Re: K-5 IIs - I'm impressed (PESO - tango)

2012-12-04 Thread Larry Colen

On Dec 3, 2012, at 6:39 PM, Paul Stenquist wrote:

 Nice shot. The k7 autofocus was comparable to that of the K5, so it sounds 
 like your k5 II is considerably better then either. The engineering emphasis 
 was reportedly on low light focusing, so your experience is in sync with 
 that. Looking forward to your take on daylight autofocus.

This is good news.  I was photographing some dancers at Dickens Fair yesterday, 
and while it didn't seem like low light to me, I was having a tough time with 
focus.  The dances were waltz, polka and other victorian dances where they 
dancers move a lot more, and faster, than they do in blues, lindy, or most of 
the time in tango.  The improved autofocus in the IIs would be even better news 
if I could afford one.

 
 Paul
 On Dec 3, 2012, at 9:32 PM, Igor Roshchin s...@komkon.org wrote:
 
 
 
 I've got a chance of shooting with the new K-5 IIs over the weekend
 at a tango festival. This means two things: low light and motion.
 
 I am impressed! 
 I haven't tried Nikon D800 or D4, but I would truly compare the 
 experience to that I had with D700 in 2010 in a similar setting.
 Since it's been more than 1.5 years ago, I don't remember all the
 details, so, I am not sure if the AF performance was comparable
 or had more missed shots.
 
 One can say that D700 is more than 2 years old. 
 It is quite possible that D800 (and quite likely D4) exceeds K-5 IIs 
 in the capabilities, but those are in a different category price-wise
 and size/weight-wise.

My impression is that the image quality (noise, DR etc.) of the D800 is about 
the same as the D700, it just has a lot better resolution.

 
 I haven't tried the original K-5, so, I cannot compare the AF
 performance. But, the AF is greatly improved compared to K-7.
 And the low light performance is definitely greatly improved over K-7.
 ISO-3200 is good (exceeds ISO-1600 and almost close to ISO-800 of K-7),
 ISO-6400 is usable, and even ISO-12800 is acceptable at the level
 which is probably better than ISO-3200 of K-7.
 
 Here is just one example at ISO-3200:
 http://42graphy.org/misc/tango_IR00058.jpg
 (slight LR processing, including very slight NR).

Excellent shot.


 
 Cheers,
 
 Igor
 
 
 
 
 
 
 
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Re: GESO

2012-12-04 Thread Larry Colen

On Dec 3, 2012, at 2:11 PM, Daniel J. Matyola wrote:

 Yes, but then he tried to pass the raven off as a crow!

My apologies.  It seems that I'm not the only one to make this mistake:

http://ebird.org/content/ebird/news/crows_and_ravens

I had always thought that ravens were quite a bit larger than the birds I've 
been seeing around here.


 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
 
 On Mon, Dec 3, 2012 at 5:10 PM, jn289 jn...@verizon.net wrote:
 Larry, I agree with Ken on this..Joe
 
 
 
 
 
 You captured great detail in the Raven.
 
 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller
 
 - Original Message - From: Larry Colen l...@red4est.com
 Subject: GESO
 
 Beverage Puns:
 http://www.flickriver.com/photos/ellarsee/sets/72157632147595351/
 
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OT #Phonar

2012-12-04 Thread mike wilson
http://www.bbc.co.uk/news/in-pictures-20495489

A new approach to teaching photography?

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PESO - S

2012-12-04 Thread Bruce Walker
I'm visiting my neglected to-do list. One from last March.

http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

Comments welcome.

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Re: OT #Phonar

2012-12-04 Thread Bruce Walker
Very interesting stuff. Thanks, Mike!

On Tue, Dec 4, 2012 at 7:04 AM, mike wilson m.9.wil...@ntlworld.com wrote:
 http://www.bbc.co.uk/news/in-pictures-20495489

 A new approach to teaching photography?

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Re: K-5 IIs - I'm impressed (PESO - tango)

2012-12-04 Thread Bruce Walker
That's just such a great shot, Igor. Well done!

On Mon, Dec 3, 2012 at 9:32 PM, Igor Roshchin s...@komkon.org wrote:


 I've got a chance of shooting with the new K-5 IIs over the weekend
 at a tango festival. This means two things: low light and motion.

 I am impressed!
 I haven't tried Nikon D800 or D4, but I would truly compare the
 experience to that I had with D700 in 2010 in a similar setting.
 Since it's been more than 1.5 years ago, I don't remember all the
 details, so, I am not sure if the AF performance was comparable
 or had more missed shots.

 One can say that D700 is more than 2 years old.
 It is quite possible that D800 (and quite likely D4) exceeds K-5 IIs
 in the capabilities, but those are in a different category price-wise
 and size/weight-wise.

 I haven't tried the original K-5, so, I cannot compare the AF
 performance. But, the AF is greatly improved compared to K-7.
 And the low light performance is definitely greatly improved over K-7.
 ISO-3200 is good (exceeds ISO-1600 and almost close to ISO-800 of K-7),
 ISO-6400 is usable, and even ISO-12800 is acceptable at the level
 which is probably better than ISO-3200 of K-7.

 Here is just one example at ISO-3200:
 http://42graphy.org/misc/tango_IR00058.jpg
 (slight LR processing, including very slight NR).

 Cheers,

 Igor







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RE: K-mount 50mm f/1.4 or f/1.2

2012-12-04 Thread Krisjanis Linkevics
  Don't bother with the f/1.2. It is nice and all but price/performance
  is totally unacceptable.
 
 Kris, I have to disagree with you on this, at least in regards to IQ.
 I have 3 copies of the Pentax 50/1.2 lenses and while they are a bit
 dreamy wide open, when stopped down a bit they are very good - as good
 as or better than my Pentax 50/1.4 lenses, especially when considering
 rendering.  As to cost, no argument there - they are very pricey today.
 
 They are beautifully made examples of the lensmakers' art from the era
 before plastic fantastic became the order of the day, and as a
 collector I'm glad to have them. Of course YMMV...
 
 Regards, Jim

I knew I was going to get in trouble with the f/1.2 crowd :)
Here is the original email I replied to:

 My 50mm f/1.7 is my favourite lens, but I'd love to try a 1.4 or even 
 a 1.2, for the extra light.
 
 Daniele

Let me rehash my point. The 50 f/1.2 is nice. Very nice. But they are only 
manual focus and you wouldn't be able to casually focus it at f/1.2 in low 
light anyway. Unless your eyesight, hand-eye coordination and viewfinder 
precision are well above average and/or you use static targets. And if 
sharp-ish eyes and blurry nose/ears is your thing or you are not going to use 
it at f/1.2 at tight portrait distances.

The going rate for the FA50 is less than half of the various 50/1.2. You get a 
little more real extra light over the f/1.7 and autofocus for that. I would 
get the FA50/1.4 right away if my f/1.7 wasn't autofocus or if I had a buyer 
for it.

I never made any comments about 50/1.2 being inferior to other 50s at f/4 or 
anything to that effect. I said it was nice, what more do you want? :)
It is, however, a specialty lens with an appropriate price tag.

The reaction from the non-photographer members of my family when showing them 
kids pictures made at f/1.2 has always been This is nice and all, but if only 
you had used a real lens, we would have decent pictures now. Yes, apparently I 
aim to start a holy f/1.2 war here.

kris


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RE: PESO - S

2012-12-04 Thread Gerrit Visser
Great pose. Looks great on my new monitor :-)
Did you decide not to add bit more distinction between left arm and the
background?

Gerrit

-Original Message-
From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Bruce Walker
Sent: December 4, 2012 9:00 AM
To: Pentax Discuss Mailing List
Subject: PESO - S

I'm visiting my neglected to-do list. One from last March.

http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

Comments welcome.

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RE: PESO - S

2012-12-04 Thread Krisjanis Linkevics
 Great pose. Looks great on my new monitor :-) Did you decide not to add
 bit more distinction between left arm and the background?
 
 Gerrit
 
 I'm visiting my neglected to-do list. One from last March.
 
 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/
 
 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.
 
 Comments welcome.
 
 -bmw

Yes, the pose, composition and level of viewer involvement with that gaze are 
awesome but I too have a problem with the arm. Didn't even notice it at first, 
though, went straight to the eyes.

kris

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Re: PESO - S

2012-12-04 Thread Walter Hamler
Might check your monitor calibration? On my calibrated IMac there is
plenty of separation and it looks really great.

Walt

On Tue, Dec 4, 2012 at 9:29 AM, Gerrit Visser gerrit...@gmail.com wrote:
 Great pose. Looks great on my new monitor :-)
 Did you decide not to add bit more distinction between left arm and the
 background?

 Gerrit

 -Original Message-
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Bruce Walker
 Sent: December 4, 2012 9:00 AM
 To: Pentax Discuss Mailing List
 Subject: PESO - S

 I'm visiting my neglected to-do list. One from last March.

 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

 Comments welcome.

 --
 -bmw

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Re: K-mount 50mm f/1.4 or f/1.2

2012-12-04 Thread Darren Addy
I had a Pentax 50mm f1.2 briefly and was not impressed. Dreamy wide
open is the *nice* way to put it. Saying that it is great stopped
down seems a little silly when one can have that same stopped down
performance on a f1.4 just as easily for a lot less money (and you can
bring the f1.7 into that discussion as well for less than 20% of the
price of the f1.2). I only have experience with one data point (copy
of the lens), so it is probably silly to draw firm conclusions, but
for my money a f1.2 lens is like owning a Rolex. It impresses people
and maybe even oneself, but I'd rather use the funds that the f1.2
brings on the open market to purchase something that extends my
photographic possibilities in other ways.

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RE: PESO - S

2012-12-04 Thread Gerrit Visser
That is on the to-do list for tomorrow, only received it on Monday. Will be
tapping Bruce for some of his skills on calibration.
Of course it could be my old eyes as well.
 
Gerrit

-Original Message-
From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Walter Hamler
Sent: December 4, 2012 9:44 AM
To: Pentax-Discuss Mail List
Subject: Re: PESO - S

Might check your monitor calibration? On my calibrated IMac there is plenty
of separation and it looks really great.

Walt

On Tue, Dec 4, 2012 at 9:29 AM, Gerrit Visser gerrit...@gmail.com wrote:
 Great pose. Looks great on my new monitor :-) Did you decide not to 
 add bit more distinction between left arm and the background?

 Gerrit

 -Original Message-
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Bruce Walker
 Sent: December 4, 2012 9:00 AM
 To: Pentax Discuss Mailing List
 Subject: PESO - S

 I'm visiting my neglected to-do list. One from last March.

 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

 Comments welcome.

 --
 -bmw

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RE: PESO - S

2012-12-04 Thread Krisjanis Linkevics
 Might check your monitor calibration? On my calibrated IMac there is
 plenty of separation and it looks really great.
 
 Walt

Hmm, true, this will teach me not to comment on pictures based on what I see on 
the work monitor.

kris

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RE: Thinking about a collaborative photo project for the next year

2012-12-04 Thread Krisjanis Linkevics
 Kris,
 
 It's an interesting idea, but way too intense a schedule.
 
 Rick

Probably. One way I am going to make this easier on all the participants is 
that you can submit pictures for future dates and you don't have a tight 24h 
deadline for submitting your versions on the current dates. You could easily 
take a month off or work only on weekends if you submit a few pictures in 
advance. I don't see this as an exercise in technical perfection or a contest, 
rather as a game.
I have a picture before me, what do I see in it? What do others see in it?
You can aim for some consistency but you will probably fail unless you 
replicate all the scenes with Q-tips or cats or something.
Definitely not a quest for a single good picture a day that would fit the set 
criteria. More likely an ongoing experiment in perseverance.

kris

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Re: PESO - Red Roof

2012-12-04 Thread Bob Sullivan
Dave,
After the 'quakes, aren't all your buildings crooked?  :-)
Regards,  Bob S.

On Tue, Dec 4, 2012 at 12:07 AM, David Mann dmann...@gmail.com wrote:
 On Dec 4, 2012, at 12:13 PM, Bob Sullivan rf.sulli...@gmail.com wrote:

 Beautiful tree, crooked building...

 Nothing wrong with crooked buildings :)

 (I'm still waiting for the photo to load... photo.net strikes again!)

 Cheers,
 Dave


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Re: PESO - S

2012-12-04 Thread Jack Davis
I too lose definition in the area of her left shoulder. Also troubling is 
the featureless dress.
Like the pose.
 
Jack

From: Bruce Walker bruce.wal...@gmail.com
To: Pentax Discuss Mailing List PDML@pdml.net 
Sent: Tuesday, December 4, 2012 6:00 AM
Subject: PESO - S

I'm visiting my neglected to-do list. One from last March.

http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

Comments welcome.

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Re: Thinking about a collaborative photo project for the next year

2012-12-04 Thread Christine Nielsen
I'd join you, but I did a couple of years' worth of daily photo
(-blogging), and I'm not yet ready to jump back in the fray.  But, I
highly recommend it - the somewhat daily photo project, that is - it
was definitely a creative workout, good skill builder, and meditation.
 I know it may not  be your aim, but, especially when the kids are
young, incorporating them into the process as subjects is very
rewarding.  The best part of the two years of daily photos is the
photo journal of their/our lives that resulted.  Now, I have
teenagers, and I couldn't get away with that sort of thing...

Best of luck!

:)
-c


On Tue, Dec 4, 2012 at 10:33 AM, Krisjanis Linkevics
krisjanis.linkev...@exigenservices.com wrote:
 Kris,

 It's an interesting idea, but way too intense a schedule.

 Rick

 Probably. One way I am going to make this easier on all the participants is 
 that you can submit pictures for future dates and you don't have a tight 24h 
 deadline for submitting your versions on the current dates. You could easily 
 take a month off or work only on weekends if you submit a few pictures in 
 advance. I don't see this as an exercise in technical perfection or a 
 contest, rather as a game.
 I have a picture before me, what do I see in it? What do others see in it?
 You can aim for some consistency but you will probably fail unless you 
 replicate all the scenes with Q-tips or cats or something.
 Definitely not a quest for a single good picture a day that would fit the set 
 criteria. More likely an ongoing experiment in perseverance.

 kris

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Re: K-5 IIs - I'm impressed (PESO - tango)

2012-12-04 Thread Igor Roshchin


Thanks to all who looked.
My responses to several messages are assembled and interspersed below.

On Mon, Dec 3, 2012 at 9:32 PM, Igor Roshchin wrote:

 Here is just one example at ISO-3200:
 http://42graphy.org/misc/tango_IR00058.jpg
 (slight LR processing, including very slight NR).



---
Mon Dec 3 21:39:52 EST 2012
Paul Stenquist wrote:

 Nice shot. The k7 autofocus was comparable to that of the K5, so it
 sounds like your k5 II is considerably better then either. The
 engineering emphasis was reportedly on low light focusing, so your
 experience is in sync with that. Looking forward to your take on
 daylight autofocus.

Paul, 
Thank you. 

I hope I am not imagining the AF improvements I've seen.
I am definitely impressed by the ISO.


---
Mon Dec 3 23:19:53 EST 2012
knarftheriault at gmail.com wrote:

 That's a ~great~ picture!
 
 cheers,
 frank

I appreciate you being FRANK about it. :-)

---
Tue Dec 4 09:06:09 EST 2012
Bruce Walker wrote:

 That's just such a great shot, Igor. Well done!

Thank you, Bruce!

---
Mon Dec 3 23:22:16 EST 2012
Jack Davis wrote:

 I've decided the moire I was seeing is the screen texture.  Never
 mind!

Jack: No, there is no moire.

---
Tue Dec 4 00:04:40 EST 2012
Boris Liberman wrote:

 Igor, few points...
 
 1. I've had both K-7 and K-5. I even thought that K-7's AF was ever so 
 slightly better to that of K-5 although it appeared that my opinion was 
 contrary to the common view on the matter. I thought that my K-7 was 
 ever so slightly more decisive in low light while my K-5 was just a bit 
 more accurate.

I might be imagining it...
My impression is completely subjective, and I haven't done any
measurements, whatsover. It just seemed to me that the AF was ready by
the time I was ready to shoot.
(Larry, - this comment is relevant to what your hopes are.)

 
 2. I humbly suggest that you (and we along the way) revisit your 
 impressions after a month of medium to heavy use. Often initial 
 impressions fade and are replaced by more experienced ones, simply 
 because of the variety of shooting situations that you would have 
 experienced.

But of course!
:-)

 
 3. In terms of low light IQ - K-5 (and its derivatives) are probably 
 second to none on the market right now except big boys such as Nikon 
 D800 which is entirely different price league and stuff...

That's exactly my point.
And not just price league, but also size league. D4 is huge, compared to
K-5IIs.
Actually, one great improvement over K-7 was a larger dynamic range
at high ISOs.



 
 4. I've had a chance to shoot with D700 for quite a bit - including one 
 wedding where I was just playing with someone else's camera. D700 beats 
 crap out of K-5. But it has to be 24-70/2.8 top of the lines Nikkor and 
 rather dim light for crap to start getting beaten out of... Otherwise, 
 K-5 is pretty darn fine.

I've tried it in combination with
Nikon 24-70mm f/2.8G ED AF-S, Nikon 85mm f/1.4D AF Nikkor Lens ,
Nikkor 70-200mm VR II f/2.8G, ED, AF-S, and Nikkor 16-85mm VR f/3.5-5.6, AF-S

IIRC, 24-70 and 85 were those I used the most.  The quality was great. 
But I decided not to go that route for the size and the weight of the
camera.

Not everything was ideal this weekend. But I think I've got very close 
this past weekend with K-5IIs + 50-135/2.8 and 77/1.8. 
I was missing a bit on the wide end, 
as my 17-70/4 is good for the flash work but it is a bit too slow for
the low light without flash.

I don't have brand loyalty. Evidently, I have a typical for many buyers
desire to confirm for myself that I made the right decision on buying 
this camera. In my case, this can create a bi-modal bias:
1. positive, and 2. overly sensitive to any little glitch.
At this point I haven't had much of #2, even though not everything is
ideal. I had quiet a few misses.[*]
Having said that, even though I knew Pentax menues better, it took me
more effort to set things to where I wanted them to be, compared to 
the same with D700.


 Finally, it is very fine photograph and you nailed it in terms of focus 
 accuracy, exposure, etc...

Thank you.

 
 I am glad you've gotten a great new photographic instrument now - I hope 
 to see more of your pictures...
 
It is not the instrumentation that limits the amount of pictures
developed and displayed, but the time available.

[*] About misses I had.
1. Focusing in 11-segment AF mode was sometimes choosing the wrong
object. Switching to the center-point AF helped.
2. Some shots had focus that is good but not perfect.
I am not sure if this was the effect of motion of the subjects,
motion blur from hand-holding the camera, or the AF error. I don't jump
in claiming the latter. 
3. A few streaks of lu.. totally off-the-wall AWB choices.
For several shots in a row, the camera was choosing a completely wrong
WB when set to AWB. E.g. it went extremely yellow in, I suspect, 
incandescent, light.
I had seen it once or twice 

Re: Re: The Red Curtain, Message-ID:

2012-12-04 Thread Don Guthrie
Thanks Rick, if I ever need a shot like that I will consider it. Thanks 
also to Joe and Bruce for commenting.




pdml-requ...@pdml.net wrote:

Message: 3
Date: Mon, 3 Dec 2012 14:52:38 -0800 (PST)
From: Rick Womerrwomer1...@yahoo.com
To: Pentax-Discuss Mail Listpdml@pdml.net
Subject: Re: The Red Curtain
Message-ID:
1354575158.22623.yahoomail...@web121805.mail.ne1.yahoo.com
Content-Type: text/plain; charset=iso-8859-1

I like it!

You could try straightening it a bit and cropping out the clapboard wall and 
second window. ?Then it would look as though the building was sticking out its 
tongue.

Rick
?
http://photo.net/photos/RickW


- Original Message -
From: Don Guthrieshark50...@gmail.com
To:pdml@pdml.net
Cc:
Sent: Monday, December 3, 2012 4:08 PM
Subject: The Red Curtain

Once the fall leaves have dropped and blown away, it is difficult to find some 
color against the drab November skies. This rebellious curtain fights the good 
fight in a city walk-up apartment.
Comments  opinions always welcomed

http://donspix.posterous.com/the-red-curtain-a-bit-of-color-against-the-ur-36732

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Re: PESO - Winter's Coming

2012-12-04 Thread John Sessoms

From: Mark Roberts

knarftheria...@gmail.com wrote:


It's getting colder so the competition is on for the prime sidewalk
warming grates. The sleeping bags are new; this is the time of year
the charities distribute them. By spring they'll very filthy.

But now they're still brightly coloured and shiny:

http://knarfdummyblog.blogspot.ca/2012/12/winters-coming.html?m=0

I don't know how these guys survive winter. I guess some of them
don't.


Great shot, Frank. Somehow, the Do not block intersection sign
really contributes to the image (though part of me wishes it weren't
so close to the top of the frame; I'm guessing you shot this as a
horizontal and cropped to square - maybe cropping a bit more off the
bottom and left might help?) You're quite right to do it in color,
IMHO. Remember how The Wizard of Oz depicted Kansas in BW nut
showed Oz in color, intending to contrast bleak reality with pretty
fantasy? Now we regard color as more realistic (rightly so, I think)
and BW as more abstract.



I always thought the last part when Dorothy got back home to Kansas 
should have been in color.


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Re: OT: Audio Stuff

2012-12-04 Thread steve harley

on 2012-12-03 21:53 J.C. O'Connell wrote

well, here in the USA, full size TOSLINK
is the defacto standard for digital audio
optical connections, not mini. mini is rare.


not quite rare when it's been on every Apple computer for the last several 
years; some other computer brands use it too (HP, Dell ...); it's handy that 
one jack can serve analog and digital, and the adapters are cheap







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Re: K-mount 50mm f/1.4 or f/1.2

2012-12-04 Thread steve harley

on 2012-12-02 14:27 Daniele Procida wrote

My 50mm f/1.7 is my favourite lens, but I'd love to try a 1.4 or even a 1.2, 
for the extra light.


i'm no connoisseur, and for me the f/1.7 is the sweet spot, the practical 
choice, producing excellent images and easily replaced if necessary; it is said 
that the 1.7 has a flatter field than 1.4 as well


i have had an M/1.4 and an A/2.0, never seen the 1.2; the 2.0 seemed less 
sharp; i didn't perceive a practical difference between 1.4 and 1.7; i like 
bokeh but i don't spend a lot of effort on it, and 1.7 is already shallower 
depth of field than i usually want; it was harder to focus the 1.4, so i had to 
use DOF preview more; the f/1.2 sounds like a pain


i do think the future of low-light manual focusing is EVF; even with the grainy 
EVF on a Panasonic GH2 i'm surprised how useful it is in low light; if i were 
pursuing artistic video effects i might enjoy the 1.2 on the Panny






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Re: PESO - S

2012-12-04 Thread Larry Colen

On Dec 4, 2012, at 6:00 AM, Bruce Walker wrote:

 I'm visiting my neglected to-do list. One from last March.
 
 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/
 
 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.
 
 Comments welcome.

If that's typical of the items on your todo list, stop neglecting it right this 
moment!

 
 --
 -bmw
 
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Re: PAW152 - Triangle

2012-12-04 Thread Toine
I like it. :)

Toine

On 3 December 2012 23:25, DagT li...@thrane.name wrote:
 http://www.thrane.name/Pictures/PAW/files/page7-1000-full.html
 Pentax K-5, DA*55mm, f/2.5, 1/100s, ISO800.

 DagT
 http://www.thrane.name/


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RE: GESO

2012-12-04 Thread Bob W
There seems to be a difference here between proper British use, and sloppy,
undisciplined American. 

The British are, as usual, correct:
http://www.rspb.org.uk/wildlife/birdguide/families/crows.aspx

B


 -Original Message-
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Larry Colen
 Sent: 04 December 2012 09:34
 To: Pentax-Discuss Mail List
 Subject: Re: GESO
 
 
 On Dec 3, 2012, at 2:11 PM, Daniel J. Matyola wrote:
 
  Yes, but then he tried to pass the raven off as a crow!
 
 My apologies.  It seems that I'm not the only one to make this mistake:
 
 http://ebird.org/content/ebird/news/crows_and_ravens
 
 I had always thought that ravens were quite a bit larger than the birds
 I've been seeing around here.
 
 
  Dan Matyola
  http://www.pentaxphotogallery.com/danieljmatyola
 
 
  On Mon, Dec 3, 2012 at 5:10 PM, jn289 jn...@verizon.net wrote:
  Larry, I agree with Ken on this..Joe
 
 
 
 
 
  You captured great detail in the Raven.
 
  Kenneth Waller
  http://www.pentaxphotogallery.com/kennethwaller
 
  - Original Message - From: Larry Colen l...@red4est.com
  Subject: GESO
 
  Beverage Puns:
  http://www.flickriver.com/photos/ellarsee/sets/72157632147595351/
 
  --
  Larry Colen l...@red4est.com sent from i4est



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GESO - A few shots from the US GP in Austin

2012-12-04 Thread John Francis
On Wed, Nov 21, 2012 at 12:45:38PM -0500, John Francis wrote:
 
 Mind you, COTA is the best of the modern tracks by a long way, IMO.
 And we had perfect weather, and a great race with actual racing on
 track, and only a couple of miner mechanical incidents. It was even
 possible to get reasonable shots from our grandstand (albeit limited
 to just a single viewpoint, of course), and the track policy limiting
 lenses to at most 10 in length (quite generous, from what I've seen)
 meant that the 60-250 was no problem (and 150mm-200mm was what was
 needed for a single-car shot with a sightline above the fencing).
 
 Pictures will follow at some point, but at the moment I'm moving to
 a new computer (so I can run LR4), and taking this as an opportunity
 to review the way I organise my images. Given my slight tendency to
 procrastinate I have no idea when I'll be set up to process the shots.

As promised (or threatened :-), here are a few images from the weekend.
Despite being limited to essentially just a single viewpoint (and with
internal reflections from the 60-250 showing up in a couple of the shots)
I did come home with some images I'm happy with. I haven't got LR set up
yet, so these are just preliminaries (using Camera Raw in PS Elements).

Probably the best shot I got overall.  The guy didn't win the race, or
the championship (although he was still in contention for both), but
that doesn't matter to the Ferrari faithful:

http://www.jfwaf.com/USGP/Alonso.jpg

Here's the guy who did win the race:

http://www.jfwaf.com/USGP/Hamilton.jpg

And here's the guy who won his third straight championship a week later:

http://www.jfwaf.com/USGP/Vettel.jpg

This was the last-but-one race for the most successful F1 driver ever:

http://www.jfwaf.com/USGP/Schumacher.jpg

And this is the guy my wife and I were waving the flag for:

http://www.jfwaf.com/USGP/Button.jpg


All shots taken with the K-5 and the 60-250.

At this point on the circuit the cars are going around 150 - 160 MPH, so
at a shutter speed of 1/320 or so there's enough motion blur to show up
in the background (assuming I get the pan right; if I don't, then the car
doesn't look sharp) - the car moves around 8 during the exposure.

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OT: 35 reasons to have children

2012-12-04 Thread John Sessoms

Someone sent it to me, so I'm sending it to y'all.

http://www.buzzfeed.com/stephiekate/35-reasons-to-have-children-7xwj

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Re: GESO

2012-12-04 Thread kwaller
Larry, http://ebird.org/content/ebird/news/crows_and_ravens, confirms that 
your capture is a raven - the heavy bill and glossy pointed  neck feathers 
in the 4th image on the link are identical to those of the one you captured.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Larry Colen l...@red4est.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tuesday, December 04, 2012 4:33 AM
Subject: Re: GESO




On Dec 3, 2012, at 2:11 PM, Daniel J. Matyola wrote:


Yes, but then he tried to pass the raven off as a crow!


My apologies.  It seems that I'm not the only one to make this mistake:

http://ebird.org/content/ebird/news/crows_and_ravens

I had always thought that ravens were quite a bit larger than the birds 
I've been seeing around here.




Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Mon, Dec 3, 2012 at 5:10 PM, jn289 jn...@verizon.net wrote:

Larry, I agree with Ken on this..Joe






You captured great detail in the Raven.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - From: Larry Colen l...@red4est.com
Subject: GESO


Beverage Puns:
http://www.flickriver.com/photos/ellarsee/sets/72157632147595351/

--
Larry Colen l...@red4est.com sent from i4est


--
Larry Colen l...@red4est.com sent from i4est



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Re: GESO

2012-12-04 Thread knarftheria...@gmail.com
Whatever, it's a big black bird and I get the joke. ;-)

That's a fun set, Larry, but as  beer drinker who rarely drinks the hard stuff 
several of.them had to be explained.

Cheers,
frank

--- Original Message ---

From: Larry Colen l...@red4est.com
Sent: December 4, 2012 12/4/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: GESO


On Dec 3, 2012, at 2:11 PM, Daniel J. Matyola wrote:

 Yes, but then he tried to pass the raven off as a crow!

My apologies.  It seems that I'm not the only one to make this mistake:

http://ebird.org/content/ebird/news/crows_and_ravens

I had always thought that ravens were quite a bit larger than the birds I've 
been seeing around here.


 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
 
 On Mon, Dec 3, 2012 at 5:10 PM, jn289 jn...@verizon.net wrote:
 Larry, I agree with Ken on this..Joe
 
 
 
 
 
 You captured great detail in the Raven.
 
 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller
 
 - Original Message - From: Larry Colen l...@red4est.com
 Subject: GESO
 
 Beverage Puns:
 http://www.flickriver.com/photos/ellarsee/sets/72157632147595351/
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
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 follow the directions.
 
 
 
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RE: PAW152 - Triangle

2012-12-04 Thread knarftheria...@gmail.com
Wonderful!

cheers,
frank

--- Original Message ---

From: DagT li...@thrane.name
Sent: December 3, 2012 12/3/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PAW152 - Triangle

http://www.thrane.name/Pictures/PAW/files/page7-1000-full.html
Pentax K-5, DA*55mm, f/2.5, 1/100s, ISO800.

DagT
http://www.thrane.name/


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Re: PESO - Winter's Coming

2012-12-04 Thread knarftheria...@gmail.com
The sign is right at the edge of the frame so I can't put any air around it. 
I'll try the crop as you suggest and see how it looks.

Although bw is my usual default I didn't even try it this time. I would have 
lost the impact of the sleeping bags in monochrome imho.

Don't know about the fantasy/reality switch over the years but what you say 
makes sense. I just look at each shot individually and think how what I am 
trying to say (or portray) can best be expressed (with an admitted bias toward 
black and white).  ;-)

Thanks for the comment.

Cheers,
frank

--- Original Message ---

From: Mark Roberts postmas...@robertstech.com
Sent: December 3, 2012 12/3/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO - Winter's Coming

knarftheria...@gmail.com wrote:

It's getting colder so the competition is on for the prime sidewalk warming 
grates. The sleeping bags are new; this is the time of year the charities 
distribute them. By spring they'll very filthy.

But now they're still brightly coloured and shiny:

 http://knarfdummyblog.blogspot.ca/2012/12/winters-coming.html?m=0

I don't know how these guys survive winter. I guess some of them don't.

Great shot, Frank. Somehow, the Do not block intersection sign
really contributes to the image (though part of me wishes it weren't
so close to the top of the frame; I'm guessing you shot this as a
horizontal and cropped to square - maybe cropping a bit more off the
bottom and left might help?) You're quite right to do it in color,
IMHO. Remember how The Wizard of Oz depicted Kansas in BW nut
showed Oz in color, intending to contrast bleak reality with pretty
fantasy? Now we regard color as more realistic (rightly so, I think)
and BW as more abstract.
 
-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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RE: PESO - S

2012-12-04 Thread knarftheria...@gmail.com
Beautiful, aptly titled and perfectly rendered.

Like a great deal!

cheers,
frank

--- Original Message ---

From: Bruce Walker bruce.wal...@gmail.com
Sent: December 4, 2012 12/4/12
To: Pentax Discuss Mailing List PDML@pdml.net
Subject: PESO - S

I'm visiting my neglected to-do list. One from last March.

http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

Comments welcome.

--
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Re: K-5 IIs - I'm impressed (PESO - tango)

2012-12-04 Thread Rick Womer
Igor, I've been very happy with my K-5.  I said to my wife just last week that 
I was completely satisfied with my photo gear, and didn't want anything new.

So, if you make me want a K-5II or IIs I will have to hate you.

Rick
 
http://photo.net/photos/RickW


- Original Message -
From: Igor Roshchin s...@komkon.org
To: PDML@pdml.net
Cc: 
Sent: Tuesday, December 4, 2012 11:33 AM
Subject: Re: K-5 IIs - I'm impressed (PESO - tango)



Thanks to all who looked.
My responses to several messages are assembled and interspersed below.

On Mon, Dec 3, 2012 at 9:32 PM, Igor Roshchin wrote:

 Here is just one example at ISO-3200:
 http://42graphy.org/misc/tango_IR00058.jpg
 (slight LR processing, including very slight NR).



---
Mon Dec 3 21:39:52 EST 2012
Paul Stenquist wrote:

 Nice shot. The k7 autofocus was comparable to that of the K5, so it
 sounds like your k5 II is considerably better then either. The
 engineering emphasis was reportedly on low light focusing, so your
 experience is in sync with that. Looking forward to your take on
 daylight autofocus.

Paul, 
Thank you. 

I hope I am not imagining the AF improvements I've seen.
I am definitely impressed by the ISO.


---
Mon Dec 3 23:19:53 EST 2012
knarftheriault at gmail.com wrote:

 That's a ~great~ picture!
 
 cheers,
 frank

I appreciate you being FRANK about it. :-)

---
Tue Dec 4 09:06:09 EST 2012
Bruce Walker wrote:

 That's just such a great shot, Igor. Well done!

Thank you, Bruce!

---
Mon Dec 3 23:22:16 EST 2012
Jack Davis wrote:

 I've decided the moire I was seeing is the screen texture.  Never
 mind!

Jack: No, there is no moire.

---
Tue Dec 4 00:04:40 EST 2012
Boris Liberman wrote:

 Igor, few points...
 
 1. I've had both K-7 and K-5. I even thought that K-7's AF was ever so 
 slightly better to that of K-5 although it appeared that my opinion was 
 contrary to the common view on the matter. I thought that my K-7 was 
 ever so slightly more decisive in low light while my K-5 was just a bit 
 more accurate.

I might be imagining it...
My impression is completely subjective, and I haven't done any
measurements, whatsover. It just seemed to me that the AF was ready by
the time I was ready to shoot.
(Larry, - this comment is relevant to what your hopes are.)

 
 2. I humbly suggest that you (and we along the way) revisit your 
 impressions after a month of medium to heavy use. Often initial 
 impressions fade and are replaced by more experienced ones, simply 
 because of the variety of shooting situations that you would have 
 experienced.

But of course!
:-)

 
 3. In terms of low light IQ - K-5 (and its derivatives) are probably 
 second to none on the market right now except big boys such as Nikon 
 D800 which is entirely different price league and stuff...

That's exactly my point.
And not just price league, but also size league. D4 is huge, compared to
K-5IIs.
Actually, one great improvement over K-7 was a larger dynamic range
at high ISOs.



 
 4. I've had a chance to shoot with D700 for quite a bit - including one 
 wedding where I was just playing with someone else's camera. D700 beats 
 crap out of K-5. But it has to be 24-70/2.8 top of the lines Nikkor and 
 rather dim light for crap to start getting beaten out of... Otherwise, 
 K-5 is pretty darn fine.

I've tried it in combination with
Nikon 24-70mm f/2.8G ED AF-S, Nikon 85mm f/1.4D AF Nikkor Lens ,
Nikkor 70-200mm VR II f/2.8G, ED, AF-S, and Nikkor 16-85mm VR f/3.5-5.6, AF-S

IIRC, 24-70 and 85 were those I used the most.  The quality was great. 
But I decided not to go that route for the size and the weight of the
camera.

Not everything was ideal this weekend. But I think I've got very close 
this past weekend with K-5IIs + 50-135/2.8 and 77/1.8. 
I was missing a bit on the wide end, 
as my 17-70/4 is good for the flash work but it is a bit too slow for
the low light without flash.

I don't have brand loyalty. Evidently, I have a typical for many buyers
desire to confirm for myself that I made the right decision on buying 
this camera. In my case, this can create a bi-modal bias:
1. positive, and 2. overly sensitive to any little glitch.
At this point I haven't had much of #2, even though not everything is
ideal. I had quiet a few misses.[*]
Having said that, even though I knew Pentax menues better, it took me
more effort to set things to where I wanted them to be, compared to 
the same with D700.


 Finally, it is very fine photograph and you nailed it in terms of focus 
 accuracy, exposure, etc...

Thank you.

 
 I am glad you've gotten a great new photographic instrument now - I hope 
 to see more of your pictures...

It is not the instrumentation that limits the amount of pictures
developed and displayed, but the time available.

[*] About misses I had.
1. Focusing in 11-segment AF mode was sometimes choosing the wrong
object. Switching to the center-point AF helped.
2. Some shots 

RE: K-mount 50mm f/1.4 or f/1.2

2012-12-04 Thread James King
Krisjanis Linkevics Tue, 04 Dec 2012 06:20:18 -0800:

 Let me rehash my point. The 50 f/1.2 is nice. Very nice. But they are only 
 manual focus and you wouldn't be able to casually focus it at f/1.2 in low 
 light anyway. Unless your eyesight, hand-eye coordination and viewfinder 
 precision are well above average and/or you use static targets. And if 
 sharp-ish eyes and blurry nose/ears is your thing or you are not going to use 
 it at f/1.2 at tight portrait distances.

Granted. The 50/1.2 is not an easy lens to master - but there are images where 
the narrow DOF and creamy OOF areas are desirable and worth the effort IMO.
However, the low-light advantage is very slim and not of much value given the
excellent high-ISO performance of today's DSLRs 

 The going rate for the FA50 is less than half of the various 50/1.2. You get 
 a 
 little more real extra light over the f/1.7 and autofocus for that. I would 
 get the FA50/1.4 right away if my f/1.7 wasn't autofocus or if I had a buyer 
 for it.

If it is an either/or choice I would agree. But some of us are fortunate 
enough to 
be able to afford both; granted, the OP is probably not be in that position.

 I never made any comments about 50/1.2 being inferior to other 50s at f/4 or 
 anything to that effect. I said it was nice, what more do you want? :)
 It is, however, a specialty lens with an appropriate price tag.

I felt that you were damning the 50/1.2 with faint praise and wanted to make it 
plain 
that this lens has its own special virtues (at least in my eyes). If this was 
not your 
intent, I'm sorry I jumped to that conclusion. Yes, it's a specialty lens and 
some 
(perhaps most) will not be attracted to what it has to offer. However, I find 
it that it 
has its charms.

As I concluded in my earlier reply, YMMV...

 The reaction from the non-photographer members of my family when showing them 
 kids pictures made at f/1.2 has always been This is nice and all, but if 
 only 
 you had used a real lens, we would have decent pictures now. Yes, apparently 
 I 
 aim to start a holy f/1.2 war here.

No war, just a difference in opinion based on a different scale of values. ;)

Regards, Jim


It is dangerous to be right in matters on which the established authorities 
are wrong. 

-  Voltaire


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Re: GESO

2012-12-04 Thread Larry Colen

On Dec 4, 2012, at 2:19 PM, knarftheria...@gmail.com wrote:

 Whatever, it's a big black bird and I get the joke. ;-)
 
 That's a fun set, Larry, but as  beer drinker who rarely drinks the hard 
 stuff several of.them had to be explained.

Don't worry Frank, not getting my humor puts you in good company.

 

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Re: K-mount 50mm f/1.4 or f/1.2

2012-12-04 Thread Godfrey DiGiorgi
No experience with the Pentax 50/1.2 here.

I have a Nikkor 50mm f/1.2 AI-S (manual focus) lens, however, and find
it a piece of cake to focus with both my Nikon F (A screen with split
image rangefinder) and with the Olympus E-1 (matte fresnel focusing
screen, about the same magnification and brightness focusing screen as
a Pentax *ist DS or K10D).

I have worn glasses since I was in third grade and have plenty of
issues with eyesight deterioration through floaters, etc, at my
advanced age today (lol!), but I can still focus this lens critically.
I don't really know what everyone's difficulty is ... fast lenses are
easier to focus than slower lenses because the viewfinder is brighter
and the focus zone is shallower, you can see the in-out focus
transition happen much more clearly.

The same lens fitted to the Ricoh GXR-M with an adapter works very
well and focuses crisply, both with and without the GXR's
implementation of focus peaking ... Used with focus peaking, you have
to learn what the focus peaking display is telling you. It's not
exactly the same thing as looking at image sharpness on a ground glass
field or in an EVF.

Manual focusing simply takes some practice. I've been practicing at it
for 50+ years now... :-)
-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: PESO - S

2012-12-04 Thread Bruce Walker
Jack, I've been studying a lot of BW studio work lately. Here I was
going for an almost abstract look -- outlines, areas of (almost) solid
tones, skin pale, hair dark, etc. So I cranked the whites way up and
the darks way down, leaving the midtones almost empty.

There _is_ definition in the lights and darks but you have to look
very closely, and have a calibrated IPS display too. :-) I intend to
print this image to get the full effect. I expect to have to to a few
runs to get it right as it probably pushes the paper/ink abilities.


For more subject definition you may prefer the original colour rendition ...

http://www.flickr.com/bruce_m_walker/8245838556/lightbox/


On Tue, Dec 4, 2012 at 11:12 AM, Jack Davis jdavi...@yahoo.com wrote:
 I too lose definition in the area of her left shoulder. Also troubling is the 
 featureless dress.
 Like the pose.

 Jack

 From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax Discuss Mailing List PDML@pdml.net
 Sent: Tuesday, December 4, 2012 6:00 AM
 Subject: PESO - S

 I'm visiting my neglected to-do list. One from last March.

 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

 Comments welcome.

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Re: PESO - S

2012-12-04 Thread Bruce Walker
Basically, yeah, the faint tonal differences are intentional. But my
first cut had more separation; the version you saw had been tweaked to
push the whites right up close to 100% which flattened the tone curve
near the top. I backed that off and restored the original version once
again, so have a look at it now. It's subtle, but the outline of her
arm is visible.

As I said to Jack, you need you monitor to be well calibrated as I
push the tones at both ends of the scale, without blowing them out.

And here's the tonally less extreme colour version ...

http://www.flickr.com/bruce_m_walker/8245838556/lightbox/

Thanks!


On Tue, Dec 4, 2012 at 9:29 AM, Gerrit Visser gerrit...@gmail.com wrote:
 Great pose. Looks great on my new monitor :-)
 Did you decide not to add bit more distinction between left arm and the
 background?

 Gerrit

 -Original Message-
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Bruce Walker
 Sent: December 4, 2012 9:00 AM
 To: Pentax Discuss Mailing List
 Subject: PESO - S

 I'm visiting my neglected to-do list. One from last March.

 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

 Comments welcome.

 --
 -bmw

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Re: PESO - S

2012-12-04 Thread Bruce Walker
Thanks, Walt!


On Tue, Dec 4, 2012 at 9:43 AM, Walter Hamler hamlerwal...@gmail.com wrote:
 Might check your monitor calibration? On my calibrated IMac there is
 plenty of separation and it looks really great.

 Walt

 On Tue, Dec 4, 2012 at 9:29 AM, Gerrit Visser gerrit...@gmail.com wrote:
 Great pose. Looks great on my new monitor :-)
 Did you decide not to add bit more distinction between left arm and the
 background?

 Gerrit

 -Original Message-
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Bruce Walker
 Sent: December 4, 2012 9:00 AM
 To: Pentax Discuss Mailing List
 Subject: PESO - S

 I'm visiting my neglected to-do list. One from last March.

 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

 Comments welcome.

 --
 -bmw

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Re: PESO - S

2012-12-04 Thread Bruce Walker
Workin' on it! :-)


On Tue, Dec 4, 2012 at 1:53 PM, Larry Colen l...@red4est.com wrote:

 On Dec 4, 2012, at 6:00 AM, Bruce Walker wrote:

 I'm visiting my neglected to-do list. One from last March.

 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

 Comments welcome.

 If that's typical of the items on your todo list, stop neglecting it right 
 this moment!


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Re: PESO - S

2012-12-04 Thread Bruce Walker
On Tue, Dec 4, 2012 at 9:38 AM, Krisjanis Linkevics
krisjanis.linkev...@exigenservices.com wrote:
 Great pose. Looks great on my new monitor :-) Did you decide not to add
 bit more distinction between left arm and the background?

 Gerrit

 I'm visiting my neglected to-do list. One from last March.

 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

 Comments welcome.

 -bmw

 Yes, the pose, composition and level of viewer involvement with that gaze are 
 awesome but I too have a problem with the arm. Didn't even notice it at 
 first, though, went straight to the eyes.

Thanks, Kris. Please also see my comments to Gerrit and Jack.

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Re: PESO - S

2012-12-04 Thread Bruce Walker
Thank you, Frank!

On Tue, Dec 4, 2012 at 5:31 PM, knarftheria...@gmail.com
knarftheria...@gmail.com wrote:
 Beautiful, aptly titled and perfectly rendered.

 Like a great deal!

 cheers,
 frank

 --- Original Message ---

 From: Bruce Walker bruce.wal...@gmail.com
 Sent: December 4, 2012 12/4/12
 To: Pentax Discuss Mailing List PDML@pdml.net
 Subject: PESO - S

 I'm visiting my neglected to-do list. One from last March.

 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

 Comments welcome.

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 -bmw

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Dickens Fair at the Cow Palace

2012-12-04 Thread Larry Colen
If you are in the San Francisco Bay Area and are looking for a fun photo 
opportunity, check out the Dickens Fair at the Cow Palace, weekends between now 
and Christmas.

Some notes however:
The lighting is absolutely horrible, especially in Fezziwigs (where they have 
the social dancing). It's lit by yellow and reddish gelled spots, unevenly in 
both intensity and color.  I shot available light and processing the photos was 
a pain.
If I make it again this year, I'm going to use my flash with a CTO gel, so that 
the background isn't a totally different color balance than the foreground.

I started out photographing at Fezziwigs with the 16-50, and on most of the 
floor, the lens was just too slow, and in Tav the camera pushed the ISO so hard 
that even the K-5 had issues.

I was really wishing I had a K5-II, my K-5 what having a really rough time 
focusing on the dancers.

At Dark Gardens, the obvious temptation is to photograph the ladies in corsets 
posing in the windows.  I found it more fun to get photos of people looking at 
the window displays.  Particularly the young kids.

As with many street fair type events, it is a wonderful opportunity for street 
photography, but I spent most of my time dancing with pretty women, only 
venturing out to the rest of fair during set breaks.

17 photos from Sunday that sucked less than the rest:

http://www.flickriver.com/photos/ellarsee/sets/72157632169833923/

--
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RE: PESO - S

2012-12-04 Thread Gerrit Visser
I prefer the BW version, it seems more absolute or binary.

Gerrit

-Original Message-
From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Bruce Walker
Sent: December 4, 2012 6:33 PM
To: Pentax-Discuss Mail List
Subject: Re: PESO - S

Jack, I've been studying a lot of BW studio work lately. Here I was going
for an almost abstract look -- outlines, areas of (almost) solid tones, skin
pale, hair dark, etc. So I cranked the whites way up and the darks way down,
leaving the midtones almost empty.

There _is_ definition in the lights and darks but you have to look very
closely, and have a calibrated IPS display too. :-) I intend to print this
image to get the full effect. I expect to have to to a few runs to get it
right as it probably pushes the paper/ink abilities.


For more subject definition you may prefer the original colour rendition ...

http://www.flickr.com/bruce_m_walker/8245838556/lightbox/


On Tue, Dec 4, 2012 at 11:12 AM, Jack Davis jdavi...@yahoo.com wrote:
 I too lose definition in the area of her left shoulder. Also troubling is
the featureless dress.
 Like the pose.

 Jack

 From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax Discuss Mailing List PDML@pdml.net
 Sent: Tuesday, December 4, 2012 6:00 AM
 Subject: PESO - S

 I'm visiting my neglected to-do list. One from last March.

 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

 Comments welcome.

 --
 -bmw

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RE: PESO - S

2012-12-04 Thread Gerrit Visser
I did see the subtle difference but for some reason I was drawn there which
was probably not your intention.

Well, I better get the thing calibrated soon then :-) Then I might post a
few adjusted photos myself.

Gerrit

-Original Message-
From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Bruce Walker
Sent: December 4, 2012 6:38 PM
To: Pentax-Discuss Mail List
Subject: Re: PESO - S

Basically, yeah, the faint tonal differences are intentional. But my first
cut had more separation; the version you saw had been tweaked to push the
whites right up close to 100% which flattened the tone curve near the top. I
backed that off and restored the original version once again, so have a look
at it now. It's subtle, but the outline of her arm is visible.

As I said to Jack, you need you monitor to be well calibrated as I push the
tones at both ends of the scale, without blowing them out.

And here's the tonally less extreme colour version ...

http://www.flickr.com/bruce_m_walker/8245838556/lightbox/

Thanks!


On Tue, Dec 4, 2012 at 9:29 AM, Gerrit Visser gerrit...@gmail.com wrote:
 Great pose. Looks great on my new monitor :-) Did you decide not to 
 add bit more distinction between left arm and the background?

 Gerrit

 -Original Message-
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Bruce Walker
 Sent: December 4, 2012 9:00 AM
 To: Pentax Discuss Mailing List
 Subject: PESO - S

 I'm visiting my neglected to-do list. One from last March.

 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

 Comments welcome.

 --
 -bmw

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Re: PESO - S

2012-12-04 Thread Jack Davis
I believe, due to contrast, I prefer the color. Skin tone and exposure are 
especially well handled. 

The bit of reveled detail in the dress is subtle but effective.
Thanks for your intent info.
 
Jack
From: Bruce Walker bruce.wal...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net 
Sent: Tuesday, December 4, 2012 3:33 PM
Subject: Re: PESO - S

Jack, I've been studying a lot of BW studio work lately. Here I was
going for an almost abstract look -- outlines, areas of (almost) solid
tones, skin pale, hair dark, etc. So I cranked the whites way up and
the darks way down, leaving the midtones almost empty.

There _is_ definition in the lights and darks but you have to look
very closely, and have a calibrated IPS display too. :-) I intend to
print this image to get the full effect. I expect to have to to a few
runs to get it right as it probably pushes the paper/ink abilities.


For more subject definition you may prefer the original colour rendition ...

http://www.flickr.com/bruce_m_walker/8245838556/lightbox/


On Tue, Dec 4, 2012 at 11:12 AM, Jack Davis jdavi...@yahoo.com wrote:
 I too lose definition in the area of her left shoulder. Also troubling is the 
 featureless dress.
 Like the pose.

 Jack

 From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax Discuss Mailing List PDML@pdml.net
 Sent: Tuesday, December 4, 2012 6:00 AM
 Subject: PESO - S

 I'm visiting my neglected to-do list. One from last March.

 http://www.flickr.com/bruce_m_walker/8243508238/lightbox/

 K20D, DA* 50-135mm/2.8 @ 95mm/f:7.1, 1/125th, ISO 100.
 Lr 4.2, Ps CS5, Imagenomics Portraiture, Nik Silver Efex Pro 2.

 Comments welcome.

 --
 -bmw

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Re: Photo to Jigsaw?

2012-12-04 Thread Eactivist
No one answered, so I'll try one repost.

In a message dated  12/3/2012 8:36:14 A.M. Pacific Standard Time, 
eactiv...@aol.com writes:

Oddly enough my email provider objects to over  5,000 unread  emails 
sitting 
in my inbox, so I don't think I'll be catching up by   reading the last 
four 
months of PDML posts (it was over  10,000).

Sheesh!,  guys.

So, for an art project I have in  mind I am thinking of making a  jigsaw 
out of photo. Thinking of using  this place,   
http://www.puzzleyou.com/?tc=gagclid=CM7V4f3jo7ICFUjhQgodrCAASA

Anybody   ever do the photo/jigsaw thing? How did it go?

Marnie aka Doe   :-)   At least my email provider doesn't just cut me off  
though, the way 
Doug used  to. Though I admit I sort of miss the  yelling. Heh. 

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Re: Photo to Jigsaw?

2012-12-04 Thread Rick Womer
I'm interested in jigsaws from pix, too, so I hope someone here has some 
experience to report.

Rick


 
http://photo.net/photos/RickW


- Original Message -
From: eactiv...@aol.com eactiv...@aol.com
To: pdml@pdml.net
Cc: 
Sent: Tuesday, December 4, 2012 9:03 PM
Subject: Re: Photo to Jigsaw?

No one answered, so I'll try one repost.

In a message dated  12/3/2012 8:36:14 A.M. Pacific Standard Time, 
eactiv...@aol.com writes:

Oddly enough my email provider objects to over  5,000 unread  emails 
sitting 
in my inbox, so I don't think I'll be catching up by   reading the last 
four 
months of PDML posts (it was over  10,000).

Sheesh!,  guys.

So, for an art project I have in  mind I am thinking of making a  jigsaw 
out of photo. Thinking of using  this place,  
http://www.puzzleyou.com/?tc=gagclid=CM7V4f3jo7ICFUjhQgodrCAASA

Anybody   ever do the photo/jigsaw thing? How did it go?

Marnie aka Doe   :-)   At least my email provider doesn't just cut me off  
though, the way 
Doug used  to. Though I admit I sort of miss the  yelling. Heh. 

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Re: GESO

2012-12-04 Thread Daniel J. Matyola
So, the Tower of London is guarded by crows?  I don't think so.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Tue, Dec 4, 2012 at 4:11 PM, Bob W p...@web-options.com wrote:
 There seems to be a difference here between proper British use, and sloppy,
 undisciplined American.

 The British are, as usual, correct:
 http://www.rspb.org.uk/wildlife/birdguide/families/crows.aspx

 B


 -Original Message-
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Larry Colen
 Sent: 04 December 2012 09:34
 To: Pentax-Discuss Mail List
 Subject: Re: GESO


 On Dec 3, 2012, at 2:11 PM, Daniel J. Matyola wrote:

  Yes, but then he tried to pass the raven off as a crow!

 My apologies.  It seems that I'm not the only one to make this mistake:

 http://ebird.org/content/ebird/news/crows_and_ravens

 I had always thought that ravens were quite a bit larger than the birds
 I've been seeing around here.


  Dan Matyola
  http://www.pentaxphotogallery.com/danieljmatyola
 
 
  On Mon, Dec 3, 2012 at 5:10 PM, jn289 jn...@verizon.net wrote:
  Larry, I agree with Ken on this..Joe
 
 
 
 
 
  You captured great detail in the Raven.
 
  Kenneth Waller
  http://www.pentaxphotogallery.com/kennethwaller
 
  - Original Message - From: Larry Colen l...@red4est.com
  Subject: GESO
 
  Beverage Puns:
  http://www.flickriver.com/photos/ellarsee/sets/72157632147595351/
 
  --
  Larry Colen l...@red4est.com sent from i4est



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Advice on Use of Macro Lens

2012-12-04 Thread Daniel J. Matyola
After all the great advice I received from this list on selecting a
Macro lens for my K-r (and future K-5), I made my decision.  I decided
to go old school -- and cheap.

I found a used smc Pentax FA 100mm 1:2-8 Macro for $338 including
shipping.  It is certainly well built (and heavy).  So far, I've only
played around with it, taking some test images hand-held.  So far, It
looks really good.

The problem:  I went online to Pentax to download the manual, but they
no longer carry it.  Does anyone know where I can get one.

The reason I need the manual is the lens has two controls that I don't
really understand.  They are visible in the right half of this image:
http://www.photozone.de/images/8Reviews/lenses/pentax_100_28_fa/lens.jpg
.

From the reviews, I understand that the lens hunts a lot in
autofocus mode.  The focus range control apparently alleviates that
problem, by limiting the rage of focus.  I am not clear, however, how
to use the control.  Also, why does this control have an MF setting,
when manual focus is usually selected on the camera.  Is there a
difference between selecting manual focus on the lens rather than on
the camera?

Even more mysterious -- to me -- is the clamp dial.  What does this
do, and how?

Any information or advice will be greatly appreciated.

TIA, Dan

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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Re: Advice on Use of Macro Lens

2012-12-04 Thread Larry Colen

On Dec 4, 2012, at 6:48 PM, Daniel J. Matyola wrote:
 From the reviews, I understand that the lens hunts a lot in
 autofocus mode.  The focus range control apparently alleviates that
 problem, by limiting the rage of focus.  I am not clear, however, how
 to use the control.  Also, why does this control have an MF setting,
 when manual focus is usually selected on the camera.  Is there a
 difference between selecting manual focus on the lens rather than on
 the camera?

Maybe the old cameras didn't have the easy selection between AF and MF?  

Maybe it just disables the drive altogether from the lens side.

 
 Even more mysterious -- to me -- is the clamp dial.  What does this
 do, and how?

When you get the focus dialed on on the subject, assuming you are using a 
tripod, you clamp the focus so that it doesn't change if you touch the lens.

 
 Any information or advice will be greatly appreciated.
 
 TIA, Dan
 
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
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Re: Advice on Use of Macro Lens

2012-12-04 Thread Bob Sullivan
Dan,
1.  Get the image in macro focus as you want and CLAMP it down so it
doesn't creep out of focus.
2.  I've never used it, but limiter stops that annoying behavior of
hunting from infinity to minimum focus for the right spot.
And really old school is the A100/2.8 Macro...
Regards,  Bob S.

On Tue, Dec 4, 2012 at 8:48 PM, Daniel J. Matyola danmaty...@gmail.com wrote:
 After all the great advice I received from this list on selecting a
 Macro lens for my K-r (and future K-5), I made my decision.  I decided
 to go old school -- and cheap.

 I found a used smc Pentax FA 100mm 1:2-8 Macro for $338 including
 shipping.  It is certainly well built (and heavy).  So far, I've only
 played around with it, taking some test images hand-held.  So far, It
 looks really good.

 The problem:  I went online to Pentax to download the manual, but they
 no longer carry it.  Does anyone know where I can get one.

 The reason I need the manual is the lens has two controls that I don't
 really understand.  They are visible in the right half of this image:
 http://www.photozone.de/images/8Reviews/lenses/pentax_100_28_fa/lens.jpg
 .

 From the reviews, I understand that the lens hunts a lot in
 autofocus mode.  The focus range control apparently alleviates that
 problem, by limiting the rage of focus.  I am not clear, however, how
 to use the control.  Also, why does this control have an MF setting,
 when manual focus is usually selected on the camera.  Is there a
 difference between selecting manual focus on the lens rather than on
 the camera?

 Even more mysterious -- to me -- is the clamp dial.  What does this
 do, and how?

 Any information or advice will be greatly appreciated.

 TIA, Dan

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: Advice on Use of Macro Lens

2012-12-04 Thread Alastair Robertson
the clamp is for Manual Focus mode to stop focus creep when you are
eg, holding the camera lens down.  The limit is for AF mode to stop
the lens hunting all the way through the focal length to try and
focus.  I think the AF/MF setting overrides the camera's control but I
am awy from home so can't look at the lens.  I almost always have the
lens in MF mode, since I almost never using AF for macro shots.

This is by far my favourite lens - great for macro of course and also
for portraits but it will show all the wrinkles and spots on your
subject!

If you want some example shots see for example
https://picasaweb.google.com/101251999616543812992/WoolCarderBee#5430979153996617218

Alastair


On 5 December 2012 16:00, Larry Colen l...@red4est.com wrote:

 On Dec 4, 2012, at 6:48 PM, Daniel J. Matyola wrote:
 From the reviews, I understand that the lens hunts a lot in
 autofocus mode.  The focus range control apparently alleviates that
 problem, by limiting the rage of focus.  I am not clear, however, how
 to use the control.  Also, why does this control have an MF setting,
 when manual focus is usually selected on the camera.  Is there a
 difference between selecting manual focus on the lens rather than on
 the camera?

 Maybe the old cameras didn't have the easy selection between AF and MF?

 Maybe it just disables the drive altogether from the lens side.


 Even more mysterious -- to me -- is the clamp dial.  What does this
 do, and how?

 When you get the focus dialed on on the subject, assuming you are using a 
 tripod, you clamp the focus so that it doesn't change if you touch the lens.


 Any information or advice will be greatly appreciated.

 TIA, Dan

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: Advice on Use of Macro Lens

2012-12-04 Thread Paul Stenquist
For the most part, autofocus doesn't work well for macro. You're better off 
focusing manually, particularly when shooting off a tripod. You'll have to do 
that often with macro to get enough depth of field.  Or when shooting handheld, 
use autofocus to get close, clamp the focus, then move the camera to fine tune 
focus.

Paul
On Dec 4, 2012, at 9:48 PM, Daniel J. Matyola danmaty...@gmail.com wrote:

 After all the great advice I received from this list on selecting a
 Macro lens for my K-r (and future K-5), I made my decision.  I decided
 to go old school -- and cheap.
 
 I found a used smc Pentax FA 100mm 1:2-8 Macro for $338 including
 shipping.  It is certainly well built (and heavy).  So far, I've only
 played around with it, taking some test images hand-held.  So far, It
 looks really good.
 
 The problem:  I went online to Pentax to download the manual, but they
 no longer carry it.  Does anyone know where I can get one.
 
 The reason I need the manual is the lens has two controls that I don't
 really understand.  They are visible in the right half of this image:
 http://www.photozone.de/images/8Reviews/lenses/pentax_100_28_fa/lens.jpg
 .
 
 From the reviews, I understand that the lens hunts a lot in
 autofocus mode.  The focus range control apparently alleviates that
 problem, by limiting the rage of focus.  I am not clear, however, how
 to use the control.  Also, why does this control have an MF setting,
 when manual focus is usually selected on the camera.  Is there a
 difference between selecting manual focus on the lens rather than on
 the camera?
 
 Even more mysterious -- to me -- is the clamp dial.  What does this
 do, and how?
 
 Any information or advice will be greatly appreciated.
 
 TIA, Dan
 
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
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PESO - Justin (messenger content)

2012-12-04 Thread knarftheria...@gmail.com
Have to admit, I kind of like this one:

 http://mondociclismo.blogspot.ca/2012/12/justin.html?m=1

Hope you enjoy. Comments always welcome.

Cheers,
frank 

If the world were clear, art would not exist. -- Albert Camus
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Re: PESO - Justin (messenger content)

2012-12-04 Thread Daniel J. Matyola
Great posture, great shadows.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Tue, Dec 4, 2012 at 10:42 PM, knarftheria...@gmail.com
knarftheria...@gmail.com wrote:
 Have to admit, I kind of like this one:

  http://mondociclismo.blogspot.ca/2012/12/justin.html?m=1

 Hope you enjoy. Comments always welcome.

 Cheers,
 frank

 If the world were clear, art would not exist. -- Albert Camus
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Re: PESO - Always the Clown (messenger content)

2012-12-04 Thread knarftheria...@gmail.com
Thanks, Joe, and thanks to everyone else who looked and commented.

Cheers,
frank 

--- Original Message ---

From: jn289 jn...@verizon.net
Sent: December 3, 2012 12/3/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO - Always the Clown (messenger content)

Frank, NOT BAD, Joe


Taking a street portrait of Craig, Jason had to stick his nose in, but
the result is, I think, kind of fun:

http://knarfinthecity.blogspot.ca/2012/12/always-clown.html

Hope you enjoy.  Comments welcome.

cheers,
frank

--
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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RE: The Red Curtain

2012-12-04 Thread knarftheria...@gmail.com
O! I like that!

(don't know why, but I do...)

cheers,
frank

--- Original Message ---

From: Don Guthrie shark50...@gmail.com
Sent: December 3, 2012 12/3/12
To: pdml@pdml.net
Subject: The Red Curtain

Once the fall leaves have dropped and blown away, it is difficult to 
find some color against the drab November skies. This rebellious curtain 
fights the good fight in a city walk-up apartment.
  Comments  opinions always welcomed

http://donspix.posterous.com/the-red-curtain-a-bit-of-color-against-the-ur-36732

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Re: Advice on Use of Macro Lens

2012-12-04 Thread Stan Halpin
If you are using auto-focus, then you may want to have it search from infinity 
to the front of the lens (Full Range) or you may want the AF engine to work 
only on finding focus within the immediate neighborhood of the front of the 
lens (Limit). Presumably if you are manual focusing you won't be trying to find 
focus across the full range, so you tell the lens you are in MF and it lets you 
figure out what to do from there. 

As Larry said, the Clamp is to lock to achieved focus in place. IIRC, it 
mechanically brakes movement of the lens elements.

stan

On Dec 4, 2012, at 9:48 PM, Daniel J. Matyola wrote:

 After all the great advice I received from this list on selecting a
 Macro lens for my K-r (and future K-5), I made my decision.  I decided
 to go old school -- and cheap.
 
 I found a used smc Pentax FA 100mm 1:2-8 Macro for $338 including
 shipping.  It is certainly well built (and heavy).  So far, I've only
 played around with it, taking some test images hand-held.  So far, It
 looks really good.
 
 The problem:  I went online to Pentax to download the manual, but they
 no longer carry it.  Does anyone know where I can get one.
 
 The reason I need the manual is the lens has two controls that I don't
 really understand.  They are visible in the right half of this image:
 http://www.photozone.de/images/8Reviews/lenses/pentax_100_28_fa/lens.jpg
 .
 
 From the reviews, I understand that the lens hunts a lot in
 autofocus mode.  The focus range control apparently alleviates that
 problem, by limiting the rage of focus.  I am not clear, however, how
 to use the control.  Also, why does this control have an MF setting,
 when manual focus is usually selected on the camera.  Is there a
 difference between selecting manual focus on the lens rather than on
 the camera?
 
 Even more mysterious -- to me -- is the clamp dial.  What does this
 do, and how?
 
 Any information or advice will be greatly appreciated.
 
 TIA, Dan
 
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
 -- 
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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Re: PESO - Justin (messenger content)

2012-12-04 Thread Eactivist
Doesn't do as much for me as some, especially those in motion.

But I  like his pose on the bike, like it is a part of him.

HTH, Marnie aka Doe  :-)
 
---

In a message dated 12/4/2012  7:42:19 P.M. Pacific Standard Time, 
knarftheria...@gmail.com writes:
Have to  admit, I kind of like this  one:

http://mondociclismo.blogspot.ca/2012/12/justin.html?m=1

Hope  you enjoy. Comments always welcome.

Cheers,
frank 
 

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PESO - Freeway!

2012-12-04 Thread Eactivist
Taken, in 2012, near me in me in Pinole, CA,  where there is a very nice 
convergence of these things. Probably come up with a  GESO  eventually.

http://www.mapphotography.com/PAWS/pages/freeway.html

Comments,  as always, tolerated and even welcome.

Marnie aka Doe ;-)  
Hmmm, at 600 pixels, may still be a little long for some. Is 580 or 590  
better?

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Re: PESO: Flat, red wet

2012-12-04 Thread Eactivist
Very nice. Like the monochromicatiness of it. Hmmm, not a word, but I am  
sure you get me.

Marnie aka Doe :-)

In a message dated 11/3/2012  10:40:07 A.M. Pacific Standard Time, 
tb...@textuality.com writes:
I think  this will be my only autumn-leaves shot this year:

http://www.tbray.org/ongoing/When/201x/2012/11/03/-big/IMG_0299.jpg.html

Had  to turn the color saturation down to make it look more realistic. -T
 

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RE: GESO

2012-12-04 Thread Bob W
 -Original Message-
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Daniel J.
 Matyola
 Sent: 05 December 2012 02:28
 To: Pentax-Discuss Mail List
 Subject: Re: GESO
 
 So, the Tower of London is guarded by crows?  I don't think so.
 Dan Matyola

yes, it is, because ravens are a type of crow. 

What I pointed out below, which the RSPB backs up, is that in British English 
'crow' is a family name, and ravens are a type of crow. If American English has 
things differently, so be it.

Incidentally, the Latin word corvus, which is the genus name for all these 
things in the Linnean system, is raven in English, so in that sense all crows 
are ravens.

Wikipedia seems to take the same view as the RSPB, namely  Crows /kroʊ/ form 
the genus Corvus in the family Corvidae. Ranging in size from the relatively 
small pigeon-size jackdaws (Eurasian and Daurian) to the Common Raven of the 
Holarctic region and Thick-billed Raven of the highlands of Ethiopia

This crow-espondence is now crowsed.

B

 http://www.pentaxphotogallery.com/danieljmatyola
 
 
 On Tue, Dec 4, 2012 at 4:11 PM, Bob W p...@web-options.com wrote:
  There seems to be a difference here between proper British use, and
  sloppy, undisciplined American.
 
  The British are, as usual, correct:
  http://www.rspb.org.uk/wildlife/birdguide/families/crows.aspx
 
  B
 
 
  -Original Message-
  From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Larry Colen
  Sent: 04 December 2012 09:34
  To: Pentax-Discuss Mail List
  Subject: Re: GESO
 
 
  On Dec 3, 2012, at 2:11 PM, Daniel J. Matyola wrote:
 
   Yes, but then he tried to pass the raven off as a crow!
 
  My apologies.  It seems that I'm not the only one to make this
 mistake:
 
  http://ebird.org/content/ebird/news/crows_and_ravens
 
  I had always thought that ravens were quite a bit larger than the
  birds I've been seeing around here.
 
 
   Dan Matyola
   http://www.pentaxphotogallery.com/danieljmatyola
  
  
   On Mon, Dec 3, 2012 at 5:10 PM, jn289 jn...@verizon.net wrote:
   Larry, I agree with Ken on this..Joe
  
  
  
  
  
   You captured great detail in the Raven.
  
   Kenneth Waller
   http://www.pentaxphotogallery.com/kennethwaller
  
   - Original Message - From: Larry Colen
   l...@red4est.com
   Subject: GESO
  
   Beverage Puns:
  
 http://www.flickriver.com/photos/ellarsee/sets/72157632147595351
   /
  
   --
   Larry Colen l...@red4est.com sent from i4est
 
 
 
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RE: Dickens Fair at the Cow Palace

2012-12-04 Thread Bob W
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Larry Colen
 
 If you are in the San Francisco Bay Area and are looking for a fun
 photo opportunity, check out the Dickens Fair at the Cow Palace,
 weekends between now and Christmas.
 
[...]
 
 As with many street fair type events, it is a wonderful opportunity for
 street photography, but I spent most of my time dancing with pretty
 women, only venturing out to the rest of fair during set breaks.
 
 17 photos from Sunday that sucked less than the rest:
 
 http://www.flickriver.com/photos/ellarsee/sets/72157632169833923/
 

http://www.youtube.com/watch?v=tpYNPgL70ZM




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Re: Advice on Use of Macro Lens

2012-12-04 Thread Leon Altoff
Hi,

I like this lens too, though the hunting did annoy me.  I've changed
over to the smaller WR version for most of my current work.

The controls do this:
Clamp: as stated by others stops the lens from moving when pointing it
down (or up).  It puts a drag on auto focus which will lock it anyway.
 Use it if you need to, I normally left it off.

Limit: reduces hunt by locking the lens to the macro or non macro
focus range.  I can't remember actually using it.

MF: Turns the lens into a manual focus lens as far as the camera is
concerned.  This means you can use the Trap in focus feature where
the camera is set  to autofocus (the lens in manual) and keeping the
shutter button depressed the camera will fire when it gets autofocus
confirmation.  I played with it a couple of times, but found that to
get the best depth of field I needed to manually focus anyway.

It's a very nice lens.  Have fun.

Leon

On 5 December 2012 13:48, Daniel J. Matyola danmaty...@gmail.com wrote:
 After all the great advice I received from this list on selecting a
 Macro lens for my K-r (and future K-5), I made my decision.  I decided
 to go old school -- and cheap.

 I found a used smc Pentax FA 100mm 1:2-8 Macro for $338 including
 shipping.  It is certainly well built (and heavy).  So far, I've only
 played around with it, taking some test images hand-held.  So far, It
 looks really good.

 The problem:  I went online to Pentax to download the manual, but they
 no longer carry it.  Does anyone know where I can get one.

 The reason I need the manual is the lens has two controls that I don't
 really understand.  They are visible in the right half of this image:
 http://www.photozone.de/images/8Reviews/lenses/pentax_100_28_fa/lens.jpg
 .

 From the reviews, I understand that the lens hunts a lot in
 autofocus mode.  The focus range control apparently alleviates that
 problem, by limiting the rage of focus.  I am not clear, however, how
 to use the control.  Also, why does this control have an MF setting,
 when manual focus is usually selected on the camera.  Is there a
 difference between selecting manual focus on the lens rather than on
 the camera?

 Even more mysterious -- to me -- is the clamp dial.  What does this
 do, and how?

 Any information or advice will be greatly appreciated.

 TIA, Dan

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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RE: Advice on Use of Macro Lens

2012-12-04 Thread J.C. O'Connell
sorry to say it, but this lens sounds like an ergonomic nightmare.

-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Stan Halpin
Sent: Tuesday, December 04, 2012 10:10 PM
To: Pentax-Discuss Mail List
Subject: Re: Advice on Use of Macro Lens

If you are using auto-focus, then you may want to have it search from
infinity to the front of the lens (Full Range) or you may want the AF engine
to work only on finding focus within the immediate neighborhood of the front
of the lens (Limit). Presumably if you are manual focusing you won't be
trying to find focus across the full range, so you tell the lens you are in
MF and it lets you figure out what to do from there. 

As Larry said, the Clamp is to lock to achieved focus in place. IIRC, it
mechanically brakes movement of the lens elements.

stan

On Dec 4, 2012, at 9:48 PM, Daniel J. Matyola wrote:

 After all the great advice I received from this list on selecting a
 Macro lens for my K-r (and future K-5), I made my decision.  I decided
 to go old school -- and cheap.
 
 I found a used smc Pentax FA 100mm 1:2-8 Macro for $338 including
 shipping.  It is certainly well built (and heavy).  So far, I've only
 played around with it, taking some test images hand-held.  So far, It
 looks really good.
 
 The problem:  I went online to Pentax to download the manual, but they
 no longer carry it.  Does anyone know where I can get one.
 
 The reason I need the manual is the lens has two controls that I don't
 really understand.  They are visible in the right half of this image:
 http://www.photozone.de/images/8Reviews/lenses/pentax_100_28_fa/lens.jpg
 .
 
 From the reviews, I understand that the lens hunts a lot in
 autofocus mode.  The focus range control apparently alleviates that
 problem, by limiting the rage of focus.  I am not clear, however, how
 to use the control.  Also, why does this control have an MF setting,
 when manual focus is usually selected on the camera.  Is there a
 difference between selecting manual focus on the lens rather than on
 the camera?
 
 Even more mysterious -- to me -- is the clamp dial.  What does this
 do, and how?
 
 Any information or advice will be greatly appreciated.
 
 TIA, Dan
 
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
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