Back to EPS. I've exported a score in EPS and discovered that the
instrument names on the score's first page are in a different font (looks
like Maestro). The strange thing is that the same document turned out a
perfect EPS one week ago, having the same fonts I've got now. This is
really serious
Help please O knowledgeable ones!
My band has been asked, by our local Maltese community, to
play at a Procession for Our Lady. Very Catholic and apart
from a couple of things, one called Innu Malti- which I believe is the Maltese
Anthem, and another called Innu Populari a stately
For two days, I have not received any messages from this list. This is
very strange. Is there a problem?
Dean
Para mí, la música es la respiración de la vida y del dios.
Per me, la musica è l'alito di vita e del dio.
Pour moi, la musique est le souffle de la vie et de Dieu.
Für mich ist Musik
I've included your own e-mail address as well as the group's because the
list has been very busy the past few days so something must be up with
your subscription.
I don't recall it having happened recently, but in the past, with
different software at SHSU people were occasionally spontaneously
Brad Beyenhof wrote:
On Fri, 27 Aug 2004 21:45:01 -0700, Richard Yates
[EMAIL PROTECTED] wrote:
I like the arrangement that is being used in the Olympics this time around.
The '..rockets red glare' section is sweet and peaceful. Not a good match
for the words, but better than an a swaggering
John Howell wrote:
At 4:52 AM +0100 8/28/04, Owain Sutton wrote:
Darcy James Argue wrote:
So I think using V.S. as an all-purpose page turn indicator is just fine.
It isn't with the sightreading of a piece with standard orchestral
players. They'll all lurch forwards to turn ASAP.
As they
Using Fin Mac 2004c,
I want to change a regular semibreve notehead(egg) to a semibreve
percussion note(with X through) - Maestro font.
With Special tools, and Mass mover/change/noteheads I am only
presented with the Maestro font which does not include the X NH.
How do I change the font? I
On Aug 28, 2004, at 9:32 AM, Matthew Hindson Fastmail Account wrote:
Peter Breiner arranged (orchestrated, castrated, whatever!) all 204
anthems at the Olympics. Here are a couple of articles about him
(they may not last much longer on their respective servers):
Thanks for that amazingly quick reply.
I only want to change one NH. Using Special Tools.
When I go SpTs/Note shape tool, I get the symbol selection box. I
cannot change to the X + egg symbol I want 'cos it isn't in Maestro
font.
I don't know how to change to the font I need.
Stan Lord
On 28
I've been enjoying the arrangement of The Star Spangled Banner that's been played at the Olympics. Good to hear a re-harmonization that is logical, leads the ear to a few refreshing places, and delays a resolution or two. I'm not fond of the song (and no one asked what I'd choose for our
With Windows, right-clicking gives a context menu which gives extra
options. Somebody with a Mac can help out...
Stan Lord wrote:
Thanks for that amazingly quick reply.
I only want to change one NH. Using Special Tools.
When I go SpTs/Note shape tool, I get the symbol selection box. I cannot
Sorted!!
If I control/click I get the appropriate menus.
Thanks,
Stan Lord
On 28 Aug 2004, at 15:55, Owain Sutton wrote:
With Windows, right-clicking gives a context menu which gives extra
options. Somebody with a Mac can help out...
Stan Lord wrote:
Thanks for that amazingly quick reply.
I
On Mac it's control-click
Hans
-- Originele hoofding ---
Van : [EMAIL PROTECTED]
Naar : [EMAIL PROTECTED]
Cc :
Datum : Sat, 28 Aug 2004 15:55:14 +0100
Onderwerp : Re: [Finale] Changing noteheads
With Windows, right-clicking gives a context menu
Yes, Chuck, I have played it. Shall we say it was a bit different and was one of his
lesser works ;-)
Jim
I remember hearing that Stravinsky did an arrangement of this, and that it
was roundly rejected. Anybody heard this? Just curious.
Chuck
Chuck Israels
Title: Re: [Finale] Maltese OT
I have also been given
a badly arranged/orchestrated/scored/adapted- (whatever) sheet
containing; Non Voglian Iddio, Gia Souna la Squilla, Nio Crediamo
Inte, Inni e Canti, and O del Cielo, gran Regina. I have been told
that not all these are suitable- but not
I certainly do not consider myself to be overly chauvinistic or a
jingoist. However, in consideration of all our country has done for
the world over the past two hundred years in terms of global aide and
other charitable acts, I am much more than sick and tired of being
portrayed as the
My daughter is considering purchasing Sibelius for a variety of
reasons. She asked me the following questions last night, perhaps you
know the answers:
(1) How much does it cost (she is a Senior Music Major [I don't know if
there is a Student discount])?
(2) Can she do anything with the
I am completing work on a MacFiin file I began in a previous version of
Finale. I'm now using MacFin 2004C. The new version defaults with page
numbers provided. The older version does not. What is the easiest way
to get page numbers into the file now?
Thanks,
Dean
Para mí, la música es la
At 01:17 PM 08/28/2004, Dean M. Estabrook wrote:
I am completing work on a MacFiin file I began in a previous version of
Finale. I'm now using MacFin 2004C. The new version defaults with page
numbers provided. The older version does not. What is the easiest way
to get page numbers into the file
At 01:12 PM 08/28/2004, Dean M. Estabrook wrote:
(1) How much does it cost (she is a Senior Music Major [I don't know if
there is a Student discount])?
See the order form at
http://sibelius.com/cgi-bin/buy/main.pl?com=main Looks like $319 for the
eductional discount.
(2) Can she do anything
Hello,
I use both products.
Sibelius has a very good note entry method (with no midi keybd) but I
do recommend an extended computer keyboard (with numeric keypad) for
either app.
Rick Walsh
On Saturday, August 28, 2004, at 10:12 AM, Dean M. Estabrook wrote:
My daughter is considering
I have done a considerable amount of piano ensemble playing. If you REALLY
need to tell the players who should turn then use volta below the last
measure of the page in the player's part. Based on the physical
relationship of players to page the Primo is the usual logical turner.
Incidentally,
On Aug 28, 2004, at 8:31 AM, Andrew Stiller wrote:
These titles are Italian, sort of,
Looks Sicilian to me. Sort of.
Keith, you mentioned a Maltese community, but that's less specific
than you might think.
Historically, Malta has passed through a variety of owners, roughly:
Byzantine, Arab,
On 28 Aug 2004, at 03:04 PM, Richard Walsh wrote:
Huh, I'm sorry if this is off topic, but kindly name for me the
source of this outrageous statement,
Sure thing:
Since the late 1940s, when more than 15% of every U.S. tax dollar was
sent overseas to help rebuild war-torn Europe, the share of
On Sat, 28 Aug 2004 15:13:16 -0400, Darcy James Argue [EMAIL PROTECTED] wrote:
Okay, I just can't let this go.
Brad wrote (RE: a member of the Iraqi soccer team):
What a bunch of ingrates! We rescue his country from the grip of a
tyrant, and this is the thanks we get?
What it comes
Dean M. Estabrook writes:
And, where is the outrage over the HOST crowd preventing the
start of a race via the jeering directed at three Americans who simply
came to their country to compete in an environment of purported equal
access and non bias? Considering the fact that the situation
Eric Dannewitz writes:
I think I might have found a bug with the new tuplet feature and
applying Slash Style Notation.
If you have a enhanced tuplets that are contained in a measure or two
that you apply slash notation too, you sometimes see the 3 from the
numbers. I thought at first it
Yes, and it prints the vertical line as well.
Jari Williamsson wrote:
Eric Dannewitz writes:
I think I might have found a bug with the new tuplet feature and
applying Slash Style Notation.
If you have a enhanced tuplets that are contained in a measure or two
that you apply slash notation
If I could chime in here, there is one posture (other than loved and
feared) that was left out of the equation, and that was respected,
It is good to be loved, if not loved, then at least respected, if not
respected, then one must be feared...
'twas ever thus.
RW
On Saturday, August 28, 2004,
On 28 Aug 2004, at 04:19 PM, Dean M. Estabrook wrote:
I inferred from your post that we Americans didn't know how it felt
to lose a large number of countrymen in an attack by a foreign force.
No, that's not what I meant at all. What I meant was, Brad seemed to
be having trouble putting himself
On Aug 28, 2004, at 9:56 AM, Dean M. Estabrook wrote:
As for the the emotional effect of our National Anthem, I prefer a
version which constricts my throat muscles and produces horripilation
[...]
I don't know about horripilation, but I definitely prefer a version
which DOESN'T constrict my
On Aug 28, 2004, at 1:29 PM, Darcy James Argue wrote:
On 28 Aug 2004, at 04:19 PM, Dean M. Estabrook wrote:
I inferred from your post that we Americans didn't know how it felt
to lose a large number of countrymen in an attack by a foreign force.
No, that's not what I meant at all. What I meant
On Sat, 28 Aug 2004 16:29:23 -0400, Darcy James Argue [EMAIL PROTECTED] wrote:
On 28 Aug 2004, at 04:19 PM, Dean M. Estabrook wrote:
I inferred from your post that we Americans didn't know how it felt
to lose a large number of countrymen in an attack by a foreign force.
No, that's not
I've played the Stravinsky banner a number of times. I like it a lot.
It was somewhat controversial back during WWII when he arranged it
(1941), reportedly leading the the composer's arrest in Boston for
tampering with public property, but it would not raise an eyebrow now.
You can hear
and no one asked what I'd choose for our anthem),
What *would* you choose?
Crystal Premo
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and no one asked what I'd choose for our anthem),
What *would* you choose?
Crystal Premo
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