Re: [Frameworks] nail polish & bleaching film

2015-03-16 Thread Roger D. Wilson
Hi Kelly,
I like to use glycerin with cotton q-tips and wipe it onto the areas where I 
want the emulsion left untouched by the bleach. Do tests first to figure out 
thickness. You can also use Vaseline but it's a little thicker and can be a 
little harder to wash from the film afterwards. You can by the glycerin at the 
pharmacy. I have also used masking tape but prefer the oil bass materials.
Hope this helps!
Roger

Sent from Outlook




On Mon, Mar 16, 2015 at 8:07 AM -0700, "Kelly Gallagher"  
wrote:
Hello frameworks team,
Anyone know of any safer, less toxic/ less fume-y ways of doing the nail
polish (/rubber cement) & bleaching of film process? (À la Naomi Uman).
Anything similar to nail polish that would keep film emulsion through a
bleaching? (Without the fumes/ toxicity?) I'm thinking of trying non-toxic
nail polishes but not sure they'll hold through the bleaching like
drugstore ones do... (I've been using splicer tape in place of nail polish
for sections when I can, but I can't do that for the entire film. Protects
the wanted areas of emulsion through a bleaching like nail polish.)
Cheers,
Kelly Gallagher
www.purpleriot.com
ke...@purpleriot.com



---
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[Frameworks] Gregory Markopoulos / Film as Film Seminar & Screenings

2015-03-16 Thread Mark Webber
FILM AS FILM: THEORY AND PRACTICE IN THE WORK OF GREGORY J. MARKOPOULOS
Symposium & Screenings
Basel, 23 & 24 April 2015

Basel University, eikones Forum and Stadkino Basel will host "Film as Film: 
Theory and Practice in the Work of Gregory J. Markopoulos" on 23 & 24 April 
2015. This symposium and screening series is the first of its kind to be 
focused on Markopoulos, and will bring together many of the most knowledgeable 
individuals interested in his work. This event is open to the public.

The three film programmes at Stadktino Basel are each augmented by 
presentations by P. Adams Sitney, Luke Fowler and Robert Beavers. Tickets for 
screenings and lectures are available from the cinema and booking is 
recommended. See http://www.stadtkino.ch or call the Box Office on +41 61 272 
66 88.

The colloquium at eikones Forum will also feature talks and discussions with 
Erika Balsom, Rebekah Rutkoff, Mark Webber, François Bovier, Markus Klammer and 
Maja Naef. To register your interest in attending the colloquium please contact 
.

Reasonably priced accommodation can be found at the Basel-St Alban Youth Hostel 
http://www.youthhostel.ch/en/hostels/basel-st-alban or at easyHotel Basel 
http://www.easyhotel.com/hotels/basel.html.

…

FILM AS FILM: THEORY AND PRACTICE IN THE WORK OF GREGORY J. MARKOPOULOS

Thursday 23 April 2015, at 6pm – Basel Stadtkino
OPENING
Introductions: Maja Naef, Markus Klammer
Jonas Mekas, Gregory J. Markopoulos Shoots Backgrounds for Galaxie (excerpt of 
Walden), c.1966, c.2 min
Presentation: Mark Webber

Thursday 23 April 2015, at 6:30pm – Basel Stadtkino
NEW YORK / EARLY FILMS
Gregory J. Markopoulos, Ming Green, 1966, 7 min
Lecture: P. Adams Sitney

Friday 24 April 2015, at 9am – Basel Eikones Forum
COLLOQUIUM & DISCUSSIONS
Erika Balsom, Rebekah Rutkoff, Mark Webber, François Bovier, P. Adams Sitney, 
Luke Fowler, Markus Klammer, Maja Naef
 
Friday 24 April 2015, at 3:30pm – Basel Stadtkino
SECONDS IN ETERNITY
Gregory J. Markopoulos, Sorrows, 1969, 6 min
Gregory J. Markopoulos, Gammelion, 1968, 54 min
Artist’s Talk: Luke Fowler
 
Friday 24 April 2015, at 6:30pm – Basel Stadtkino
TOWARDS THE TEMENOS
Gregory J. Markopoulos, Through a Lens Brightly: Mark Turbyfill, 1967, 14 min
Gregory J. Markopoulos, Political Portraits, 1969, 12 min (excerpt)
Gregory J. Markopoulos, Eniaios II, Reel 4: ὁ τῆς ὄψεως κόσμος (The Cosmos of 
Sight), 1947-91, 25 min
Discussion: Robert Beavers with Lucy Parker, Ian Wooldridge, James Edmonds

...

FILM AS FILM: THE COLLECTED WRITINGS OF GREGORY J, MARKOPOULOS
Edited by Mark Webber, with a foreword by P. Adams Sitney
Published by The Visible Press, September 2014

560 pages / Hardcover / Ribbon Marker / Shrinkwrap
Buy online at http://thevisiblepress.com/order/


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[Frameworks] Cinematheque announces CROSSROADS 2015

2015-03-16 Thread Steve Polta
Sorry for this late announcement to Frameworks but...

San Francisco Cinematheque is extremely proud to announce
CROSSROADS 2015
the sixth manifestation of its annual film festival
April 10–12 at San Francisco's Victoria Theatre

This year the festival consists of 9 screenings of 62 films by 56 artists,
presented over the weekend (April 10–12)

See the full line-up:
http://www.sfcinematheque.org/screenings/crossroads-2015-april-10-12/
Individual Programs are listed here: http://www.sfcinematheque.org/calendar/
See also: *Facebook*


TICKETS AND FESTIVAL PASSES COMING SOON!
(join our email list here )

Thank You All...!!!
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Re: [Frameworks] Java

2015-03-16 Thread Al Matthews
Also try System Preferences -> Java, which may be populated depending on
the version.

On Mon, Mar 16, 2015 at 1:03 PM, Al Matthews  wrote:

> Gene, do you need to install (uninstall) the JDK or the JRE? Write me
> off-list if you like.
>
> Al
>
> On Mon, Mar 16, 2015 at 1:00 PM, Gene Youngblood 
> wrote:
>
>> Friends,
>> We want to uninstall the version of Java that’s on our Mac Pro/Yosemite
>> but it doesn’t show up on the “all programs” list and we don’t know how to
>> find it. Can someone advise?
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
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Re: [Frameworks] Java

2015-03-16 Thread Al Matthews
Gene, do you need to install (uninstall) the JDK or the JRE? Write me
off-list if you like.

Al

On Mon, Mar 16, 2015 at 1:00 PM, Gene Youngblood  wrote:

> Friends,
> We want to uninstall the version of Java that’s on our Mac Pro/Yosemite
> but it doesn’t show up on the “all programs” list and we don’t know how to
> find it. Can someone advise?
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-16 Thread lina . rodri
Yes, John is great and amazing to work with as he is a fellow filmmaker. 

Sent from my BlackBerry 10 smartphone on the Bell network.
  Original Message  
From: direc...@lift.on.ca
Sent: Monday, March 16, 2015 11:18 AM
To: Experimental Film Discussion List
Reply To: Experimental Film Discussion List
Subject: Re: [Frameworks] Super 8 to 35mm blowup?

Hi Mark,

John's done two films for me (from super 8, regular 8 and 16mm to 35mm)
and has done excellent work.

He's also done Lina Rodriguez's super 8 to 35mmm blow-ups that you might
have seen at views a few years ago.

best
Chris

> Thanks Roger, just emailed John to ask him!
>
> And still happy to get other suggestions if anyone has them!
>
> Thanks,
>
> Mark
>
>
>
>> On Mar 14, 2015, at 5:55 PM, Roger D. Wilson 
>> wrote:
>>
>> Not sure where you are located but I think John Kneller in Toronto still
>> does blow ups but unfortunately I do not have his contact information
>> anylonger but you might be able to get it through LIFT in Toronto.
>>
>> www.lift.ca
>>
>>
>> Sent from Outlook
>>
>>
>>
>>
>> On Sat, Mar 14, 2015 at 5:50 PM -0700, "mrktosc" 
>> wrote:
>>
>> Hi all -
>>
>> Is anyplace/anyone doing optical (not using digital) blowups from super
>> 8 (pos) directly to 35mm (neg)?
>>
>> Thanks,
>>
>> Mark
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> ___
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>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> ___
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>


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[Frameworks] Java

2015-03-16 Thread Gene Youngblood
Friends,
We want to uninstall the version of Java that’s on our Mac Pro/Yosemite but it 
doesn’t show up on the “all programs” list and we don’t know how to find it. 
Can someone advise? 
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Re: [Frameworks] nail polish & bleaching film

2015-03-16 Thread Kelly Gallagher
As a quick update for others who may be interested- I've been messaged that
melted wax works. I've also just ordered some non-toxic, 5-free, organic
nail polish that I'll be testing in a few days with the bleach, to see if
it keeps the film emulsion. If folks are interested in how this goes, what
non-toxic brands work best, etc, please feel free to msg me!
Cheers and happy handmade filmmaking!
Kelly Gallagher
www.purpleriot.com
ke...@purpleriot.com




-






On Mon, Mar 16, 2015 at 10:06 AM, Kelly Gallagher 
wrote:

> Hello frameworks team,
> Anyone know of any safer, less toxic/ less fume-y ways of doing the nail
> polish (/rubber cement) & bleaching of film process? (À la Naomi Uman).
> Anything similar to nail polish that would keep film emulsion through a
> bleaching? (Without the fumes/ toxicity?) I'm thinking of trying non-toxic
> nail polishes but not sure they'll hold through the bleaching like
> drugstore ones do... (I've been using splicer tape in place of nail polish
> for sections when I can, but I can't do that for the entire film. Protects
> the wanted areas of emulsion through a bleaching like nail polish.)
> Cheers,
> Kelly Gallagher
> www.purpleriot.com
> ke...@purpleriot.com
>
>
>
> ---
>
>
>
>
>
>
>
>
>
>
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[Frameworks] Even the Good Times Were Bad: The New Pluralism Revisited - Thurs March 19 - London

2015-03-16 Thread herb shellenberger
Hello Frameworkers,

While it's not the most hospitable time, I wanted to alert the list of a
screening this Thursday afternoon in London at Central Saint Martins. It
was put together by the students (myself included) of the MRes: Moving
Image course run by CSM and LUX.

It was the result of some good research both at LUX and the British
Artists' Film and Video Study Collection. There will be a discursive
element of this program appearing on the LUX website soon which will
include short interviews with the artists whose work is being shown.

Thanks,
Herb Shellenberger

==

Thursday 19 March
2:30PM
Central Saint Martins - Lecture Theatre E002

Students in the MRes Art: Moving Image programme at Central Saint
Martins/LUX present a screening in response to The New Pluralism, a
mid-decade survey of British film and video art held at the Tate Gallery in
April 1985. Curators Michael O’Pray and Tina Keane selected nearly one
hundred works for the exhibition in an ambitious attempt to map the
pluralistic practices and politics that emerged as a reaction against the
Structuralist aesthetic of 1970s British experimental film. Revisiting this
exhibition as a moment rather than a movement, the students will reactivate
some of these works within a contemporary critical framework. Works shown
as part of this programme will include Kim Flitcroft and Sandra
Goldbacher’s Scratch video supercut Night of a Thousand Eyes (1984) and
Mark Wilcox’s surreal, proto-Lynchian videotape Calling the Shots (1984).

They will also invite these artists to reflect on the moment of The New
Pluralism and its legacy in British art and beyond. These interviews will
appear on the LUX website.

Blue Monday, Duvet Brothers (4 min, 1984)
Silent Film, Michael Maziere (15 min 1982)
Scratch Free State, George Barber (5 min, 1984)
Calling the Shots, Mark Wilcox (12 min, 1984)
Visual Art Songs for the 80s (#2: Beatnik), Marty St. James & Anne Wilson
(5 min, 1984)
Night of 1000 Eyes, Kim Flitcroft & Sandra Goldbacher (28 min,1984)

Part of the symposium Now That's What I Call Pluralism, presented as part
of the Strangelove Moving Image Festival at Central Saint Martins.

Free, booking essential.
Book here: https://system.spektrix.com/platformtheatre/website/
EventDetails.aspx?EventId=11009&resize=true

British Artists' Film and Video Study Collection:
http://www.studycollection.org.uk/

Strangelove Moving Image Festival: http://strangelove2015.tumblr.com/
LUX Moving Image: http://www.lux.org.uk/
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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-16 Thread director
Hi Mark,

John's done two films for me (from super 8, regular 8 and 16mm to 35mm)
and has done excellent work.

He's also done Lina Rodriguez's super 8 to 35mmm blow-ups that you might
have seen at views a few years ago.

best
Chris

> Thanks Roger, just emailed John to ask him!
>
> And still happy to get other suggestions if anyone has them!
>
> Thanks,
>
> Mark
>
>
>
>> On Mar 14, 2015, at 5:55 PM, Roger D. Wilson 
>> wrote:
>>
>> Not sure where you are located but I think John Kneller in Toronto still
>> does blow ups but unfortunately I do not have his contact information
>> anylonger but you might be able to get it through LIFT in Toronto.
>>
>> www.lift.ca
>>
>>
>> Sent from Outlook
>>
>>
>>
>>
>> On Sat, Mar 14, 2015 at 5:50 PM -0700, "mrktosc" 
>> wrote:
>>
>> Hi all -
>>
>> Is anyplace/anyone doing optical (not using digital) blowups from super
>> 8 (pos) directly to 35mm (neg)?
>>
>> Thanks,
>>
>> Mark
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>


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[Frameworks] nail polish & bleaching film

2015-03-16 Thread Kelly Gallagher
Hello frameworks team,
Anyone know of any safer, less toxic/ less fume-y ways of doing the nail
polish (/rubber cement) & bleaching of film process? (À la Naomi Uman).
Anything similar to nail polish that would keep film emulsion through a
bleaching? (Without the fumes/ toxicity?) I'm thinking of trying non-toxic
nail polishes but not sure they'll hold through the bleaching like
drugstore ones do... (I've been using splicer tape in place of nail polish
for sections when I can, but I can't do that for the entire film. Protects
the wanted areas of emulsion through a bleaching like nail polish.)
Cheers,
Kelly Gallagher
www.purpleriot.com
ke...@purpleriot.com



---
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