Johannes Gebauer / 2005/11/04 / 05:02 AM wrote:
Here comes a related Finale question: I would actually like to free my
harddisk of Finale GPO (while keeping the full GPO). Has anyone done
this? What can I delete, and will I cripple Finale of any features?
I haven't seen anyone answered this.
On Nov 6, 2005, at 8:43 AM, A-NO-NE Music wrote:
For jazz, it wasn't even a little kazoo band until HP was introduced
(when was that?). Listening to the even 8th during proofread was so
painful back then.
Even in 2002 you could have swing playback in defined amounts (the
lighter the
On 06.11.2005 A-NO-NE Music wrote:
I haven't seen anyone answered this.
Assuming you are non Mac(?),
You can stop FinMac2006 to load GPO by removing Finale GPO.component
which is located at:
/Library/Audio/Plug-Ins/Components/
After you verify FinMac2006 launches without FinGPO, now you can
At 10:22 AM +0100 11/6/05, dc wrote:
David W. Fenton écrit:
Johannes and Dennis C., and any others who edit older music, do you
think there's anything in the beaming angle of the original sources
that might be worth preserving? Do you also try to preserve the
beaming breaks and reversed beams?
Johannes Gebauer wrote:
On 04.11.2005 Darcy James Argue wrote:
Anyway, I think the only way you will get satisfactory results is by
using two extra, hidden staves for harpsichord and bass.
Which makes it far too much work to be worth it.
Johannes
I've done this sort of thing for
On Nov 5, 2005, at 3:20 PM, Johannes Gebauer wrote:
On 05.11.2005 David W. Fenton wrote:
Johannes and Dennis C., and any others who edit older music, do you
think there's anything in the beaming angle of the original sources
that might be worth preserving?
No.
Do you also try to preserve
Johannes Gebauer / 2005/11/06 / 09:47 AM wrote:
I am wondering whether I can savely remove Finale GPO, while a) not
destroying Finale's full GPO functionality (including the setup wizard,
although I hardly use the GPO option here), and b) not destryoing any of
GPO Full's functionality. Or do
Christopher Smith wrote:
On Nov 6, 2005, at 8:43 AM, A-NO-NE Music wrote:
For jazz, it wasn't even a little kazoo band until HP was introduced
(when was that?). Listening to the even 8th during proofread was so
painful back then.
Even in 2002 you could have swing playback in defined
On Nov 6, 2005, at 2:29 PM, dhbailey wrote:
Christopher Smith wrote:
On Nov 6, 2005, at 8:43 AM, A-NO-NE Music wrote:
For jazz, it wasn't even a little kazoo band until HP was introduced
(when was that?). Listening to the even 8th during proofread was so
painful back then.
Even in
On 6 Nov 2005 at 10:56, John Howell wrote:
In my own editing, my goal is to make the music
intelligible to modern singers while retaining as
much as possible of what I consider important in
the original. In renaissance vocal music this
includes removing bar lines (and eliminating ties
On 6 Nov 2005 at 8:43, A-NO-NE Music wrote:
David W. Fenton / 2005/11/04 / 03:32 PM wrote:
You aren't limited to the little kazoo band, either, since all
you'd need to do is install a better sound card, or run Finale 3.7.2
on a computer with a better sound card.
For jazz, it wasn't even
On 6 Nov 2005 at 11:50, Andrew Stiller wrote:
On Nov 5, 2005, at 3:20 PM, Johannes Gebauer wrote:
On 05.11.2005 David W. Fenton wrote:
Johannes and Dennis C., and any others who edit older music, do you
think there's anything in the beaming angle of the original sources
that might be
David W. Fenton / 2005/11/06 / 07:15 PM wrote:
You couldn't have set the default volume for a staff? It's pretty
easy:
Yeah, if you have only one output device. I still prefer outputting to
my rack of K2600Rs when I am in my studio.
--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Boston, MA
People still use Ada?
Darcy James Argue wrote:
This will definitely be of interest to anyone interested in MusicXML,
manuscript-style music fonts, or Clinton Roemer's book, The Art of
Music Copying:
http://roemer.sourceforge.net/
- Darcy
-
[EMAIL PROTECTED]
On 07.11.2005 David W. Fenton wrote:
I'd have to agree with this.
Why would one keep the beam breaks and then discard most of the
reversed beams? How do you know you're not discarding potentially
useful musical information?
Well, it is quite obvious to me that beam breaks can mean
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