AV Festival is run by Audio Visual Arts North East. Limited by  
Guarantee. Registered in England No 06141603. Registered Charity  
Number 1120368








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Re: [Frameworks] Audio Visual events on 6/14/13 at the ATA and Dotolim

[Chris Lynn]

Dear Frameworkers,  Chris Lynn here 
I would like to share with you a couple of really nice audio visual  events I 
will be part of this Friday-6/14/13
I curated a show with Janel Leppin at the ATA this Friday-the details are 
here-http://www.atasite.org/2013/06/her-tail-was-cut-in-two/
and the program is here-http://framingsounds.com/
thanks to Janel Leppin, Filipe Afonso and Ann Deborah Levy
I also have an event at the incredible Dotolim in Seoul, South Korea with Una 
Lee-the details are here-
http://www.dotolim.com/?p=2440
Spread the word if you can-
All the best,
Chris H Lynn
--- On Mon, 6/10/13, etehram eteh...@gmail.com wrote:

From: etehram eteh...@gmail.com
Subject: Re: [Frameworks] CALL FOR ENTRIES / APPEL A FILM : Festival des 
Cinémas Différents et Expérimentaux de Paris
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Date: Monday, June 10, 2013, 3:09 PM

Hello! 
I hope you are well. I have just found out about this wonderful film festival 
and was wondering if there is any chance you would be accepting more 
submissions. I am at your liberty. 

I look forward to hearing from you. 
Respectfully yours, Jennifer Saparzadeh 


Jennifer Saparzadeh +41 78 909 91 44 Av. du Rond-Point 7 Lausanne, Suisse 1006 

On Tue, May 28, 2013 at 6:38 PM, Festival des Cinémas Différents et 
Expérimentaux de Paris festi...@cjcinema.org wrote:

Dear Frameworkers, 



This is a reminder to let you know about the approaching deadline for 
submitting films to the next edition of the Paris Festival for Different and 
Experimental Cinemas.




Please take a moment to submit your latest experiments with films or videos : 
http://www.cjcinema.org/pages/festival.php




This year, the festival will take place in October 16th-20th.



We look forward receiving more film submissions ! 






Festival des Cinémas Différents et Expérimentaux de Paris



festi...@cjcinema.org









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