In a message dated 17/08/00 7:34:46 [EMAIL PROTECTED] writes:
Ha! You had to bring the Dadaist into this.
You think your so artsy and intellectual don't you?
Exactly. And you're not?
Your not even going to give Juan Atkins credit?
I have too many times. Its a given now.
If all
[EMAIL PROTECTED] wrote:
In a message dated 12/08/00 2:20:02 [EMAIL PROTECTED]:
Music evolves but it always doesn't move forward.
Don't base progress on trends.
Stephen,
If it doesn't move forward its devolution.
wouldn't that be stagnate?
Devolution would be moving backward or
In a message dated 16/08/00 8:11:08 [EMAIL PROTECTED] writes:
Music can evolve through a process of evolution but it may not
necessarily be an
improvement over the past even though music changes because of trends and
technology.
That was the basic premises of my argument.
So you agree
In a message dated 12/08/00 2:20:02 [EMAIL PROTECTED]:
Music evolves but it always doesn't move forward.
Don't base progress on trends.
Stephen,
If it doesn't move forward its devolution. Music evolution is the gradual
movement from one state to another - not neccesarily better, but not
i totally have to agree to zed´s words.
nuthin` else to add. that`s just how it is.
andy vaz
background records
Judging by the records you mentioned, it looks like
you prefer the -less- intricate and more
banging/harder records.
No, I do not prefer one over the other. I am a big fan of the intricate
structured techno, such as the KOMPAKT releases, and other dry german
techno.
Jared Wilson
F.T.M.
Don't you people get tired of hearing all that echo and reverb?
Never. This was in reference to the Deepchord releases I presume. Yes it
is very old ingredients, but when the finished product is simply good dubbed
out techno, who cares what its context is. Isolee uses these same
JARED WILSON wrote:
Yes, The innovators' music is good and important, but they are producers
just like everyone else and are not gods. What I mean by that is just
because they touch something does not mean it turns to gold.
It certainly doesn't. I can think of couple records that are not
Jim wrote:
Yes, The innovators' music is good and important, but they are
producers
just like everyone else and are not gods. What I mean by that is just
because they touch something does not mean it turns to gold.
It certainly doesn't. I can think of couple records that are not good even
if
Wee papa girls - Kevin Saunderson RMX -Again I don't bother with the
title. I remember this one had some awful 303 (???), somekind of
acid-attempt tried.
Are you kiding me??The Master Reese mix of The Wee Papa Girls Heat It
Up(Jive)is one of my fave remixes of all time!I thought the
Subject: Re: [313] Re: Ax-020-Innovators
Date: Fri, 11 Aug 2000 13:08:25 -0400 (EDT)
Wee papa girls - Kevin Saunderson RMX -Again I don't bother with
the
title. I remember this one had some awful 303 (???), somekind of
acid-attempt tried.
Are you kiding me??The Master Reese mix
In a message dated 8/08/00 11:53:08 [EMAIL PROTECTED] writes:
I agree, out side of the new plus 8 track (Electric Deluxe) I have not been
to impressed with Detroit releases. I would say that the most avant
techno
of late has come from the likes of Marco Carola, Gaeton Parisio, and even
Now - The new Stacey Pullen LP. I wonder what the verdict is going to be - if
it is in the direction of his last release 2 years ago on Black Flag or
.otherwise.
It's nothing like the more dancefloor-oriented Black Flag track Sweat, it's
more in line with Silent Phase, but having said
Well then you'd probably haven't heard:
Theo Parrish - Parallel Dimensions LP (Sound Signature)
Robert Hood - Nighttime World 2 (M-Plant)
Shake - Songs For My Mother (Frictional)
Da Sampla - Samplaholic (Moods Grooves)
Sean Deason - Allegory Metaphor (Intuit Solar)
Kevin Saunderson - Powerbass
4 this type of dissatisfaction there's only 1 answer, especially if u look @
the quality of recent releases that were mentionedb4...
the answer is buy some gear and impress me/us/yourself
154
Well if you're looking for warehouse stormers then logically you'd be
dissapointed with these releases. The musical trend now seems to be heading
toward more intricate sounds, structures that are more specialised then
what
was released back in the day. I'm not implying that there were no
I want to second what Michael said. I never worry about the ability of
Detroit (broadly conceived, that includes you too, Kzoo :) to bring out
excellent music. And the reason is there is 50 years plus of consistent
history on that, going back to the great jazz era of the 1940s, followed
by
Mike Taylor wrote:
I think the thing to remember is that there is electronic music in
Detroit beyond Detroit Techno. Right now there is a lot of stuff that
doesnt go doof doof doof that you do not know about yet. There are a
lot of cats doing good stuff that don't have deals yet, and even more
],
313@hyperreal.org
Subject: Re: [313] d-troit techno/bread n' butter (was Re: Ax-020)
Date: Tue, 08 Aug 2000 18:04:58 -0400
And how dare you say that Detroit is stagnant so soon after DEMF!? ;P
I think the thing to remember is that there is electronic music in
Detroit beyond Detroit
]
-Oorspronkelijk bericht-
Van: JARED WILSON [mailto:[EMAIL PROTECTED]
Verzonden: Wednesday, August 09, 2000 3:28 PM
Aan: [EMAIL PROTECTED]; 313@hyperreal.org
Onderwerp: Re: [313] d-troit techno/bread n' butter (was Re: Ax-020)
And how dare you say that Detroit is stagnant so
this reminds me of lightbulbs, i wonder why 8 D
154
be!!!
(The Ramones)
Jared Wilson
F.T.M. Records
From: Jongsma, K.J. [EMAIL PROTECTED]
To: 'JARED WILSON' [EMAIL PROTECTED], [EMAIL PROTECTED],
313@hyperreal.org
Subject: RE: [313] d-troit techno/bread n' butter (was Re: Ax-020)
Date: Wed, 9 Aug 2000 15:47:09 +0200
Oh please not another
Am I completely wrong or am I the only one who dares to say... IMO
Your only stating your opinion and there nothing wrong with that.
Ax-020 is a completely disappointing record... More than that compared
to his visionary releases in the early/mid 90's I think Mills produced
no good record during
Because he's been on the experimental tip lately but I see what your
saying, I feel the same way about many Detroit artist nowadays.
But lets look at this whole tribal techno movement that I'm not
especially a big fan of, would it have even happened if it wasnt for
Jeff Mills? that's basically
to wait til January
jeff
-Original Message-
From: Cyclone Wehner [SMTP:[EMAIL PROTECTED]
Sent: Tuesday, August 08, 2000 4:36 AM
To: 313 Detroit
Subject: Re: [313] Re: Ax-020
Just you wait until you hear the new Stacey Pullen album. New and great
and
it's out next
producers. Any thoughts on the matter would be greatly appreciated.
Jared Wilson
F.T.M. Records
From: stephen [EMAIL PROTECTED]
To: [EMAIL PROTECTED], 313@hyperreal.org
Subject: [313] Re: Ax-020
Date: Tue, 08 Aug 2000 05:26:21 -0500
Am I completely wrong or am I the only one who dares to say
On Tue, 8 Aug 2000, JARED WILSON wrote:
I agree, out side of the new plus 8 track (Electric Deluxe) I have not been
to impressed with Detroit releases. I would say that the most avant techno
of late has come from the likes of Marco Carola, Gaeton Parisio, and even
some Adam Beyer
Am I completely wrong or am I the only one who dares to say... IMO
Ax-020 is a completely disappointing record... More than that compared
to his visionary releases in the early/mid 90's I think Mills produced
no good record during the last 2 years... Any comments?
Well, I happen to dig the hell
And how dare you say that Detroit is stagnant so soon after DEMF!? ;P
I think the thing to remember is that there is electronic music in
Detroit beyond Detroit Techno. Right now there is a lot of stuff that
doesnt go doof doof doof that you do not know about yet. There are a
lot of cats doing
Am I completely wrong or am I the only one who dares to say... IMO
Ax-020 is a completely disappointing record... More than that compared
to his visionary releases in the early/mid 90's I think Mills produced
no good record during the last 2 years... Any comments?
Benjamin wrote:
Am I completely wrong or am I the only one who dares to say... IMO
Ax-020 is a completely disappointing record... More than that compared
to his visionary releases in the early/mid 90's I think Mills produced
no good record during the last 2 years... Any comments?
Hi
I the only one who dares to say... IMO
Ax-020 is a completely disappointing record... More than that compared
to his visionary releases in the early/mid 90's I think Mills produced
no good record during the last 2 years... Any comments?
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