Re: [h-cost] short sleeved kirtle, air filter hat

2006-03-02 Thread Kimiko Small

At 07:49 AM 3/1/2006, you wrote:
I recently came across this excellent web page covering both of these 
subjects:


http://www.uvm.edu/~hag/sca/15th/



Thank you Tea Rose for that. I am not as familiar with images or styles of 
the century preceding, so that is a great help.


Kimiko


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Re: [h-cost] short sleeved kirtle {was Princess Elizabeth}

2006-03-02 Thread Kimiko Small

At 01:54 AM 3/1/2006, you wrote:
I realise these are not 16th century, but short sleeves kirtles were 
obviously worn earlier, so is it possibly that the fashion could have 
continued in the later period?


Suzi



Thank you Suzi for sharing those links. I can only presume that such 
fashions would continue and evolve into the next century, but I don't know 
how much of a leap that really is.


Kimiko


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Re: [h-cost] Redwork

2006-03-02 Thread Kate M Bunting
It's also reproduced in The Art of Dress, where it's attributed to a follower 
of Hans Eworth. No explanation is offered for the inscription Maria Regina.


Kate Bunting
Librarian and 17th century reenactor

 [EMAIL PROTECTED] 02/03/2006 07:00 
At 07:41 AM 2/28/2006, you wrote:
 
  Mistress Aspasia, do you (or anybody else for that matter) know more
  about the painting that this detail is from?


I would have to research it and right now my husband is creating a series of
internet classes for St. Leo University.  I have to sneak in time to even
check my email. I know the lady is 16th c. English...I think the Countess of
Hardwick.  The others I will have to check.  I have care of  3 yr old and 6
yr old foster daughters that I have to keep a close eye on, so can't get too
distracted when I'm alone with them.  I will try.  Maybe someone else can
find them sooner.

Aspasia Moonwind

The sitter is the Elizabeth, Lady Cavendish, later the Countess of 
Shrewsbury (better known as Bess of Hardwick).  The portrait is dated 
c. 1557.  There is a lovely reproduction of it on page 8 of 
Elizabethan Treasures: The Hardwick Hall Textiles by Santina M. Levey.


Joan Jurancich
[EMAIL PROTECTED] 

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Re: RE: [h-cost] Princess Elizabeth

2006-03-02 Thread Becky
I have written to her. She answered me quickly and said I could ask anytime. 
I just thought I'd pose a question to other costumers on the discussion 
boards.
It really doesn't matter, but I can make the Princess Elizabeth garb now 
with confidence.
- Original Message - 
From: [EMAIL PROTECTED]

To: [EMAIL PROTECTED]
Sent: Wednesday, March 01, 2006 8:31 PM
Subject: Re: RE: [h-cost] Princess Elizabeth




Question (sort of) - if you have a query about something on Ninya's site, 
why

don't you e-mail her and ask?

Only say that cos I've seen questions about my own stuff on assorted lists
before and felt the need to point out that they could have just asked 
me...:-)


Debs

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Re: [h-cost] Waists, waists, waists

2006-03-02 Thread Kitty Felton

Cynthia Virtue wrote:




The waist would be a horizontal oval intersecting those points, right? 
Not a shape which dips down from the horizontal while intersecting those 
points.


I have to roll the front waistband of off-the-rack skirts so that the 
hem hangs horizontal because of this.  If I had the time, I'd hem the 
skirts properly.


If you really want the skirts to hang properly do as the women of the 
victorian age did and take the excess off of the top of the skirt and 
not the bottom.   That way the grainline is still horizontal at the 
bottom and the excess is taken off of the top, where the problem is... 
This keeps the vertical grainline straight all around.


Kitty in SW PA  USA


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Re: [h-cost] Waists, waists, waists

2006-03-02 Thread Kitty Felton

Megan M. wrote:

I think it is more common than you think - I have the same issue.  The
waistbands on my scrubs come up almost to my bra in front.  And I don't know
why they cut them so high.  *sigh*  I guess that's why I like to sew.
-Megan

for most of us it isn't the clothing which is cut high.  it is our 
waists which have fallen in front.  It happens when we have a bit to 
much tissue in front and weak stomach muscles allow it to fall, it 
creates a sway back which allows the waist to point downward in front.


Kitty, who has done too many alterations for this problem.

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Re: [h-cost] short sleeved kirtle {was Princess Elizabeth}

2006-03-02 Thread michaela
  Is it possible that the lines are woven into the fabric? After all, her
  sleeve fabric has very elaborate flowered scroll designs.

 I have *no* clue!  It's rows of alternating trapezoids -- /\/\/\/\ is
 the apparrent arrangement of the pieces

It's quite likely the shapes are caused by the fur lining. The fur would
have to be pieced.Why they show through who knows.

This was discussed somewhere.. I think the MedCos community.

michaela de bruce
http://glittersweet.com



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RE: [h-cost] short sleeved kirtle {was Princess Elizabeth}

2006-03-02 Thread Suzi Clarke

At 20:20 01/03/2006, you wrote:

Quoting Sharon at Collierfam.com [EMAIL PROTECTED]:


Is it possible that the lines are woven into the fabric? After all, her
sleeve fabric has very elaborate flowered scroll designs.


I have *no* clue!  It's rows of alternating trapezoids -- /\/\/\/\ is
the apparrent arrangement of the pieces

Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/




That isn't the impression I got standing in front of it for ages last 
summer - it seemed almost to be a heavy wool type fabric. I longed to 
ask her to step down from the painting a minute and let me see.


Suzi 



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Re: [h-cost] short sleeved kirtle {was Princess Elizabeth}

2006-03-02 Thread Sue Clemenger
Uh...I don't think it's a matter of cabbaging, if that's a word? ;o) I bet
it's indicative of a fur lining.  Several other paintings on that website
depict fur-lined gowns/skirts, and have similar lines on the skirts.  We've
talked about something similar before (the painting's one of the ones on the
website, which is what made me think hmmm.I wonder
--sue (from montana)

- Original Message -
From: Susan B. Farmer [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, March 01, 2006 9:34 AM
Subject: Re: [h-cost] short sleeved kirtle {was Princess Elizabeth}


 Quoting Hope Greenberg [EMAIL PROTECTED]:


 
  I agree with you about that multi-panel skirt--fascinating! Here's a
  bit of a close-up:
  http://www.uvm.edu/%7Ehag/sca/15th/weyden2.jpg

 I've always liked that one.  Looks like it was made from The Remnant Bag
 [funny, how all the pieces look alike instead of patchwork!  :-)]  It
 would be an interesting exercise to do some math on that painting and
 come up with a size for those little trapezoids!  Let's see, there's
 2.5 from her waist to her knee so that puts them in the 6-8 tall
 range.  Reckon that this skirt *was* produced from the cabbage?

 
  Though I don't have scans of them, there are a couple non-Italian
  15th cent. depictions of women in sleeveless gowns. One was either
  Netherlandish or German--a woman attending the birth of the Virgin
  Mary--but I'll have to go look it up.
 

 You'll have to let us know what the paintings are when you get the
 information -- they may be online somewher!

 Susan


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[h-cost] Partly OT: Stains on table linen

2006-03-02 Thread Kate M Bunting
My mother has had to go into a nursing home and I'm clearing her house. I've 
found numerous tablecloths and napkins, some quite old and interesting, a lot 
of which have food stains on. I've washed them with Vanish (if you don't have 
that in the US, it's a new oxygen-based stain remover) but it doesn't get 
everything out. I don't want to bleach antique or coloured items. Suggestions, 
anyone?

Kate Bunting
Librarian and 17th century reenactor


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Re: [h-cost] Waists, waists, waists

2006-03-02 Thread Kitty Felton

Danielle Nunn-Weinberg wrote:

At 02:12 PM 6/28/2005 -0400, you wrote:

snip

I have to roll the front waistband of off-the-rack skirts so that the 
hem hangs horizontal because of this.  If I had the time, I'd hem the 
skirts properly.


--
Cynthia Virtue and/or Cynthia du Pre Argent



You know, you're the first person I've ever heard of that has that 
problem, like me.  I cannot buy trousers to fit, the waistband sits in 
the correct place in the back half of me but I have to fold over the top 
of the front of the trousers.  Usually at least by the width of the 
waistband, sometimes more.


Cheers,
Danielle



If there are no rivets at the waistband, take the waistband off at the 
front, cut the front down the appropriate amount at the CF tapering to 
nothing at the sides, and reapply the waistband.  you may have to ease a 
bit of excess fabric in or make pleats on each side, but fabric, being 
made of threads, usually is fairly easy to ease in, (work extra fabric 
into a seam so it doesn't show that there is extra fabric on one side of 
the seam compared to the other).


Kitty

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Re: [h-cost] The Prado Magdalen's skirt (was: short sleeved kirtle)

2006-03-02 Thread Susan B. Farmer

Quoting Robin Netherton [EMAIL PROTECTED]:



On Wed, 1 Mar 2006, Susan B. Farmer wrote:


I have *no* clue!  It's rows of alternating trapezoids -- /\/\/\/\
is the apparrent arrangement of the pieces


Actually, the trapezoids do not alternate. They are all placed with the
short side up, so that they contribute to the flare of the skirt. (This is
much clearer in person, on the painting, than in any reproduction.) The
trapezoidal shape becomes less pronounced further down the skirt, where
the shapes are both larger and closer to rectangular.


You know, of course, that you're right!  I looked again.  I'm thinking
that Ive got a book that has a Really Good Copy of that painting, but
I'm not finding it.  I'm pretty sure that it's in the book on Campin. 
The authors (Thurleman -- u with an umlaut) present their case that

it's actually Campin and not Weyden that is the painter here.

If you're an Or Nue fan -- it is believed that Campin did the cartoons
for the Vestments for the Order of the Golden Fleece -- and there are
some **AWESOME** enlargements in this book of some of those figures.



We have had long discussions of this on the list before ... let's see,
here's a post I wrote on July 26, 2002:


Cool!  Thanks for the links.  That was before I joined this list.

Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


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Re: [h-cost] Non-Elizabethan Tudor Corset a Myth! (was PrincessElizabeth)

2006-03-02 Thread Kimiko Small

At 09:53 AM 3/1/2006, you wrote:
Well, this is going to be the short version! I have a room full of new 
cloth and I want to go sew now! =}


Hey, I don't blame you. I hope you got in some good sewing time.

snip some great info. Thanks
Hope this helps.  You can distribute it/use it for teaching, but please 
keep my name attached!

Elena House



I really appreciate your time in explaining all of that. It's a lot to 
digest, but I am ok with that. I eagerly await your long version when you 
have the time. And I will check the The Corset: A Cultural History by 
Valerie Steele book. I already have Corsets  Crinolines, and will re-read 
it (which I haven't done in a long while). And I will definitely give you 
credits in my lecture.


Thank you again,

Kimiko


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Re: [h-cost] Re: Quality of clothing

2006-03-02 Thread Susan Data-Samtak

Sandy-

Tell them you don't like the change.
Can't hurt and they might actually listen to a customer.

Susan

Slow down. The trail is the thing, not the end of the trail. Travel
too fast and you miss all you are traveling for.  - Ride the Dark
Trail by Louis L'Amour

On Mar 2, 2006, at 12:34 AM, Pierre  Sandy Pettinger wrote:

I shoulda known that my ASCII art would get messed up in translation.  
Oh, well.
I have about 8 pairs of the Land's End cotton knit pants.  Love them.  
I've totally worn out at least 5 pair.  Or, I DID love them, till they 
changed the sizing.  Now even the talls are too short and the crotch 
length is too - I hate it when the pants are hip-huggers when they're 
not supposed to be.


Sandy

At 01:45 AM 2/28/2006, you wrote:


Date: Mon, 27 Feb 2006 23:12:22 -0500
From: Catherine Olanich Raymond [EMAIL PROTECTED]
Subject: Re: [h-cost] sizing/quality of clothing

I'm 5' 1, and I've always had the same problem with pants until 
Lands' End

changed its sizing.  :-)
Cathy Raymond [EMAIL PROTECTED]


Date: Mon, 27 Feb 2006 20:17:47 -0800
From: Sharon at Collierfam.com [EMAIL PROTECTED]
Subject: RE: [h-cost] sizing/quality of clothing

Ditto. When I was in high school I had a 24 waist and 40 hips. Thank
goodness I've found Lands End. They have cotton knit, elastic waist 
pants,

in petite and tall, too. Sharon


Those Who Fail To Learn History
Are Doomed to Repeat It;
Those Who Fail To Learn History Correctly --
Why They Are Simply Doomed.

Achemdro'hm
The Illusion of Historical Fact
 -- C.Y. 4971

Andromeda

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RE: [h-cost] Alexandrian cap

2006-03-02 Thread ruthanneb
I was disappointed that, among all these images of the Phrygian or liberty 
cap, Google did NOT find the college seal of my alma mater, Dickinson College 
(est. 1773, Carlisle, PA). Our seal has three objects: a telescope, a Bible, 
and the Phrygian cap, along with the motto that we are the fortress of liberty!
http://www.dickinson.edu/logo/faq10.html
Costume-related: Is Dickinson the only college with an article of clothing in 
its heraldry?
--Ruth Anne Baumgartner
scholar gypsy and amateur costumer
Dickinson Class of '68

-Original Message-
From: Susan B. Farmer [EMAIL PROTECTED]
Sent: Mar 2, 2006 12:03 AM
To: Historical Costume [EMAIL PROTECTED]
Subject: RE: [h-cost] Alexandrian cap

Quoting Kathryn Parke [EMAIL PROTECTED]:

 Alas, that helps me not -- what does a Phrygian style hat look like?  : )


google image search is your friend
http://images.google.com/images?svnum=10hl=enlr=q=phrygian+hatbtnG=Search

Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


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Re: [h-cost] Redwork

2006-03-02 Thread Susan B. Farmer

Quoting Kate M Bunting [EMAIL PROTECTED]:

It's also reproduced in The Art of Dress, where it's attributed to 
a follower of Hans Eworth. No explanation is offered for the 
inscription Maria Regina.



Kate Bunting
Librarian and 17th century reenactor


[EMAIL PROTECTED] 02/03/2006 07:00 

At 07:41 AM 2/28/2006, you wrote:


 Mistress Aspasia, do you (or anybody else for that matter) know more
 about the painting that this detail is from?

 ^^

Oops, sorry; yall misunderstood -- I meant the *detail* of the painting
where Christ is carrying the cross is from.  The other two were full
portraits, so I made the obviously invalid assumption that the word
detail would be enough information.  My bad.

Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


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Re: [h-cost] short sleeved kirtle {was Princess Elizabeth}

2006-03-02 Thread Robin Netherton

On Thu, 2 Mar 2006, michaela wrote:

 It's quite likely the shapes are caused by the fur lining. The fur
 would have to be pieced.Why they show through who knows.
 
 This was discussed somewhere.. I think the MedCos community.

No, here; see my note under a new subject line.

--Robin

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Re: [h-cost] Waists, waists, waists

2006-03-02 Thread Susan Carroll-Clark

Greetings--


Danielle Nunn-Weinberg wrote:

At 02:12 PM 6/28/2005 -0400, you wrote:

snip

I have to roll the front waistband of off-the-rack skirts so that 
the hem hangs horizontal because of this.  If I had the time, I'd 
hem the skirts properly.


--
Cynthia Virtue and/or Cynthia du Pre Argent



You know, you're the first person I've ever heard of that has that 
problem, like me.  I cannot buy trousers to fit, the waistband sits 
in the correct place in the back half of me but I have to fold over 
the top of the front of the trousers.  Usually at least by the width 
of the waistband, sometimes more.




What's been a lifesaver for me lately are the pants they're selling with 
the lowered waistbands.  I'm not talking hip-huggers---I've found that 
the Ann and Marisa styles at Ann Taylor Loft, both of which are cut 
slightly below the natural waist, fit me wonderfully and take care of 
that rolling waistband issue. 


Susan
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Re: [h-cost] Partly OT: Stains on table linen

2006-03-02 Thread Dawn

Kate M Bunting wrote:


My mother has had to go into a nursing home and I'm clearing her house. I've 
found numerous tablecloths and napkins, some quite old and interesting, a lot 
of which have food stains on. I've washed them with Vanish (if you don't have 
that in the US, it's a new oxygen-based stain remover) but it doesn't get 
everything out. I don't want to bleach antique or coloured items. Suggestions, 
anyone?



Hydrogen peroxide is pretty mild, but if the oxy-stuff didn't work you 
may not have luck with this either.


Tried sun-bleaching it?


Dawn


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[h-cost] slightly O-T greetings of the (passing) season

2006-03-02 Thread ruthanneb
Hello the list--

My truelove has kindly given me parking space on his website for the photo I 
took after our FIRST snowfall of the season and intended as a greeting card for 
the h-cost list. Today we're having what MIGHT be the last snowfall of the 
season.

Who would expect in a modest little neighborhood in Fairfield Connecticut to 
drive around the corner and find a pair of snowpersons one of whom was wearing 
a HENNIN? I assume a little girl wanted to give her Hallowe'en costume one more 
day to shineAnyway, with the homeowner's permission I took a photo of Snow 
Maiden and Swain.

Go to 
http://www.doingagatha.com/
and scroll down to the photo at the lower left, just over the Out of Pocket 
Productions paragraph. He'll keep this on the page for a week or so, and I 
hope you see and enjoy it.

--Ruth Anne Baumgartner
scholar gypsy and amateur costumer

p.s. Doing Agatha is an independent film written and produced by my truelove 
and soon (oh god please!) to be released. We are NOT using the h-cost list to 
promote the film; I don't have a website of my own to post pictures. Of course 
I do imagine you'll be amused and fascinated by the costuming in the film 
photo RAB
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[h-cost] Fit of a victorian bodice

2006-03-02 Thread sunshine_buchler
Hi, I'm making an 1865-70 bodice (first bustle era) starting from the Truly 
Victorian ball bodice pattern, and I'm having trouble with the fit around the 
armholes -- there's a horizontal stress line about 1/2 above the bottom of the 
armhole (right at the top of my corset) it extends about 3 into the bust, and 
about the same length across the back. I'm not sure how to get rid of it -- the 
rest of the bodice fits beautifully... I also had this problem on my 
princess-line tea gown using their pattern... But I thought it was due to the 
weight of the fabric, but that can't be the case for my current bodice... Does 
anyone have any suggestions for how to handle this fitting problem? Should I 
make the armhole bigger (and if so, should it be lower side front, lower side 
back, or the bottom? I'm afraid if I widen the armhole it'll just pull the 
armhole out of shape due to the pull...) should I let the side seam out a 
little bit? I thought about putting padding inside the bodice ther!
 e, but there is very little room... And the bodice is satin so it shows every 
little crinkle or dent - unfortunately you can even follow the line of the lace 
on the chemise if you look closely.

Does anyone have any suggestions?
Thank you,
-sunny

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[h-cost] re: Partly OT: Stains on table linen

2006-03-02 Thread Cin
My mother has had to go into a nursing home and I'm clearing her
house. I've found numerous tablecloths and napkins, some quite old
and interesting, a lot of which have food stains on. I've washed them
with Vanish (if you don't have that in the US, it's a new
oxygen-based stain remover) but it doesn't get everything out. I
don't want to bleach antique or coloured items. Suggestions, anyone?

Kate
I collect, some whom I live with, would say amass vintage linens,
quilts  unmentionables.  Mostly I use baby soap, or whatever you wash
your favorite sweaters in. If really done in, a gentle bleaching
detergent. Air dry. Repeat until happy. When you finally get it clean
enough, hot press those beautiful crisp folds  store them away.

I would start with the gentlest treatment first on the most
replaceable or hopeless item.  See what happens.  Work your way up
to gentle, warm water  the oxy cleaner.  You will probably never get
the foxing out (those rust colored stains). Foxing can be caused by
contact with acidic stuff (like wood, common paper and food debris)
among other things.

No sure how old quite old is but if really, really old, then you
might want to stop at the cold, clear water rinse or cold water
gentlest soap so that colors dont run.

Truly magnificent items should be taken to a professional.   My spare
mom gave me two heavily embroidered unused gigantic table cloths,
buffet cloth  each with 12 napkins each all with the original gift
card as given to her mother.  She said, My mother stored this for 40
years. I have stored it for 40 years. Now it's your turn.  I havent
dared use it, but if I do, it's to serve white wine, dry foods with
brush-away crumbs, no grease and it goes to the pros afterwards.
grin

To prevent or postpone future foxing, line your linen storage in
buffered papers.  I just use an old cotton sheet as the bottom layer
in my cedar closet.

Some items are truly hopelessly stained, moth eaten or torn and I'm
not above recycling them into something else like a supportasse collar
or petticoat.  I have one of each made from a previous pillow case 
table linen respectively.

--cin
Cynthia Barnes
[EMAIL PROTECTED]

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Re: [h-cost] re: Partly OT: Stains on table linen

2006-03-02 Thread ruthanneb
I just ran down to the basement to copy the label for this product-- 
I've had good luck with it but have used it on only two pieces, so I can't say 
I've done exhaustive testing!
It's called RESTORATION,
and it claims Revives color and freshness to antique linens...removes most 
stains.
Manufactured by Engleside Products of Lancaster, PA.
No acids, chlorine, or phosphates. Safe for all fabrics and colors. 
Environmentally safe.

I followed the directions on the label and was pleased with the results.

--Ruth Anne Baumgartner
scholar gypsy and amateur costumer

-Original Message-
From: Cin [EMAIL PROTECTED]
Sent: Mar 2, 2006 2:19 PM
To: h-cost [EMAIL PROTECTED]
Subject: [h-cost] re: Partly OT: Stains on table linen

My mother has had to go into a nursing home and I'm clearing her
house. I've found numerous tablecloths and napkins, some quite old
and interesting, a lot of which have food stains on. I've washed them
with Vanish (if you don't have that in the US, it's a new
oxygen-based stain remover) but it doesn't get everything out. I
don't want to bleach antique or coloured items. Suggestions, anyone?

Kate
I collect, some whom I live with, would say amass vintage linens,
quilts  unmentionables.  Mostly I use baby soap, or whatever you wash
your favorite sweaters in. If really done in, a gentle bleaching
detergent. Air dry. Repeat until happy. When you finally get it clean
enough, hot press those beautiful crisp folds  store them away.

I would start with the gentlest treatment first on the most
replaceable or hopeless item.  See what happens.  Work your way up
to gentle, warm water  the oxy cleaner.  You will probably never get
the foxing out (those rust colored stains). Foxing can be caused by
contact with acidic stuff (like wood, common paper and food debris)
among other things.

No sure how old quite old is but if really, really old, then you
might want to stop at the cold, clear water rinse or cold water
gentlest soap so that colors dont run.

Truly magnificent items should be taken to a professional.   My spare
mom gave me two heavily embroidered unused gigantic table cloths,
buffet cloth  each with 12 napkins each all with the original gift
card as given to her mother.  She said, My mother stored this for 40
years. I have stored it for 40 years. Now it's your turn.  I havent
dared use it, but if I do, it's to serve white wine, dry foods with
brush-away crumbs, no grease and it goes to the pros afterwards.
grin

To prevent or postpone future foxing, line your linen storage in
buffered papers.  I just use an old cotton sheet as the bottom layer
in my cedar closet.

Some items are truly hopelessly stained, moth eaten or torn and I'm
not above recycling them into something else like a supportasse collar
or petticoat.  I have one of each made from a previous pillow case 
table linen respectively.

--cin
Cynthia Barnes
[EMAIL PROTECTED]

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Re: [h-cost] re: Partly OT: Stains on table linen

2006-03-02 Thread AnnBWass
 
In a message dated 3/2/2006 2:26:58 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

I  havent
dared use it, but if I do, it's to serve white wine, dry foods  with
brush-away crumbs, no grease and it goes to the pros  afterwards.
grin




I would stick to sparkling water--even white wine can stain!
 
Ann Wass
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Re: [h-cost] re: Partly OT: Stains on table linen

2006-03-02 Thread Elizabeth Young

Cin wrote:

To prevent or postpone future foxing, line your linen storage in
buffered papers.  I just use an old cotton sheet as the bottom layer
in my cedar closet.


I have two hopeless linen table cloths that I use to wrap the 
non-hopless ones in while storing them.


liz young

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Re: [h-cost] Partly OT: Stains on table linen

2006-03-02 Thread AnnBWass
Sometimes the discoloration is actually a chemical change of the fibers, so  
nothing will change it.  But, by all means, try sun bleaching.  If all  else 
fails, can you cut around the stained parts to make things--women's  
undergarments, for example.
 
Ann
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Re: [h-cost] Goldwork

2006-03-02 Thread G.Vinje
On Thu, 2 Mar 2006 14:45:55 -0600, E House [EMAIL PROTECTED]  
wrote:
Does anyone know of any good resources for learning about the authentic  
stuff? Any suggestions for modern books that might help me with  
technique?


If you want one book that covers just about everything there is to cover  
except patterns;

Metal thread embroidery by Jane Lemon
Batsford (March 28, 2005)
ISBN 071348926X
It covers historical and modern stitches, thread,  
techniques,equipment,photoes of extant pieces including Elisabethan and  
more. I have bought others, but this is the one I keep returning to. And  
the only one I've found truly useful for historical goldwork anytime  
within my period of interest(1200-1670).


Some websites worth looking at ;
Or Nue
http://medieval.webcon.net.au/technique_or_nue.html
Or Nue (Shaded Gold)
http://www.advancenet.net/jscole/ornue.html

And a brief introduction to historical goldwork;
All that glitters...
http://www.bayrose.org/wkneedle/Articles/Goldwork.html

Gunvor

--
Jeg har sagt ja og nei og DA får du lov
Anders (nesten 4 år)
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[h-cost] Re: body shaping (was corset myth)

2006-03-02 Thread Gail Scott Finke

Elena House wrote:

 The whole garment is a solution to a specific body-shaping problem; a
 problem which has been solved in different ways over the centuries, and
 which must be solved in different ways the desired body shape changes over
 time.  In the 13thC, the solution was breast-wrapping; in the 14th, it was
 the GFD; in the 15th, it was both a later version of the GFD and an early
 version of the bodice-skirt kirtle; in the early 16th, it was the vasquine
 and farthingale; in the late 16th, it was the payre of bodyes and
 farthingale.

Both your replies to the original query were fascinating! I loved all the
quotes. But now I am interested in a different item listed above. When you
say that in the 13th century the solution to desired body shaping was breast
wrapping, what exactly do you mean? I'm sure they did something, but I am
not familiar with this.

Gail Finke

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Re: [h-cost] Goldwork

2006-03-02 Thread roscelinlimoges
The book I have is called Goldwork by Search Press.  It has some history in 
it and shows how to do each of the techniques for goldwork.  I've heard that 
the Jane Lemon book is the best though.


Or nue' is the stitching of metal threads with a fine colored thread to make 
shaded or colored patterns.  The gold threads cover the whole surface of the 
design and the spacing of the color stitching is varied to show more or less 
gold.

Roscelin

Well, I'm off to get packed to attend the Sewing Expo up in Puyallup, WA.  

 -- Original message --
From: E House [EMAIL PROTECTED]
 I don't waste anywhere near enough money on my sewing (HAH!) so now that I 
 work for my fabric instead of paying for it, I've decided to add on a nice, 
 stupidly expensive hobby: I want to get into goldwork!  Specifically, the 
 sort that would be used for embellishing garments and headwear in the early 
 16th century.  But being me, I have to be as authentic as I can... and I 
 really have no idea where to start with the research.
 
 (The best website I've found so far for the type of goldwork I'm interested 
 in is this, even though she does the modern stuff:
 http://www.berlinembroidery.com/bullions.htm
 http://www.berlinembroidery.com/goldwork.htm )
 
 Does anyone know of any good resources for learning about the authentic 
 stuff? Any suggestions for modern books that might help me with technique? 
 I started embroidering when I was 7 or 8, so I do have experience with that 
 angle of it, but I think a lot of that just doesn't translate.  And it's not 
 the sort of thing where I'd want to spend tons of time experimenting blind, 
 because even the cheap version of the silly stuff is so expensive per yard.
 
 Andr
 is this what was called Or Nue'?
 
 -E House 
 
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Re: [h-cost] Re: body shaping (was corset myth)

2006-03-02 Thread E House
- Original Message - 
From: Gail  Scott Finke [EMAIL PROTECTED]

Both your replies to the original query were fascinating! I loved all the
quotes. But now I am interested in a different item listed above. When you
say that in the 13th century the solution to desired body shaping was 
breast

wrapping, what exactly do you mean? I'm sure they did something, but I am
not familiar with this.


That's a reference to a few mentions I've run across in books, or quotes 
from others who've read them.  The one that sticks in my head best is from 
the 13th century, because it's the first mention I found--it's mentioned in 
A History of Private Life, Vol II (p363) and is from La Cle' d'Amour 
which is an anthology of 13thC works in the tradition of Ovid, containing 
advice on all sorts of things.  I don't have an exact quote, but in this 
work, women whose breasts are too large are advised to bind them.


Other references:
Somewhen in the middle of the 12th century, an abbot, Gilbert of Hoyland, 
(created abbot 1150, died 1172) writes in Sermones in Canticum Solomonis 
that:
The breasts are most pleasing when they are of moderate size and 
eminence...They should be bound but not flattened, restrained with 
gentleness but not given too much license.


This article:
Waugh, Christina Frieder. Well-Cut through the Body: Fitted Clothing
in Twelfth-Century Europe, Dress (volume 26) 1999
(sorry, don't have any more info on it) discusses breastbinding in the 
12thC, and contains another Gilbert of Hoyland quote:
I refer you to the devices of women, who cultivate and develop physical 
beauty and have mastered this art. For what are they more anxious to avoid 
in embellishing the bosom, than that the breasts be overgrown and shapeless 
and flabby?.Therefore they constrain overgrown and flabby breasts with 
breast-bands, artfully remedying the shorcomings of nature.


Line 13329 ff. from The Romance of the Rose, written about 1360, from the 
Charles Dahlberg translation [This is what my notes say, but this is from 
the second half, and I think that part was written at the end of the 13thC. 
Could this have been added in to a later version?  or did my source just 
look at the wrong date?]:
If her breasts are too heavy she should take a scarf or towel to bind them 
against her chest and wrap it
right around her ribs, securing it with needle and thread or by a knot; thus 
she can be active at her play.


There's something about Eleanor of Aquitaine (12thC) and also an 8thC 
Lombardic reference, but I can't put my hands on them at the moment.  Wish I 
could!


-E House 


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[h-cost] Goldwork

2006-03-02 Thread Bjarne og Leif Drews
1st: Dont buy or borrow Kreinicks book about metal thread embroidery. Its 
just crap, a lot of cross stitch patterns using metallic threads.
But a very useable good book, very small, but cheap is Needle Crafts 20 
Goldwork. Its published by Search Press Limited, Tunbridge Wells, Kent - 
England.

Also their larger book Goldwork Revised and expanded edition.
I started my goldwork to outline ordinary embroideries, f.eks flowers and 
leaves with gold passing thread. Then i went on and used bullion threads 
(hollow wrapped goldthreads (worms)). Goldspangels is also fun to use.
Silver is another thing. It tarnishes much two quicly, and today its almost 
impossible to clean by others than experts.
A warning i want to advise everybody about is using bullion threads on 
clothing. The ends of this fine goldthread, catches everything, and unravell 
itselfs. I spoke to Mauritia Kirchner about this recently, and she has the 
same problems.Wasnt a problem for the kings and nobels, they just baught a 
new outfit, but for us deadly, it is such a shame and expensive.Not a 
warning not to use it, but just that you wont get surprised!

Very adictive hobby!

Bjarne






Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/ 



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[h-cost] Dangerous Liasions Fashion and Furniture Catalog

2006-03-02 Thread Bjarne og Leif Drews
I heard from 18th century womens list, that the catalog from the museum, is 
finally available.


Bjarne





Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/ 



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Or nue (was Re: [h-cost] Goldwork

2006-03-02 Thread Susan B. Farmer

Quoting E House [EMAIL PROTECTED]:




And is this what was called Or Nue'?



Or nue is some of the most awesome needlework ever produced by human
hands.

The cardinal is Or Nue
http://www.berlinembroidery.com/cardinal.htm
The gold threads are couched down with red silk.  How close together the
couching stitches are makes the design.

Here's some pictures
http://rubens.anu.edu.au/raid4/austria/vienna/museums/schatzkammer/order_of_the_golden_fleece/liturgical_vestments/
http://www.khm.at/system2E.html?/staticE/page486.html
http://www.khm.at/system2E.html?/staticE/page473.html

There's a book on the painter Campin by Thurleman that has some of the
most awesome enlargements for these garments.  Campin is believed to
have produced the cartoons for the vestments.  Here's a figure that I
scanned from this book
http://epee.goldsword.com/sfarmer/SCA/Embroidery/OGF_campinPage166top.jpg
http://epee.goldsword.com/sfarmer/SCA/Embroidery/OGF_campinPage166.jpg

generally, the faces and hands are done in split stitch.

Jerusha -- who will learn to do this or die!
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


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Re: [h-cost] Goldwork

2006-03-02 Thread Becky
It looks like some of the gold work done on the Japanese fabrics I saw in 
school. The gold was wrapped around a silk thread but you had to have an 
eyepiece to see it that close. It was fantastic details in the antique 
fabrics. I don't remember the time period, but very old.
I'd love to learn more about this technique as well. Thanks for the 
inspiration.


- Original Message - 
From: E House [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, March 02, 2006 3:45 PM
Subject: [h-cost] Goldwork


I don't waste anywhere near enough money on my sewing (HAH!) so now that I 
work for my fabric instead of paying for it, I've decided to add on a nice, 
stupidly expensive hobby: I want to get into goldwork!  Specifically, the 
sort that would be used for embellishing garments and headwear in the early 
16th century.  But being me, I have to be as authentic as I can... and I 
really have no idea where to start with the research.


(The best website I've found so far for the type of goldwork I'm 
interested in is this, even though she does the modern stuff:

http://www.berlinembroidery.com/bullions.htm
http://www.berlinembroidery.com/goldwork.htm )

Does anyone know of any good resources for learning about the authentic 
stuff? Any suggestions for modern books that might help me with technique? 
I started embroidering when I was 7 or 8, so I do have experience with 
that angle of it, but I think a lot of that just doesn't translate.  And 
it's not the sort of thing where I'd want to spend tons of time 
experimenting blind, because even the cheap version of the silly stuff is 
so expensive per yard.


And is this what was called Or Nue'?

-E House
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Re: [h-cost] Goldwork

2006-03-02 Thread Susan B. Farmer

Quoting E House [EMAIL PROTECTED]:

I don't waste anywhere near enough money on my sewing (HAH!) so now 
that I work for my fabric instead of paying for it, I've decided to 
add on a nice, stupidly expensive hobby: I want to get into goldwork! 
 Specifically, the sort that would be used for embellishing garments 
and headwear in the early 16th century.  But being me, I have to be 
as authentic as I can... and I really have no idea where to start 
with the research.


I didn't realize that I hadn't addressed the first part of your email.

Or nue wasn't something that you'd normally see on garb.  Alot of what
you would see in the 16th century was blackwork, maybe smocking on
chemise necklines, etc.  Paintings are going to be your friend here to
help you see what kind of stuff was done in the specific locale and
time period that you're wanting.

You see metal thread on some Elizabethan Coifs.  If you're doing Tudor
English, look at paintings of Henry and his wives for early 16th
century for your best tips.

Jerusha
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


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Re: [h-cost] slightly O-T greetings of the (passing) season

2006-03-02 Thread Catherine Olanich Raymond
On Thursday 02 March 2006 1:32 pm, [EMAIL PROTECTED] wrote:
[snip]

 Who would expect in a modest little neighborhood in Fairfield Connecticut
 to drive around the corner and find a pair of snowpersons one of whom was
 wearing a HENNIN? I assume a little girl wanted to give her Hallowe'en
 costume one more day to shineAnyway, with the homeowner's permission I
 took a photo of Snow Maiden and Swain.

That is precious!  Thank you!


-- 
Cathy Raymond [EMAIL PROTECTED]

Physics is like sex; sure, it may give some practical 
results, but that's not why we do it.--Richard Feynman
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RE: [h-cost] Alexandrian cap

2006-03-02 Thread Kathryn Parke
Well, this is really fascinating, because I read about it as a part of an 
ensemble worn to a Regency ball -- not a particularly young woman, but also (I 
believe), not of the old, turbaned dowager variety.  I can't imagine such a 
thing being worn w/ a formal ballgown, and (although I don't claim to be a 
scholar by any means!) it seems especially incongruous w/ a high-waisted 
Regency dress in a light muslin or silk.  (I'm not sure where I saw the 
original reference.)  I had pictured something more like a Juliet cap -- have 
you ever seen such a cap on a woman, or in such a context?
   
  Thanks for the image search!  I'll have to explore using that more!
   
  KP
   
  

Susan B. Farmer [EMAIL PROTECTED] wrote:
  Quoting Kathryn Parke :

 Alas, that helps me not -- what does a Phrygian style hat look like? : )


google image search is your friend
http://images.google.com/images?svnum=10hl=enlr=q=phrygian+hatbtnG=Search

Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


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-
Yahoo! Mail
Bring photos to life! New PhotoMail  makes sharing a breeze. 

-
 Yahoo! Mail
 Use Photomail to share photos without annoying attachments.
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RE: [h-cost] Alexandrian cap

2006-03-02 Thread otsisto
The phrygian hat is also called the Liberty hat and is worn by the French
Lady Liberty, Marianne.
It was about the time of the French revolution that it became popular.
http://www.diplomatie.gouv.fr/en/france_159/discovering-france_2005/france-f
rom-to-z_1978/the-symbols-of-the-republic-and-bastille-day_2002/marianne_150
6.html

http://www.allstates-flag.com/fotw/flags/xf-cap.html

So it may have been fashionable for a woman to wear such a hat with a
Regency gown.

De


-Original Message-
Well, this is really fascinating, because I read about it as a part of an
ensemble worn to a Regency ball -- not a particularly young woman, but also
(I believe), not of the old, turbaned dowager variety.  I can't imagine such
a thing being worn w/ a formal ballgown, and (although I don't claim to be a
scholar by any means!) it seems especially incongruous w/ a high-waisted
Regency dress in a light muslin or silk.  (I'm not sure where I saw the
original reference.)  I had pictured something more like a Juliet cap --
have you ever seen such a cap on a woman, or in such a context?

  Thanks for the image search!  I'll have to explore using that more!

  KP



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[h-cost] The Change Hand Fans

2006-03-02 Thread Penny Ladnier
Okay ladies... how many of you have had hot flashes and found that your hand 
fans are your new best friend?  

I have been collecting hands fans for the past 10 years.  They had only come 
out of the drawer in the summertime when sitting by the pool.  Now with the hot 
flashes, I carry them with me everywhere.  I have one in every room of my 
house.  And I can color coordinate them with my outfits?  Maybe a new trend for 
us going through the change!

Penny E. Ladnier
Owner,
The Costume Gallery, www.costumegallery.com
Costume Classroom, www.costumeclassroom.com
Costume Research Library, www.costumelibrary.com
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