Sapphire Sea does win the Academy Award for "Best Use of the Dolphin
Hey"...what a magnificent dance!
thank you Christine!
On Thu, Apr 5, 2018 at 12:01 AM, Don Veino via Callers <
callers@lists.sharedweight.net> wrote:
> Sometimes better to show than explain - there's one in an ECD by Christine
Sometimes better to show than explain - there's one in an ECD by Christine
Robb here: https://youtu.be/g-8LyExynvA
After seeing Christine's dance I played with writing contras with one but
hadn't considered this entry into the hey... nice. You've inspired me to
dig my drafts out and try to finish
This has me intrigued….
But I don’t know what a “dolphin hey” is or how to teach ….. additional help
appreciated.Thanks - Cheryl
Cheryl Joyal
clmjo...@gmail.com
clmjo...@aol.com
630-667-3284 (cell)
On Apr 4, 2018, at 11:21 PM, April via Callers
wrote:
We danced this one last weekend, and it works quite well, even if the "dolphin"
couple doesn't quite get the "switch leads without switching places" bit. As
long as they wind up in the center, it works.
Passion for Dolphins
A1 Down the hall, 1s in the middle. Turn alone, come back,
Hickman's Hey is one I've had local dancers request. I see from Martha's
post that it's credited to Dan Pearl - it came to me as "unknown author."
Below are a couple of mine that fit the bill - one well proven and one yet
to be.
-Don
(Riding in the) Zoomy Car – DI – Don Veino 20170717
*Status:*
On 2018-04-04 10:26 PM, Alexandra Deis-Lauby via Callers wrote:
Anyone know who wrote late in the evening?
A1 n balance and box the gnat, mad robin
A2 g cross, p swing
B1 g all left 1.5, n s
B2 int sq thru 4
Don't know.
Might be a variant of "The Raeden Reel" by Bob Isaacs:
I’ve got these in my database:
Hickman’s Hey, Dan Pearl
Two Way Street, Bob Isaacs & Lisa Greenleaf
Whoops Jamboree, Camy Kaynor
Ants Marching, Ron Blechner
Brimmer and May Reel, Dan Pearl
California Cloverleaf, Margo Gunsenhauser
Four Cubed Contra, Martha Wild
Lady Madonna, Martha Wild
Tag,
*Downstream* by John Coffman:
http://dancevideos.childgrove.org/contra/contra-modern/261-downstream-by-john-coffman-duple-improper
On Wed, Apr 4, 2018 at 9:01 PM, K Panton via Callers <
callers@lists.sharedweight.net> wrote:
> It's been a while since I've danced one of these but I know they
I have always liked Marching Ants by Ron Blechner (I hope I have that name right
Mac McKeever
Ron's Contra Dances, Ants Marching
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Ron's Contra Dances, Ants Marching
Ants Marching Ants Marching Duple Improper Contra by: Ron T Blechner Setup:
Neighbors face up and down the set a...
It's been a while since I've danced one of these but I know they exist!
1. Line of four goes down the hall.
2. While there, do something such as 1/2 hey.
3. Line of 4 comes back up.
Any suggestions for lovely dances that include such a (or similar) sequence?
Thanks.
Ken Panton
Ken,
I just happened to be pulling dances for an upcoming gig. One of the dances
I selected is Lisa's Contra (Tom Hinds) that has an out and back in A2 that
may work for your purposes.
Looking forward to seeing other suggestions.
Lisa’s Contra
by Tom Hinds
Contra/Improper/Int
A1 ---
I'm planning to include, in an upcoming evening, a dance with some moderate
(from a beginner perspective) end-effects. Preceding that, I'd like to get
the dancers accustomed to dancing with ghosts with a view to making the
end-effects make sense or, at least, be less of a concern.
I can think of
I picked up a Square Dance break from somewhere that was called the Dixie
Chain Break:
Dixie Chain Break:
Heads Hey for Four with hands Ladies lead with Right Hand
Sides the same
Heads and Sides do simultaneous Heys when four are in the middle they do a
Hands Across Star (Ladies Star, Pull
Thanks for starting this strain, Luke, and for your dance.
Our Jo Mortland here in Chicago recently organized a Dutch Crossing
workshop, and we did a successful demo at our Monday night dance. Lisa's
video certainly helped us out a lot! Somewhere on the internet ours is
floating around also...and
On Wed, 4 Apr 2018 19:09:58 + (UTC), Mac Mckeever via Callers wrote:
> I have called hey mania several times and it is not hard to stay with the
> phrasing - as long as you use the swing
> after the heys to let everyone catch up
I agree with that - and I add a promenade after the final
I have called hey mania several times and it is not hard to stay with the
phrasing - as long as you use the swing after the heys to let everyone catch up
Mac McKeever
On Wednesday, April 4, 2018, 11:17:08 AM CDT, Luke Donforth via Callers
wrote:
Thanks all for the feedback! I'll reach out to Erik and Nils.
As Rick pointed out, the dance could work from standard 4x4 lines; and I
certainly wouldn't object to folks dancing it that way. In my head, the
half grand hey precludes this from many dance events, so I figured dancers
I could toss
Having tested something like this a decade ago, I can report from
painful experience
that the half hey takes about 12 beats, not 8.
"Harvest Hey" by Erik Hoffman gets the timing right.
-Chris Page
San Diego
On Tue, Apr 3, 2018 at 6:04 PM, Luke Donforth via Callers
On Tue, 3 Apr 2018 22:27:19 -0400, Luke Donforth wrote:
> I'd appreciate feedback on flow (would it work), timing (is it too much?) and
> how you'd teach it.
I think the "Bent 4x4" is an unnecessary complication. People expect to finish
the figure facing the next line, not facing into
the
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