Re: [lace] The Lace Place

2013-11-25 Thread Catherine Barley

Hi Sue

I was invited to Australia to teach for the Sydney branch of the 
Embroiderers' Guild for their 50th Anniversary, also the Melbourne branch 
and for the Australian Lace Guild at Perth who arranged a trip to Hyden and 
The Lace Place at the end of the Convention.  It was too far to make the 
trip there and back in one day, so we left early in the morning, taking a 
short comfort break on the way and stayed overnight in several bungalows 
close by.  The Lace Guild provided all that we needed for breakfast the next 
morning by way of cereals, bread for toast, tea coffee etc.  This was in 
2007 so my memory of exact details is a little vague.


We were split into two groups on arrival with one group visiting Wave Rock 
whilst the other group were supplied with white cotton gloves and were able 
to handle the wonderful lace brought by Olwyn Scott for us to identify and 
drool over, after which, we visited thee museum.  It was quite small as I 
recall but very well organised and the lace beautifully displayed.  There 
were pull out glass covered drawers full of some of the most exquisite 
pieces of lace and well worth making the effort to visit.


I believe the bungalows were some kind of holiday park, as there were quite 
a few of them and could sleep 6/8 guests (self catering of course) but it 
might well be worth looking into that if you were considering a visit. 
There is also a nature walk where I recall seeing the lovely black swans 
etc.  I'm pretty sure that Liz Ligetti was also on the trip and as she lives 
in Australia she may be able to give you more information.


Catherine Barley
UK

Catherine Barley Needlelace
www.catherinebarley.com
--
Subject: [lace] The Lace Place



He brought me back a leaflet describing the shop and museum but 
unfortunately although I emailed them to see if they had a website my 
email was returned as undeliverable.  Have any of you visited?


Sue M Harvey
Norfolk U.K.



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[lace] Bobbin-made tapes

2013-11-25 Thread Leonard Bazar
Dear All
 
It is of course difficult to work out how a textile was made just
by looking at it, but don't forget that the basic tools for making something
can be used in many different ways.  Just because something is made with lace
bobbins on a lace pillow does not ensure that it is made using cloth or half
stitches or whatever we would now use with a standard foot-side.  The braid
used in Chinese braid embroidery is now typically made on a set-up spookily
similar to a modern lace pillow.  While a pillow as such is not used, just a
surface on which the braid is formed without pins, and a roller at the back
for the braid to be wound on, the bobbins are lengths of bamboo with a hook or
a notch at the top to hold the thread, and a spangle, of coins, washers or
beads to weight it at the other.  The actual braid produced can be fancy, with
complex weaves and colours, but basically has a bias weave.  One major
difference from bobbin lace is that a thread can pass
 over two or more other threads at a time - something I don't think we ever
do, though I suppose we could have a twill weave in an area of cloth.  The
best book on the subject of which I know is Jacqui Carey's Chinese Braid
Embroidery ISBN 0 9523225 6 0, published  by Carey Company of Ottery St Mary,
Devon, UK in 2007.  It shows how the braid is made and used, and any bobbin
lacemaker could easily replicate it using his (or her) equipment; you could
easily make a useful customised trim for another project with it.  The
ingenuity of the workers in improvising apparatus is amazing - anything from
beautifully made stands produced by a father or husband to an ordinary wicker
basket.  The insights into the social side of the work and workers, and how it
is affected by modern events - synthetic materials, machine-made tapes, the
tourist trade - make the book well worth a read by themselvs.  It also shows
how similar braids can, and were, made by finger
 looping - with a sample made and sewn into a 17th century English instruction
book.  There is also a picture of a braidmaker from Oman making a braid called
tili.  She is using a small bolster on a stand, no pins, and it looks as
though her threads are still on the original reels, secured by a half hitch -
one way of minimising joins and avoiding bobbin-winding!  I sometimes think
that the only way some mysteries will be solved is with the use of a
time-machine, though I can't see the BBC extending the Historic Farming series
to Dr Who and the lacemakers.
 
 
leonard...@yahoo.com

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RE: [lace] Heelball

2013-11-25 Thread Cheryl Anderson
While soot is very messy, once mixed with the very hard wax to form heel ball
it is stays quite clean.

 Date: Sat, 23 Nov 2013 22:29:16 +
 To: dmt11h...@aol.com
 CC: jean...@hotmail.co.uk; lace@arachne.com
 From: jpartri...@pebble.demon.co.uk
 Subject: [lace] Heelball

 Blacking would have been used in the household anyway, I can remember my
 grandmother having a range (combination of fireplace and about three
 ovens) which was blacked, and fire grates were blacked as a matter of
 course, especially in larger households where it was the job of the
 lower housemaids.

 To take a rubbing they would have rubbed the image onto paper, or
 similar material, as you cannot rub straight onto card (or vellum). This
 would give a mirror image of the pattern, as you rub the wrong side of
 the pricking, so the image would have had to have been turned over to
 prick onto new card - maybe this explains the difference in right and
 left footsides between regions when patterns were copied - so whatever
 was used for the rubbing would have had to be on something thin enough
 for the image to show through. The blacking may have transferred to the
 card when the pricker was pushed through, so they may have used
 something between the card and the rubbing to stop this happening?

 Dirty lace was more likely to have been rejected by a dealer - who was
 under no obligation to buy from the cottage workers s/he employed - so
 the lacemakers would have done everything possible to keep the lace
 clean.

 In message 6c87.43755fb5.3fc27...@aol.com, dmt11h...@aol.com writes
  Also
 called  blacking
 
 It sounds a little messy to have around lace.
 
 Devon
 --
 Jane Partridge

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[lace] Cantu class in San Antonio

2013-11-25 Thread Cheryl Anderson
The
 Alamo Bobbin Lacers will be hosting Betty Manfre to teach Cantu lace,
February 8, 9 and 10, 2014 in San Antonio, Texas. (This is the week before
Winter Lace Conference in California.)

Lacemakers of all 
skill levels are welcome! The pictures attached to
 this
email show the designs Betty suggests for beginners to work in class. These
are 
intended for those who haven't done Cantu before; if you have some
experience you may make other choices. See this page for a selection of class
projects Ms. Manfre offers. We will be happy to 
set you up with whatever will
suit your skill level! 



Cost for the class will be $40/day (you may choose
to attend 1, 2 or 3 
days) with a deposit of 1/2 due
 at sign-up and we would
appreciate payment of the balance by January 15. Please email privately for
details.

If you will be traveling to San Antonio we will be happy to help you 
find an
hotel nearby and to offer our Texas hospitality to be sure you 
enjoy your
stay. Currently Hotwire shows rooms during the time of the 
class starting at
$45 for 1-2 people.

If you have any questions please feel free to email and I will be happy to
help.See you there!

Cheryl Anderson
Alamo Bobbin Lacers

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Re: [lace] Cantu class in San Antonio

2013-11-25 Thread Bev Walker
Hi Cheryl and lace list
The arachne list software removes any attachments - can you post them
somewhere then give us a link to that somewhere? The workshop and all
sounds inviting ;)

On Mon, Nov 25, 2013 at 4:31 AM, Cheryl Anderson
mayflowerl...@hotmail.comwrote:

 Lacemakers of all
 skill levels are welcome! The pictures attached to
  this
 email show the designs Betty suggests for beginners to work in class. These



 [demime 1.01d removed an attachment of type image/jpeg]

 --
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west coast of
Canada

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[lace] Re: Bobbin-made tapes

2013-11-25 Thread Jeriames
Thank you, Leonard, for introducing an interesting twist to this  subject.
 
I went to Jacqui Carey's site to see what books are available, and the list 
 is quite interesting.
 
Though I do not review pure embroidery books on Arachne, I do have her  
Elizabethan Stitches and Sweet Bags in my library, and like them very  
much.  If you are re-creating costumes of the period, they may be very  useful 
to you.  She has diagrammed some stitches that are not available in  other 
books.
 
As to braids, there is a close relationship to the earliest bobbin laces  
(1500's) as to how some equipment similar to our lace bobbins was used to 
hold  and control threads and cords.  If you look at costumes of this  time and 
before, you will see that braids and cords were used to a  great extent 
throughout Europe as an embellishment and for practical  purposes..
 
Jeri Ames in Maine USA
Lace and Embroidery Resource Center
 
 
In a message dated 11/25/2013 6:22:40 A.M. Eastern Standard Time,  
leonard...@yahoo.com writes:

The best book on the subject of which I know is Jacqui  Carey's Chinese 
Braid Embroidery ISBN 0 9523225 6 0, published  by Carey  Company of Ottery St 
Mary, Devon, UK in 2007.  It shows how the braid is  made and used, and any 
bobbin lacemaker could easily replicate it using his  (or her) equipment

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[lace] Clear plastic and prickings

2013-11-25 Thread purple lacer
As a modern day lacemaker I have a computer, Photoshop, scanner, printer,
cardstock and clear contact paper, and I'm not afraid to use them!  I make
nearly all of my prickings by printing them on my home computer onto light
blue cardstock and covering with clear contact (sticky backed plastic).  I
have an inkjet printer and the ink can smear if it becomes damp.  So it is
absolutely necessary to cover it with clear plastic to avoid a disaster.  I
also like that it gives the cardstock just enough extra stiffness.  I usually
don't make the lace more than once so it doesn't have to be extremely stiff.
I can always make another pricking if necessary!  I usually preprick my
patterns.  I have never had a problem with sticky pins.  I have been pulling
them out by the hundreds as I work on a Binche sampler.

I have a small stash of the blue plastic that I've picked up from lace
vendors.  I bring it to the IOLI conventions.  For class projects you usually
don't need a very large piece.  I can easily see why teachers make copies onto
white paper because you never know what color will work for everyone.  The
best solution was when I was emailed the pricking in advance and could prepare
it as I desired.

Anita Hansen
Doris Southard Lace Guild
Cedar Rapids, Iowa

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[lace] The Lace Place

2013-11-25 Thread Janis Savage
When I moved to South Africa in 1979, it was almost impossible to obtain 
anything for bobbin lace. The number of lacemakers was steadily 
increasing though, so only in 1988 did I decide that if no-one else was 
going to import lacemaking things then I would have a go. I knew nothing 
about business but I wrote to all the overseas suppliers and they were 
all very helpful and I had many an argument with customs officials 
trying to explain what bobbins etc. were used for and that linen thread 
was not the same as bed linen.  It was only when the local agent for 
Batsford Books said that I had to have a proper business name for them 
to supply me, that I thought I was being incredibly original in choosing 
The Lace Place as my business name.
It was a few years later that my friend Mary Hughes visited her family 
in Perth and from there visited The Lace Place in Hyden, that I realised 
that I was not original at all. She brought me back a souvenir leaflet 
and a pair of bobbins. I would love to visit myself.
My own Lace Place though continued to take over my life and at one time 
was the only supplier in Southern Africa.
I don't know what I would do without it now.  I think they will have to 
carry me out feet first clutching my lace pillow.


Janis Savage t/a The Lace Place
Honeydew South Africa
www.thelaceplace,co,za

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[lace] the Lace Place, Hyden

2013-11-25 Thread Elizabeth Ligeti
Hi, Sue,

Yes, I have been to Hyden in Western Australia - in 2007 when the Australian
Lace Guild had their annual AGM week of classes. It was the year Catherine
Barley came to Australia, and I went over to Perth, for the workshop she was
teaching there. (Melbourne is the other side of the country - some 2000 km
away!) A fantastic week, and then - the icing on the cake -  there was a
trip - for those who wished,- to the Lace Place at Hyden, and the Wave rock,
- an amazing rock formation just like a Huge wave - which, of course, I,
like many others, just had to climb, and see the view from the top!
We were treated to a special hands-on collection of lace and talk by
Rosemary Shepherd, who accompanied the group, so it was a very special
viewing of the displayed lace, and we were able to handle - with white
gloves, of course, - some extra lace that was brought out especially for us
lacemakers.

An Unforgettable trip. It was  quite a way from Perth, but a pleasant bus
trip. We stayed overnight in 3 cottages, making do on camp beds and settees,
etc  when there were not enough 'proper' beds to go around - all great fun!

http://www.waverock.com.au/lace.htm

Regards from Liz in Melbourne, Oz.  where we have a warm sunny day - at
last!

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[lace] Brok 24/3

2013-11-25 Thread sally13nmex
Dear lace friends,



It's a long story, but I would really like  some Brok 24/3.  Just in case
there's some lurking, unwanted, in your box of lace thread, please email me
privately.  Thanks!



Sally Schoenberg

Bellingham, WA

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RE: [lace] The Lace Place

2013-11-25 Thread Jeanette Fischer
And what would we have done without the Lace Place in Honeydew!!  Keep up
the good work.

Jeanette Fischer, Western Cape, South Africa.

Janis Savage wrote:
to supply me, that I thought I was being incredibly original in choosing

The Lace Place as my business name.

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[lace] new lace

2013-11-25 Thread Lorelei Halley
I just finished this piece tonight.  From my book TORCHON BOBBIN LACE LESSONS.
It is the color version that is new.
http://lynxlace.com/mybobbinlace.html#new

Lorelei

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RE: [lace] new lace

2013-11-25 Thread Jeanette Fischer
Torchon does lend itself to colour and it is beautiful. Congratulations!
Jeanette Fischer, South Africa.


Lorelei Halley
I just finished this piece tonight.  From my book TORCHON BOBBIN LACE
LESSONS.
It is the color version that is new.
http://lynxlace.com/mybobbinlace.html#new

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