I'm with Bob on this one. When I'm in the band, I do not like it at all
when a caller insists on talking into the microphone during the last couple
times through the dance, whether to end the dance with a partner swing or
otherwise. That is the time for the band to make an exciting ending. I
Dear friends,
First, I'd like to thank the over 50 callers who have purchased Caller's
Companion in the last three years. It's fun seeing you out there calling and I
really appreciate both the support and invaluable feedback that you've given so
I can improve this tool. Special thanks to Linda
>
> As a musician and a caller, I have mixed feelings on callers jumping
> back in for the last time through. Changing the dance to end with a
> partner swing ("this time, long lines, swing your partner") can be
> nice, but mostly I don't think bringing the calls back in adds very
> little and
Some callers end every dance with a partner swing, but I do it at most twice
per night. I do feel that it does detract from the band's big finish, but I'll
end each half with a partner swing. But I won't call the whole time through.
Perry
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The only concession to the dance's end I only sometimes make is announcing
"last time" just before the last time through the tune.
I would concur with Mac McKeever's advice
Michael Fuerst 802 N Broadway Urbana IL 61801 217-239-5844
On Mon, Jan 14, 2013 at 8:22 PM, joe micheals wrote:
> When it comes to calling the last time through have any bands complained?
As a musician and a caller, I have mixed feelings on callers jumping
back in for the last time through. Changing the dance to end with a
When it comes to calling the last time through have any bands complained? Some
may view that as their finale. Ok if you are changing it to a longer partner
swing etc. but might it be viewed an intrusion if not?
-Joe MichealsSeattle
--- On Mon, 1/14/13, Roger Hayes
On Mon, Jan 14, 2013, Ryan Smith wrote:
>
> The #1 thing I do is to remember that the world will not end if you get it
> wrong. At most, you will leave approx 2% (estimating 100 people per line)
> of the dancers out for the last time through, less if the lines are uneven
> as it's offset by
I like the old (well, from my limited perspective) way of picking up the
call again for the last time through, and sometimes (if the caller and the
dancers are up to it) changing the dance so it ends with a partner swing.
If you don't do this regularly, you may have to alert the dancers with a
And then there are dances where you progress out and then back in.
I always give the band at least 2 and out (which is what most bands
request). I'm actually in the habit of giving 3, 2, 1, just to give them
more warning if there's some sort of flourish they wanted to perform that
they haven't
My view is that if you want to end the dance with everyone in at the top, then
the best time to signal is during the B2, regardless of when the progression
is. Even if there is no one out at the top, odd if there is a couple out. On
the surface it might be tricky for a mid-dance progression,
Hi Jonathan and Maia,
There seems to be some confusion about what Don was asking.
If a dance progresses at the end of the B2, then Jonathan's advise is the
standard advise-- give the band an odd number with the couple out at the
top. But that's not what Don was asking about. He was asking, if
On 1/14/2013 4:22 PM, Yoyo Zhou wrote:
On Mon, Jan 14, 2013 at 1:09 PM, Don Veino wrote:
I'm wondering whether someone has developed a simple accurate mnemonic for
Thinking about this, I think it's easier to watch what's going on.
You can usually identify a
On Mon, Jan 14, 2013 at 1:09 PM, Don Veino wrote:
> I'm wondering whether someone has developed a simple accurate mnemonic for
> the going out call, something like:
>
> "Progress in the B, say 1 or 3.
> Progress in the A, then even you say."
Thinking about this, I
...I'm sorry, I don't think I understand the question. Could you
rephrase/explain/clarify?
Cheers,
Maia
On Mon, Jan 14, 2013 at 10:09 PM, Don Veino wrote:
> I'm a developing caller, pretty much self-trained (with occasional tips or
> short festival classes from more
I'm a developing caller, pretty much self-trained (with occasional tips or
short festival classes from more experienced folks). One thing that has
been tricky for me has been always making the right call for the number of
cycles to go out. For a typical dance progressing in the B2 I'm all set.
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