[BAROQUE-LUTE] Re: Ms. Leipzig II.6.24

2011-04-08 Thread Mathias Roesel
 Yes, that I already have. Rich and good collection, too!

Most pieces in the ms. are anonymous, but concordances to quite a few pieces by 
Reusner et al can be found. Many pieces are very well composed, some adroitly 
and to full capacity using the advantages of deviating tunings. I love the 
music.

One peculiarity is that dotted rhythm sign more often than not consist of the 
dot only, lacking the shaft.

 Seems to be so that Leipzig has been a very musical city... ;-)

I haven't the faintest about the provenance of the ms.

Mathias


 On 08/04/11 01:00, Mathias Roesel wrote:
  Try Leipzig II.6.24. It's available from Tree as well.
 
  Mathias
 
  -Ursprüngliche Nachricht-
  Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
  Auftrag von wikla
  Gesendet: Donnerstag, 7. April 2011 21:50
  An: baroque-lute@cs.dartmouth.edu
  Betreff: [BAROQUE-LUTE] Ms. Leipzig II.6.14 by Tree Edition - great!
 
  Dear baroque lutenists,
 
  I just got the Tree/Albert R. edition of the Ms. Leipzig II.6.14 facsimile.
  Beautiful and interesting music, mainly Gallot (the great one! ;-).
  Also very beautifully written ms. Strongly recommended to every 11
  course player! Hard to find better stuff to the instrument.
 
  All the best,
 
  Arto
 
 
 
  To get on or off this list see list information at
  http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
 
 






[LUTE] new piece of the month

2011-04-08 Thread Martin Shepherd

Hi All,

The new piece of the month is in the usual place:

www.luteshop.co.uk/month/pieceofthemonth.html

It's the last of a series of recordings I made with a Venere 7c lute 
(67cm, strung all in gut) before it went to its new owner.


I hope you enjoy it.

Best wishes,

Martin



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: new piece of the month

2011-04-08 Thread G. Crona

Cool Martin!

Did you record it all in one go or weed out mistakes in audacity afterwards? 
You seem to be quite unique in the lute community in that you BOTH build 
excellent lutes as well as being a very sensitive and able player.


Kind regards

G.

- Original Message - 
From: Martin Shepherd mar...@luteshop.co.uk

To: Lute List lute@cs.dartmouth.edu
Sent: Friday, April 08, 2011 11:55 AM
Subject: [LUTE] new piece of the month



Hi All,

The new piece of the month is in the usual place:

www.luteshop.co.uk/month/pieceofthemonth.html

It's the last of a series of recordings I made with a Venere 7c lute 
(67cm, strung all in gut) before it went to its new owner.


I hope you enjoy it.

Best wishes,

Martin 




To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: new piece of the month

2011-04-08 Thread Martin Shepherd

Thanks, Goeran.

We have debated on this list before the virtues or otherwise of live 
performance-type recordings as opposed to perfect commercial CD-type 
recordings.


I don't like to hear blemishes (especially my own!) but at the same time 
I don't want to spend hours editing out every single one.  I usually do 
a couple of takes and use the best one, sometimes editing particularly 
gruesome bits - but on the whole my best recordings have been single 
takes, no edits.  If I were actually making a CD I think I would have to 
do lots of takes and lots of editing, but my main objective with these 
MP3s is just to share the music and demonstrate the sound of the lutes.  
I hope I have shown that gut strings can be used to good effect.


Best wishes,

Martin

On 08/04/2011 11:28, G. Crona wrote:

Cool Martin!

Did you record it all in one go or weed out mistakes in audacity 
afterwards? You seem to be quite unique in the lute community in that 
you BOTH build excellent lutes as well as being a very sensitive and 
able player.


Kind regards

G.

- Original Message - From: Martin Shepherd 
mar...@luteshop.co.uk

To: Lute List lute@cs.dartmouth.edu
Sent: Friday, April 08, 2011 11:55 AM
Subject: [LUTE] new piece of the month



Hi All,

The new piece of the month is in the usual place:

www.luteshop.co.uk/month/pieceofthemonth.html

It's the last of a series of recordings I made with a Venere 7c lute 
(67cm, strung all in gut) before it went to its new owner.


I hope you enjoy it.

Best wishes,

Martin 




To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] My first lute solo

2011-04-08 Thread Stewart McCoy
Dear Êîíñòàíòèí Ùåíèêîâ,

Well done for playing Queen Elizabeth's Galliard from memory. Am I right
in thinking that you learned the piece from a transcription in staff
notation, rather the original tablature?

Best wishes,

Stewart McCoy.

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Êîíñòàíòèí Ùåíèêîâ
Sent: 06 April 2011 17:02
To: lute@cs.dartmouth.edu Net
Subject: [LUTE] My first lute solo

This is my first recording on lute solo.
I am guitarist, I play lute 4 months.
http://www.youtube.com/watch?v=HeNbkf1u1SQ
What do you think about it?



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[LUTE] Re: new piece of the month

2011-04-08 Thread G. Crona
Indeed you most successfully have Martin. I should also have added an 
excellent editor as well as a generous sharer of music and knowledge. In 
short a compleat lutenist.

Cheers!

G.

- Original Message - 
From: Martin Shepherd mar...@luteshop.co.uk

To: Lute List lute@cs.dartmouth.edu
Sent: Friday, April 08, 2011 12:56 PM
Subject: [LUTE] Re: new piece of the month



Thanks, Goeran.

We have debated on this list before the virtues or otherwise of live 
performance-type recordings as opposed to perfect commercial CD-type 
recordings.


I don't like to hear blemishes (especially my own!) but at the same time I 
don't want to spend hours editing out every single one.  I usually do a 
couple of takes and use the best one, sometimes editing particularly 
gruesome bits - but on the whole my best recordings have been single 
takes, no edits.  If I were actually making a CD I think I would have to 
do lots of takes and lots of editing, but my main objective with these 
MP3s is just to share the music and demonstrate the sound of the lutes.  I 
hope I have shown that gut strings can be used to good effect.


Best wishes,

Martin

On 08/04/2011 11:28, G. Crona wrote:

Cool Martin!

Did you record it all in one go or weed out mistakes in audacity 
afterwards? You seem to be quite unique in the lute community in that you 
BOTH build excellent lutes as well as being a very sensitive and able 
player.


Kind regards

G.

- Original Message - From: Martin Shepherd 
mar...@luteshop.co.uk

To: Lute List lute@cs.dartmouth.edu
Sent: Friday, April 08, 2011 11:55 AM
Subject: [LUTE] new piece of the month



Hi All,

The new piece of the month is in the usual place:

www.luteshop.co.uk/month/pieceofthemonth.html

It's the last of a series of recordings I made with a Venere 7c lute 
(67cm, strung all in gut) before it went to its new owner.


I hope you enjoy it.

Best wishes,

Martin 




To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: new piece of the month

2011-04-08 Thread Edward Martin
Yes, that is very clear Martin.  Well done!

ed



At 05:56 AM 4/8/2011, Martin Shepherd wrote:
I hope I have shown that gut strings can be used to good effect.



Edward Martin
2817 East 2nd Street
Duluth, Minnesota  55812
e-mail:  e...@gamutstrings.com
voice:  (218) 728-1202
http://www.facebook.com/profile.php?id=1660298871ref=name
http://www.myspace.com/edslute
http://magnatune.com/artists/edward_martin




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[LUTE] My first lute solo

2011-04-08 Thread Stewart McCoy
Dear Konstantin,

Thanks for your message. The reason I thought you might have learned the
piece from staff notation is that there is a wrong note (d1 instead of
e1) which occurs four times (in bars 8, 16, 21 and 29). It is so easy to
mix up accidentals when reading from staff notation - something I do
frequently - but it is less likely to occur when reading from tablature.

However, more important than these few notes is the overall impression
of your performance, which I think is very good, and your phrasing and
expression show an innate musicality. Good luck with your lute playing,
and I look forward to further clips on YouTube.

Best wishes,

Stewart.

-Original Message-
From: Êîíñòàíòèí Ùåíèêîâ [mailto:konstantin.n...@gmail.com] 
Sent: 08 April 2011 12:15
To: Stewart McCoy
Subject: Re: [LUTE] My first lute solo

Hi, Stewart! 
You are partly right.
In first time I played this piece on guitar from transcription. Later,
when I started playing the lute I played from original tabulature. But
the transcription is stuck deep in my memory what confuses me sometime.

Konstantin Shchenikov





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[LUTE] Re: new piece of the month

2011-04-08 Thread Nancy Carlin
   Another luthier who is a wonderful player is Andrew Rutherford.

 Did you record it all in one go or weed out mistakes in audacity
 afterwards? You seem to be quite unique in the lute community in
 that you BOTH build excellent lutes as well as being a very
 sensitive and able player.
 Kind regards
 G.
 - Original Message - From: Martin Shepherd
 mar...@luteshop.co.uk
 To: Lute List lute@cs.dartmouth.edu
 Sent: Friday, April 08, 2011 11:55 AM
 Subject: [LUTE] new piece of the month

 Hi All,
 The new piece of the month is in the usual place:
 [1]www.luteshop.co.uk/month/pieceofthemonth.html
 It's the last of a series of recordings I made with a Venere 7c lute
 (67cm, strung all in gut) before it went to its new owner.
 I hope you enjoy it.
 Best wishes,
 Martin

 To get on or off this list see list information at
 [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   Nancy Carlin Associates
   P.O. Box 6499
   Concord, CA 94524  USA
   phone 925/686-5800 fax 925/680-2582
   web sites - [3]www.nancycarlinassociates.com
   [4]www.groundsanddivisions.info
   Representing:
   FROM WALES - Crasdant   Carreg Lafar,  FROM ENGLAND - Jez Lowe  Jez
   Lowe  The Bad Pennies, and now representing EARLY MUSIC - The Venere
   Lute Quartet, The Good Pennyworths  Morrongiello  Young
   Administrator THE LUTE SOCIETY OF AMERICA
   web site - [5]http://LuteSocietyofAmerica.org
   --

References

   1. http://www.luteshop.co.uk/month/pieceofthemonth.html
   2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   3. http://www.nancycarlinassociates.com/
   4. http://www.groundsanddivisions.info/
   5. http://lutesocietyofamerica.org/



[LUTE] Re: new piece of the month

2011-04-08 Thread wikla

Very beautiful!

But I would also very much like to _see_ the player and playing - important
part of performance... at least to me.

All the best,

Arto


On Fri, 8 Apr 2011 13:05:55 +0200, G. Crona kalei...@gmail.com wrote:
 Indeed you most successfully have Martin. I should also have added an 
 excellent editor as well as a generous sharer of music and knowledge. In 
 short a compleat lutenist.
 Cheers!
 
 G.
 
 - Original Message - 
 From: Martin Shepherd mar...@luteshop.co.uk
 To: Lute List lute@cs.dartmouth.edu
 Sent: Friday, April 08, 2011 12:56 PM
 Subject: [LUTE] Re: new piece of the month
 
 
 Thanks, Goeran.

 We have debated on this list before the virtues or otherwise of live 
 performance-type recordings as opposed to perfect commercial CD-type 
 recordings.

 I don't like to hear blemishes (especially my own!) but at the same time
 I
 don't want to spend hours editing out every single one.  I usually do a 
 couple of takes and use the best one, sometimes editing particularly 
 gruesome bits - but on the whole my best recordings have been single 
 takes, no edits.  If I were actually making a CD I think I would have to

 do lots of takes and lots of editing, but my main objective with these 
 MP3s is just to share the music and demonstrate the sound of the lutes. 
 I
 hope I have shown that gut strings can be used to good effect.

 Best wishes,

 Martin

 On 08/04/2011 11:28, G. Crona wrote:
 Cool Martin!

 Did you record it all in one go or weed out mistakes in audacity 
 afterwards? You seem to be quite unique in the lute community in that
 you
 BOTH build excellent lutes as well as being a very sensitive and able 
 player.

 Kind regards

 G.

 - Original Message - From: Martin Shepherd 
 mar...@luteshop.co.uk
 To: Lute List lute@cs.dartmouth.edu
 Sent: Friday, April 08, 2011 11:55 AM
 Subject: [LUTE] new piece of the month


 Hi All,

 The new piece of the month is in the usual place:

 www.luteshop.co.uk/month/pieceofthemonth.html

 It's the last of a series of recordings I made with a Venere 7c lute 
 (67cm, strung all in gut) before it went to its new owner.

 I hope you enjoy it.

 Best wishes,

 Martin 
 
 
 
 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




[LUTE] Re: new piece of the month

2011-04-08 Thread Edward Mast
Very lovely sound and playing, Martin.  The difference between a 59cm string 
length lute and 67cm lute is, perhaps, similar to the difference between a baby 
grand and a concert grand piano, yes?  But for the player, the concert grand 
keyboard is essentially the same as the baby grand; for the lutenist, long 
fingers must be a big advantage in playing 67cm!
-Ned
On Apr 8, 2011, at 5:55 AM, Martin Shepherd wrote:

 Hi All,
 
 The new piece of the month is in the usual place:
 
 www.luteshop.co.uk/month/pieceofthemonth.html
 
 It's the last of a series of recordings I made with a Venere 7c lute (67cm, 
 strung all in gut) before it went to its new owner.
 
 I hope you enjoy it.
 
 Best wishes,
 
 Martin
 
 
 
 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] Re: new piece of the month

2011-04-08 Thread Martin Shepherd
Thanks, Arto.  Yes, I agree video is the thing - I just haven't got the 
technology sorted out yet.


Meanwhile, why not do your own version?

Best wishes,

Martin

On 08/04/2011 18:26, wikla wrote:

Very beautiful!

But I would also very much like to _see_ the player and playing - important
part of performance... at least to me.

All the best,

Arto


On Fri, 8 Apr 2011 13:05:55 +0200, G. Cronakalei...@gmail.com  wrote:

Indeed you most successfully have Martin. I should also have added an
excellent editor as well as a generous sharer of music and knowledge. In
short a compleat lutenist.
Cheers!

G.

- Original Message -
From: Martin Shepherdmar...@luteshop.co.uk
To: Lute Listlute@cs.dartmouth.edu
Sent: Friday, April 08, 2011 12:56 PM
Subject: [LUTE] Re: new piece of the month



Thanks, Goeran.

We have debated on this list before the virtues or otherwise of live
performance-type recordings as opposed to perfect commercial CD-type
recordings.

I don't like to hear blemishes (especially my own!) but at the same time
I
don't want to spend hours editing out every single one.  I usually do a
couple of takes and use the best one, sometimes editing particularly
gruesome bits - but on the whole my best recordings have been single
takes, no edits.  If I were actually making a CD I think I would have to
do lots of takes and lots of editing, but my main objective with these
MP3s is just to share the music and demonstrate the sound of the lutes.
I
hope I have shown that gut strings can be used to good effect.

Best wishes,

Martin

On 08/04/2011 11:28, G. Crona wrote:

Cool Martin!

Did you record it all in one go or weed out mistakes in audacity
afterwards? You seem to be quite unique in the lute community in that
you
BOTH build excellent lutes as well as being a very sensitive and able
player.

Kind regards

G.

- Original Message - From: Martin Shepherd
mar...@luteshop.co.uk
To: Lute Listlute@cs.dartmouth.edu
Sent: Friday, April 08, 2011 11:55 AM
Subject: [LUTE] new piece of the month



Hi All,

The new piece of the month is in the usual place:

www.luteshop.co.uk/month/pieceofthemonth.html

It's the last of a series of recordings I made with a Venere 7c lute
(67cm, strung all in gut) before it went to its new owner.

I hope you enjoy it.

Best wishes,

Martin



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html







[LUTE] Re: new piece of the month

2011-04-08 Thread Stuart Walsh

On 08/04/2011 21:38, Martin Shepherd wrote:
Thanks, Arto.  Yes, I agree video is the thing - I just haven't got 
the technology sorted out yet.


Meanwhile, why not do your own version?

Best wishes,

Martin




Very nice gutty playing, Martin.

Just to get things in perspective though, roughly how much are the gut 
basses - e.g.  the fourth - seventh courses?


I agree that it is interesting to see people actually playing. But 
performance, I think, is yet another skill as well as actually playing 
the music as musically as you are able. I suppose you could ignore the 
performance aspect of performance (body language, composure, movement,  
maybe eye contact with camera etc etc). But would  you really wouldn't 
want to ignore all that that any more than ignore the musical aspects of 
the music (i.e.just stolidly sounding the notes)?


Another problem is that more a more people are using recording devices 
and adding a touch of reverb. I think this is really good as most people 
are just recording at home and not in a beautiful acoustic. But it just 
looks bizarre to see someone in their living room, sounding like they 
are in a concert hall.



Stuart




On 08/04/2011 18:26, wikla wrote:

Very beautiful!

But I would also very much like to _see_ the player and playing - 
important

part of performance... at least to me.

All the best,

Arto


On Fri, 8 Apr 2011 13:05:55 +0200, G. Cronakalei...@gmail.com  
wrote:

Indeed you most successfully have Martin. I should also have added an
excellent editor as well as a generous sharer of music and 
knowledge. In

short a compleat lutenist.
Cheers!

G.

- Original Message -
From: Martin Shepherdmar...@luteshop.co.uk
To: Lute Listlute@cs.dartmouth.edu
Sent: Friday, April 08, 2011 12:56 PM
Subject: [LUTE] Re: new piece of the month



Thanks, Goeran.

We have debated on this list before the virtues or otherwise of live
performance-type recordings as opposed to perfect commercial CD-type
recordings.

I don't like to hear blemishes (especially my own!) but at the same 
time

I
don't want to spend hours editing out every single one.  I usually 
do a

couple of takes and use the best one, sometimes editing particularly
gruesome bits - but on the whole my best recordings have been single
takes, no edits.  If I were actually making a CD I think I would 
have to

do lots of takes and lots of editing, but my main objective with these
MP3s is just to share the music and demonstrate the sound of the 
lutes.

I
hope I have shown that gut strings can be used to good effect.

Best wishes,

Martin

On 08/04/2011 11:28, G. Crona wrote:

Cool Martin!

Did you record it all in one go or weed out mistakes in audacity
afterwards? You seem to be quite unique in the lute community in that
you
BOTH build excellent lutes as well as being a very sensitive and able
player.

Kind regards

G.

- Original Message - From: Martin Shepherd
mar...@luteshop.co.uk
To: Lute Listlute@cs.dartmouth.edu
Sent: Friday, April 08, 2011 11:55 AM
Subject: [LUTE] new piece of the month



Hi All,

The new piece of the month is in the usual place:

www.luteshop.co.uk/month/pieceofthemonth.html

It's the last of a series of recordings I made with a Venere 7c lute
(67cm, strung all in gut) before it went to its new owner.

I hope you enjoy it.

Best wishes,

Martin



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html











[LUTE] Mean-tone, or rather meannasty-tone

2011-04-08 Thread Roman Turovsky

Here's Merula's Cappriccio Cromatico played on a mean-tone organ:
http://www.youtube.com/watch?v=D5_bSrkEFXs

It was so insufferable I had to turn it off halfway through.
Enjoy, ye MT mavens.
RT





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[LUTE] Re: Mean-tone, or rather meannasty-tone

2011-04-08 Thread howard posner

On Apr 8, 2011, at 4:26 PM, Roman Turovsky wrote:

 Here's Merula's Cappriccio Cromatico played on a mean-tone organ:
 http://www.youtube.com/watch?vÕ_bSrkEFXs

 It was so insufferable I had to turn it off halfway through.

The second half was the best part.
--

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[LUTE] Re: Sesquialtera

2011-04-08 Thread David Tayler
Sesqui means one and one half. So a sesquipedalian likes words that 
are a foot and a half long.

In a sesquialtera proportion, you want, according to Morley
'three notes are sung to two of the same kinde' and Sesquitertia 
is when four notes are sung to three of the same kinde

And 3/2 is one and one half

See also

http://www.freefictionbooks.org/books/s/20662-shakespeare-and-music-by-edward-w-naylor?start=14

Now, having said that, there are many exceptions. The direct 
mathematical proportion is contradicted in sources dating back to the 
time of Josquin;
understandably, musicians wanted leeway in their proportions, and in 
Mass music proportions were varied to create musical effects.
Towards the end of the renaissance you see a blurring of the 
proportions coinciding with an interest in the theme of 
transformation in music.

But, basically, three notes are sung to two of the same kind, which 
means those notes will be faster.
dt





At 09:40 AM 4/8/2011, you wrote:
Could anybody share any information about the execution of the
sesquialtera? I've been working on a recercare by Spinacino p.40, and
I'm still not sure if the execution is correct.





--


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[LUTE] Re: Sesquialtera

2011-04-08 Thread Bruno Correia
   Hi David,



   Can the sesquialtera be performed as triplets? In Spinacino there are 6
   notes in a bar (duple time).



   Thanks for the info.

   2011/4/9 David Tayler [1]vidan...@sbcglobal.net

 Sesqui means one and one half. So a sesquipedalian likes words that
 are a foot and a half long.
 In a sesquialtera proportion, you want, according to Morley
 'three notes are sung to two of the same kinde' and Sesquitertia
 is when four notes are sung to three of the same kinde
 And 3/2 is one and one half
 See also
 [2]http://www.freefictionbooks.org/books/s/20662-shakespeare-and-mus
 ic-by-edward-w-naylor?start=14
 Now, having said that, there are many exceptions. The direct
 mathematical proportion is contradicted in sources dating back to
 the
 time of Josquin;
 understandably, musicians wanted leeway in their proportions, and in
 Mass music proportions were varied to create musical effects.
 Towards the end of the renaissance you see a blurring of the
 proportions coinciding with an interest in the theme of
 transformation in music.
 But, basically, three notes are sung to two of the same kind, which
 means those notes will be faster.
 dt

   At 09:40 AM 4/8/2011, you wrote:
   Could anybody share any information about the execution of the
   sesquialtera? I've been working on a recercare by Spinacino p.40,
   and
   I'm still not sure if the execution is correct.
   
   
   
   
   
   --
   
   
   To get on or off this list see list information at
   [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:vidan...@sbcglobal.net
   2. 
http://www.freefictionbooks.org/books/s/20662-shakespeare-and-music-by-edward-w-naylor?start=14
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: new piece of the month

2011-04-08 Thread Gilbert Isbin

Very beautiful played Martin. Great lute sound too.
Gilbert
http://users.telenet.be/gilbert.isbin/contents.html



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