RE: OT - The Ashes

2007-01-06 Thread Brian Walters

I'm not quite sure whether you're insulting the Poms or the Kiwis.

Baa...



Cheers

Brian

++
Brian Walters
Western Sydney Australia

Quoting Trevor Bailey [EMAIL PROTECTED]:

 G'day.
 The only way the Poms can beat the Kiwis is to throw an Ugg boot
 into the
 change room before the match.
 The Kiwis will be too buggered to play then. ;-)
 
 Hooroo.
 Regards, Trevor.
 Grafton.
 OZ
 
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
 Behalf Of
 David Mann
 Sent: Saturday, 6 January 2007 4:54 PM
 To: Pentax-Discuss Mail List
 Subject: Re: OT - The Ashes
 
 On Jan 6, 2007, at 11:52 AM, Cotty wrote:
 
  I'm surprised at the lack of gloating here...and apprehensive at
 its
  arrival. So in a fit if pre-emptive strike rage, I'll start.
 
  What a shambles. I'm gutted.
 
 Don't worry, you've got the tri-nations coming up.  Considering the
  
 current state of our match against Sri Lanka, your team would have
 to  
 be in a pretty sad state if they don't beat NZ.
 
 - Dave
 
 
 
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RE: OT - The Ashes

2007-01-06 Thread Trevor Bailey
You mean there is a difference?
Cum arty cum arty.

Hooroo.
Regards, Trevor.
Grafton.
OZ

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Brian Walters
Sent: Saturday, 6 January 2007 6:59 PM
To: Pentax-Discuss Mail List
Subject: RE: OT - The Ashes


I'm not quite sure whether you're insulting the Poms or the Kiwis.

Baa...



Cheers

Brian

++
Brian Walters
Western Sydney Australia

Quoting Trevor Bailey [EMAIL PROTECTED]:

 G'day.
 The only way the Poms can beat the Kiwis is to throw an Ugg boot
 into the
 change room before the match.
 The Kiwis will be too buggered to play then. ;-)
 
 Hooroo.
 Regards, Trevor.
 Grafton.
 OZ
 
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
 Behalf Of
 David Mann
 Sent: Saturday, 6 January 2007 4:54 PM
 To: Pentax-Discuss Mail List
 Subject: Re: OT - The Ashes
 
 On Jan 6, 2007, at 11:52 AM, Cotty wrote:
 
  I'm surprised at the lack of gloating here...and apprehensive at
 its
  arrival. So in a fit if pre-emptive strike rage, I'll start.
 
  What a shambles. I'm gutted.
 
 Don't worry, you've got the tri-nations coming up.  Considering the
  
 current state of our match against Sri Lanka, your team would have
 to  
 be in a pretty sad state if they don't beat NZ.
 
 - Dave
 
 
 
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 This message was checked by NOD32 antivirus system.
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Re: How big is big enough?

2007-01-06 Thread Digital Image Studio
On 06/01/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:

 On Jan 5, 2007, at 10:33 PM, Digital Image Studio wrote:

  You (Mac) guys are a hoot, my server RAID partitions are System, Data,
  Audio, Images. ;-)

 My drives are all named for places in Ursula Le Guin's novels:
Werel, Hosk, Orkney, Koppish, Ifney, Atuan, Astowell, Hain,
 Kargad, Karego At ...

 Why should it be boring? One of the timeshare systems I used to work
 with at JPL years ago had servers/volumes all named for characters in
 Lord of the Rings.

Boring? They are hard drive names. Using target data related names I
find it easy to direct anyone else who uses my system to the target
drive and told the label once they seem to remember.

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UTC(GMT)  +10 Hours
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Re: OT - The Ashes

2007-01-06 Thread Cotty
On 5/1/07, Brian Walters, discombobulated, unleashed:

Gloating just isn't something that we Australians do... We are gracious
in  winning

That the sound of hell freezing over? ;-)

-- 


Cheers,
  Cotty


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Re: K10D and DA 50-200 and AF performance

2007-01-06 Thread Kostas Kavoussanakis

Don't do that too often but...

On Fri, 5 Jan 2007, John Francis wrote:

 After all, the FA* 80-200/f2.8 didn't cost that much.

Mark!

Kostas (buying three built-in electrical appliances and getting change 
instead)

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Re: Imacon vs. Epson 3200

2007-01-06 Thread Ralf R. Radermacher
Paul Stenquist [EMAIL PROTECTED] wrote:

 The Epson 3200 scan:

Which Epson 3200 is this? The Perfection 3200 flatbed or the hapless
F-3200 4x5 film scanner? 

Ralf

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Re: Imacon vs. Epson 3200

2007-01-06 Thread David Savage
Epson Perfection 3200 flatbed

Cheers,

Dave

On 1/6/07, Ralf R. Radermacher [EMAIL PROTECTED] wrote:
 Paul Stenquist [EMAIL PROTECTED] wrote:

  The Epson 3200 scan:

 Which Epson 3200 is this? The Perfection 3200 flatbed or the hapless
 F-3200 4x5 film scanner?

 Ralf

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PESO - Gimme my fish

2007-01-06 Thread Boris Liberman
http://not.contaxg.com/document.php?id=16108

Boris

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Re: Imacon vs. Epson 3200

2007-01-06 Thread Ralf R. Radermacher
David Savage [EMAIL PROTECTED] wrote:

 Epson Perfection 3200 flatbed

I see. Had one of those for a few years and it took the introduction of
the V700 to make me part with it. In the menatime I had tried the 4870,
4990, and the Canon 9900 (?) and the improvement was just too marginal.

To make the 3200 really shine, use it with Vuescan and set number of
samples to 8. You won't believe your eyes.

Ralf

-- 
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private homepage: http://www.fotoralf.de
manual cameras and photo galleries - updated Jan. 10, 2005
Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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Re: OT: Cat's cameras

2007-01-06 Thread Beaker

On Jan 6, 2007, at 12:03 AM, William Robb wrote:


 - Original Message -
 From: Beaker
 Subject: Re: OT: Cat's  cameras



 I'm scared now-
 Got a sweet little orange kitten for Christmas called Tigger.
 Except when he transforms into the Orange Peril - an insane little
 chewing machine...

 A girl I worked with many years ago was quite a cat fancier.
 Apparently, some colour schemes of cats act differently from others.
 We had an orange tabby girl who was also a hellion.
 She was resopnsible for starting us on the road of home reno hell by
 destroying the living room walls.
 She actually shredded portions of the wallboard.

 William Robb


I'm exagerating a little, but he does have two moods-
sleepy, sweet Tigger, and the hyperactive Orange Peril. I think he  
will be
more like Tigger when he outgrows kitten-hood. The Veternarian lives  
next
door to my parents, and they had what looks like Tigger's older cousin.
A 9 pound version of Morris the Cat.

Beaker

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RE: PESO - Two palm trees

2007-01-06 Thread Markus Maurer
I would like it more if the man on the right corner was cut away and again
the photo looks a bit blurred to me.
But the trees are nice indeed Boris :-)
greetings
Markus


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
Boris Liberman
Sent: Saturday, January 06, 2007 7:05 AM
To: Pentax-Discuss Mail List
Subject: PESO - Two palm trees


http://not.contaxg.com/document.php?id=16107full=1

As usual brutal and honest comments are the best ;-).

Boris

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Re: PESO - Two palm trees

2007-01-06 Thread Brian Walters
Great moody composition and the two palm trees add a nice focal point.  I agree 
with Marcus that it would be better if cropped a bit on the right to remove the 
'half man'.

Cheers

Brian

++
Brian Walters
Western Sydney Australia




Quoting Boris Liberman [EMAIL PROTECTED]:

 http://not.contaxg.com/document.php?id=16107full=1
 
 As usual brutal and honest comments are the best ;-).
 
 Boris
 
 --

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FS/FT: AF140C Ring Flash, FA50/1.4, A 35/2, A50/2.8 Macro, *Ist-DS and 16-45

2007-01-06 Thread Paul
Hi,

I have for sale or trade:

AF140C in excellent condition, with case and adapter rings - Price ?,  
not really sure how much these are worth, open to negotiation.

FA 50mm F1.4, In pretty much as new condition - $190us (price based  
on ebay prices)

A 35mm F2.0, In good condition - $180us

A 50mm F2.8 Macro - Rough cosmetic condition, but optics ok - $120us

*Ist DS, with box and all accessories and manuals, has a 2 year  
extended warranty valid in Australia

16-45mm F4.0 Lens - In excellent condition, with box and manuals -  
$280us

If any of my prices are way off then let me know. A few things i'm  
after if anyone wants to trade are:
AF360FGZ Flash, FA50/2.8 Macro and an A50/1.2

Thanks,
Paul


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Re: Imacon vs. Epson 3200

2007-01-06 Thread Paul
I have a V700 and its quite good with xpan negs and 6x6, better than  
the 4870 we have at work.

If Paul wants to send me a neg and i can scan it.

Regards,
Paul


On 06/01/2007, at 5:36 PM, Digital Image Studio wrote:

 On 06/01/07, Paul Stenquist [EMAIL PROTECTED] wrote:
 Here's a pic I rescanned on my friend's Imacon. I treated it somewhat
 differently as well, both in terms of the crop and the rendering,  
 but I
 still think there's a distinct difference. Note the detail in the
 background trtees.

 The imacon scan:
 http://www.photo.net/photodb/photo?photo_id=5416945size=lg

 The Epson 3200 scan:
 http://www.photo.net/photodb/photo?photo_id=2609820size=lg

 No surprise, but mildly interesting perhaps.
 Paul

 A good result and as you say, not surprising, I'd be keen to see where
 the Epson V700/750 fits in there.

 -- 
 Rob Studdert
 HURSTVILLE AUSTRALIA
 Tel +61-2-9554-4110
 UTC(GMT)  +10 Hours
 [EMAIL PROTECTED]
 http://home.swiftdsl.com.au/~distudio//publications/
 Pentax user since 1986, PDMLer since 1998

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Re: OT - The Ashes

2007-01-06 Thread Brian Walters
Well, we might as well gloat now because things are bound to change eventually.

Actually, with so many of the current Australian team retiring, there's a spot 
for a good all-rounder.  Wonder if Freddy might consider emigration?.


Cheers

Brian

++
Brian Walters
Western Sydney Australia


Quoting Cotty [EMAIL PROTECTED]:

 On 5/1/07, Brian Walters, discombobulated, unleashed:
 
 Gloating just isn't something that we Australians do... We are
 gracious
 in  winning
 
 That the sound of hell freezing over? ;-)
 
 -- 
 
 
 Cheers,
   Cotty


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Re: PESO - Two palm trees

2007-01-06 Thread Paul Stenquist
I think it's a nice shot of a harbor at dawn, but the title threw me. 
The palm trees seem incidental.
Paul
On Jan 6, 2007, at 1:05 AM, Boris Liberman wrote:

 http://not.contaxg.com/document.php?id=16107full=1

 As usual brutal and honest comments are the best ;-).

 Boris

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Re: Imacon vs. Epson 3200

2007-01-06 Thread Paul Stenquist
It's the Perfection 3200 flatbed, which has served me very well. But 
perhaps not as well as I once thought :-).
Paul
On Jan 6, 2007, at 5:11 AM, Ralf R. Radermacher wrote:

 Paul Stenquist [EMAIL PROTECTED] wrote:

 The Epson 3200 scan:

 Which Epson 3200 is this? The Perfection 3200 flatbed or the hapless
 F-3200 4x5 film scanner?

 Ralf

 -- 
 Ralf R. Radermacher  -  DL9KCG  -  Köln/Cologne, Germany
 private homepage: http://www.fotoralf.de
 manual cameras and photo galleries - updated Jan. 10, 2005
 Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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Re: Imacon vs. Epson 3200

2007-01-06 Thread Paul Stenquist
Thanks Ralf. I'll try that.
Paul
On Jan 6, 2007, at 5:57 AM, Ralf R. Radermacher wrote:

 David Savage [EMAIL PROTECTED] wrote:

 Epson Perfection 3200 flatbed

 I see. Had one of those for a few years and it took the introduction of
 the V700 to make me part with it. In the menatime I had tried the 4870,
 4990, and the Canon 9900 (?) and the improvement was just too marginal.

 To make the 3200 really shine, use it with Vuescan and set number of
 samples to 8. You won't believe your eyes.

 Ralf

 -- 
 Ralf R. Radermacher  -  DL9KCG  -  Köln/Cologne, Germany
 private homepage: http://www.fotoralf.de
 manual cameras and photo galleries - updated Jan. 10, 2005
 Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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Re: Imacon vs. Epson 3200

2007-01-06 Thread Paul Stenquist
Yes, I'd like to see how the new Epson performs on this as well. I 
notice the Imacon was able to separate the green of the trees from the 
blue fog while the Epson 3200 was not. Perhaps I can find someone 
locally who owns the V700 or maybe a store will let me do a test scan.
Paul
On Jan 6, 2007, at 1:36 AM, Digital Image Studio wrote:

 On 06/01/07, Paul Stenquist [EMAIL PROTECTED] wrote:
 Here's a pic I rescanned on my friend's Imacon. I treated it somewhat
 differently as well, both in terms of the crop and the rendering, but 
 I
 still think there's a distinct difference. Note the detail in the
 background trtees.

 The imacon scan:
 http://www.photo.net/photodb/photo?photo_id=5416945size=lg

 The Epson 3200 scan:
 http://www.photo.net/photodb/photo?photo_id=2609820size=lg

 No surprise, but mildly interesting perhaps.
 Paul

 A good result and as you say, not surprising, I'd be keen to see where
 the Epson V700/750 fits in there.

 -- 
 Rob Studdert
 HURSTVILLE AUSTRALIA
 Tel +61-2-9554-4110
 UTC(GMT)  +10 Hours
 [EMAIL PROTECTED]
 http://home.swiftdsl.com.au/~distudio//publications/
 Pentax user since 1986, PDMLer since 1998

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Re: PESO - Gimme my fish

2007-01-06 Thread Paul Stenquist
Good one. I would crop it a little tighter at the top and clone out the 
black blobs.
Paul
On Jan 6, 2007, at 5:35 AM, Boris Liberman wrote:

 http://not.contaxg.com/document.php?id=16108

 Boris

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RE: PESO - Gimme my fish

2007-01-06 Thread Tim Øsleby
I like this. 
But as Paul said, the ducks (or whatever it is) distracts. 


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Boris Liberman
Sent: 6. januar 2007 11:35
To: Pentax-Discuss Mail List
Subject: PESO - Gimme my fish

http://not.contaxg.com/document.php?id=16108

Boris

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Re: FS/FT: AF140C Ring Flash, FA50/1.4, A 35/2, A50/2.8 Macro, *Ist-DS and 16-45

2007-01-06 Thread Tom Reese

 -- Original message --
From: Paul [EMAIL PROTECTED]
 Hi,
 
 I have for sale or trade:
 
 AF140C in excellent condition, with case and adapter rings - Price ?,  
 not really sure how much these are worth, open to negotiation.

Paul,

to give you a baseline, KEH has had a few in the $300-340 range.

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Re: FS/FT: AF140C Ring Flash, FA50/1.4, A 35/2, A50/2.8 Macro, *Ist-DS and 16-45

2007-01-06 Thread Tom Reese

 -- Original message --
From: [EMAIL PROTECTED] (Tom Reese)
 
  -- Original message --
 From: Paul [EMAIL PROTECTED]
  Hi,
  
  I have for sale or trade:
  
  AF140C in excellent condition, with case and adapter rings - Price ?,  
  not really sure how much these are worth, open to negotiation.

they've come down a little. KEH has three that are listed at  $275, $286 and 
$265

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RE: PESO - Two palm trees

2007-01-06 Thread Tim Øsleby
For me, the two palms are misplaced in the composition. If they where a bit
more to the right, it would have worked a lot better. 
I like the light, and the lazy waves in lower right corner, adds some life
to the scene.


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Boris Liberman
Sent: 6. januar 2007 07:05
To: Pentax-Discuss Mail List
Subject: PESO - Two palm trees

http://not.contaxg.com/document.php?id=16107full=1

As usual brutal and honest comments are the best ;-).

Boris

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Re: PESO - Two palm trees

2007-01-06 Thread Jack Davis
Lighting, especially with reflections, is very nice.
I'd have to crop out the lower right boat transom and suck up the
scene. Then moving slightly to the left and shooting back a little to
the right to get more of a look at the transom line of the string of
boats on the right. Maybe I'd hate the result.(??)

Jack
--- Boris Liberman [EMAIL PROTECTED] wrote:

 http://not.contaxg.com/document.php?id=16107full=1
 
 As usual brutal and honest comments are the best ;-).
 
 Boris
 
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Introduction

2007-01-06 Thread Ed Keeney
Hello...

Just wanted to introduce myself (again).  I was once a subscriber to PDML
back a few years when I was shooting film with my Pentax PZ20.  Then I made
the switch to digital (a Sony S85).  I spent about 3 years or so with that.
It is a good camera, but I wanted my SLR back.  I enjoyed the immediate
response I got with the digital, no more waiting for development, etc.

I've been itching for a new DSLR for a while.  I've been planning on how to
get enough money to make the plunge.  I looked at the *istD series, but
price and timing weren't right.

When Pentax introduced the K100D I finally saw my opportunity.  It has what
I need, not over the top, price in line, compatibility with my current
lenses, shake reduction and a $50 rebate to boot.  I did much searching
online for the best price, read reviews, looked all over for images, read
the archives on PDML, etc.

I finally got things in order.  I sold some stuff on the web, made the Christmas
request for money instead of gifts (well received by all) and purchased the
K100D kit from bestpriceaudiovideo (best price around as well as fast and
free shipping).

I'm back taking pictures for me again (as well as the obligatory family
photos).  I'm getting my bearings with an SLR again (ISO1600/3200 - wow I
haven't seen those days in a while).

I'm shooting mostly in *** JPG but have attempted some RAW processing.  I'm
still working the kinks out on what RAW gives me as well as how I am
supposed to post process.  I am using PS Elements 5 with the RAW plug-in for
the K100D.  Any help on work flow would be appreciated.

As for my participation on the list, I'm mostly a lurker and will try and be
involved when I can.  I'll even try to post some PESO's every so often ;-)

I am currently using Google's Picasa for web hosting my shots - does anyone
have a better 'free' hosting site?  How do you like Flickr?  Suggestions are
welcome.

I have started a PAD with the new camera - not sure how long it will last
(it might become PAW instead at some point).

-- 
Thanks!
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http://picasaweb.google.com/ewkphoto

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Re: OT: Aires 35 rangefinder

2007-01-06 Thread Jens Bladt
It must have been nice to have the father teaching you darkroom technoques,
Bob :-) I didn't start until I got my first SLR in 1973.
The Viscount (french for count or similar) is quite nice - a bit newer
(1959-60) than the 35-series (1954) - according to Massimo Bertacchi.
I am looking for a 35-V with a built.in meter and interchangeable leaf
shutter lenses. I think four Coral lenses were made for this:1:3.5 /100mm, a
1:3.2/ 35mm and two 45mm lenses - 1:1.9 and 1:1.5. The V model was
introduced in 1958 - almost 50 yeas ago. I guess the company went belly up
in the early sixties. Unfortunately. The started making SLRs too late, I
guess.

I will be developing my first Aires film (Ilford FP4) shortly and hopefully
be able to post som scans too :-)
Regards
Jens Bladt
Nytarkort / Greeting Card:
http://www.jensbladt.dk/godtnytaar2007/lydshow.html

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af Bob
Shell
Sendt: 5. januar 2007 00:15
Til: Pentax-Discuss Mail List
Emne: Re: OT: Aires 35 rangefinder



On Jan 4, 2007, at 3:13 PM, Jens Bladt wrote:

 Thanks, Bob. I see.
 Mine has probably not seen much use.
 It still works perfectly after more than 50 years.
 Unfortunately there's no accumulating frame counter, so I can't
 check :-)

Some of my very first photos were taken with an Aires Viscount
rangefinder camera that my dad had when I was in my early teens.
Once I learned to use the rangefinder I was snapping away at
everything.  He had a darkroom in our basement, so I learned to
develop and print.  I must have been 12 or 13 when I processed my
first roll of film and made some prints.  Fixer got in my veins that
day and I was hooked for life.

My dad moved on to Exakta and Leica, and he would occasionally let me
use one of them.  I don't know what became of his old Aires.  I wish
I had it today.

Bob

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Re: Introduction

2007-01-06 Thread Paul Stenquist
Welcome back, Ed. You're off to a good start with your gallery. Keep 
working at it. The dog pic is my favorite.
Paul
On Jan 6, 2007, at 9:38 AM, Ed Keeney wrote:

 Hello...

 Just wanted to introduce myself (again).  I was once a subscriber to 
 PDML
 back a few years when I was shooting film with my Pentax PZ20.  Then I 
 made
 the switch to digital (a Sony S85).  I spent about 3 years or so with 
 that.
 It is a good camera, but I wanted my SLR back.  I enjoyed the immediate
 response I got with the digital, no more waiting for development, etc.

 I've been itching for a new DSLR for a while.  I've been planning on 
 how to
 get enough money to make the plunge.  I looked at the *istD series, but
 price and timing weren't right.

 When Pentax introduced the K100D I finally saw my opportunity.  It has 
 what
 I need, not over the top, price in line, compatibility with my current
 lenses, shake reduction and a $50 rebate to boot.  I did much searching
 online for the best price, read reviews, looked all over for images, 
 read
 the archives on PDML, etc.

 I finally got things in order.  I sold some stuff on the web, made the 
 Christmas
 request for money instead of gifts (well received by all) and 
 purchased the
 K100D kit from bestpriceaudiovideo (best price around as well as fast 
 and
 free shipping).

 I'm back taking pictures for me again (as well as the obligatory family
 photos).  I'm getting my bearings with an SLR again (ISO1600/3200 - 
 wow I
 haven't seen those days in a while).

 I'm shooting mostly in *** JPG but have attempted some RAW processing. 
  I'm
 still working the kinks out on what RAW gives me as well as how I am
 supposed to post process.  I am using PS Elements 5 with the RAW 
 plug-in for
 the K100D.  Any help on work flow would be appreciated.

 As for my participation on the list, I'm mostly a lurker and will try 
 and be
 involved when I can.  I'll even try to post some PESO's every so 
 often ;-)

 I am currently using Google's Picasa for web hosting my shots - does 
 anyone
 have a better 'free' hosting site?  How do you like Flickr?  
 Suggestions are
 welcome.

 I have started a PAD with the new camera - not sure how long it will 
 last
 (it might become PAW instead at some point).

 -- 
 Thanks!
 Ed

 http://picasaweb.google.com/ewkphoto

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DA 70 mm. on film cameras?

2007-01-06 Thread Carlos Royo
Hi all:
I would like to know if someone has tried to use the DA 70 mm. 2.4 on a 
film SLR, and in that case, whether it covers the 35 mm. film frame or 
not, and if there is severe vignetting.

Carlos

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Re: PESO: temple view

2007-01-06 Thread Shel Belinkoff
Great book - just recently finished reading it for the second time.

Shel



 [Original Message]
 From: Paul Stenquist 

 Nice composition. Very dramatic. Excellent work. Lost Horizons to  
 us westereners.

  http://picasaweb.google.com/nsjeyan/Road/photo#5016756202158631506



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Re: How big is big enough?

2007-01-06 Thread Brendan MacRae

--- David Mann [EMAIL PROTECTED] wrote:

 It must be the PDML equivalent of a slow-news day
 when we resort to  
 discussing the names of our hard drives.
 
 - Dave
 

I was thinking the same thing.

-Brendan 


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Re: How big is big enough?

2007-01-06 Thread Adam Maas
Digital Image Studio wrote:
 On 06/01/07, Paul Stenquist [EMAIL PROTECTED] wrote:
 Thanks for naming one of the drives after me:-).
 Paul
   My drives are bandit, jack, minnie and willie -- my dogs and kids,
 living and dead.
 Paul
 On Jan 5, 2007, at 11:10 PM, Brendan MacRae wrote:

 When I got my new Mac I put 2 terabytes of storage in
 it. John, Paul, George and Ringo. Four 500G drives.

 I thought that would be a good start.

 -Brendan
 
 You (Mac) guys are a hoot, my server RAID partitions are System, Data,
 Audio, Images. ;-)
 

Mac guys?

My HP Laptop is Leannansidhe, the externals are Fast One and Image Tank.

-Adam

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Re: OT - The Ashes

2007-01-06 Thread mike wilson

 
 From: Cotty [EMAIL PROTECTED]
 Date: 2007/01/05 Fri PM 10:52:03 GMT
 To: pentax list PDML@pdml.net
 Subject: OT - The Ashes
 
 I'm surprised at the lack of gloating here...and apprehensive at its
 arrival. So in a fit if pre-emptive strike rage, I'll start.
 
 What a shambles. I'm gutted.
 

But not at all suprised. 


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Re: PESO - Two palm trees

2007-01-06 Thread P. J. Alling
Nicely ironic title.

Boris Liberman wrote:
 http://not.contaxg.com/document.php?id=16107full=1

 As usual brutal and honest comments are the best ;-).

 Boris

   


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Rumours about new K10D firmware coming

2007-01-06 Thread Thibouille
http://forums.dpreview.com/forums/read.asp?forum=1036message=21555257

Rumours only of course ... but cool nonetheless...

-- 

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--
*ist-D,Z1,SuperA,KX,MX, P30t and KR-10x ;) ...

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Re: PESO: temple view

2007-01-06 Thread P. J. Alling
The modern world intrudes again.

SJ wrote:
 thanks paul. really appreciate that comment.

 regarding 'lost horizons', there is access to the Net available
 through a mobile phone right from that spot. :))

 regards, subash

 On 1/6/07, Paul Stenquist [EMAIL PROTECTED] wrote:
   
 Nice composition. Very dramatic. Excellent work. Lost Horizons to
 us westereners.
 Paul
 On Jan 5, 2007, at 10:43 PM, SJ wrote:
 

   
 http://picasaweb.google.com/nsjeyan/Road/photo#5016756202158631506
   

   


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Re: How big is big enough?

2007-01-06 Thread P. J. Alling
On the only machine currently running the Primary Drive is drive two, 
and the Secondary drive is drive one...
Altogether about 400 gig of storage.


David Mann wrote:
 On Jan 6, 2007, at 7:33 PM, Digital Image Studio wrote:

   
 You (Mac) guys are a hoot, my server RAID partitions are System, Data,
 Audio, Images. ;-)
 

 My two internal drives are Garfield (the name of the machine) and  
 Work.  The external drive is called Photo.

 It must be the PDML equivalent of a slow-news day when we resort to  
 discussing the names of our hard drives.

 - Dave


   


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Re: K10D gallery

2007-01-06 Thread Mark Cassino
Nice shots, Doug - great textures and lighting.

- MCC

Doug Brewer wrote:
 Hi Kids,
 
 Been goofing around with the K10D and thought I'd show a few examples. 
 Nothing earth-shattering, just more evidence that I like captive subjects.
 
 Anyway:
 
 http://photos.drivingtheflies.com/
 
 Enjoy, and one day I'll determine how to change the background color for 
 the gallery page.
 
 Doug
 


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Re: Imacon vs. Epson 3200

2007-01-06 Thread Mark Cassino
Quite a noticeable difference - beautiful morning light behind the 
vehicles BTW.

I use an Epson 3200 for my medium format scans. I'm not surprised at the 
difference - I found it to be iffy for high quality scans from slide 
film, but then slide film is the most demanding for scanning.

I think the 3200 does a better job with negative film, especially BW. I 
did a head to head comparison of some 35mm BW frame between my Canoscan 
FS4000 and the Epson 3200, and found the difference to be negligible. 
I've also had several large (30 x 24) BW prints made from scans off the 
Epson that just scream with detail.  Color negative film also scans well 
on the Epson - better than color transparency - but unfortunately my 
Epson has developed a problem with putting a blue line into every color 
scan at exactly the same place. Well, it's getting old.

I keep watching for a good deal on a Nikon medium format scanner as a 
reasonable compromise between the flatbeds and the Imacons. It's really 
hard to sink a lot of money into a technology that's on the wane - I can 
see even my MF film days coming to a close.

- MCC

Paul Stenquist wrote:
 Here's a pic I rescanned on my friend's Imacon. I treated it somewhat 
 differently as well, both in terms of the crop and the rendering, but I 
 still think there's a distinct difference. Note the detail in the 
 background trtees.
 
 The imacon scan:
 http://www.photo.net/photodb/photo?photo_id=5416945size=lg
 
 The Epson 3200 scan:
 http://www.photo.net/photodb/photo?photo_id=2609820size=lg
 
 No surprise, but mildly interesting perhaps.
 Paul
 
 


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Re: PESO - Gimme my fish

2007-01-06 Thread P. J. Alling
That's very good.

Boris Liberman wrote:
 http://not.contaxg.com/document.php?id=16108

 Boris

   


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Re: K10D with AF540FGZ

2007-01-06 Thread Dario Bonazza
Mark Roberts wrote:

 I agree. I found P-TTL to be vastly superior to TTL on digital.

I'd tweak your sentence as follows:

I found P-TTL to be vastly superior to TTL on the *istD.
With the *istDS, the plain old TTL works very well, enough you can hardly 
find any difference.

Dario


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Re: OT - The Ashes

2007-01-06 Thread P. J. Alling
I think he got both.
(I can only thank God that the US doesn't play Cricket).

Brian Walters wrote:
 I'm not quite sure whether you're insulting the Poms or the Kiwis.

 Baa...



 Cheers

 Brian

 ++
 Brian Walters
 Western Sydney Australia

 Quoting Trevor Bailey [EMAIL PROTECTED]:

   
 G'day.
 The only way the Poms can beat the Kiwis is to throw an Ugg boot
 into the
 change room before the match.
 The Kiwis will be too buggered to play then. ;-)

 Hooroo.
 Regards, Trevor.
 Grafton.
 OZ

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
 Behalf Of
 David Mann
 Sent: Saturday, 6 January 2007 4:54 PM
 To: Pentax-Discuss Mail List
 Subject: Re: OT - The Ashes

 On Jan 6, 2007, at 11:52 AM, Cotty wrote:

 
 I'm surprised at the lack of gloating here...and apprehensive at
   
 its
 
 arrival. So in a fit if pre-emptive strike rage, I'll start.

 What a shambles. I'm gutted.
   
 Don't worry, you've got the tri-nations coming up.  Considering the
  
 current state of our match against Sri Lanka, your team would have
 to  
 be in a pretty sad state if they don't beat NZ.

 - Dave



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Re: How big is big enough?

2007-01-06 Thread mike wilson

 
 From: Godfrey DiGiorgi [EMAIL PROTECTED]
 Date: 2007/01/06 Sat AM 07:40:42 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: How big is big enough?
 
 
 On Jan 5, 2007, at 10:33 PM, Digital Image Studio wrote:
 
  You (Mac) guys are a hoot, my server RAID partitions are System, Data,
  Audio, Images. ;-)
 
 My drives are all named for places in Ursula Le Guin's novels:
Werel, Hosk, Orkney, Koppish, Ifney, Atuan, Astowell, Hain,  
 Kargad, Karego At ...
 
 Why should it be boring? One of the timeshare systems I used to work  
 with at JPL years ago had servers/volumes all named for characters in  
 Lord of the Rings.

At the University of Sunderland, the servers used to be named after characters 
in Blake's Seven, a 1970s scifi TV programme.  My account was on Orac.  It's 
much more boring nowadays. 


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Re: How big is big enough?

2007-01-06 Thread David Savage
I have 600GB (51% full), RAID 0 with 0 partitions, that I lovingly call  C

:-)

Dave

On 1/7/07, P. J. Alling [EMAIL PROTECTED] wrote:
 On the only machine currently running the Primary Drive is drive two,
 and the Secondary drive is drive one...
 Altogether about 400 gig of storage.


 David Mann wrote:
  On Jan 6, 2007, at 7:33 PM, Digital Image Studio wrote:
 
 
  You (Mac) guys are a hoot, my server RAID partitions are System, Data,
  Audio, Images. ;-)
 
 
  My two internal drives are Garfield (the name of the machine) and
  Work.  The external drive is called Photo.
 
  It must be the PDML equivalent of a slow-news day when we resort to
  discussing the names of our hard drives.
 
  - Dave

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Re: PESO - Gimme my fish

2007-01-06 Thread Don Williams
These things don't eat fish. They are filter feeders and and subsist on 
very small animal life such as rotifers, small nematodes (1 mm long) 
water fleas and suchlike.

D

P. J. Alling wrote:
 That's very good.

 Boris Liberman wrote:
   
 http://not.contaxg.com/document.php?id=16108

 Boris

   
 


   


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Re: PESO - Gimme my fish

2007-01-06 Thread mike wilson

 
 From: Don Williams [EMAIL PROTECTED]
 Date: 2007/01/06 Sat PM 04:48:28 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: PESO - Gimme my fish
 
 These things don't eat fish. They are filter feeders and and subsist on 
 very small animal life such as rotifers, small nematodes (1 mm long) 
 water fleas and suchlike.
 
 D

Just keep your beak out of others' business.
[That's a suggestion for an alternative title..8-)]

 
 P. J. Alling wrote:
  That's very good.
 
  Boris Liberman wrote:

  http://not.contaxg.com/document.php?id=16108
 
  Boris
 

  
 
 

 
 
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 www.kolumbus.fi/mimosa/
 http://personal.inet.fi/cool/don.williams/
 41660 TOIVAKKA ? Finland - +358400706616
 
 
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Re: PESO - Gimme my fish

2007-01-06 Thread David Savage
This is art (!), and as such creative licence is allowed :-)

Also Gimme my Nematodes doesn't roll off the tongue as nicely.

Boris, if it were mine I'd clone out the duck (?) and the reflections
in the background. I find they distract from the main subjects.

Cheers,

Dave

On 1/7/07, Don Williams [EMAIL PROTECTED] wrote:
 These things don't eat fish. They are filter feeders and and subsist on
 very small animal life such as rotifers, small nematodes (1 mm long)
 water fleas and suchlike.
 http://not.contaxg.com/document.php?id=16108

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Re: PESO - Gimme my fish

2007-01-06 Thread P. J. Alling
Who cares about the title in this case...

mike wilson wrote:
 From: Don Williams [EMAIL PROTECTED]
 Date: 2007/01/06 Sat PM 04:48:28 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: PESO - Gimme my fish

 These things don't eat fish. They are filter feeders and and subsist on 
 very small animal life such as rotifers, small nematodes (1 mm long) 
 water fleas and suchlike.

 D
 

 Just keep your beak out of others' business.
 [That's a suggestion for an alternative title..8-)]

   
 P. J. Alling wrote:
 
 That's very good.

 Boris Liberman wrote:
   
   
 http://not.contaxg.com/document.php?id=16108

 Boris

   
 
 
   
   
 -- 
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 www.kolumbus.fi/mimosa/
 http://personal.inet.fi/cool/don.williams/
 41660 TOIVAKKA ? Finland - +358400706616


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FS Friday (A day late)

2007-01-06 Thread Adam Maas
All prices in Canadian, plus shipping. I can only take money orders at 
the moment.


Kit #1.
K100D with less than 2000 shots on the clock. This is probably the best 
6MP body on the market today, with in-body stabilization, the best 
viewfinder short of the D80 or K10D, excellent image quality, ISO 3200 
and an 11 point AF unit that actually works decently in low light. 
Meters and does SR with anything you can mount on the front of it.$660 
new at CameraCanada.com

It also comes with:

Pentax SMC-DA 16-45 f4 AL lens. Fixed f4, extremely sharp, full-time 
manual focus (Like USM lenses), hood (with removable cutout for 
adjusting polarizers), 24-70 equivalent, making it the widest general 
purpose zoom for digital cameras. Lens is like new. $377 new at 
CameraCanada.com

SMC-A 70-210 f4. Classic and superb manual focus zoom. SMC-A mount 
allows all exposure modes and metering modes, only AF and focal-length 
communication is lost (You can manually enter focal length for SR). 
Sharp as all heck and handles well. Lens has cosmetic wear but mint 
glass. Approx $200 value.

SMC-A 50mm f1.7. Sharpest Pentax 50, SMC-A mount allows all exposure 
modes and metering modes, only AF and focal-length communication is lost 
(You can manually enter focal length for SR). Flat field design, can do 
excellent macro work with the addition of extension tubes. Approx $100 
value.

Vivitar 300mm f5.6 K mount modified to a preset lens. Decent 300 prime, 
only meters correctly on the DSLR's as the aperture coupling and 
stop-down levers have been removed. Like all pre-A lenses it will work 
in Av and M modes on the K100D. Approx Value $25 (due to mods)

Takumar-A 2x TC. Works with all K mount lenses, preserves metering and 
program modes with all A or later lenses, but not AF or focal length 
information. Approx $75 Value

Remote Control F. IR remote for all Pentax cameras which support IR 
remotes(including All Pentax DSLR's). $25 value

Henry's M42-Screwmount Adaptor. Preserves infinity focus, takes all M42 
lenses. Works on Film and Digital K mount bodies. $25 value

K mount-52mm reverse adaptor. Do macro with a reverse 50mm lens. Works 
nicely. meter couples with film bodies and works as a pre-A lens on 
digital. Approx value $5

49mm-52mm step-up ring. Allows standard pentax primes to mount on the 
reverse adaptor since most Pentax primes are 49mm filter size, not 52mm. 
Approx value $5

Chinon CP-6 Spot K mount film body. Just in case you want to try that 
wierd coated gelatin sensor. Program, aperture priority and manual modes 
with averaging and spot metering. Approx value $20, so I'm throwing it in.

Also includes boxes for the K100D and 16-45, with all manuals and other 
items normally including in the box (Software, cables, accessories). 
K100D has almost-new Lithium AA's with less than 100 shots on them, good 
for another 600-800 or so. CP-6 has 3xAAA alkalines's which cannot be 
guaranteed (Can't remember how new they are).

Kit cost to you: $1000.

Kit #2

Pentax MZ-5n. Traditional interface on a good little AF body. Shutter 
speeds to 1/2000, 1/100 sync, 2fps winder, matrix, centre-weighted and 
spot metering. Traditional shutter speed dial, good viewfinder. Comes with:

Kiron 28mm f2 K mount lens. Fast, sharp 28mm wide.

SMC-F 35-80 f4-5.6 AF zoom. Kit lens. Not bad.

SMC-A 50mm f2, classic Pentax 50, with full metering and exposure modes 
support on all Pentax K mount bodies.

$250 for the lot.


Kit #3.

Pentax LX. Classic Pentax pro film SLR, form the class of 1980 (like the 
Nikon F3 and Canon New F1). 1/2000 shutter, 1/75 flash sync, TTL flash 
support (including a proper hotshoe unlike the F3). LED simulated match 
needle display, removable finder (standard DA-1 with adjustable 
diopter). Metering down to -6.5EV (128 seconds at ISO 100 and f1.4). 
Mechanical shutter for speeds over sync, electronic shutter at speeds 
below sync. TTL-OTF ambient metering in Aperture Priority mode with 
speeds below 1/75 sync (Yes, the camera will automatically adjust the 
exposure based on the actual amount of light hitting the film, for 
speeds between 1/60th and 128 seconds). Takes 2fps winder or 5fps 
motordrive (NOT included). Takes all K mount lenses except DA and FA-J 
lenses(which lack aperture rings). This body's seen some use. It's 
mechanically fine, but has wear, the leatherette is starting to peel and 
the film door latch is difficult to close. Since these bodies typically 
go for $400-600, I'm giving you a deal because of the door latch.

SMC-M 50mm f2. The classic Pentax 50mm.

$250.

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RE: Introduction (Raw work flow)

2007-01-06 Thread Tim Øsleby
Welcome Ed.

About raw word flow. I wrote an article describing my work flow
http://www.photosight.org/pforum/showflat.php?Cat=Board=phototechnicalityN
umber=322113page=0view=collapsedsb=5o=fpart=. 
So why not short version it to English? 
If you don't find it useful, somebody else might.

I'm not an expert, but this is my take on the task: 

For me the main trick is to work systematically, one image parameter at the
time. If I fiddle with too much at the same time I simply get lost. 

This work flow is efficient when you are going for a high contrast
presentation. If you are going for something else you need to set the
parameters differently, but do it in the same order.
 

1. Sorting and tagging the images.

I start sorting, simply because it saves me work. No point in spending
converting time on photos I'm going to throw away anyway. 
In Lightroom you can also tag and rate the photos. Very useful IMO.

2. White balance. 

Most raw converters have an eye drop function. Find a white or neutral grey
area of the image, and click there. Done.
If that does not do the trick you simply have to fiddle around until you get
what you want. My experience is that it often helps to set tint to neutral
first. When the WB looks ok, then it is time to play with tint. Playing with
both at the same time can be very confusing.

3. Exposure, aka setting white point.

Exposure is rh, exposure ;-)
But it is also described as setting the white point, or setting upper
clipping point. These two terms gives you a much better idea of what it is
useful for.
Keep an eye on the histogram while adjusting. You will see what it moves
right when increasing exposure, left when decreasing. What you are looking
for is the point where the histogram starts climbing at the right (when the
whites starts clipping). When you want bright whites, back off just a tiny
bit, if you want a medium key image, then back off a bit more. If you don't
want details in highlights (high contrast), then don't back off, just leave
it there.

Most raw converters have a tool showing the clipping. With those I have
tried you hold the Alt key, then the clipped areas is displayed. This is
useful. After the clipping fields in the image are identified, I often do a
fine tuning suiting my needs and my taste. 

At this stage, don't look if the image looks to dark or to light. You will
adjust this later in the process. 

4. Shadows, blacks, darks, aka setting lower clipping point.

The procedure here is very similar to exposure. What you do here is setting
lower clipping point. 
While adjusting shadows, the Alt key will display clipping in the lower.
When the histogram starts climbing at left, stop. If you don't want details
in the shadows (high contrast), just leave it there. But if you want to
preserve details, you back off a bit here too.

Now we are almost there. The rest is fine tuning. Very often I skip some of
the next steps.

5. Brightness. 

At first sight the brightness controls the exposure. This is not true.
Brightness has less effect on the extremes. Now it is time to decide if you
want a medium key, a high key, or a low key result. I often leave brightness
as it is. But it is useful to adjust the overall look of the photo. Moving
right will make the photo look lighter, moving left will make it look
darker. 

6. Contrast.

Contrast affects the impact off the photo. You have already done the basic
contrast adjustments with exposure and shadows. But contrast control can be
useful for fine tuning contrast. 

7. Saturation.

The adjustments you have done affect saturation. If you have increased
contrast, you will experience increased saturation as a side effect. So,
often you need to lower saturation in high contrast images. 

If you are Ken Rockwell, you like strong colours. Then you may have an urge
to pump them even higher. By all means, do it. It will become a crappy
image, but it is your decision ;-) 

This is the basic steps. In a basic raw converter there is not much else to
do. Except doing the actual conversion off course ;-)

One important thing to have in mind: Every adjustment affects the noise
(especially in shadows area). Don't worry too much about it, but it is a
good idea to have an eye on noise while adjusting. You will also experience
that most adjustments are compromises. There is no such thing as the perfect
setting for a parameter.
-
In more sophisticated converters you have several other tools available. 
- Recovery is for fine tuning highlights. If I use it, I usually do it after
basic exposure tuning.
- Fill light is one example, very useful in some situation, but don't overdo
it. To much fill destroys colours. I often grab it if I'm not satisfied
after step 7.
- Serious converters also have curves adjustment. IMO it is much better
doing it non destructive, before converting. 
- Often you can do sharpening and de-noise too. This can be useful for web
sized presentations, but not in 

Re: FS Friday (A day late)

2007-01-06 Thread Thibouille
Adam, where are you located ?

2007/1/6, Adam Maas [EMAIL PROTECTED]:
 All prices in Canadian, plus shipping. I can only take money orders at
 the moment.


 Kit #1.
 K100D with less than 2000 shots on the clock. This is probably the best
 6MP body on the market today, with in-body stabilization, the best
 viewfinder short of the D80 or K10D, excellent image quality, ISO 3200
 and an 11 point AF unit that actually works decently in low light.
 Meters and does SR with anything you can mount on the front of it.$660
 new at CameraCanada.com

 It also comes with:

 Pentax SMC-DA 16-45 f4 AL lens. Fixed f4, extremely sharp, full-time
 manual focus (Like USM lenses), hood (with removable cutout for
 adjusting polarizers), 24-70 equivalent, making it the widest general
 purpose zoom for digital cameras. Lens is like new. $377 new at
 CameraCanada.com

 SMC-A 70-210 f4. Classic and superb manual focus zoom. SMC-A mount
 allows all exposure modes and metering modes, only AF and focal-length
 communication is lost (You can manually enter focal length for SR).
 Sharp as all heck and handles well. Lens has cosmetic wear but mint
 glass. Approx $200 value.

 SMC-A 50mm f1.7. Sharpest Pentax 50, SMC-A mount allows all exposure
 modes and metering modes, only AF and focal-length communication is lost
 (You can manually enter focal length for SR). Flat field design, can do
 excellent macro work with the addition of extension tubes. Approx $100
 value.

 Vivitar 300mm f5.6 K mount modified to a preset lens. Decent 300 prime,
 only meters correctly on the DSLR's as the aperture coupling and
 stop-down levers have been removed. Like all pre-A lenses it will work
 in Av and M modes on the K100D. Approx Value $25 (due to mods)

 Takumar-A 2x TC. Works with all K mount lenses, preserves metering and
 program modes with all A or later lenses, but not AF or focal length
 information. Approx $75 Value

 Remote Control F. IR remote for all Pentax cameras which support IR
 remotes(including All Pentax DSLR's). $25 value

 Henry's M42-Screwmount Adaptor. Preserves infinity focus, takes all M42
 lenses. Works on Film and Digital K mount bodies. $25 value

 K mount-52mm reverse adaptor. Do macro with a reverse 50mm lens. Works
 nicely. meter couples with film bodies and works as a pre-A lens on
 digital. Approx value $5

 49mm-52mm step-up ring. Allows standard pentax primes to mount on the
 reverse adaptor since most Pentax primes are 49mm filter size, not 52mm.
 Approx value $5

 Chinon CP-6 Spot K mount film body. Just in case you want to try that
 wierd coated gelatin sensor. Program, aperture priority and manual modes
 with averaging and spot metering. Approx value $20, so I'm throwing it in.

 Also includes boxes for the K100D and 16-45, with all manuals and other
 items normally including in the box (Software, cables, accessories).
 K100D has almost-new Lithium AA's with less than 100 shots on them, good
 for another 600-800 or so. CP-6 has 3xAAA alkalines's which cannot be
 guaranteed (Can't remember how new they are).

 Kit cost to you: $1000.

 Kit #2

 Pentax MZ-5n. Traditional interface on a good little AF body. Shutter
 speeds to 1/2000, 1/100 sync, 2fps winder, matrix, centre-weighted and
 spot metering. Traditional shutter speed dial, good viewfinder. Comes with:

 Kiron 28mm f2 K mount lens. Fast, sharp 28mm wide.

 SMC-F 35-80 f4-5.6 AF zoom. Kit lens. Not bad.

 SMC-A 50mm f2, classic Pentax 50, with full metering and exposure modes
 support on all Pentax K mount bodies.

 $250 for the lot.


 Kit #3.

 Pentax LX. Classic Pentax pro film SLR, form the class of 1980 (like the
 Nikon F3 and Canon New F1). 1/2000 shutter, 1/75 flash sync, TTL flash
 support (including a proper hotshoe unlike the F3). LED simulated match
 needle display, removable finder (standard DA-1 with adjustable
 diopter). Metering down to -6.5EV (128 seconds at ISO 100 and f1.4).
 Mechanical shutter for speeds over sync, electronic shutter at speeds
 below sync. TTL-OTF ambient metering in Aperture Priority mode with
 speeds below 1/75 sync (Yes, the camera will automatically adjust the
 exposure based on the actual amount of light hitting the film, for
 speeds between 1/60th and 128 seconds). Takes 2fps winder or 5fps
 motordrive (NOT included). Takes all K mount lenses except DA and FA-J
 lenses(which lack aperture rings). This body's seen some use. It's
 mechanically fine, but has wear, the leatherette is starting to peel and
 the film door latch is difficult to close. Since these bodies typically
 go for $400-600, I'm giving you a deal because of the door latch.

 SMC-M 50mm f2. The classic Pentax 50mm.

 $250.

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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net



-- 

Thibault Massart aka Thibouille
--
*ist-D,Z1,SuperA,KX,MX, P30t and KR-10x ;) ...

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Re: How big is big enough?

2007-01-06 Thread Scott Loveless
On 1/6/07, David Savage [EMAIL PROTECTED] wrote:
 I have 600GB (51% full), RAID 0 with 0 partitions, that I lovingly call  C

 :-)

Ah, the wonders of raid 0.  My first and only SCSI system included a
matched pair of Seagate drives.  It booted Redhat 7pointsomething.
One fine day a drive wouldn't post.  Of course, it was nothing a low
level format wouldn't fix.  :-S.

I found out a few weeks later, after abandoning raid 0, that a bit of
mechanical agitation was all that was needed to get the drive going
again (a swift kick to the side of the case).

I now have three partitions on a single disk: /boot, /root, and /.
The DOS boxes have C: and D:.  Life is simple.

-- 
Scott Loveless
http://www.twosixteen.com
Shoot more film!

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Re: FS Friday (A day late)

2007-01-06 Thread Adam Maas
Toronto, Canada

Postal code is M6C 3L9

-Adam


Thibouille wrote:
 Adam, where are you located ?
 
 2007/1/6, Adam Maas [EMAIL PROTECTED]:
 All prices in Canadian, plus shipping. I can only take money orders at
 the moment.


 Kit #1.
 K100D with less than 2000 shots on the clock. This is probably the best
 6MP body on the market today, with in-body stabilization, the best
 viewfinder short of the D80 or K10D, excellent image quality, ISO 3200
 and an 11 point AF unit that actually works decently in low light.
 Meters and does SR with anything you can mount on the front of it.$660
 new at CameraCanada.com

 It also comes with:

 Pentax SMC-DA 16-45 f4 AL lens. Fixed f4, extremely sharp, full-time
 manual focus (Like USM lenses), hood (with removable cutout for
 adjusting polarizers), 24-70 equivalent, making it the widest general
 purpose zoom for digital cameras. Lens is like new. $377 new at
 CameraCanada.com

 SMC-A 70-210 f4. Classic and superb manual focus zoom. SMC-A mount
 allows all exposure modes and metering modes, only AF and focal-length
 communication is lost (You can manually enter focal length for SR).
 Sharp as all heck and handles well. Lens has cosmetic wear but mint
 glass. Approx $200 value.

 SMC-A 50mm f1.7. Sharpest Pentax 50, SMC-A mount allows all exposure
 modes and metering modes, only AF and focal-length communication is lost
 (You can manually enter focal length for SR). Flat field design, can do
 excellent macro work with the addition of extension tubes. Approx $100
 value.

 Vivitar 300mm f5.6 K mount modified to a preset lens. Decent 300 prime,
 only meters correctly on the DSLR's as the aperture coupling and
 stop-down levers have been removed. Like all pre-A lenses it will work
 in Av and M modes on the K100D. Approx Value $25 (due to mods)

 Takumar-A 2x TC. Works with all K mount lenses, preserves metering and
 program modes with all A or later lenses, but not AF or focal length
 information. Approx $75 Value

 Remote Control F. IR remote for all Pentax cameras which support IR
 remotes(including All Pentax DSLR's). $25 value

 Henry's M42-Screwmount Adaptor. Preserves infinity focus, takes all M42
 lenses. Works on Film and Digital K mount bodies. $25 value

 K mount-52mm reverse adaptor. Do macro with a reverse 50mm lens. Works
 nicely. meter couples with film bodies and works as a pre-A lens on
 digital. Approx value $5

 49mm-52mm step-up ring. Allows standard pentax primes to mount on the
 reverse adaptor since most Pentax primes are 49mm filter size, not 52mm.
 Approx value $5

 Chinon CP-6 Spot K mount film body. Just in case you want to try that
 wierd coated gelatin sensor. Program, aperture priority and manual modes
 with averaging and spot metering. Approx value $20, so I'm throwing it in.

 Also includes boxes for the K100D and 16-45, with all manuals and other
 items normally including in the box (Software, cables, accessories).
 K100D has almost-new Lithium AA's with less than 100 shots on them, good
 for another 600-800 or so. CP-6 has 3xAAA alkalines's which cannot be
 guaranteed (Can't remember how new they are).

 Kit cost to you: $1000.

 Kit #2

 Pentax MZ-5n. Traditional interface on a good little AF body. Shutter
 speeds to 1/2000, 1/100 sync, 2fps winder, matrix, centre-weighted and
 spot metering. Traditional shutter speed dial, good viewfinder. Comes with:

 Kiron 28mm f2 K mount lens. Fast, sharp 28mm wide.

 SMC-F 35-80 f4-5.6 AF zoom. Kit lens. Not bad.

 SMC-A 50mm f2, classic Pentax 50, with full metering and exposure modes
 support on all Pentax K mount bodies.

 $250 for the lot.


 Kit #3.

 Pentax LX. Classic Pentax pro film SLR, form the class of 1980 (like the
 Nikon F3 and Canon New F1). 1/2000 shutter, 1/75 flash sync, TTL flash
 support (including a proper hotshoe unlike the F3). LED simulated match
 needle display, removable finder (standard DA-1 with adjustable
 diopter). Metering down to -6.5EV (128 seconds at ISO 100 and f1.4).
 Mechanical shutter for speeds over sync, electronic shutter at speeds
 below sync. TTL-OTF ambient metering in Aperture Priority mode with
 speeds below 1/75 sync (Yes, the camera will automatically adjust the
 exposure based on the actual amount of light hitting the film, for
 speeds between 1/60th and 128 seconds). Takes 2fps winder or 5fps
 motordrive (NOT included). Takes all K mount lenses except DA and FA-J
 lenses(which lack aperture rings). This body's seen some use. It's
 mechanically fine, but has wear, the leatherette is starting to peel and
 the film door latch is difficult to close. Since these bodies typically
 go for $400-600, I'm giving you a deal because of the door latch.

 SMC-M 50mm f2. The classic Pentax 50mm.

 $250.

 --
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net

 
 


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Re: PESO - City Night

2007-01-06 Thread Kenneth Waller
I agree with Tom's view of this image.

Kenneth Waller

- Original Message - 
From: Tom C [EMAIL PROTECTED]
Subject: RE: PESO - City Night


I like water reflections shots... I would like this too, except what's the
 two blackish blobs around the center of the frame?  They seem incongruous.



 Tom C.



From: Bob W [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: 'Pentax-Discuss Mail List' pdml@pdml.net
Subject: RE: PESO - City Night
Date: Fri, 5 Jan 2007 22:41:30 -

I like that.

--
  Bob


  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
  Behalf Of DagT
  Sent: 05 January 2007 22:00
  To: Pentax-Discuss Mail List
  Subject: PESO - City Night
 
  http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=281748
 
  *istD, FA50mm, 1:1.4, 1/15 hand held.
 
  DagT
 
 
 
 
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  http://pdml.net/mailman/listinfo/pdml_pdml.net
 
 


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Re: How big is big enough?

2007-01-06 Thread Bob Shell

On Jan 5, 2007, at 7:48 PM, George Sinos wrote:

 In the last four years I've managed to fill 300 Mbyte drive.  A
 terabyte is a bit over three times that big.

 I talked to one of the pros in town and he said he's adding about a
 terabyte a month to his disk farm.

At the moment I have five 300 GB drives and an getting tight on space  
again.

Bob

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RE: Introduction (Raw work flow)

2007-01-06 Thread Tim Øsleby
So why not short version it to English?
This is what happens when speed editing ;-) Simply forget that sentence, it
is unimportant. 


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Tim
Øsleby
Sent: 6. januar 2007 18:46
To: 'Pentax-Discuss Mail List'
Subject: RE: Introduction (Raw work flow)

Welcome Ed.

About raw word flow. I wrote an article describing my work flow
http://www.photosight.org/pforum/showflat.php?Cat=Board=phototechnicalityN
umber=322113page=0view=collapsedsb=5o=fpart=. 
So why not short version it to English? 
If you don't find it useful, somebody else might.

I'm not an expert, but this is my take on the task: 

For me the main trick is to work systematically, one image parameter at the
time. If I fiddle with too much at the same time I simply get lost. 

This work flow is efficient when you are going for a high contrast
presentation. If you are going for something else you need to set the
parameters differently, but do it in the same order.
 

1. Sorting and tagging the images.

I start sorting, simply because it saves me work. No point in spending
converting time on photos I'm going to throw away anyway. 
In Lightroom you can also tag and rate the photos. Very useful IMO.

2. White balance. 

Most raw converters have an eye drop function. Find a white or neutral grey
area of the image, and click there. Done.
If that does not do the trick you simply have to fiddle around until you get
what you want. My experience is that it often helps to set tint to neutral
first. When the WB looks ok, then it is time to play with tint. Playing with
both at the same time can be very confusing.

3. Exposure, aka setting white point.

Exposure is rh, exposure ;-)
But it is also described as setting the white point, or setting upper
clipping point. These two terms gives you a much better idea of what it is
useful for.
Keep an eye on the histogram while adjusting. You will see what it moves
right when increasing exposure, left when decreasing. What you are looking
for is the point where the histogram starts climbing at the right (when the
whites starts clipping). When you want bright whites, back off just a tiny
bit, if you want a medium key image, then back off a bit more. If you don't
want details in highlights (high contrast), then don't back off, just leave
it there.

Most raw converters have a tool showing the clipping. With those I have
tried you hold the Alt key, then the clipped areas is displayed. This is
useful. After the clipping fields in the image are identified, I often do a
fine tuning suiting my needs and my taste. 

At this stage, don't look if the image looks to dark or to light. You will
adjust this later in the process. 

4. Shadows, blacks, darks, aka setting lower clipping point.

The procedure here is very similar to exposure. What you do here is setting
lower clipping point. 
While adjusting shadows, the Alt key will display clipping in the lower.
When the histogram starts climbing at left, stop. If you don't want details
in the shadows (high contrast), just leave it there. But if you want to
preserve details, you back off a bit here too.

Now we are almost there. The rest is fine tuning. Very often I skip some of
the next steps.

5. Brightness. 

At first sight the brightness controls the exposure. This is not true.
Brightness has less effect on the extremes. Now it is time to decide if you
want a medium key, a high key, or a low key result. I often leave brightness
as it is. But it is useful to adjust the overall look of the photo. Moving
right will make the photo look lighter, moving left will make it look
darker. 

6. Contrast.

Contrast affects the impact off the photo. You have already done the basic
contrast adjustments with exposure and shadows. But contrast control can be
useful for fine tuning contrast. 

7. Saturation.

The adjustments you have done affect saturation. If you have increased
contrast, you will experience increased saturation as a side effect. So,
often you need to lower saturation in high contrast images. 

If you are Ken Rockwell, you like strong colours. Then you may have an urge
to pump them even higher. By all means, do it. It will become a crappy
image, but it is your decision ;-) 

This is the basic steps. In a basic raw converter there is not much else to
do. Except doing the actual conversion off course ;-)

One important thing to have in mind: Every adjustment affects the noise
(especially in shadows area). Don't worry too much about it, but it is a
good idea to have an eye on noise while adjusting. You will also experience
that most adjustments are compromises. There is no such thing as the perfect
setting for a parameter.
-
In more sophisticated converters you have several other tools available. 
- Recovery is for fine tuning highlights. If I use it, I usually do it after
basic exposure tuning.
- Fill 

Re: OT Is returning a phone message really that complicated

2007-01-06 Thread Bob Shell

On Jan 5, 2007, at 10:50 PM, David Savage wrote:

 But then you get people who'll break off a face to face conversation,
 to answer the phone. That really pi55es me off.

I won't put up with a salesclerk who does that.  I politely tell him/ 
her to put the caller on hold until we finish.  If he/she doesn't do  
that, I take my business elsewhere.  When I worked in retail years  
ago we were taught that the customer in front of us always had  
precedence over someone on the phone.  Somehow that seems to have  
gone by the wayside.


 I go days without even turning my mobile on.

I don't even have one.  I am totally intolerant of people who use  
them in inappropriate places.  I've had people behind me in movie  
theaters answer their phones in the middle of a film and begin a  
conversation.  A few days ago I was in a nice quiet restaurant  
intending to have a meal and listen to the music they were playing.   
Somebody in the next booth started making calls and talking to  
whoever he was calling very loudly.  I had the waiter move us to  
another place since he would not shut up when asked.  I think cell  
phone use in theaters, restaurants, and many other places should  
simply be banned since people are too damned stupid to know when it  
isn't appropriate.

Bob

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Re: Imacon vs. Epson 3200

2007-01-06 Thread Kenneth Waller
I'm somewhat amazed at the difference in the background trees yet the 
subject cars don't appear different to me.
I'd really like to see the Imacon compared to the large format Nikon scanner

Kenneth Waller

- Original Message - 
From: Paul Stenquist [EMAIL PROTECTED]
Subject: Imacon vs. Epson 3200


 Here's a pic I rescanned on my friend's Imacon. I treated it somewhat
 differently as well, both in terms of the crop and the rendering, but I
 still think there's a distinct difference. Note the detail in the
 background trtees.

 The imacon scan:
 http://www.photo.net/photodb/photo?photo_id=5416945size=lg

 The Epson 3200 scan:
 http://www.photo.net/photodb/photo?photo_id=2609820size=lg

 No surprise, but mildly interesting perhaps.
 Paul


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Re: PESO - Two palm trees

2007-01-06 Thread Kenneth Waller
Since you've titled this Two Palm trees, I'd have to say that the lines of 
boats are a distraction.
It would be a stronger image with less foreground  less showing of boats on 
the RH side.
YMMV.
Trying not to be brutal but honest.

Kenneth Waller

- Original Message - 
From: Boris Liberman [EMAIL PROTECTED]
Subject: PESO - Two palm trees


 http://not.contaxg.com/document.php?id=16107full=1

 As usual brutal and honest comments are the best ;-).

 Boris

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Re: PESO - Gimme my fish

2007-01-06 Thread Kenneth Waller
Nice capture Boris. If it were mine, I'd get rid of the black edge along the 
top  the black bird above the LH Flamingo.

Kenneth Waller

- Original Message - 
From: Boris Liberman [EMAIL PROTECTED]
Subject: PESO - Gimme my fish


 http://not.contaxg.com/document.php?id=16108

 Boris


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Re: OT Is returning a phone message really that complicated

2007-01-06 Thread K.Takeshita
On 1/06/07 1:31 PM, Bob Shell, [EMAIL PROTECTED] wrote:

 I think cell  
 phone use in theaters, restaurants, and many other places should
 simply be banned since people are too damned stupid to know when it
 isn't appropriate.

They are not only rude and unsophisticated, but have nerve to do so.  Just
lack of proper education (not necessarily an academic one) and
commonsense.
They are usually incurable.

Ken


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Re: Introduction

2007-01-06 Thread Tom C
Welcome.

BTW, Don't believe anything Paul Stenquist, William Robb, Mark Roberts, 
Frank Theriault, or Jostein say. :-)

Tom C.




From: Paul Stenquist [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Introduction
Date: Sat, 6 Jan 2007 10:03:52 -0500

Welcome back, Ed. You're off to a good start with your gallery. Keep
working at it. The dog pic is my favorite.
Paul
On Jan 6, 2007, at 9:38 AM, Ed Keeney wrote:

  Hello...
 
  Just wanted to introduce myself (again).  I was once a subscriber to
  PDML
  back a few years when I was shooting film with my Pentax PZ20.  Then I
  made
  the switch to digital (a Sony S85).  I spent about 3 years or so with
  that.
  It is a good camera, but I wanted my SLR back.  I enjoyed the immediate
  response I got with the digital, no more waiting for development, etc.
 
  I've been itching for a new DSLR for a while.  I've been planning on
  how to
  get enough money to make the plunge.  I looked at the *istD series, but
  price and timing weren't right.
 
  When Pentax introduced the K100D I finally saw my opportunity.  It has
  what
  I need, not over the top, price in line, compatibility with my current
  lenses, shake reduction and a $50 rebate to boot.  I did much searching
  online for the best price, read reviews, looked all over for images,
  read
  the archives on PDML, etc.
 
  I finally got things in order.  I sold some stuff on the web, made the
  Christmas
  request for money instead of gifts (well received by all) and
  purchased the
  K100D kit from bestpriceaudiovideo (best price around as well as fast
  and
  free shipping).
 
  I'm back taking pictures for me again (as well as the obligatory family
  photos).  I'm getting my bearings with an SLR again (ISO1600/3200 -
  wow I
  haven't seen those days in a while).
 
  I'm shooting mostly in *** JPG but have attempted some RAW processing.
   I'm
  still working the kinks out on what RAW gives me as well as how I am
  supposed to post process.  I am using PS Elements 5 with the RAW
  plug-in for
  the K100D.  Any help on work flow would be appreciated.
 
  As for my participation on the list, I'm mostly a lurker and will try
  and be
  involved when I can.  I'll even try to post some PESO's every so
  often ;-)
 
  I am currently using Google's Picasa for web hosting my shots - does
  anyone
  have a better 'free' hosting site?  How do you like Flickr?
  Suggestions are
  welcome.
 
  I have started a PAD with the new camera - not sure how long it will
  last
  (it might become PAW instead at some point).
 
  --
  Thanks!
  Ed
 
  http://picasaweb.google.com/ewkphoto
 
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Re: Imacon vs. Epson 3200

2007-01-06 Thread Paul Stenquist
Yes, the cars are very similar, although there's some better detail  
in the grille and badges on the Imacon scan. The real different seems  
to be in color gradation. The Imacon distinguished the green of the  
trees from the blue of the fog much more accurately than the Epson.
Paul
On Jan 6, 2007, at 1:36 PM, Kenneth Waller wrote:

 I'm somewhat amazed at the difference in the background trees yet the
 subject cars don't appear different to me.
 I'd really like to see the Imacon compared to the large format  
 Nikon scanner

 Kenneth Waller

 - Original Message -
 From: Paul Stenquist [EMAIL PROTECTED]
 Subject: Imacon vs. Epson 3200


 Here's a pic I rescanned on my friend's Imacon. I treated it somewhat
 differently as well, both in terms of the crop and the rendering,  
 but I
 still think there's a distinct difference. Note the detail in the
 background trtees.

 The imacon scan:
 http://www.photo.net/photodb/photo?photo_id=5416945size=lg

 The Epson 3200 scan:
 http://www.photo.net/photodb/photo?photo_id=2609820size=lg

 No surprise, but mildly interesting perhaps.
 Paul


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Re: PESO - City Night

2007-01-06 Thread Tom C
I realize after looking at it, that the blobs are two people.  However, they 
don't strike me as that at first, just two oof blobs.  I think the shot 
would be better without them, but if people are there, in focus silohouettes 
woud be best.

Tom C.




From: Kenneth Waller [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO - City Night
Date: Sat, 6 Jan 2007 13:17:57 -0500

I agree with Tom's view of this image.

Kenneth Waller

- Original Message -
From: Tom C [EMAIL PROTECTED]
Subject: RE: PESO - City Night


 I like water reflections shots... I would like this too, except what's 
the
  two blackish blobs around the center of the frame?  They seem 
incongruous.
 
 
 
  Tom C.
 
 
 
 From: Bob W [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Subject: RE: PESO - City Night
 Date: Fri, 5 Jan 2007 22:41:30 -
 
 I like that.
 
 --
   Bob
 
 
   -Original Message-
   From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
   Behalf Of DagT
   Sent: 05 January 2007 22:00
   To: Pentax-Discuss Mail List
   Subject: PESO - City Night
  
   http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=281748
  
   *istD, FA50mm, 1:1.4, 1/15 hand held.
  
   DagT
  
  
  
  
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Re: OT Is returning a phone message really that complicated

2007-01-06 Thread Bob Shell

On Jan 6, 2007, at 1:56 PM, K.Takeshita wrote:

 I think cell
 phone use in theaters, restaurants, and many other places should
 simply be banned since people are too damned stupid to know when it
 isn't appropriate.

 They are not only rude and unsophisticated, but have nerve to do  
 so.  Just
 lack of proper education (not necessarily an academic one) and
 commonsense.
 They are usually incurable.

Agreed.  I saw on TV that they have the technology now to disable  
cell phones inside of buildings, and that it was being used in some  
French movie theaters.  Now that's technology that makes sense.

The only good side of this is that people who have mental disorders  
and talk to themselves only have to hold a cell phone to their ear to  
be ignored in most places.

Bob

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Re: PESO - Gimme my fish

2007-01-06 Thread Boris Liberman
mike wilson wrote:
 Just keep your beak out of others' business.
 [That's a suggestion for an alternative title..8-)]

This one just occurred to me:
Mind your own beak-sness ;-)

Boris



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Re: PESO - Gimme my fish

2007-01-06 Thread Boris Liberman
Paul

Paul Stenquist wrote:
 Good one. I would crop it a little tighter at the top and clone out the 
 black blobs.
 Paul

I should say that I cropped out some more ducks from the top and 
deliberately left at least one of them in order to give some kind of 
perspective in the shot. I am fascinated by your, Tim's, and others' 
opinion about this duck...

Thanks!

Boris

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Re: PESO - Gimme my fish

2007-01-06 Thread Boris Liberman
mike wilson wrote:
 Just keep your beak out of others' business.
 [That's a suggestion for an alternative title..8-)]

Thanks. That's rather cool suggestion.

Boris



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Re: Introduction

2007-01-06 Thread Bob Sullivan
Ed,

Welcome back.

I started digital with a Sony S75-85 in tandem with film.  About 18
months ago, I went for a *ist Ds and NO MORE Shutter Lag.  I'm sure
you'll be happy with it.

I took Picasa up on their offer and haven't looked back.  The
uploading is so much easier than AOL.  I post the less detailed image
quality which shares well and isn't worth stealing IMHO.

Regards, Bob S,

On 1/6/07, Ed Keeney [EMAIL PROTECTED] wrote:
 Hello...

 Just wanted to introduce myself (again).  I was once a subscriber to PDML
 back a few years when I was shooting film with my Pentax PZ20.  Then I made
 the switch to digital (a Sony S85).  I spent about 3 years or so with that.
 It is a good camera, but I wanted my SLR back.  I enjoyed the immediate
 response I got with the digital, no more waiting for development, etc.

 I've been itching for a new DSLR for a while.  I've been planning on how to
 get enough money to make the plunge.  I looked at the *istD series, but
 price and timing weren't right.

 When Pentax introduced the K100D I finally saw my opportunity.  It has what
 I need, not over the top, price in line, compatibility with my current
 lenses, shake reduction and a $50 rebate to boot.  I did much searching
 online for the best price, read reviews, looked all over for images, read
 the archives on PDML, etc.

 I finally got things in order.  I sold some stuff on the web, made the 
 Christmas
 request for money instead of gifts (well received by all) and purchased the
 K100D kit from bestpriceaudiovideo (best price around as well as fast and
 free shipping).

 I'm back taking pictures for me again (as well as the obligatory family
 photos).  I'm getting my bearings with an SLR again (ISO1600/3200 - wow I
 haven't seen those days in a while).

 I'm shooting mostly in *** JPG but have attempted some RAW processing.  I'm
 still working the kinks out on what RAW gives me as well as how I am
 supposed to post process.  I am using PS Elements 5 with the RAW plug-in for
 the K100D.  Any help on work flow would be appreciated.

 As for my participation on the list, I'm mostly a lurker and will try and be
 involved when I can.  I'll even try to post some PESO's every so often ;-)

 I am currently using Google's Picasa for web hosting my shots - does anyone
 have a better 'free' hosting site?  How do you like Flickr?  Suggestions are
 welcome.

 I have started a PAD with the new camera - not sure how long it will last
 (it might become PAW instead at some point).

 --
 Thanks!
 Ed

 http://picasaweb.google.com/ewkphoto

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Re: PESO - Two palm trees

2007-01-06 Thread Boris Liberman
Hi!

Markus Maurer wrote:
 I would like it more if the man on the right corner was cut away and again
 the photo looks a bit blurred to me.
 But the trees are nice indeed Boris :-)
 greetings
 Markus

Markus, I did not notice the man until I read your message ;-). As for 
the blur, indeed, this one is also among the shots I made with SR on. I 
think that on wider FLs the SR can indeed add some blurring instead of 
actually making it sharper.

Thanks for your comments.

Boris

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Re: PESO - Two palm trees

2007-01-06 Thread Boris Liberman
Hi!

Tim Øsleby wrote:
 For me, the two palms are misplaced in the composition. If they where a bit
 more to the right, it would have worked a lot better. 
 I like the light, and the lazy waves in lower right corner, adds some life
 to the scene.

Tim, I rather dislike it when composition is 100% by the book. It makes 
the shot more like an academic exercise rather than something alive. I 
see what you're saying but this time I have to say that I stand by my 
framing. I do agree about the half-man on the right.

I hope you don't mind my honest and brutal response to your comment ;-).

Boris

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Re: OT Is returning a phone message really that complicated

2007-01-06 Thread Boris Liberman
Bob Shell wrote:
 Agreed.  I saw on TV that they have the technology now to disable  
 cell phones inside of buildings, and that it was being used in some  
 French movie theaters.  Now that's technology that makes sense.
 
 The only good side of this is that people who have mental disorders  
 and talk to themselves only have to hold a cell phone to their ear to  
 be ignored in most places.

Simple Faraday Cage (or Mesh, whatever is the right term) built in the 
building walls would do just fine, I think.

I totally agree with this sentiment. I should say that having smart 
phone I often would not really switch it off, but rather turn it to so 
called flight mode when all functions except the cell radio are 
active. It would make sense, I think, if all cell phones, not 
necessarily those that also have PDA functionality would have this kind 
   of feature.

Just my cents.

Boris


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Re: PESO - Two palm trees

2007-01-06 Thread Boris Liberman
Jack Davis wrote:
 Lighting, especially with reflections, is very nice.
 I'd have to crop out the lower right boat transom and suck up the
 scene. Then moving slightly to the left and shooting back a little to
 the right to get more of a look at the transom line of the string of
 boats on the right. Maybe I'd hate the result.(??)

Jack, what does it mean transom?

Boris


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Re: PESO - Two palm trees

2007-01-06 Thread Boris Liberman
Kenneth Waller wrote:
 Since you've titled this Two Palm trees, I'd have to say that the lines of 
 boats are a distraction.
 It would be a stronger image with less foreground  less showing of boats on 
 the RH side.
 YMMV.
 Trying not to be brutal but honest.

Thanks! That's what I am always asking for. Thus, great many thanks to 
you and everyone else who commented and/or took their time to look at 
this picture.

Boris

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Re: PESO - Two palm trees

2007-01-06 Thread Paul Stenquist

On Jan 6, 2007, at 2:21 PM, Boris Liberman wrote:

  I
 think that on wider FLs the SR can indeed add some blurring instead of
 actually making it sharper.


I have found exactly the opposite to be the case.  SR improves 
sharpness for any handheld shot of moderate shutter speed. (less than 
1.90th or so)
Paul


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RE: PESO - Two palm trees

2007-01-06 Thread Tim Øsleby
I take this as a declaration of war ;-)

Boris, you are in your right to disagree. 
In fact I expected you to, because if you didn't, you would probably not
have posted the image. 

BTW. I think Kenneth said the same as I did, but said it better.


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Boris Liberman
Sent: 6. januar 2007 20:23
To: Pentax-Discuss Mail List
Subject: Re: PESO - Two palm trees

Hi!

Tim Øsleby wrote:
 For me, the two palms are misplaced in the composition. If they where a
bit
 more to the right, it would have worked a lot better. 
 I like the light, and the lazy waves in lower right corner, adds some life
 to the scene.

Tim, I rather dislike it when composition is 100% by the book. It makes 
the shot more like an academic exercise rather than something alive. I 
see what you're saying but this time I have to say that I stand by my 
framing. I do agree about the half-man on the right.

I hope you don't mind my honest and brutal response to your comment ;-).

Boris

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Re: Introduction

2007-01-06 Thread Paul Stenquist
And keep in mind that Tom suffers from frequent bouts of PMS:-)).
Paul
On Jan 6, 2007, at 2:18 PM, Tom C wrote:

 Welcome.

 BTW, Don't believe anything Paul Stenquist, William Robb, Mark Roberts,
 Frank Theriault, or Jostein say. :-)

 Tom C.




 From: Paul Stenquist [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Introduction
 Date: Sat, 6 Jan 2007 10:03:52 -0500

 Welcome back, Ed. You're off to a good start with your gallery. Keep
 working at it. The dog pic is my favorite.
 Paul
 On Jan 6, 2007, at 9:38 AM, Ed Keeney wrote:

 Hello...

 Just wanted to introduce myself (again).  I was once a subscriber to
 PDML
 back a few years when I was shooting film with my Pentax PZ20.  Then 
 I
 made
 the switch to digital (a Sony S85).  I spent about 3 years or so with
 that.
 It is a good camera, but I wanted my SLR back.  I enjoyed the 
 immediate
 response I got with the digital, no more waiting for development, 
 etc.

 I've been itching for a new DSLR for a while.  I've been planning on
 how to
 get enough money to make the plunge.  I looked at the *istD series, 
 but
 price and timing weren't right.

 When Pentax introduced the K100D I finally saw my opportunity.  It 
 has
 what
 I need, not over the top, price in line, compatibility with my 
 current
 lenses, shake reduction and a $50 rebate to boot.  I did much 
 searching
 online for the best price, read reviews, looked all over for images,
 read
 the archives on PDML, etc.

 I finally got things in order.  I sold some stuff on the web, made 
 the
 Christmas
 request for money instead of gifts (well received by all) and
 purchased the
 K100D kit from bestpriceaudiovideo (best price around as well as fast
 and
 free shipping).

 I'm back taking pictures for me again (as well as the obligatory 
 family
 photos).  I'm getting my bearings with an SLR again (ISO1600/3200 -
 wow I
 haven't seen those days in a while).

 I'm shooting mostly in *** JPG but have attempted some RAW 
 processing.
  I'm
 still working the kinks out on what RAW gives me as well as how I am
 supposed to post process.  I am using PS Elements 5 with the RAW
 plug-in for
 the K100D.  Any help on work flow would be appreciated.

 As for my participation on the list, I'm mostly a lurker and will try
 and be
 involved when I can.  I'll even try to post some PESO's every so
 often ;-)

 I am currently using Google's Picasa for web hosting my shots - does
 anyone
 have a better 'free' hosting site?  How do you like Flickr?
 Suggestions are
 welcome.

 I have started a PAD with the new camera - not sure how long it will
 last
 (it might become PAW instead at some point).

 --
 Thanks!
 Ed

 http://picasaweb.google.com/ewkphoto

 --
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Re: Introduction

2007-01-06 Thread K.Takeshita
On Jan 6, 2007, at 2:18 PM, Tom C wrote:

 Welcome.
 
 BTW, Don't believe anything Paul Stenquist, William Robb, Mark Roberts,
 Frank Theriault, or Jostein say. :-)

Seems like one usual suspect is missing.  Can't remember who :-).

Ken


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RE: PESO - Two palm trees

2007-01-06 Thread Bob W
I disagree. When I first looked at the picture my eye was drawn
straight to the palm trees. I think it's a very well composed
photograph, and a good example of how a small element, well placed,
can dominate the picture. The control over the exposure is very good
too - I think Boris has taken full advantage of the light to produce a
good photo.

--
 Bob
 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Kenneth Waller
 Sent: 06 January 2007 18:41
 To: Pentax-Discuss Mail List
 Subject: Re: PESO - Two palm trees
 
 Since you've titled this Two Palm trees, I'd have to say 
 that the lines of 
 boats are a distraction.
 It would be a stronger image with less foreground  less 
 showing of boats on 
 the RH side.
 YMMV.
 Trying not to be brutal but honest.
 
 Kenneth Waller
 
 - Original Message - 
 From: Boris Liberman [EMAIL PROTECTED]
 Subject: PESO - Two palm trees
 
 
  http://not.contaxg.com/document.php?id=16107full=1
 
  As usual brutal and honest comments are the best ;-).
 
  Boris
 
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RE: Introduction

2007-01-06 Thread Tim Øsleby
Pentax Mental Syndrom?


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Paul
Stenquist
Sent: 6. januar 2007 20:45
To: Pentax-Discuss Mail List
Subject: Re: Introduction

And keep in mind that Tom suffers from frequent bouts of PMS:-)).
Paul
On Jan 6, 2007, at 2:18 PM, Tom C wrote:

 Welcome.

 BTW, Don't believe anything Paul Stenquist, William Robb, Mark Roberts,
 Frank Theriault, or Jostein say. :-)

 Tom C.




 From: Paul Stenquist [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Introduction
 Date: Sat, 6 Jan 2007 10:03:52 -0500

 Welcome back, Ed. You're off to a good start with your gallery. Keep
 working at it. The dog pic is my favorite.
 Paul
 On Jan 6, 2007, at 9:38 AM, Ed Keeney wrote:

 Hello...

 Just wanted to introduce myself (again).  I was once a subscriber to
 PDML
 back a few years when I was shooting film with my Pentax PZ20.  Then 
 I
 made
 the switch to digital (a Sony S85).  I spent about 3 years or so with
 that.
 It is a good camera, but I wanted my SLR back.  I enjoyed the 
 immediate
 response I got with the digital, no more waiting for development, 
 etc.

 I've been itching for a new DSLR for a while.  I've been planning on
 how to
 get enough money to make the plunge.  I looked at the *istD series, 
 but
 price and timing weren't right.

 When Pentax introduced the K100D I finally saw my opportunity.  It 
 has
 what
 I need, not over the top, price in line, compatibility with my 
 current
 lenses, shake reduction and a $50 rebate to boot.  I did much 
 searching
 online for the best price, read reviews, looked all over for images,
 read
 the archives on PDML, etc.

 I finally got things in order.  I sold some stuff on the web, made 
 the
 Christmas
 request for money instead of gifts (well received by all) and
 purchased the
 K100D kit from bestpriceaudiovideo (best price around as well as fast
 and
 free shipping).

 I'm back taking pictures for me again (as well as the obligatory 
 family
 photos).  I'm getting my bearings with an SLR again (ISO1600/3200 -
 wow I
 haven't seen those days in a while).

 I'm shooting mostly in *** JPG but have attempted some RAW 
 processing.
  I'm
 still working the kinks out on what RAW gives me as well as how I am
 supposed to post process.  I am using PS Elements 5 with the RAW
 plug-in for
 the K100D.  Any help on work flow would be appreciated.

 As for my participation on the list, I'm mostly a lurker and will try
 and be
 involved when I can.  I'll even try to post some PESO's every so
 often ;-)

 I am currently using Google's Picasa for web hosting my shots - does
 anyone
 have a better 'free' hosting site?  How do you like Flickr?
 Suggestions are
 welcome.

 I have started a PAD with the new camera - not sure how long it will
 last
 (it might become PAW instead at some point).

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 Thanks!
 Ed

 http://picasaweb.google.com/ewkphoto

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RE: PESO - Two palm trees

2007-01-06 Thread Tim Øsleby
This photo is from the same shoot as the other slightly blurred one, isn't
it? BTW I'm not bothered by this, I'm just curious. Perhaps this tells us
something? Why this moment of light theraultianism? 
Could your SR be malfunctioning in some situations? If so, why?

(A lot of questions, no answers)


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Paul
Stenquist
Sent: 6. januar 2007 20:44
To: Pentax-Discuss Mail List
Subject: Re: PESO - Two palm trees


On Jan 6, 2007, at 2:21 PM, Boris Liberman wrote:

  I
 think that on wider FLs the SR can indeed add some blurring instead of
 actually making it sharper.


I have found exactly the opposite to be the case.  SR improves 
sharpness for any handheld shot of moderate shutter speed. (less than 
1.90th or so)
Paul


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RE: Introduction (Raw work flow)

2007-01-06 Thread David J Brooks
Quoting Tim Øsleby [EMAIL PROTECTED]:

 If you are Ken Rockwell, you like strong colours.

I'm not, thank God

Dave




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Re: Rumours about new K10D firmware coming

2007-01-06 Thread Feroze
They had K10 review in that issue and stated this:  CCD sensitivity is 
100 - 1600, but we have information that future firmware update will 
change that range to 50 - 3200 !

Forgive my ignorance, but how is it that a firmware upgrade can allow 
that, is there no hardware involved

Feroze

Thibouille wrote:
 http://forums.dpreview.com/forums/read.asp?forum=1036message=21555257

 Rumours only of course ... but cool nonetheless...

   

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Re: Introduction

2007-01-06 Thread Paul Stenquist
I have replaced Cotty in the unreliable list:-).
Paul
On Jan 6, 2007, at 3:10 PM, K.Takeshita wrote:

 On Jan 6, 2007, at 2:18 PM, Tom C wrote:

 Welcome.

 BTW, Don't believe anything Paul Stenquist, William Robb, Mark  
 Roberts,
 Frank Theriault, or Jostein say. :-)

 Seems like one usual suspect is missing.  Can't remember who :-).

 Ken


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Re: PESO - Gimme my fish

2007-01-06 Thread Paul Stenquist
Nothing unusual about removing distracting elements. The ducks at top  
come across as black blobs. They don't contribute, they distract.  
Therefore, I would remove them.
Paul
On Jan 6, 2007, at 2:26 PM, Boris Liberman wrote:

 Paul

 Paul Stenquist wrote:
 Good one. I would crop it a little tighter at the top and clone  
 out the
 black blobs.
 Paul

 I should say that I cropped out some more ducks from the top and
 deliberately left at least one of them in order to give some kind of
 perspective in the shot. I am fascinated by your, Tim's, and others'
 opinion about this duck...

 Thanks!

 Boris

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Re: Rumours about new K10D firmware coming

2007-01-06 Thread Thibouille
I don't think there is hardware involved ither the hardware already in
the camera.
The manufacturer probably just choose or not to provide that option.
They deactivated this possibility in final 1.0 fimware and *might*
enable it later.

2007/1/6, Feroze [EMAIL PROTECTED]:
 They had K10 review in that issue and stated this:  CCD sensitivity is
 100 - 1600, but we have information that future firmware update will
 change that range to 50 - 3200 !

 Forgive my ignorance, but how is it that a firmware upgrade can allow
 that, is there no hardware involved

 Feroze

 Thibouille wrote:
  http://forums.dpreview.com/forums/read.asp?forum=1036message=21555257
 
  Rumours only of course ... but cool nonetheless...
 
 

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Re: Rumours about new K10D firmware coming

2007-01-06 Thread Stan Halpin
The CCD has one sensitivity level. In the case of the K10D, that base 
ISO is 100. Any change from 100 is done in firmware/software through 
signal and image  enhancement (?) or degradation (?). Within a narrow 
range, the process works well. Not too different from pushing film 
during the development process as far as you dare, then adjusting for 
the still-too-thin negative during the printing process. But if you try 
to push  BW film or a CCD output signal too far, you start to exceed 
the limits of the material and noise is introduced like the dreaded 
blue bands that some so loath and fear.

Stan


On Jan 6, 2007, at 2:32 PM, Feroze wrote:

 They had K10 review in that issue and stated this:  CCD sensitivity is
 100 - 1600, but we have information that future firmware update will
 change that range to 50 - 3200 !

 Forgive my ignorance, but how is it that a firmware upgrade can allow
 that, is there no hardware involved

 Feroze

 Thibouille wrote:
 http://forums.dpreview.com/forums/read.asp?forum=1036message=21555257

 Rumours only of course ... but cool nonetheless...



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Re: FS Friday (A day late)

2007-01-06 Thread Thibouille
Canada.. Mmm do you have any idea about shipping costs to Belgium?

2007/1/6, Adam Maas [EMAIL PROTECTED]:
 Toronto, Canada

 Postal code is M6C 3L9

 -Adam


 Thibouille wrote:
  Adam, where are you located ?
 
  2007/1/6, Adam Maas [EMAIL PROTECTED]:
  All prices in Canadian, plus shipping. I can only take money orders at
  the moment.
 
 
  Kit #1.
  K100D with less than 2000 shots on the clock. This is probably the best
  6MP body on the market today, with in-body stabilization, the best
  viewfinder short of the D80 or K10D, excellent image quality, ISO 3200
  and an 11 point AF unit that actually works decently in low light.
  Meters and does SR with anything you can mount on the front of it.$660
  new at CameraCanada.com
 
  It also comes with:
 
  Pentax SMC-DA 16-45 f4 AL lens. Fixed f4, extremely sharp, full-time
  manual focus (Like USM lenses), hood (with removable cutout for
  adjusting polarizers), 24-70 equivalent, making it the widest general
  purpose zoom for digital cameras. Lens is like new. $377 new at
  CameraCanada.com
 
  SMC-A 70-210 f4. Classic and superb manual focus zoom. SMC-A mount
  allows all exposure modes and metering modes, only AF and focal-length
  communication is lost (You can manually enter focal length for SR).
  Sharp as all heck and handles well. Lens has cosmetic wear but mint
  glass. Approx $200 value.
 
  SMC-A 50mm f1.7. Sharpest Pentax 50, SMC-A mount allows all exposure
  modes and metering modes, only AF and focal-length communication is lost
  (You can manually enter focal length for SR). Flat field design, can do
  excellent macro work with the addition of extension tubes. Approx $100
  value.
 
  Vivitar 300mm f5.6 K mount modified to a preset lens. Decent 300 prime,
  only meters correctly on the DSLR's as the aperture coupling and
  stop-down levers have been removed. Like all pre-A lenses it will work
  in Av and M modes on the K100D. Approx Value $25 (due to mods)
 
  Takumar-A 2x TC. Works with all K mount lenses, preserves metering and
  program modes with all A or later lenses, but not AF or focal length
  information. Approx $75 Value
 
  Remote Control F. IR remote for all Pentax cameras which support IR
  remotes(including All Pentax DSLR's). $25 value
 
  Henry's M42-Screwmount Adaptor. Preserves infinity focus, takes all M42
  lenses. Works on Film and Digital K mount bodies. $25 value
 
  K mount-52mm reverse adaptor. Do macro with a reverse 50mm lens. Works
  nicely. meter couples with film bodies and works as a pre-A lens on
  digital. Approx value $5
 
  49mm-52mm step-up ring. Allows standard pentax primes to mount on the
  reverse adaptor since most Pentax primes are 49mm filter size, not 52mm.
  Approx value $5
 
  Chinon CP-6 Spot K mount film body. Just in case you want to try that
  wierd coated gelatin sensor. Program, aperture priority and manual modes
  with averaging and spot metering. Approx value $20, so I'm throwing it in.
 
  Also includes boxes for the K100D and 16-45, with all manuals and other
  items normally including in the box (Software, cables, accessories).
  K100D has almost-new Lithium AA's with less than 100 shots on them, good
  for another 600-800 or so. CP-6 has 3xAAA alkalines's which cannot be
  guaranteed (Can't remember how new they are).
 
  Kit cost to you: $1000.
 
  Kit #2
 
  Pentax MZ-5n. Traditional interface on a good little AF body. Shutter
  speeds to 1/2000, 1/100 sync, 2fps winder, matrix, centre-weighted and
  spot metering. Traditional shutter speed dial, good viewfinder. Comes with:
 
  Kiron 28mm f2 K mount lens. Fast, sharp 28mm wide.
 
  SMC-F 35-80 f4-5.6 AF zoom. Kit lens. Not bad.
 
  SMC-A 50mm f2, classic Pentax 50, with full metering and exposure modes
  support on all Pentax K mount bodies.
 
  $250 for the lot.
 
 
  Kit #3.
 
  Pentax LX. Classic Pentax pro film SLR, form the class of 1980 (like the
  Nikon F3 and Canon New F1). 1/2000 shutter, 1/75 flash sync, TTL flash
  support (including a proper hotshoe unlike the F3). LED simulated match
  needle display, removable finder (standard DA-1 with adjustable
  diopter). Metering down to -6.5EV (128 seconds at ISO 100 and f1.4).
  Mechanical shutter for speeds over sync, electronic shutter at speeds
  below sync. TTL-OTF ambient metering in Aperture Priority mode with
  speeds below 1/75 sync (Yes, the camera will automatically adjust the
  exposure based on the actual amount of light hitting the film, for
  speeds between 1/60th and 128 seconds). Takes 2fps winder or 5fps
  motordrive (NOT included). Takes all K mount lenses except DA and FA-J
  lenses(which lack aperture rings). This body's seen some use. It's
  mechanically fine, but has wear, the leatherette is starting to peel and
  the film door latch is difficult to close. Since these bodies typically
  go for $400-600, I'm giving you a deal because of the door latch.
 
  SMC-M 50mm f2. The classic Pentax 50mm.
 
  $250.
 
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Re: Rumours about new K10D firmware coming

2007-01-06 Thread Feroze
Oh, like limiting a car to 250km/h?

Feroze

Thibouille wrote:
 I don't think there is hardware involved ither the hardware already in
 the camera.
 The manufacturer probably just choose or not to provide that option.
 They deactivated this possibility in final 1.0 fimware and *might*
 enable it later.

 2007/1/6, Feroze [EMAIL PROTECTED]:
   
 They had K10 review in that issue and stated this:  CCD sensitivity is
 100 - 1600, but we have information that future firmware update will
 change that range to 50 - 3200 !

 Forgive my ignorance, but how is it that a firmware upgrade can allow
 that, is there no hardware involved

 Feroze

 Thibouille wrote:
 
 http://forums.dpreview.com/forums/read.asp?forum=1036message=21555257

 Rumours only of course ... but cool nonetheless...


   
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Re: FS: *istD Outfit

2007-01-06 Thread Russell Kerstetter
not for me, but your pano is really neat!

russ

On 1/5/07, John Celio [EMAIL PROTECTED] wrote:
 Lots of lookers, but no bids just yet:

 http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=150076053687

 If you have any questions, or if you'd like to make an offer, please let me
 know.

 Thanks,
 John

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Re: Rumours about new K10D firmware coming

2007-01-06 Thread Thibouille
Something like that indeed.
Say the car can do it but obviously the manufacturer thinks the car
might not be secure enough, it might decide to artifically limit
specifications.

IMO (but really only an opinion) DSLRs manufacturers could enable ISO
25000 if they wanted. Of course it'd be meaningless but they probably
could.

2007/1/6, Feroze [EMAIL PROTECTED]:
 Oh, like limiting a car to 250km/h?

 Feroze

 Thibouille wrote:
  I don't think there is hardware involved ither the hardware already in
  the camera.
  The manufacturer probably just choose or not to provide that option.
  They deactivated this possibility in final 1.0 fimware and *might*
  enable it later.
 
  2007/1/6, Feroze [EMAIL PROTECTED]:
 
  They had K10 review in that issue and stated this:  CCD sensitivity is
  100 - 1600, but we have information that future firmware update will
  change that range to 50 - 3200 !
 
  Forgive my ignorance, but how is it that a firmware upgrade can allow
  that, is there no hardware involved
 
  Feroze
 
  Thibouille wrote:
 
  http://forums.dpreview.com/forums/read.asp?forum=1036message=21555257
 
  Rumours only of course ... but cool nonetheless...
 
 
 
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Re: FS Friday (A day late)

2007-01-06 Thread William Robb

- Original Message - 
From: Thibouille Subject: Re: FS Friday (A day late)


 Canada.. Mmm do you have any idea about shipping costs to Belgium?

http://www.postescanada.ca/personal/tools/calcrate-f.asp

William Robb

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Re: Rumours about new K10D firmware coming

2007-01-06 Thread Sylwester Pietrzyk
Yes, it is possible if imaging processor allows this. In firmware v  
0.2 it was possible to set iso50 and 3200. I believe for some reasons  
Pentax has cut these sensitivities in firmware v 1.0

On 06.01.07, at 21:32 , Feroze wrote:

 They had K10 review in that issue and stated this:  CCD  
 sensitivity is
 100 - 1600, but we have information that future firmware update will
 change that range to 50 - 3200 !

 Forgive my ignorance, but how is it that a firmware upgrade can allow
 that, is there no hardware involved



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Re: Rumours about new K10D firmware coming

2007-01-06 Thread Paul Stenquist
The sensor has a native sensitiivity. Software pushes the image  
much as you would in PhotoShop if you accidentally underexposed.  
That's why it gradually deteriorates as the ISO increases.
Paul
On Jan 6, 2007, at 3:32 PM, Feroze wrote:

 They had K10 review in that issue and stated this:  CCD  
 sensitivity is
 100 - 1600, but we have information that future firmware update will
 change that range to 50 - 3200 !

 Forgive my ignorance, but how is it that a firmware upgrade can allow
 that, is there no hardware involved

 Feroze

 Thibouille wrote:
 http://forums.dpreview.com/forums/read.asp? 
 forum=1036message=21555257

 Rumours only of course ... but cool nonetheless...



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Re: PESO - Two palm trees

2007-01-06 Thread Russell Kerstetter
Boris, nice mood shot.  I like this one better than the flamingos (if
that means anything to you).  I like you mentioned, did not notice the
an until others mentioned him, and I agree with Bob that you did a
good job on the exposure, I know that if I were there I would have
underexposed, and then I would be left with a too dark picture (
http://www.avocadohead.com/piclinks/pic11.html ).  Again, nice mood
shot, with the inclusion of the two lone palms, it reminds me of
Corpus Christi, Texas (which is good memory, btw).

russ

On 1/5/07, Boris Liberman [EMAIL PROTECTED] wrote:
 http://not.contaxg.com/document.php?id=16107full=1

 As usual brutal and honest comments are the best ;-).

 Boris

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Re: PESO - Gimme my fish

2007-01-06 Thread Russell Kerstetter
interesting/comical shot, I am not sure what I was expecting, but it
made me laugh out loud

russ

On 1/6/07, Boris Liberman [EMAIL PROTECTED] wrote:
 http://not.contaxg.com/document.php?id=16108

 Boris

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Re: PESO - City Night

2007-01-06 Thread Russell Kerstetter
nice shot Dag.  it makes me think of fishing... with your hands.  what
is it they are *actually* doing?

russ

On 1/5/07, DagT [EMAIL PROTECTED] wrote:
 http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=281748

 *istD, FA50mm, 1:1.4, 1/15 hand held.

 DagT




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Re: Introduction (Raw work flow)

2007-01-06 Thread Paul Stenquist
In my secret second ( or maybe third?)  life, I'm Ken Rockwell, and  
I'm damn well tired of you Pentaxians making fun of me. Nikon rules!
Paul
On Jan 6, 2007, at 3:18 PM, David J Brooks wrote:

 Quoting Tim Øsleby [EMAIL PROTECTED]:

 If you are Ken Rockwell, you like strong colours.

 I'm not, thank God

 Dave




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Re: Rumours about new K10D firmware coming

2007-01-06 Thread Feroze
thanks guys, doesn't sound too magical now though

Feroze

Paul Stenquist wrote:
 The sensor has a native sensitiivity. Software pushes the image  
 much as you would in PhotoShop if you accidentally underexposed.  
 That's why it gradually deteriorates as the ISO increases.
 Paul
 On Jan 6, 2007, at 3:32 PM, Feroze wrote:

   
 They had K10 review in that issue and stated this:  CCD  
 sensitivity is
 100 - 1600, but we have information that future firmware update will
 change that range to 50 - 3200 !

 Forgive my ignorance, but how is it that a firmware upgrade can allow
 that, is there no hardware involved

 Feroze

 Thibouille wrote:
 
 http://forums.dpreview.com/forums/read.asp? 
 forum=1036message=21555257

 Rumours only of course ... but cool nonetheless...


   
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Re: PESO - Winter scene 2

2007-01-06 Thread Russell Kerstetter
the second one is better, less distractions.  the only thing maybe a
little distracting in this one is the few reflections off the snow...
at least the ones at the top that are in shadow

russ

On 1/5/07, Bruce Dayton [EMAIL PROTECTED] wrote:
 I am curious as to your thoughts of this one, compared to the first
 winter scene.  Of the two, I preferred this one, but most people I
 showed them to, preferred the first one


 Pentax K10D, A 70-210/4, Handheld
 ISO 100, 1/45 sec @ f/16

 http://www.daytonphoto.com/PAW/snow2006_43.htm



 for reference, Winter Scene (1st)
 http://www.daytonphoto.com/PAW/snow2006_45.htm


 Comments welcome

 --
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