My mother (89). She is a native German and was professional occupied by
German traditions. According her a Schluf (=Hahn; english chanticleer,
cock, rooster, spigot) is maybe not common anymore, but widely used in
southern and eastern parts of Germany, and further in Bohemen.
It was also from
On their official fan site www.take6.com you can find somewhere some
transcriptions of T6 arrangements made by fans. There is also an official
book of arrangements on sale on that site.
I had a look at their arrangements and tried to transcribe some of these.
They use very close harmonies to
On 04.03.2007 Hans Swinnen wrote:
But Schlufslied exists as a Song of the rooster.
I don't know the context, neither the age, neither the place of this song in
the whole opus, but
IF it's the end, I'd agree with something like Ending or Final Song, BUT
if it's not the end, I'll say it *could*
On 05.03.2007 Daniel Wolf wrote:
There is also a tradition, albeit relatively rare today in Germany, of
Kasperletheater using stringed marionettes. (The Augsburger Peppenkisten, for
example, plays Kasperle as a marionette; in the Czech tradition, Kasparek is
usually a marionette)
My
On 04.03.2007 Christopher Smith wrote:
Leicht bewegt
Moving easily (not the best translation if you want to put an English marking)
Better translation: Moving lightly.
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
Including the current version, I have worked with (and still have pieces) in
Finale 2002b, 2006a, and now 2007. I need to know how to properly convert all
of my previous (2002b, 2006) works into 2007, and have them play back with the
Human Playback (every instrument on one channel,
Patrick Sheehan wrote:
Including the current version, I have worked with (and still have pieces) in
Finale 2002b, 2006a, and now 2007. I need to know how to properly convert all
of my previous (2002b, 2006) works into 2007, and have them play back with the
Human Playback (every instrument on
Mensaje de prueba
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You must have gotten a bad one. Mine works great after 3 or 4 years, but
then again, I don't work it near as hard as you probably do.
--Allen
| -Original Message-
| From: [EMAIL PROTECTED]
| [mailto:[EMAIL PROTECTED] On Behalf Of Darcy James Argue
| Sent: Thursday, March 01, 2007 2:23
shirling neueweise wrote:
your comments make sense, and i agree; i don't know anything about the
underlying programming though. in any case, you should send it to
the support people, and if you get back anything other than the stock
phrase thanks, i have sent this on to our developers.
I've googled iKeys, but don't seem to come up with anything... Does
anyone know the developer's name? And, can it automate things
beyond keystrokes (like menu-clicks, etc.), in the same way that
QuickKeys does?
Thanks,
Brennon
Someone will probably have this answered before mine gets
On Mar 4, 2007, at 12:51 PM, Michael Cook wrote:
As literal as possible:
When it forgets itself in dust,/ Bear it with patience
Wenn sie im Staube sich vergisst, / So trag' sie mit Geduld.
This would mean the poet is asking God to be patient with the poet's
lapses. Is that really what
This thread is weird. How come everyone is talking jazz in just one
style? I have been playing for Jazz Composers Alliance Orchestra
http://jazzcomposersalliance.org/ last 18 years of so. Several
different composers writes different styles, but all of them are heavily
instructed. This is
Interesting definition of jazz ...
Dean
On Mar 5, 2007, at 9:32 AM, A-NO-NE Music wrote:
This is still jazz because we still groove between on top
and behind the beat :-)
Dean M. Estabrook
http://deanestabrook.googlepages.com/home
Galileo was able to help debunk some of the tightly held
I don't have much to contribute - other than thanks for raising this
topic once again, because it's something I've long been wishing was
easier to do.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Daniel Wolf
Sent: 04 March 2007 20:38
To:
Thanks, Christopher, for that link, and to everyone else for the
excellent and extremely helpful advice I received here on this subject.
For example, I wonder if the opening 7-note guitar riff from
Lennon-McCartney's Yer' Birthday, used in a serious, somewhat
quodlibet-type composition (not
You know if you capture screen with Universal Access Zoom, you will be
able to screenshot in bigger size, which you can photoshop to make is
better look.
--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Boston, MA
http://a-no-ne.com http://anonemusic.com
I've got another problem along similar lines and I would appreciate any
advice.
It's actually in another movement of the same work. Don't ask me how I
got into this, and I don't recommend the musical subject as fodder for
anyone else, but I got a small grant from the state of Indiana to do
Raymond Horton wrote:
Thanks, Christopher, for that link, and to everyone else for the
excellent and extremely helpful advice I received here on this subject.
For example, I wonder if the opening 7-note guitar riff from
Lennon-McCartney's Yer' Birthday, used in a serious, somewhat
If there is doubt in anyone's mind that simple time signatures are
the norm in jazz, take a look at this piece, notated as closely as it
can be according to the way Bill Evans played it. The bass and drum
parts remain in 2/4 and a kind of 3/4 that crosses over a 4/4 feeling
in the bridge,
On 4 Mar 2007 at 20:06, Aaron Sherber wrote:
At 07:21 PM 3/4/2007, Bob Florence wrote:
Well I did it. I dragged a section of music with partial measure
left on. Everything is off one beat. This is from 278 - 299. Is
there a quick fix.
I think you should be able to leave partial measure
On 5 Mar 2007 at 13:18, Chuck Israels wrote:
If there is doubt in anyone's mind that simple time signatures are
the norm in jazz, take a look at this piece, notated as closely as it
can be according to the way Bill Evans played it. The bass and drum
parts remain in 2/4 and a kind of 3/4
Agreed.
Chuck
On Mar 5, 2007, at 1:39 PM, David W. Fenton wrote:
On 5 Mar 2007 at 13:18, Chuck Israels wrote:
If there is doubt in anyone's mind that simple time signatures are
the norm in jazz, take a look at this piece, notated as closely as it
can be according to the way Bill Evans
Raymond Horton wrote:
[snip]
Do I need her permission to use her versions of these old, traditional
tunes?
Two of her homemade CDs which she sells are labeled: copywrite (sic)
19xx (no circle c). A third CD is more commercial looking, but I
recall it as similarly mislabeled (I can't
I protracted an extended illness.
Contracted. I contracted an extended illness. Or maybe I contracted
a protracted illness :-
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
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or maybe he extended a contracted protracted illness?
Cheers,
Lawrence
lawrenceyates.co.uk
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On 5-Mar-07, at 3:18 PM, Raymond Horton wrote:
I was fortunate to spend a day and a half up at the Mennonite
Historical Room at Goshen College, which has, besides nearly
everything written on the subject of Amish and Mennonites,
On my dad's dad's side, they are Mennonite. Apparently I am
Sorry about that...should have changed to a new subject... Let's try
it again.
Thanks,
Brennon
On Mar 5, 2007, at 3:29 PM, Brennon Bortz wrote:
Does anyone know why my preferences seem to disappear with each
restart of Finale (2006d, Mac)? My file paths, fonts, autosave
options,
Does anyone know why my preferences seem to disappear with each
restart of Finale (2006d, Mac)? My file paths, fonts, autosave
options, everything reverts to the default settings each time I open
the program. Any ideas?
Thanks,
Brennon Bortz
Teaching Assistant and Graduate Student -
My apologies if this has already been covered somewhere. If it's in
the manual, I can't seem to find it. A direction to the appropriate
chapter will suffice for an answer.
I know in Document Options, one can choose to beam groups of four in
common time, but is there a way to beam groups
Thanks! I don't find the link to the transcriptions on their website.
In general I know their style, but I have some difficulties especially with
this one...
On their official fan site www.take6.com you can find somewhere some
transcriptions of T6 arrangements made by fans. There is also an
I got sick.
Andrew Stiller wrote:
I protracted an extended illness.
Contracted. I contracted an extended illness. Or maybe I contracted
a protracted illness :-
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html
___
On Mar 5, 2007, at 6:28 PM, Brennon Bortz wrote:
My apologies if this has already been covered somewhere. If it's
in the manual, I can't seem to find it. A direction to the
appropriate chapter will suffice for an answer.
I know in Document Options, one can choose to beam groups of four
On 3/5/07, Raymond Horton [EMAIL PROTECTED] wrote:
Rather than correct your spelling, let me wish you speedy recovery.
Take care,
Kim Patrick Clow
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But what if there are NO copyrights of the music itself? None of these
tunes were ever copyrighted, that I know of. This woman has some
elaborated versions of the tunes on her recordings, but I don't believe
any notated versions exist of the traditional tunes. (They date back to
Switzerland
I too looked at the site- but couldn't find either a link to transcriptions
or a 'listen to this' button.
Cheers K in OZ
Keith Helgesen.
Ph: (02) 62910787.
Mob 0417-042171
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Oliver Pospiech
Sent: Tuesday, 6
The web-site has been revamped recently. There used to be a link that had
just PDFs and midis. It is no longer available.
I have a few arrangements that I've done from some of those files.
Perhaps we need to send emails and requests to get those files back on the
site.
D~
-Original
At 3:18 PM -0500 3/5/07, Raymond Horton wrote:
One is an an old recording of a family from decades ago, and the
other a more recent recording of a former Amish woman now living in
another state.
I was able to track down the latter woman, have spoken to her
several times and bought several
At 5:13 PM -0500 3/5/07, dhbailey wrote:
Aaron Copland borrowed pretty wholeheartedly from a Library of
Congress recording of Bonaparte's Retreat for Hoedown, and I've
never seen any credits given to the fiddler who made the recording
-- I had the great good fortune to hear the recording on
No, no. No use of the recordings themselves. Sorry for the confusion.
I am writing an instrumental composition, using these old tunes. These
are tunes that have been sung by virtually ALL of the Amish in Adams
County, Indiana, since they came over from Switzerland around 1815. I
only have
Another thought:
For another way of thinking of these yodels, compare them to theme and
variations, like Carnival of Venice. For each of these tunes,
everybody (Amish) in Adams County sings the tune, then does variations
(the yodels). Everybody knows Carnival of Venice, nobody owns it,
In the main forum you have to search for a topic called something like T6MB
trade shop. In that topic you'll find links posted by users where to find
their transcriptions.
This tricky method exists because there is not a transcription page yet and
because official arrangements are being put on
Does anyone know why my preferences seem to disappear with each restart of
Finale (2006d, Mac)? My file paths, fonts, autosave options, everything
reverts to the default settings each time I open the program. Any ideas?
Did you save preferences manually?
Johannes
--
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