Subject: [Callers] Who’s in the middle?
Anyone have a simple wave dance where it doesn’t matter which role is in the
middle of the wave?
Kind of like Bob Isaacs’ double your fun but easier.
Thanks!
Alex
Sent from my iPhone
___
List Name: Callers
Will's Out of Bounds is a fun idea that has two versions. One is
A1. 8 Slide L and circle L ¾
8 Neighbor swing
A2. 8 Ladies chain to partner
8 Square through three and face out
B1. 8 Long lines forward
Hi Rich:
I wrote this one for the Valley Contra Dance in Bethlehem, PA, and will happily
call it again there next week:
Stars of Bethlehem
Improper
A1. N1 balance, box the gnat, star R
A2. N2 allemande L, N1 swing
B1. Circle L 3/4, partner swing
B2. Ladies chain to N1, star L
Bob
Hi Maia:
If you're looking for something new, this was just written at the Labor Day
Dance Away. Jerry Tobin won the raffle, and asked for a swing-to-swing
transition:
Eight Years and Still Swinging
Becket-R
A1. Long lines, ladies chain to N1
A2. Balance, Petronella, balance,
From: Callers <callers-boun...@lists.sharedweight.net> on behalf of Bob Isaacs
via Callers <callers@lists.sharedweight.net>
Sent: Monday, June 5, 2017 11:31:47 PM
To: Callers List Serve; Dugan Murphy
Subject: Re: [Callers] Has This Dance Been Written?
Dugan and All:
Yes, t
Hand Allemande 1.5 (8) / Partner Swing (8)
B2 Ladies Chain to Neighbor (8) / Left Hand Star Once to Retake Hands in Long
Wavy Lines (8)
The thought occurred to me today that the Rory O'More-inspired figure in
"United We Dance" by Bob Isaacs could be replaced with a circulation fig
Hive Mind:
I wrote the following solid little contra on a recent flight when I had too
much time on my hands, and it went well on its initial test. It didn't show
up in my database, but do you know if it has been written previously?
Improper
A1. Neighbor balance, swing
A2. Gents
uesday, March 14, 2017 11:19 PM
To: Bob Isaacs
Cc: Caller's discussion list
Subject: Re: [Callers] Another dance-check zig-zag R dance
I dance the ladies role enough where I feel I can confidently assert that swing
-> circle R is as difficult for gents as swing -> circle L is for ladies.
Eit
Hi Ron:
Two transitions in this dance I find troubling. The R and L through/gents
allemande is awkward for the gents, whose L hand is occupied in the courtesy
turn of the R and L through. This can be avoided by 1/2 hey (GL, PR, LL, NR),
gents allemande L 1 1/2 (or allemande/hey if you
Yoyo and All:
I wrote that sequence on 8/6/10, and call it Hook, Line, and Sinker. At the
time I looked around and didn't find it in the usual sources, but it's possible
someone else preceded me with it.
Bob
From: Callers
Maia:
I can help you with one of those:
Square Route
Improper, Chris Page and Bob Isaacs, 7/31/15
A1. Neighbor balance, swing
A2. Balance, Petronella, L square through three
B1. Partner balance, swing
B2. Balance, Petronella, L square through three and go on to the next
Bob
Hi Tom:
Your memory is correct - the improper version is called Piece of Cake by Carol
Kopp.
Bob
From: Callers on behalf of Tom Hinds
via Callers
Sent: Sunday, December 4, 2016 5:49
Maia:
The first dance is Missing Duck by Erik Hoffman.
The Country Doctor's Reel goes:
A1. 4,4 Neighbor balance, turn to R
4,4 Neighbor balance, turn to R
A2. 4,4 Neighbor balance, turn to R
4,4 Neighbor balance, box the gnat
Hi All:
While I appreciate Jack's comments about the chain/B progression, that is
more of a teaching issue than a choreographic one. More important is how much
assistance those in the ladies role can get from their partner in B2b. In a
chain they can get that from the joined hands in the
@lists.sharedweight.net
If you feel like mixing Box Circulate with Rory, here are two I've written and
called:
http://contradances.tumblr.com/post/117811884210/astral-navigation
http://contradances.tumblr.com/post/117812007820/playground-stomp
Bob Isaacs also has a really nice Rory/Box Circulate mix
Hi Luke:
You may be thinking of:
Grand Square ContraJacob Bloom 4 x 4
A1. 8 Lines forward
and back
8 Corner swing – form square
A2. 16Sides face grand
square
B1. 16Reverse grand
square
B2. 4,4
Ron and All:
I hope this isn't too weird for you. It adapted the diagonal Rory spins first
seen in Bill Olson's Eleanor's Reel into a single progression dance:
Let It Flow
Becket-L
Bob Isaacs, 7/26/04
A1. 8 L diagonal
circle L ¾
2,2,4N1 pull by R, N2 pull
Hi All:
As Luke noted, there are two dances with similar names. The first is:
Return to Sender
Becket-L, double, 7/18/00
A1. L diagonal R and L through, ladies chain to neighbor
A2. Hey (LR, PL, GR, NL) - give R to N
B1. Balance, box the gnat and pull by R, gents allemande L 1 1/2
B2.
Thank you, Michael. The term for the WWII tragedy still evokes a lot of pain
for those who survived it and their descendants, and hopefully will have no
further use in a forum devoted to dancing -
Bob
Ron:
"we're comparing our having fun traveling to various dances to the widespread
AM, Colin Hume via Callers
> > <callers@lists.sharedweight.net> wrote:
> >
> >> On Sat, 26 Mar 2016 11:22:05 -0400, Bob Isaacs via Callers wrote:
> >> A1. 1s cast to bottom, 1s up the center and 1/2 figure 8 below (2s move
> >> up)
> >> A2
Hi Claire:
If you want a triplet with contra corners and a hey for 6 (and very much for
experienced dancers) then try:
Cinnamon CrullerTriplet, properBI / 10-23-05
A1. 1s cast to bottom, 1s up the center and 1/2 figure 8 below (2s move up)A2.
1s turn contra cornersB1. All partner allemande
Michael:
Unless I'm reading it wrong, the B2/A1 is a little awkward. After the neighbor
swing, dancers need to turn halfway and form a ring w/the next. Is that
correct?
Bob
To: call...@sharedweight.net
List-Post: callers@lists.sharedweight.net
Date: Sun, 28 Feb 2016 23:07:11 -0700
: callers@lists.sharedweight.net
Date: Mon, 16 Nov 2015 18:35:31 -0500
To: call...@sharedweight.net
Subject: [Callers] CALLER NEEDED FOR SPECIAL DANCE IN POUGHKEEPSIE
From: callers@lists.sharedweight.net
At the last minute Bob Isaacs had to cancel calling for our double contradance
on November 21
Hi All:
Passing this on from the organizer. I hate to cancel any gig, especially so
close to the date, but a business trip got extended into the weekend. Any help
is greatly appreciated - Bob At the last minute Bob Isaacs had to cancel
calling for our double contra dance on November 21…just
Here's a good anti-creep tactic for beginner sessions. Sorry to generalize,
the usual suspect is an older unattached man who comes early and makes himself
all too available to the prettiest new dancer. Before you know it, he's
running his own 1-on-1 workshop. I let him go for a while, but
Hi All:
Thanks for the summary, Andrea. I don't have much use for shadow swings, and
I'm uneasy calling a dance that needs a disclaimer. But one shadow swing I
like is a "corner" swing in 4 facing 4s. This means all swing a neighbor half
the time, and a shadow the other half, about 7-8
Hi All:
Inspired by Tom Hinds' amazing dance The Amazing Sarah Wilcox, I introduced the
following this week:
Coast to Coast
Becket-L, 6/8/15
A1. Ladies allemande R 1 1/2, N1 swing
A2. Down the hall in line/4 - turn alone, up hall and bend line to ring
B1. Balance, w/N1 Jersey twirl to
Jim:
You have it right. I've been using this version of Chorus Jig for almost as
long as Eric, and invariably afterwards a gent will come forward and complain
the cast into contra corners is awkward. My response; "Well, now you know what
the ladies have been dealing with for hundreds of
Hi All:
Thanks, Chris, for setting the tone of this thread. No problem here with Greg
coming back, but let's hope he doesn't use SW as his personal soapbox again. I
found the volume and length of his posts were primarily to promote his
opinions, and they rarely advanced the overall
Jack:
Did you get the dance correctly? What was sent does not progress, and as I
read it the A2 swing is with partner, not neighbor. As for a possible
correction:
Improper
A1. 8,8 Star R, N alle R 1 1/2
A2. 2,8,6 Gents pass L, 1/2 hey (PR, LL, NR, GL), P swing
B1. 8,8 Gents alle L 1
Agreed, Lindsay. Especially when Greg's original comment was followed by:
"Referring to 3 videos sent by Jim Saxe, the calling on those videos by Steve
Zakon- Anderson, Karen Jackson and Maggie Cowan."
which is what prompted Jean Francis' objection. There's no place on SW for a
caller
Hi William:
I had a similar request a few years ago, and wrote the following. There are
two problems with AABBCC contras:
1. They don't progress as often, so a double progression was suggested. But
with all double progressions, there is also the other issue of having
significant
JoLaine and All:
Does it always have to be down-the-hall?
Turning in Turn Improper - line/4 (2s in the middle)
Bob Isaacs, 12/99
1A1. Up hall in line/4 - turn alone, down hall and bend line
1A2. Circle L, 1s 1/2 figure 8 above
1B1. 1s turn contra corners
1B2. 1s
Hi All:
One aspect of new dancer sessions that developing callers tend to overlook are
second timers. Many new dancers will arrive late for their first dance, and
then only become aware there is a lesson meant for them. So they come back
with a purpose, whether it is to review what
Rich:
Good questions. This happened at the Clearwater Festival held at a park on the
Hudson River about an hour north of NYC. Clearwater is much more about
concerts than dancing - for example, on the main stage act at that time was
some guy named Pete Seeger. The band was the
Hi All:
Faced with a largely beginner audience at a recent festival, I came up with the
following when the band wanted high-energy Petronellas in the A's. I suspect
it isn't new, but have been unable to find it in the usual sources. Thanks in
advance for whoever has the author/title;
Sorry about the typo - as Yoyo pointed out, it is circle L 3/4 and pass N1 by R
- Bob
> Date: Wed, 10 Jul 2013 10:42:44 -0700
> From: yoz...@gmail.com
> To: call...@sharedweight.net
> CC: callers-requ...@sharedweight.net
> Subject: Re: [Callers] criss cross heys
>
> On Wed, Jul 10, 2013 at
s] And while I'm at it...
>
> There are a couple of other dances I'm having trouble tracking down.
> One is Hotpoint Special, which I think may be by Rick Mohr, and again
> there's a band by that name. Criss-Cross Hey by Bob Isaac
Sorry, Dave and Chris, but I have to disagree with you on the ladies allemande
L 1 1/2. Sure, it leaves the R hand free for the new N, but going from the
long lines to that allemande is awkward for the ladies.
So after various tries, I've come (almost) back to the original; ladies dosido
Hi Bill:
Sure, something like either is fine as long as it's new -
Bob
> From: staf...@ext.canterbury.ac.nz
> Date: Wed, 15 May 2013 09:01:07 -0400
> To: call...@sharedweight.net
> CC: eirolav...@gmail.com; call...@sharedweight.net
> Subject: Re: [Callers] Greenfield Formation
>
> Hi Bob,
Hi All:
The Friends of the Guiding Star Grange in Greenfield, MA invite you to enter
The Greenfield Formation Contest - please see the attached for details. We
look forward to seeing what you come up with -
Bob
The Greenfield Formation
A1. Balance, Petronella, balance, Petronella
A2. Neighbor balance, swing
B1. Ladies gypsy R 1 1/2, partner swing
B2. Circle L 3/4, balance, Cal twirl
Power Surge Becket-L / Beth Brill & Bob Isaacs
A1. Slice L, ladies chain to neighbor
A2. Balance, Petronella, bal
>
> As a musician and a caller, I have mixed feelings on callers jumping
> back in for the last time through. Changing the dance to end with a
> partner swing ("this time, long lines, swing your partner") can be
> nice, but mostly I don't think bringing the calls back in adds very
> little and
In addition to those mentioned in this thread, the three Airdance CDs will
always be among my favorites. So much talent in one band.
Speaking of talent, whenever a non-dancer wants to know what contra music
sounds like, I play the Big Bandemonium CD The Big Bang. Everyone can relate
to the
Ron and All:
Local tastes may vary, but if you're calling at a series where Petronella
clapping is automatic, you can mention not clapping on the Petro/star
transition (first seen in Becky Hill's Kitchen Stomp, I believe), but I
wouldn't push that too hard. If one of the four claps, the
Thanks for the titles, Linda. There is a correction on one of the dances:
>
> West by Mid-West by Carol Ormand
> 3) (improper)
> A1: neighbor balance and swing
> A2: pass the ocean, balance; neighbor alle R 1/2, men alle L 1/2
> B1: partner gypsy; partner swing
> B2: circle L 3/4; pass
y understanding was that "yearn" means moving on the left diagonal toward
> one
> set of dancers, and then back from there on the left diagonal so that a
> couple
> has moved two places. If I understand Fruit Punch, the couple has only moved
> one
> place, forward on the lef
Hi Joy:
I don't know this one either, but another try is:
B1 Take hands in a ring.
Balance the ring (4)
Pass through to an ocean wave (4)
Balance the wave (4)
N Allemande R 1/2 (4)
B2 Gents Allemande L 1+1/2 to partner (8)
Partner swing (8)
Bob
> From: joy2...@mindspring.com
> To:
Hi Bree:
Sorry I missed you on FB, and there is a balance after the wave. You have the
rest of the dance correct. This dance was written as a birthday present from
Robin Humes for her partner John Wasser, who just happens to have a red beard -
Bob
> From: b...@mindspring.com
> To:
To: call...@sharedweight.net
> Subject: [Callers] New Dance: The Raeden Reel
>
> Hi Folks, passing along a new dance I'm partial to (not the least reason
> being that it's named after our baby daughter). The dance is by Bob Isaacs
> and the composition was won as an auction item a
David:
Always enjoy hearing you in soapbox mode.
On the dip and dive, there's also Dip and Dive by Tom Hinds. It's in one of
his earlier books -
Bob
> Date: Mon, 7 May 2012 09:18:06 -0400
> From: david.millst...@valley.net
> To: call...@sharedweight.net
> Subject: Re: [Callers] Don't
Come to think of it, there's one very good time a night to change the ending (a
tip learned long ago from David Kirchner); the first dance of the evening.
This acts like an auxiliary sound check - if many dancers don't swing or look
confused, especially in the far corners of the hall, you're
Hi All:
I'm one of those callers who often changes a contra to finish with a partner
swing, although for really good bands who know to finish with a flourish I'll
avoid that. But I never call the whole last time through and it bothers me
when others do it; that's just a bad case of caller
Hi All:
While I am thankful for all the useful comments here, there is one thought
missing from this discussion.
You've all seen them; new dancers who miss the new dancer session and arrive
after the dance has started. Most likely for their first contra they get
paired up with some
y questions/comments. I
hope this gives you and your dancers a new way to have fun -
Bob
> Date: Tue, 5 Apr 2011 09:36:42 +1200
> From: staf...@ext.canterbury.ac.nz
> To: call...@sharedweight.net
> Subject: [Callers] Grid Squares Contra
>
> Hi Everybody,
>
> I tried a s
Hi Jack:
This is a variation of the following:
Two Way StreetLisa Greenleaf/Bob Isaacs Becket-L
A1. Ladies allemande R 1 1/2, N1 swing - face down
A2. Down hall in line/4 - outside walk and insides turn R, N2 swing
B1. Up hall and bend line, circle L 3/4 and pass
Hi Luke:
This is new by me, and if so, it looks very nice. Is the star R wrist-grip, so
neighbors can tug into the dosido?
Bob
> From: luke.do...@gmail.com
> Date: Wed, 2 Feb 2011 22:13:41 -0600
> To: call...@sharedweight.net
> Subject: [Callers] New(?) dance
>
> Hello all,
>
> I think
This dance also has a cute nickname, courtesy of Lisa Greenleaf; The Clap Trap.
Bob
> Date: Sun, 30 Jan 2011 11:08:38 -0500
> From: david.millst...@valley.net
> To: call...@sharedweight.net
> Subject: Re: [Callers] Good grief, yet another cure
>
> That's by Bob Isaacs, Pri
the Foot Fall dance weekend
> we came up with the following dance, and were wondering if it was new:
>
> Waiting for the Other Foot to Fall Improper
> Co-authors; Dan Black, Joyce Duffy-Bilanow, Bob Isaacs, Hannah Platt, Kendall
> Rogers
>
> A1. Neighbor handy-hand allemande 1
Hi All:
This past weekend at a dance writing workshop at the Foot Fall dance weekend we
came up with the following dance, and were wondering if it was new:
Waiting for the Other Foot to Fall Improper
Co-authors; Dan Black, Joyce Duffy-Bilanow, Bob Isaacs, Hannah Platt, Kendall
is the fairly new formation is the
> > adapted grid square. A square in the middle with contra lines
> > branching out behind each of the four square couples. With a large
> > hall, you can link the contra lines to other squares. Bob Isaacs once
> > tried using this formati
Michael and All:
It is called Treasure of the Sierra Madre by James Hutson of Southern
California, and it's a good one.
Bob
> From: mich...@michaelbarraclough.com
> To: call...@sharedweight.net
> Date: Mon, 17 May 2010 15:48:46 -0400
> Subject: [Callers] Dance title/author?
>
> Hi
>
Hi Chris and All:
A few years ago I came up with this one, and with Larry's permission later
re-named it in honor of his tune:
The Judge Becket-L
A1. Circle L 3/4, neighbor swingA2. R and L through, L diagonal ladies chain
to shadowB1. Balance, Petronella, balance, Petronella 1 1/2B2.
Hi Will and SW:
I try to avoid programming around titles, as it usually gets me in trouble.
But given the day, this one is worth considering:
Love of My LifeImproper/Dan Pearl
A1. Circle L, partner twirl to swap, 2s arch and all back up to form ring
A2. Balance, neighbor swing -
Hi Jeff and SW:
Yes, this is mine and it is called Vote With Your Feet. It's a timely
question, as I've noticed several YouTube videos of it this year (thanks to
Chris Page for pointing most of these out):
http://www.youtube.com/watch?v=z6A4fN39JYo
Hi Joy:
Consider this one:
The Birthday Dance Gene HubertImproper
A1. Neighbor balance, swing
A2. Long lines, 1s gypsy R 1 1/2 to a line/4 facing up
B1. Up hall in line/4 - 1s turn as a couple and 2s turn alone, down hall and
bend line
B2. Circle L, circle R 1/2, w/partner
To All;
I though she was Donna too, and forwarded her Richie's web link. I don't think
she's on this list, and haven't heard back yet. Given the dance is Jurassic
Redheads, she sure fit in. Donna is a member of Philadelphia's Fiddlekicks
clogging team, and was most likely getting in some
Hi Bill and SW; When writing zias, I also first tried putting swings in the
contra sections on the side. It soon became clear it was easier to put them in
the middle. The common progressions used after a swing in a contra didn't
easily get dancers into the square, and vice versa. I'm not
gt;dancers a more
> clearly defined path. I'd certainly be interested if > >anyone on this list
> knows of other zia dances that have been used.> >> >I hope you enjoy the
> discussion and the dances, and this gives you > >another way to bring fun to
> yo
be interested if anyone on this list knows of
other zia dances that have been used.
I hope you enjoy the discussion and the dances, and this gives you another way
to bring fun to your dancers -
Bob Isaacs
_
Use video conversation
To All;
According to Rick, this is named "The Other Mary Kay's Reel" by Tom Hinds,
named in honor of the late DC dancer/musician Mary Kay Friday.
Bob
> Date: Mon, 14 Jul 2008 18:09:45 +1200> From: staf...@ext.canterbury.ac.nz>
> To: call...@sharedweight.net> Subject: [Callers] Dance name
s smile back, you're either hung over and/or having a very bad
tournament.
It would be interesting to hear if others have applied pattern recognition
learned from other fields towards calling and dance writing -
Bob Isaacs
this first started circlulating, it was often called The Cure for the
Clap, but that's a whole different story. This is a rarity among modern
contras - no fractions.
Bob Isaacs> Date: Sat, 3 May 2008 15:09:03 -0400> To: call...@sharedweight.net>
From: jamit...@mindspring.com>
whirl
B1. Lades gypsy R, partner swing
B2. Ladies chain, star L
Bob Isaacs> From: hol...@comcast.net> To: call...@sharedweight.net> Date: Thu,
17 Apr 2008 10:45:54 -0400> Subject: [Callers] Name 2 more from YouTube> > Hi
Callers,> > Your recent success identifying
> I'm gathering some people together tomorrow night to walk through that dance.
> I've got a couple of other weird dances, but while I've got some dancers
> gathered together for some experimental dancing, do YOU have any weird
> contras you've had hanging around and you need an in-depth,
Hi All;
I'm looking for the moves and author of a 4 facing 4 named Major Hey, which has
a 1/2 a hey for 8 in it. Any teaching points would also be helpful. Thanks,
and a Happy Holidays to everyone -
Bob
_
Put your friends on
Hi Jack and All;
There shouldn't be any need to change directions. When staying in a group of
four the Petronellas set up an allemande L, but the Petronella 1 1/2 changes
groups and does flow into the allemande R. Your hands may want to go L, but
the feet will want to keep going L.
Richard;
Here are a couple from me that work well for mixed crowds;
Pearls of Wisdom Improper, 12/7/02
A1. Neighbor allemande R 1 1/2, gents allemande L 1 1/2
A2. Partner balance, swing
B1. Circle L 3/4, neighbor swing
B2. Balance, Petronella, balance, Petronella 1 1/2
To quote form the book;
"Circle L 3/4 & slide L one person (!!!)"
followed by the forward and back.
Bob
___
From: "Tepfer, Seth"
Reply-To: Caller's discussion list
helps, and doesn't discourage anyone from taking a
chance and trying something new. Believe me, it is a really good
feeling to contribute a good, new dance - it is a gift that keeps on
giving.
Bob Isaacs
__
From: &q
, MA. Even with tihs dance, my medley wasn't selected -
better ones by Lynn Ackerson and Bob Golder got the nod. But I'm
happy to lose any contest if it means writing one like this.
Bob Isaacs
__
From: richg
To all;
Just to clear this up, there are actually two dances that go
together. The first one was;
Kitch as Kitch Can Improper/Bob Isaacs
A1. 4,4 Neighbor balance, box the gnat - face partner
8 Mad Robin
A2. 8 Gents allemande L 1 1/2
8 1/2 hey
I'll be there for Friday, and probably Saturday as well. - Bob
__
From: Karen Fontana
Reply-To: Caller's discussion list
To: Callers Shared Weight
The second half of Heartbeat Contra goes;
B1. Ladies gypsy R 1 1/2, partner swing
B2. Circle L 3/4, balance, California twirl
The gypsy tends to take more than 8 beats with most ladies, so you'll
find some callers substituting ladies allemande R 1 1/2 instead.
Bob Isaacs
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