but you are probably less perfect than
Juan. Sorry.
i think you meant less talented? it sounds like you are confusing him
with moses or whoeverhe is not an especially talented
dj...everybody knows that...and juan isn't either..
jb was rightthe mix is garbage...tepid generic clubbiness
Great point about the mastering perhaps giving a more consistent
quality, Emile...
I hadn't been so interested in actually listening to the comp, since I
know it all already, until you guys reminded me about the
remastering...It'll be interesting to hear how esp. certain tracks
might sound
Agree on the Psychic Warfare Daniel (although I didn't like the the
2nd one a few releases later), forgot to mention it!
I remember liking Coup D'etat OK on that Vice but I think the rest was
churning banging 2bar stuff, that's the last BNR I bought/own..
JT
On Mon, Sep 19, 2011 at 6:28 AM,
I am a huge Black Nation fan...still play early stuff all the time.
These are my faves.
http://www.discogs.com/Chancellor-Meets-Vice-Global-Infunkuation/master/43700
(dated, but still a great DX100 workout)
http://www.discogs.com/Blackman-A-Day-Of-Atonement/release/35053
Speaking of megamix
http://soundcloud.com/rushhourrecords/virgo-four-legowelt
Really nice Legowelt megamix of the new Virgo 4 album(s)
On 8 Feb 2011, at 23:16, fran...@thatamazingthing.com
fran...@thatamazingthing.com wrote:
No, all the stuff on the CD is on the vinyl, I think I think
Shut up Ken. Everything's civil as f*ck.
On Tue, Aug 3, 2010 at 5:28 AM, Odeluga, Ken ken.odel...@dowjones.com wrote:
How come the filter doesn't work sometimes?
Anyway, whatever, I've nothing really against swearing. The only thing I'd
suggest is that we try to keep things civil between
O sh*t.Love it
On Fri, Jul 30, 2010 at 4:05 AM, Martin Dust mar...@dustscience.com wrote:
Anyone know anything about this:
http://www.youtube.com/watch?v=16nkgAXUiyw
m
I agree with the Doin' My Thing vote for his sampled stuff.
I really, really love the Hoodlum 2x12 as far as Rob Hood house stuff
goes though.
On Thu, Mar 18, 2010 at 3:18 PM, robin ro...@fivetones.org wrote:
Greatest Dancer? The Sister Sledge loop?
Never real did feel that one.
robin...
I don't know if Alex is on the list anymore so I'll chime
in...Ultradyne is no more, Alex Dennis aren't making music together
anymore. I think Alex said he hadn't been working on music for awhile
but may again soon..
JT
On Thu, Mar 18, 2010 at 5:23 PM, Ivan Tomasevic
to...@tesla.rcub.bg.ac.rs
I think it looks decent for sure. Larry Heard! I'm siked for Hudson
Mohawke too, DMC champion at age 14 (and I dig his records). I agree
that there isn't as much of C2 influence as I'd hoped, but maybe more
musical acts will be forthcoming (not that there's is a total lack
now)...not that C2 seems
could have lived with it had that other sound
not been there, I'd have liked it more if it was a little darker
sounding.
~David
On Thu, Mar 4, 2010 at 3:50 AM, Martin Dust mar...@dustscience.com wrote:
On 3 Mar 2010, at 19:29, JT Stewart wrote:
It's not bad or anything, but for KirkI it's
It's not bad or anything, but for Kirk it's pretty forgettable.
I mean compared to : http://www.youtube.com/watch?v=idBNjSYsjaQ which
like Icon part 2
or his old rb stuff http://www.youtube.com/watch?v=U2k9RP7hpns
On Wed, Mar 3, 2010 at 12:06 PM, kent williams chaircrus...@gmail.com wrote:
I
If you're in Detroit, go see 'em.
DERRICK MAY + CONVEXTION (aka ERP) + SHAWN RUDIMAN
w/10 Critics Residents Guys on Drugs (E.Spleece and Secrets)
21+/Cash Bar
Doors open at 10pm
$10 Limited Advance Ticket info will be available at www.10critics.com...
$15 before Midnight/$20 after Midnight
the boxes back. 10 shirts cost me 40
to ship plus 40 to get back along with a 25 customs fee. Bad for business.
At least when I ship UPS they make sure my packages make it to their
destinationno extra fees.
:)
Sent from my iPhone
On Feb 11, 2010, at 7:09 AM, JT Stewart etmach
No, it's not. I run a mail-order record business, we still use USPS.
We send around a thousand int'l packages a year, to some slightly
exotic places. A package goes missing maybe once every two years, and
usually it's not entirely clear whether it's even the USPS' fault.
International shipments
256, either vbr or cbr. Always 256
On Sun, Jan 24, 2010 at 10:12 AM, kent williams chaircrus...@gmail.com wrote:
No, you don't get 320k -- I think Amazon is 192...
On Sat, Jan 23, 2010 at 10:25 PM, kuszyn...@gmail.com
kuszyn...@gmail.com wrote:
Do you get 320k mp3s for that?
i feel kind of
http://www.amazon.com/gp/help/customer/display.html/ref=format_dp_wt?ie=UTF8nodeId=200154210#spec
On Sun, Jan 24, 2010 at 11:11 AM, JT Stewart etmach...@gmail.com wrote:
256, either vbr or cbr. Always 256
On Sun, Jan 24, 2010 at 10:12 AM, kent williams chaircrus...@gmail.com
wrote:
No, you
That's a regular rumor that surfaces periodically. No, DJ Funk is not dead.
On Sun, Jan 24, 2010 at 3:56 PM, Ronny Pries r...@rohformat.de wrote:
Heya,
heard that DJ Funk passed away which would be quite bad news... One of my
alltime heroes. Anybody got more info?
Cheers,
Ronny
That's a regular rumor that surfaces periodically. No, DJ Funk is not dead.
On Sun, Jan 24, 2010 at 3:56 PM, Ronny Pries r...@rohformat.de wrote:
Heya,
heard that DJ Funk passed away which would be quite bad news... One of my
alltime heroes. Anybody got more info?
Cheers,
Ronny
Are you using OT for On Topic or Off Topic...I've only heard it
use for the latter before, but then how can a Music Institute related
thing be off topic? Wha?
Anyways, KZR = Kai Alce.
On Tue, Nov 17, 2009 at 5:01 AM, fran...@thatamazingthing.com wrote:
Music Institute 20th Anniversary Series
For that matter, those Music Institute releases are on Kai's label, NDATL.
On Tue, Nov 17, 2009 at 7:54 AM, JT Stewart etmach...@gmail.com wrote:
Are you using OT for On Topic or Off Topic...I've only heard it
use for the latter before, but then how can a Music Institute related
thing be off
I don't mean to speak for Shake, but I think this may be assuming too
much. I first heard an album of new stuff from him in 2003 when we
were sitting in car together on the way to the airport...From what I
gathered, too much time went by and he has different ideas for an
album now. At one point an
I find grand retirement announcements barely tolerable from artists
I massively respect (like I-F), and I have nothing against Alex
Cortex, but he is nowhere close to being in that league for me,
although I liked some of his music just fine. I also find whining
about the scene really naive and
Everybody interested in this stuff should go read the interview with
Rashad that Tristan linked. He says more than what Tristan quoted,
namely that he does make adjustments in the mastering room to avoid
phase problems, but they're usually so minor that the music isn't
changed much at all. Also,
I agree, but they're both super duper wack club sh*t-turds. So, so
tired. I could give a f about 'innovation' but for crissakes Derrick!
Bring on Arne's record.
On Thu, Oct 15, 2009 at 2:08 AM, Joe Marougi jmaro...@gmail.com wrote:
Black Sun The Bridge
This stuff is utter garbage and I'd call it that if it was on any
label. It's pure dj/club throwaway stuff -- considered in that realm,
I guess it could be considered pretty good quality club throwaway
stuff, so I guess your point stands in that regard...but who cares. I
want good music.
Best I've ever read, 2nded
I would assume he's referring to the fact that CD's are often mastered
with heavy compression, and so while they often sound loud and upfront
as all getout, they often have a noticeable lack of dynamics compared
to vinyl -- they don't pop like well-cut vinyl does. That's
something you only really
and upfront (but not overdriven), or hot
in the same way like the mixer manual says, overdriven.
On Thu, Sep 10, 2009 at 6:35 PM, Martin Dust mar...@dustscience.com wrote:
JT Stewart wrote:
I would assume he's referring to the fact that CD's are often mastered
with heavy compression, and so
Well said Martin, I completely agree with your stance when framed this way.
I didn't agree with the framing of the problem as something to do with
ex-pats and rich people, since you may play for those sorts in any
city. It seemed to be framing the issue as a problem with the
audience, or lack of
haven't quoted anyone
Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
VT Library Users' Guide
-Original Message-
From: JT Stewart [mailto:etmach...@gmail.com]
Sent: 08 September 2009 17:19
To: Robert Taylor
Cc: list 313
Subject: Re: (313) DJ Bones interview
China is a big
China is a big country. In some places people are persecuted for
things they are not elsewhere. It's a very complex country and as
everyone knows it's in the midst of a rapid transformation. Who are
you, as an uninformed foreigner, to presume you understand the
politics there...and to then make
You can go ahead and fly over without a work visabut anybody who
does this should be informed enough to know you don't tell UK customs
that you're there to DJ etc which I imagine Bone probably did. I
learned that the first (and only) time I flew direct to the UK and was
nearly denied entry.
Does anybody know much about this guy?
His record on Mathematics is killer killer killer super killer
Prescription inspired house stuff...if you like Prescription this is a
must!
I see he has a few mp3 releases but this is his only 12 and there's
no other info on Discogs
Are his Mp3 releases
1995 here too
On Fri, Jun 5, 2009 at 7:41 AM, robinro...@fivetones.org wrote:
I think that beats me. I've been on here since 1995 I think (as
rob...@chem.leeds.ac.uk, originally).
Congrats Marsel! :)
robin...
On 5 Jun 2009, at 12:30, kent williams wrote:
It means you're eligible to be
as good as yesterday in the world of detroit techno.
--
From: kuszyn...@gmail.com
Sent: Friday, June 05, 2009 5:01 PM
To: Garrett McGrath g...@7mzdt.com
Cc: JT Stewart etmach...@gmail.com; robin ro...@fivetones.org; kent
williams chaircrus
don't have it, but i'm not too excited by the clips...the drexciyan
conection is in those two producers for sure but i don't hear it in
the music there, except for much hate which sounds pretty
cool...that heinrich track sounds like aphex a bit, but not in a way
that's making me excited...
on the
Ha! That's a nice 'thank you'.
I saw something about a 4 hr Omar S set...that would be even mroe
impressive if it was this one
On Thu, May 28, 2009 at 5:57 PM, kent williams chaircrus...@gmail.com wrote:
Video of Japanese woman dancing to Omar S. I thought she was great,
but what was really
Programming of the fest has never been as good as in the first 2
years, and those that don't realize that, i don't know. i say this
I agree, but some other years were damn good too. It's entirely
possible that the best is yet to come.
And finally, a big mistake is the absence of DJ Hell. He
On Fri, Apr 17, 2009 at 4:43 AM, Williams, Graham gwilli...@eds.com wrote:
The way I see it is, when you just use Abelton and a midi controller,
it's not really live. It's just pressing play and tweaking a few knobs.
That's overly arbitrary and quite unfair. There are many ways to use Ableton.
Nebraska - Satellite Variations - Rush Hour
More Nebraska awesomeness from Alistair Gibbs. These are older cuts that,
given the style, should sound dated. They don't though, well worth picking
up. There's also the Terrestrial Variations EP out too that I haven't picked
up yet.
I don't
It looks better than I expected.
I hope they ask Convextion to play someday.
I complete disagree with this I've always thought that it was the label's
job to provide me with the output of the artists, this is just
consumer/brand infection, I'm a weapon of mass consumption and I have the
right BS, some things are just not products.
I absolutely agree. That was
I absolutely agree. That was offensive to me. Job?! I don't want
another stinkin' job
I wasn't offended, I know where Tristan is coming from.
Me too. I was kidding about being lazy.
Yeah Yeah JT, no one claimed to be an expert! ;-)
On Mon, Mar 16, 2009 at 11:12 AM, Odeluga, Ken ken.odel...@dowjones.com wrote:
I am an expert
:D
It's just a forum, we're just 'shooting the breeze', it's not gospel or
anything like that, rather it's opinion. I think that's clear to most
Subject: Re: (313) mysticism in electronic music (and where has it gone)
On 17/03/2009 14:08, JT Stewart wrote:
If it's recorded then there is a medium, and vinyl is hardly an
out-of-reach medium. So there is an available audience. But to humor
your question, YES. Artists do not do what
A lot of people assume that what they themselves (especially) and
their friends are doing, as far as buying habits, is what everybody is
doing. And than make proclamations about the fate of the medium
they're leaving behind as if they are experts.
Vinyl still sells. In fact some labels are doing
I may have posted this in the wrong thread. I deleted the thread with
people foretelling vinyl's doom and complaining about not being able
to buy everything digitally.
Sorry
On Tue, Mar 17, 2009 at 12:59 AM, JT Stewart etmach...@gmail.com wrote:
A lot of people assume that what they themselves
I know most of the tracks, but I don't often see them in a mix (like
juan's mix of heavenly, which is one of my all-time fave's, or the
shop track...sure i know it but nobody drops that shop track in a
mix). nice.
Can't barely hear it!
Maybe Stacey Peralta made it, he had some hot jams
On Sun, Feb 22, 2009 at 9:31 AM, Marsel van der Wielen
mar...@nomorewords.net wrote:
anyone idea which is this old school electro / breaktbeat tune?
http://www.youtube.com/watch?v=7oI_T1b0uas
starting 57 sec
Aww yeah! 3
And Tom's writing for Resident Advisor now (or am I late?), nice!
2009/2/4 robin ro...@fivetones.org:
http://www.residentadvisor.net/feature-read.aspx?id=1010
Just to 2nd Jwan, I agree that Planet E has fallen off. Bland and
generic and euro sounding. That K Larkin album was really bad too.
Dope Jams has a hilarious description of it on their site.
The Shake comp sounds awesome. Best of Frictional would do nicely,
with maybe a smattering of tracks from
The truth is, I suspect none of us outside of Clone can actually know
the complete reasons for sure - but maybe you definitely do? If so,
please excuse me.
I think it's pretty clear from their message what's going on. It's a
pretty long message. They don't leave many questions unanswered. I
just call it bootlegging, and stop trying to elevate that to creating...
In case no one bothers to look, they almost exclusively bootleg stuff
like Nirvana and Devo songs on 12 singles and sometimes do simple
edits of the stuff. They're not bootlegging records in the sense that
they are making
On Wed, Jan 28, 2009 at 4:06 PM, michael.elliot-kni...@fallon.com wrote:
I think it's unethical to give as superficial a review as that and yet try
to profit from it.
Larkin put some time and effort into making the record. The best they
could do is put some time and effort into writing a
But it's with Dam Funk! Juan will be playing electro...I forget what
what you said about the last time you saw him though, just assuming he
played garbage...
On Wed, Jan 28, 2009 at 11:44 AM, southernoutpost
southernoutp...@gmail.com wrote:
After Juans effort last time in SF @ the elbow room,
Nobody wants to read another embittered tirade about the collapse of the
market for vinyl and for paid music in general, even if it's painfully
correct.
The message says the label was doing well, so to read it as a comment
on how vinyl is dying or how music sales are struggling is not
accurate
I just bought my first new records since May: new KDJ (Det.riot),
Trusme Classics, and two recent ones from Theo P (Goin Downstairs, and
Chemistry) ...from Dope Jams. I haven't been able to pay much
attention to things most of this year but I think there's probably a
massive amount of quality
I don't live in LA, but sure wish I could go. Super cool that Santiago
is doing a special wavejumper set on the low, and I'm taking it as a
sign from the deep that it's on the 19th since that's my birthday and
I'm a massive, ridiculous Drexciya fan (I used to live on a Stinson
St, which I
I didn't really dig any of the new Kanye stuff I heard, but I like him
fine. He is an open-minded music fan. Soultek (aka Echospace and sorta
part of Deepchord now? Dunno) was at a studio in Chicago a few years
back and was recording/playing some of his stuff...Kanya was hanging
out in the commons
I love the video...They look like they're goofin around some..and
great music. I really want to pick up some of their records...
On Mon, Dec 1, 2008 at 8:39 PM, Samuel Karmel [EMAIL PROTECTED] wrote:
whoops...:^P
blha ha hooza
On Mon, Dec 1, 2008 at 11:44 PM,
Ahh, so the thread is going the sampling does not equal creativity route.
Analog rules, Hawtin sucks, Techno must innovate, Hitler
...but in general, yes, most sampling does not bring much creativity.
You need to take that Hitler shite elsewhere, though.
Hahaha sheesh! My humor may be stupid but it's still humor, barely.
As for Saturday, I have it on reliable authority that Rolando is no longer
going to be playing.
If you want to know why, you need only read this posting from someone in his
camp ...
http://www.cruisecritic.co.uk/memberreviews/memberreview.cfm?EntryID=3566
I'm really struggling to
Super nice music. Very c2 stylo but with some gorgeous sounds (dig the
harp-like sound in 'Tiger Snake'). Super Ritchie haircut but I forgive
him.
On Wed, Nov 26, 2008 at 2:33 AM, Cyclone Wehner
[EMAIL PROTECTED] wrote:
This is one of Melbourne's most interesting producers - his first release on
On the subject of Rolando Jaguar etc, I had somehow never seen the
official video for Jaguar until recentlyit's so, so great!
http://www.youtube.com/watch?v=0JpD5skqGOo
I'm not wild about the Delsin release from the soundbites, but to
echo...i'm sure it's nice in a club (..lub...ub...b). I
Placebo is cool, but for those who haven't clicked the links, and for
a lot more direct 313-connect, Marc Moulin was the man behind Telex.
Telex is much more near dear to my heart than Placebo, I have to admit.
Here's the genius video for Moskow Diskow.
Anybody who lives on a budget will take pride in getting something for
nothing. That is how it works.
Of course R-a-D will keep selling Serato. It's a good product.
Refusing to sell it would be like refusing to sell blank cd's because
people use them to burn bootlegs. Please! And R-a-D, like any
On Mon, Sep 29, 2008 at 11:15 AM, JT Stewart [EMAIL PROTECTED] wrote:
Anybody who lives on a budget will take pride in getting something for
nothing. That is how it works.
I should add to this -- digital theft is not a concept that is readily
understood by the masses yet. I highly doubt many
morality involved. The idea of consequences from the clicks you make
while sitting in your home in your underwear and a beer is not a
Yep I get in my undies and sit in my beer.now that's livin..
Oof I'm done
Well, sorta. Wave goodbye to DJ Mixes that haven't gone through
proper channels. It sucks I know. It's sort of a replay of the
record industry's response to cassette tapes when they came into
popular usage in the early 80's...they really hated mix tapes and
tried to kill home cassette recorders.
the interview is fantastic. i hung out with him last december in his
studio and we talked about a lot of this stuff...it helps to know that
even while he talks about this stuff he is a hilarious goofball.
i agree with 99% of it..
On Fri, Sep 26, 2008 at 6:52 AM, Odeluga, Ken [EMAIL PROTECTED]
It's not really the fans' fault. The internet has forced a drastic
re-configuration of the music business, that so far has not found any
balance, it hasn't really re-configured in a sustainable way yet. MG
was right about iPods and the fact that nobody really _listens_ to
music anymore. The mp3
This is all true if you are looking at the problem and not the cause.
But if you look at the roots of the problem, it is the same issue that
has plagued the music business since it's inception. Intellectual
property, what it is, and how you market it. That is the music
business. Focusing on
I was listening to a series of dozens of 78's for 30 seconds or so
each...Memphis Jug Band, Bill Gaither, and Robert Petway stood out.
And Farewell Shreveport, but I forget who did it..crazy boogie
woogie piano.
The last electronic record I put on was the Galaxy Toobin' LP, a
couple weeks
Very nicely done.
On Tue, Sep 23, 2008 at 8:00 AM, Martin Dust [EMAIL PROTECTED] wrote:
http://www.undergroundresistance.com/main/content/view/68/1/
Nice piece of work from the UR boys...
m
Smoke signals...
I know PG as Producer Gut, milk doesn't help that either
On Thu, Sep 11, 2008 at 11:53 PM, Kevin Reynolds
[EMAIL PROTECTED] wrote:
Easy DB, the KR is killing them PG Tips with milk lately...
Got it when it came out a couple years ago and thought it was
exceptional -- not quite instant classic, but high quality Detroit
techno. Not sure how you'd write it off as commonplace when Detroit
techno records haven't even been common since about 2003. I guess it's
a mildly good sign that it got
And is Dan actually back in the US? Last time I sent him something he
was in Connecticut (!)...I didn't ask what was up though.
Thanks for the news Jwan
On Thu, Jul 17, 2008 at 11:01 AM, jwan allen [EMAIL PROTECTED] wrote:
As Dan informed us the last time he played in Pittsburgh, his house
hardcore suckthat place was my spot for a long time...awesome
music and cool people on the forum.
any recommend's for comparable spots? are there any?
On Tue, Jul 8, 2008 at 3:05 AM, Odeluga, Ken [EMAIL PROTECTED] wrote:
That's a pain. I was just getting into it, late :(
but where's the radio...
On Tue, Jul 8, 2008 at 9:45 AM, Robert Taylor [EMAIL PROTECTED] wrote:
http://disception.net/lk/index.php
;)
Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
VT Library Users' Guide
-Original Message-
From: JT Stewart [mailto:[EMAIL PROTECTED]
Sent
I like all the bits about the crashes...ha!
His first album was pretty bad too...aside from a single great track,
the rest was very bland and forgettable...I never really got the
excitement over his sample-loop harmonie park stuff tho either...it
was decent..I can't remember how much I liked his
they shoulda enlisted shake...that is exactly his remix style but he
does it right (raw and energetic)...
On Sun, Jun 29, 2008 at 2:39 AM, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
Not sure, but John Selway is playing here in Glasgow in a couple of
weeks so I'll ask him then - these remixes
Yall prolly no but kdj + rick + theo play on Sunday too at The Yard in
BK = Still Music party
On Sat, Jun 28, 2008 at 12:00 AM, Michael Kuszynski [EMAIL PROTECTED] wrote:
Totally doing Moodymann, and hope to get to the party later.
Great weekend.
On Fri, Jun 27, 2008 at 11:21 PM, M Ng [EMAIL
Pardon my sales-pitch!
Now available on Compact Disc
Convextion - S/T (dLVEXTCD)
Tracklist:
1 Equanimity
2 Solum Ferrum (extended version)
3 Sulphur Vent
4 Astrum
5 Premiata
6 Interlude I
7 Desolate Hub
8 Interlude II
9 Venea
10 JMA020603
Will be available at Dope Jams in a week or so, and at
eevo rules, so does stefan.
@k-j, any hint of whether there will be other represses...i'm
especially after the ross 154 one, and the max 404 ones
i wrote max 404 off at the time cus i didn't go for his spoken word
stuff...but his instrumental stuff is some of the deepest techno
ever...you could
since it didn't get a mention in that topic on little detroit:
http://www.discogs.com/release/1138359
otherwise, e.r.p., dynarec (now on puzzlebox), gosup, plant43,
arpanet/der zyklus...and that's about all i can think of that i really
got into in the past year or so
oh yeah, and point.one stuff, especially for bumper
and anything by dj overdose
(pauli from bumper + overdose = the novamen from viewlexx/murdercapital)
On Thu, May 22, 2008 at 7:29 PM, JT Stewart [EMAIL PROTECTED] wrote:
since it didn't get a mention in that topic on little detroit:
http
I don't know, but it's not very accurate that's for sure. I've sold
thousands of records on eBay and I haven't seen any of them on there..
On Thu, May 8, 2008 at 7:13 PM, [EMAIL PROTECTED] wrote:
Anyone know how or when auctions get added to this site?
is it member submissions?
MEK
Dan
did my message not come thru? it was about movement. and i agree with
/0, pretty much, minus the enthusiasm
On Tue, Apr 22, 2008 at 5:55 AM, Odeluga, Ken [EMAIL PROTECTED] wrote:
There is nothing about Movement in this thread.
-Original Message-
From: Williams, Graham
why not just call it Big Rave X if that is all it is going to be?
because that's not all it is, it's not all or nothing. you're argument
loses quite a bit of validity if you make sweeping generalizations to
glaze over any details that contradict your opinion. it's hardly a
super-hyped rave.
Moby, The Cool Kids, Dieselboy, Benny Benassi, Deadmau5, Girl Talk,
James Zabiela. if that isnt the definition of a pedestrian rave, i
dont know what is.
it isn't and you don't. i was a raver. i went to something like 65
raves between 1993-1994. there are many festivals all over the country
Dope Jams gets all the Delsin stuff, but only a few copies...but it's
worth checking before dropping more $$ for int'l shipping...
Dancerecords.com has a quince ep and the yotoko album on sale right
now...i don't think they've been getting any more Delsin stuff since
Syntax went down tho
On
well then the prevalent view here is wrong. the festival works best when it
books diverse acts to pays its bills and perpetuate its own existence. big
There is no evidence to support the assumption that booking more
artists outside of the Detroit tradition improves the success of the
on gruvglide they
add it to their rss feed, it's really dumb)
On Sat, Apr 19, 2008 at 3:09 PM, JT Stewart [EMAIL PROTECTED] wrote:
as much as you can find at dancerecords.com (lightning fast shipping
which is often free for orders over 50$, ridiculously huge stock..),
then more boutique
as much as you can find at dancerecords.com (lightning fast shipping
which is often free for orders over 50$, ridiculously huge stock..),
then more boutique type shops like dopejams, emporium50, submerge etc
to fill in the gaps
i second Tom's question though, why the heck would you order records
I love the pads especially, but generally it's got feeling and warmth
and interesting arrangement...and Thom's falsetto..nice! I voted
furrit
But dang, mix #1510 !? shitburger
No I completely disagree with you Greg. sorta kinda
Detroit, to me, is not a festival.
Uh wha? But we're talking about the festival. No one has said that
Greektown, or the afterparties, or showing up at so'n'so's (insert
techno namedrop) house is not great. That stuff is all great.
Traveling is
better but I don't know if you all realise how negative you all sound,
as if it was better if it wasn't happening at all.
Yeah, but you know we don't actually feel that way right, because
every message (except maybe Tmo's) has sad something like I'll be
there anyway, or what I have said,
Excellent points Francis, about the commercial side. Their approach is
not geared towards music lovers, and it's a shame in the eyes of
people like us. I think they're already putting on all the music they
like though and wouldn't consider what they're doing as making
concessions. The change in
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