[lace] Teaching and teaching skills

2014-08-25 Thread Alex Stillwell
Hi Arachnids

When I was chairman of the Education Sub-committee and working on the
assessment schedules we worked on the presumption that the Advanced standard
of the Lace Guild Assessments should be that suitable for a teacher. I then
suggested that the Advanced certificate should include the words similar to
the following.

In the opinion of the Lace Guild this candidate has reached the standard in
this subject required for teaching it. However, the Guild makes no claims as
to the teaching ability of this candidate.

It is possible that this may be accepted as a qualification in the subject. At
the time I was working on it, in the 1980s, I was told it would have been
acceptable.

Blow the dust, lets make lace,   I know there should be an apostrophe, what
does one do in this case, can I use a question mark.

Alex

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[lace] Michel Jourde patterns

2014-08-25 Thread Susan Vossier
Jenny, the Michel Jourde patterns came directly from him - I have bought
several this year, I sent him my address and sent a cheque on receipt of
the prickings.  I gather from the blog that his children will continue the
sales, but I should imagine it'll take some time before they can sort out
the legal side - the French administration system knocks the wheels of God
into a cocked hat!

Michel Jourde will be greatly missed. He went on drawing until the end -
his last creation on his site was dated 26th July.  I shall be thinking of
him during his funeral tomorrow, Tuesday, at 3pm.

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Re: [lace] Lace salamanders

2014-08-25 Thread AGlez
I am also very sad to hear this piece of news. His patterns and his name
are well known by me too. Now I have an extra desire to make the
salamander: a kind of memorial to Michel Jourde. Thanks a lot to Susan who
has so kindly sent me the pattern.

Best regards.


Antje González
ww.vueltaycruz.es
https://www.etsy.com/shop/TwistAndCross

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RE: [lace] Michel Jourde patterns

2014-08-25 Thread mary carey
I am so glad I have a complete set of Lace Express - Michel Jourde is one of
my favourite designers from that series.  For anyone who is interested -



-  Michel Jourde,
France – 3/99, 2/00, 1/01, 3/01, Sp 01 Garden, 1/02, 2/02,
1/03, 2/03, 3/03,
4/03, 1/04, 2/04, 3/04, 1/05, 2/05, 3/05, 4/05, Sp 05 Garden
II, 1/06, 4/06,
1/07, 4/07, Sp 07 Garden III, 3/08, 1/09,
2/09, 1/11, 2/11,
1/12, Special 12 Fashion II, 1/13, 2/13, 3/13, 4/13, Sp 13
Nature 2, 1/14,
2/14,
Mary Carey

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[lace] My thread confusion

2014-08-25 Thread Sue
I want to try out a pattern which I think might work in Finca thread (before I
buy more to make one my projects in the coming months).   I was quite
confident that way back I picked up a spool of it in Hobbie Crafts at the same
time as I bought the first block pillow for lace when I knew almost nothing
about my new craft I had begun to learn.   I hunted through my various boxes
yesterday and didn’t find it and checked the last of them this morning.
Instead of Finca I found a thread called Filato per tombolo di cantu and
looking at the label I think this is the one I bought new and the other two
part spools I must have acquired via another lacemaker since, and yes i
realise there is always so much more to learn and enjoy now.
I know nothing about this thread but looking closer at the labels one say N
30, one N 40 and the other N 50 (am I right to think that is about thickness
of thread?)  On the ends of the  plastic inner tube around which they are
wound they all say GR25.Two of them look like white, not brilliant though
and the other has a cream/ecru look to it.
Having typed this out I have just got out Brendas magic book of threads and
have the numbers listed in there and also checked out the Finca threads as
well.  What would we Lace makers do without this book?

Can anyone who has used it advise me of how it works up and also I would love
to know the kinds of lace you have used it for, even if you just used it for
samples.  I currently dont have enough hours in my day to personally try out
all these things, so am hoping to benefit a little from the knowledge of you
more experienced lace makers out there.
Sue T Dorset
Off to get some honey and lemon to sooth my cold symptoms

[demime 1.01d removed an attachment of type image/png which had a name of 
wlEmoticon-smile[1].png]

[demime 1.01d removed an attachment of type image/png which had a name of 
wlEmoticon-sadsmile[1].png]

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[lace] some Michel Jourde patterns for sale

2014-08-25 Thread Jenny Brandis
I do not want to disturb the family for a pattern so am trying to find an
alternate source for the Excalibur pattern by Michel Jourde and stumbled
across this site that sells a lot of his patterns - not the sword
unfortunately.

 

http://www.ateliermb.ch/shops/dentelle/eu/contents/fr/d19.html

 

 

Regards

Jenny Brandis

 

je...@brandis.com.au mailto:je...@brandis.com.au 

www.brandis.com.au http://www.brandis.com.au   

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Re: [lace] Michel Jourde patterns

2014-08-25 Thread Carolinadgg
One of my favourite designers too I am very sad to hear about his death
Regards

Carolina de la Guardia
www.carolgallego.com

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Re: [lace] My thread confusion

2014-08-25 Thread Sue Babbs
Filato per tombolo di cantu  is wonderful thread.  My teacher when I learned 
to make lace highly recommended it.  It makes excellent Torchon lace which 
holds its shape well, and it behaves beautifully while you are working with 
it.  It is also available in brilliant white.


I have used it for bookmarks, collars, cuffs (including a Lester pair in 
class with Holly van Sciver)



Sue

suebabbs...@gmail.com
-Original Message- 


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Re: [lace] My thread confusion

2014-08-25 Thread Malvary Cole
I have used Filato per tombolo di Cantu, both for making Cantu and for other 
things.  As you have Brenda's book you can work out what size pattern it 
works with.  I find that it is quite firm when worked and makes up very 
well.  I used it for one of my samples for my Lace Guild Assessment.


The GR25 is 25 grams and comes, if I'm not mistaken in bleached (white), 
half bleached (off white-beige) and unbleached (ecru).  My first reel was 
bought when I did Cantu with Mary McPeek many years ago at the Finger Lakes 
Lace Weekend.  When I got to class (early), I already had all my bobbins 
wound as I'd contacted Mary early and bought the thread from Holly van 
Sciver.  As others were busy winding their bobbins, I decided to have a 
couple of minutes in the sales room.  When I got back to class, several 
ladies were rewinding my bobbins with some thread that Mary McPeek had given 
them as they hadn't planned ahead.  Class started almost immediately after 
so I didn't have time to put MY thread back on the bobbins and had to make 
do with the very old stuff provided.  The bobbins were would every which way 
but up, some one way, some the other.  The hitches ranged from single to 
double to a dreadful knot that took ages to loosen.


I may sound calm, writing about it now, but I was SOOO angry that they would 
interfere with someone else's things.  If my bobbins weren't wound I could 
perhaps understand that they were being helpful.  I kept myself to myself 
for the rest of the weekend and didn't talk to any of my classmates because 
I thought I'd be very rude if I did.  The other side of it was that I 
finished up the thread on the bobbins and only had the corner done and no 
thread to finish it.  Another frustration and feeling of anger against all 
those who interfered.


At Lace convention if there are part reels, I usually buy them, as I enjoy 
using the thread and have got over my earlier feelings.  I also enjoy doing 
Cantu and like Sue wish there were more hours in the day to do more of what 
I enjoy.


Malvary in Ottawa (the Nation's capital) where it is sunny and warm again 
and I'm off lawn bowling. 


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Re: [lace] Michel Jourde

2014-08-25 Thread Sue Harvey
Sad news about Michel Jourde I am at present working the dragon he designed for 
Lace Express and  as I have also been working on several other projects I'm 
sorry to say my dragon rather got pushed to the rear, so now I will get him 
down again and finish him in Michel's honour.

Sue M Harvey
Norfolk
U.K.

Sent from my iPad

 

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[lace] re: Lace teaching

2014-08-25 Thread Karen Thompson
I have followed the teacher evaluation and qualification thread with great
interest, both as a student and as a teacher.
Janice, I think it is a good idea to provide the evaluation form beforehand
to IOLI teachers - especially the new ones -  and also give guidelines to
teachers as to how to deal with students who are either under and over
qualified for a class, and those who demand much more than their fair share
of class time. Maybe a short session at the Teachers Meeting?

No matter how well a class is described by the teacher, different students
will interpret it to mean different things. What does beginner,
intermediate and advanced really mean? It varies from one lace maker to
the next how they perceive their skills. More illustrations might help, and
that is now possible on the websites. But even illustrations are open to
interpretation. Some teachers who plan to write a book on their subject
might be reluctant to give out written material, as it will be copied and
distributed by students. It probably comes down to whether one teaches to
share the love and knowledge of lace or as a business.  Others might argue
that one learns more from taking notes than receiving a handout, which may
or may not make sense. I am personally in favor of clearly illustrated
hand-outs.

We all teach and learn in different ways. As a teacher I always learn
something from my students while teaching. I have been very fortunate
during my many years teaching lace making to have met a lot of wonderful
people, and it always pleases me tremendously when I see my former students
enjoy lace making, advance to a new technique, entering a contest,
teaching, etc. That to me is the real payment for teaching.

Karen in Washington, DC

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[lace] Beginner-Intermediate-Advanced

2014-08-25 Thread Dmt11home
Karen brings up a good topic regarding whether one is a  beginner, 
intermediate or advanced. A unified understanding of those terms might  be a 
good 
idea in order to avoid people signing up for the wrong class. In NJ  there 
were a lot of people who thought they were beginners, and did not have the  
courage to take a course calling for intermediate skills when I thought they  
probably were intermediates. 
 
I think of a beginner class as one where people are still  learning to wind 
bobbins, make weaver's knots, learn half stitch, linen stitch  and whole 
stitch (CTCT), possibly the rudiments of a torchon  ground, and how to make a 
sewing edge. In NJ, I would have said that after  the first three patterns 
people were probably in the intermediate level. How  would others describe an 
intermediate? 
 
I don't have a ready definition for where intermediate passes  into 
advanced, possibly it would include having experience with more than one  
bobbin 
lace discipline, like torchon plus point ground. What do others think? 
 
It would be nice if we could provide general guidelines for  convention 
classes, or failing that, if the teacher could be specific about what  skills 
the entering students were expected to have.
 
Devon

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Re: [lace] Beginner-Intermediate-Advanced

2014-08-25 Thread The Lace Bee
I like the idea of an international lacemaking standard to remind Lacemakers 
that they are actually rather good.

Too many people suffer from what we call here in the UK 'oh, that old thing' 
syndrome.  You might not have known it had a name but you or someone you know 
probably suffers from it.  You know, you buy an expensive dress, get your hair 
done, new shoes, best make up and when DH or OH compliment you as you leave for 
the evening you reply 'What? This old thing'.

Admit it, we've all done it at sometime or for our gentlemen Lacemakers your OH 
has dine it to you.

I have had the pleasure to meet some fantastic Lacemakers over the years but 
most will put down their abilities. Others who will with patience help you with 
a problem and then tell you that they couldn't teach someone yet when you get 
to know them you realise that they have training skills from work - they are 
normally the person who has to write the instruction book or trains new members 
of staff.

One girl I met claimed that she wasn't really experienced because she only 
produced 1 item of lace every two years.  She was making binche.  Of course she 
was slower than the friend making torchon.

Such lists should not be prescriptive.  I can make tallies, I just hate them so 
I rarely make them but I can make them.  

At work we agree the content of our training (syllabus) with the customer and 
then break it down into what they will learn in which order and what day.  The 
learner knows exactly what they will achieve and what competences they will 
learn.  We work using Blooms Taxonomy which sounds very posh but boils down to 
teaching skills, knowledge and attitude.  Bloom out forward that you assess the 
learner as to what level they are and you can through a learning exercise raise 
them one level at a time (or as a colleague one said, you can't make a silk 
purse out of a sows ear).  If you can't identify where someone is on the scale 
then you can't raise them.in other words you have to quantify what you want to 
do.  Another colleague said that she didn't like a learner's attitude.  When we 
asked what exactly needed to be addressed she said 'we'll I don't like the way 
she looks at me'. Not very quantifiable.  

It's relatively simple to say what a beginner should be able to demonstrate for 
learning as it is all the things to make lace, just as Devon said;

Wind bobbins, set up a simple pattern, angle pins correctly, whole  half 
stitch (or local names) and Understand twists are right over left for threads.  
In addition I would say understand tension - at least know if it right or not.  
You might want to add in weaver knots as Devon said and for me little tips like 
being able to shorten a thread using a pin to roll up but that depends on the 
teacher's knowledge 

A competent beginner I would expect to be able to;
Combine whole  half stitches into a footsie and head side, add a gimp, add in 
extra thread as needed and make a sewing.  If the learner can combine whole and 
half stitch then they can read a pattern book have a go at any stitch they 
fancy.

I also agree again with Devon (I sound like her fan club here) that at this 
stage there are a number of patterns that a learner could complete at 
intermediate level that would be straight forward to do but would look complex 
on completion. And again, advanced would be someone who feels that they have 
gained competence in two or so lace styles or had worked through one style to 
complex levels.

L

Sent from my iPad

 On 25 Aug 2014, at 18:12, dmt11h...@aol.com wrote:
 
 In NJ  there 
 were a lot of people who thought they were beginners, and did not have the  
 courage to take a course calling for intermediate skills when I thought they  
 probably were intermediates.

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Re: [lace] Beginner-Intermediate-Advanced

2014-08-25 Thread Sue
I was stunned to read this and work out my position in your class structure. 
If someone asked me i would have said not a beginner but not an 
intermediate, but reading this puts me in the advanced class.   I thought I 
needed to ask too many questions for that to be the case even with over 500 
pieces of lace under my belt.
If I took a class in a type of lace I have only worked once in my time I 
would again consider myself not quite a beginner as I understand winding 
bobbins and working patterns etc so quite a complicated business to pitch 
yourself and courses.

Sue T
Dorset UK

I think of a beginner class as one where people are still  learning to wind
bobbins, make weaver's knots, learn half stitch, linen stitch  and whole
stitch (CTCT), possibly the rudiments of a torchon  ground, and how to make 
a

sewing edge. In NJ, I would have said that after  the first three patterns
people were probably in the intermediate level. How  would others describe 
an

intermediate?

I don't have a ready definition for where intermediate passes  into
advanced, possibly it would include having experience with more than one 
bobbin

lace discipline, like torchon plus point ground. What do others think?
Devon

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Re: [lace] Beginner-Intermediate-Advanced

2014-08-25 Thread Adele Shaak
I have seen class descriptions that refer to confident beginners and I like 
that description. Even with the basic skill levels Devon mentions, there is a 
difference between the student who needs to have the teacher coach them every 
step of the way, and the student who can make the same pattern with only 
occasional questions. The change into intermediate, I think, would come when 
the student could take a pattern they've never been coached through and choose 
their threads, wind their bobbins, start it and make it without help.

Terms like sewing edge, footside, and the different grounds do give me pause, 
though. Many lacemakers are self-taught, and they may do some very ambitious 
work and yet not know something other people consider quite simple. It would be 
annoying to be branded a beginner because you didn't know what make a sewing 
edge meant when you've just finished turning out your second bridal veil. That 
sort of thing can easily happen when you're self-taught.

As to intermediate versus advanced - that, I think, is a little more difficult. 
You may look at something like Binche, for example, and think it is very 
advanced because the thread diagram looks demented, but if you know your basics 
there isn't anything in Binche you haven't done already, and if you've got a 
thread diagram it's just a matter of plugging away at it. When I think of 
advanced lacemakers (and I know very few of them) I think of somebody who could 
make an intermediate lace from a pricking alone - without having a thread 
diagram.

One more thing - we started this discussion with a view to helping people sign 
up for classes that are appropriate for them. I'd just like to say that for 
many years my policy has been that when I go to a convention I sign up for a 
class that is a little bit easier than my maximum capabilities. That way I 
don't find it incredibly difficult, I'm not missing anything because I have to 
stay in my room and work on my lace just to catch up, and I don't go home with 
a big headache and 1/8 of lace on my pillow. I have seen a lot of people over 
the years (I attended my first convention in 1981) who said to themselves 
something like well, I've finished the introductory Bucks Point pattern, now 
to take Bucks Point again, and I'll tackle that pretty one at the back of the 
book with 110 pairs. I think it's much nicer when you cut yourself some slack, 
and do the pattern that's just a little bit up from where you were. 


Adele
West Vancouver, BC
(west coast of Canada)

On 2014-08-25, at 10:12 AM, dmt11h...@aol.com wrote:

 Karen brings up a good topic regarding whether one is a  beginner, 
 intermediate or advanced. A unified understanding of those terms might  be a 
 good 
 idea in order to avoid people signing up for the wrong class.

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Re: [lace] Beginner-Intermediate-Advanced

2014-08-25 Thread Bev Walker
Hello Devon and everyone

I like the term improver which as I understand it, means a person knows
what to do but would like more practice, especially after the beginning
steps. or even having tried more than one style of lace, would like the
kind of beginner-type approach.

Definitely specifics as to skill expectations could be in your guidelines
for convention classes!

 How  would others describe an
 intermediate?
 .
 It would be nice if we could provide general guidelines for  convention
 classes, or failing that, if the teacher could be specific about what
 skills
 the entering students were expected to have.


-- 
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west coast of
Canada

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[lace] Beginner-intermediate-advanced

2014-08-25 Thread Lorelei Halley
I think Devon's suggestion is a good one. My opinion (for whatever it is
worth):

I agree that a beginner class involves winding bobbins, making a hitch that
holds, weaver's knot, half stitch, cloth stitch, ctct, various footsides,
torchon ground, braids/plaits.  If a student has to learn these things I would
call him or her an absolute beginner.

But I wouldn't put the transition to intermediate half way through a torchon
course.  Knowing only one form of bobbin lace I would call a beginner with
some experience.

I wouldn't describe someone as intermediate until he or she had learned 2
forms of bobbin lace.  The reason is that reaching this point means that you
understand that there are sets of rules, sets of working methods. What works
in torchon doesn't work in Flanders or tape lace.  And most important, what
works in torchon does absolutely not work in tape lace or Honiton. I think the
intermediate designation implies an understanding of the difference between
straight lace and part lace (held together by sewings).

As to the boundary between intermediate and advanced -- I think that for
teaching purposes that applies mostly to a class in something like
Bedfordshire, Honiton, Binche.  Advanced in this context means the student has
mastered all the basics of that form and can work a great many designs on her
own without help. But the class is for pushing the boundaries of her knowledge
and learning floral Beds, for instance, or raised work in Honiton.

So, for instance, I would call myself an intermediate in Beds. I can do trails
and subsidiary trails, but haven't attempted floral designs yet.  But I'm a
beginner in Binche. I have made 4 simple edgings, but I'm still on pattern 2
in the first Verbeke-Billiet syllabus.

Lorelei

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[lace] new needle lace

2014-08-25 Thread Lorelei Halley
You have to see this, made by Teri Dow of NEEDLELACETALK.
http://needlelacetalk.ning.com/photo/the-completed-cobweb

Lorelei

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Re: [lace] Beginner-Intermediate-Advanced

2014-08-25 Thread Vicki Bradford
I would like to add that lace groups?hosting?conventions?should ensure that
their registrar understands the differences between various lace types and
their associated difficulty/requirements. I am aware of a situation of a
relatively new lacemaker whose first class choice (Milanese) was full and she
was offered Floral Bucks as an alternative by the registrar. (She had only
ever made Torchon and some fairly simple Milanese.) Thankfully, she asked my
opinion and I saved her (and her instructor, no doubt) some torment as I know
she would have been very unhappy trying to struggle with the Floral Bucks,
having never done any point ground or other fine laces.?


Many classes
merely show the prerequisite of 'basic bobbin lace skills', which can mean
different things to different people. I completely agree that more specific
prerequisites would be valuable to many, especially those who do not live in
places where they have the opportunity to meet often with other lacemakers
with whom they can compare their skills.?


I would also add to the
description of intermediate and/or advanced skills the ability to read and
follow diagrams.


Vicki in Maryland?

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[lace] some Michel Jourde patterns

2014-08-25 Thread mary carey
Dear Jenny, Janice and others,

Have had a glance through my filing system for Lace Express and did not find
Excalibur, does not mean it is not there, I just did not see it.  Still have a
squirrel on a pillow from Michel's first appearance in Lace Express in 3/1999.
Born in 1955 so under 60 - too young.

Michel's dragon 1/99 and rooster 2/11 are the most colourful.  The tiger 2/00
I would like to do some day.  His mats, table centres and edgings are also
inspiring.

Hope some of the complementary comments filter through to his family.

DID find a sunflower pattern by Jean-Claude Marie-Antoinette in Issue 3/04.

Mary Carey
Campbelltown, NSW, Australia

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Fwd: Re: [lace] Beginner-Intermediate-Advanced

2014-08-25 Thread Vicki Bradford
 I believe Jenny meant this for the list in general and not just to me.
-Original Message-
From: Jenny Brandis lt;je...@brandis.com.augt;
To: Vicki Bradford lt;twohappyb...@aol.comgt;
Sent: Mon, Aug 25, 2014 10:35
pm
Subject: Re: [lace] Beginner-Intermediate-Advanced


Speaking for
myself, I have attended three bobbin lace classes with teachers in  
the 9
1/2 years since I began but the vast majority of my learning has come from
NON teachers - simply my peers showing me how something is done. 
 
 I
consider myself to be in the transition from Beginner to Intermediate level
in torchon and beginner level in Beds, tatting, Point Ground and Free lace,
intermediate level in knitted and crochet lace. 
 
I was ( and did not
realise ) extremely lucky that the two ladies who started me  
off did not
tell me that reading a torchon pattern was hard, in fact it was one  
of the
first things shown so that I would understand that these marks show where
you make spider, trail etc. even now I explain a torchon pattern based on the
elements that make it. 
 
It was stressed that the trail, block, chevron,
lozenge and fan could be half st  
or cloth st, and therefore whatever I
chose was right. I was encouraged to  
experiment as to what looked best to
me. 
 
Most of my learning is self paced based on the pricking I want to use
so that  
has meant that I may choose a pattern that I am not ready for, the
Galleon  
pattern by Jane Atkinson comes to mind as I tried that too early in
my learning  
LOL 
 
Back to my original reason for writing,  
 
A list
of prerequisite knowledge would be a good guide as if there is something  
on
the list I did not know, I could learn before the class. This would be
beneficial to all as I would not then hold the class back while I learnt and
the  
teacher could then spend more time on what we were there to learn.
Even better, I would have entered the class knowing that my fellow classmates
are also my peers.  
 
 
Jenny Brandis 
Kununurra, Western Australia

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Re: [lace] new needle lace

2014-08-25 Thread Shelly

On 8/25/2014 3:52 PM, Lorelei Halley wrote:

You have to see this, made by Teri Dow of NEEDLELACETALK.


Wow that is just amazing.

--
Shell in Central PA
“A half finished shawl left on the coffee table isn't a mess; it's an object of 
art.”
― Stephanie Pearl-McPhee

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[lace] My thread confusion

2014-08-25 Thread Elizabeth Ligeti
Sue, I use Finca thread most of the time - for both bobbin and needlelaces,
and I am happy with it.  I also use Brok sometimes, but as finca is the
easiest to get  locally, I use that most of the time. I have various
thicknesses of it, and the reels last a long time,  and are not too
expensive.

Regards from Liz in Melbourne, Oz.

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