On Jul 2, 2007, at 12:23 PM, A-NO-NE Music wrote:
Christopher Smith / 2007/07/02 / 11:32 AM wrote:
Well, really, ALL extensions are actually suspensions that we just
decided didn't need to resolve. Having the note of resolution present
at the same time as the suspension just makes it an
On Jul 2, 2007, at 11:45 PM, Will Denayer wrote:
'You need to setup the transposition properly for a double bass staff.
Set the transposition to be Up Octave, then use mass mover to
transpose
the whole staff down an octave. You will get the lower octave for
playback sound since that's the
Perhaps so; I don't know how much training in harmonics a
violinist gets compared to, say, a guitarist, whose scores
are littered with harmonics. In looking at your Britten
example, I can see which strings those harmonics might fall
on for greatest volume, if only because of knowing
On Jul 2, 2007, at 6:51 PM, Karen wrote:
Try a Google search on 31 characters hex filename I found this
for you when I did that search:
http://www.macworld.com/forums/ubbthreads/showflat.php?
Cat=0Number=498611Main=497508
Karen,
As usual, you went far beyond the call of duty to help
Dennis Bathory-Kitsz [EMAIL PROTECTED] wrote:
John Howell wrote:
The problem with that method
is that it leaves it entirely up to the player to figure out how and
where to finger the harmonic.
Exactly. That's what I do. You put in bowings, they change them.
You put in phrasings, they
My copy of FinMac 2008 arrived just now. I have to go play a gig, but
I will install this afternoon and report what little I discover.
Christopher
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Christopher Smith wrote:
My copy of FinMac 2008 arrived just now. I have to go play a gig, but I
will install this afternoon and report what little I discover.
Wow, when did you order it?
I turned off my e-mails as of Monday night, June 25, and there was no
mention of Finale2008 at all.
Suddenly Acrobat is shrinking the contents of a pdf. The page size is
OK, the music is like a postage stamp. I remember this problem has been
coverd before, but I can't remember the solution. I have tried different
settings, even tried new settings, nothing helps. I really need to make
a
Hi, I can recommend several things to those interested
in Jazz harmony. The Aebersold Miles Davis Transcribed
Piano Voicings, by Marc Levine, Herbie Hancock
Transcriptions by Bill Dobbins, and any Thad Jones
Scores. These are treasure-troves of practical info.
Anybody who thinks that the 3rd and
So I tried to print the piece to my ordinary printer. Guess what? Same
problem. It seems to be Finale's fault. How am I going to get a copy to
my client now? Help?
Barbara Touburg wrote:
Suddenly Acrobat is shrinking the contents of a pdf. The page size is
OK, the music is like a postage
Barbara Touburg wrote:
So I tried to print the piece to my ordinary printer. Guess what? Same
problem. It seems to be Finale's fault. How am I going to get a copy to
my client now? Help?
Barbara Touburg wrote:
Suddenly Acrobat is shrinking the contents of a pdf. The page size is
OK, the
Jim Dukey / 2007/07/03 / 01:44 PM wrote:
Hi, I can recommend several things to those interested
in Jazz harmony. The Aebersold Miles Davis Transcribed
Piano Voicings, by Marc Levine, Herbie Hancock
Transcriptions by Bill Dobbins, and any Thad Jones
Scores. These are treasure-troves of practical
I'll check all three places. First I have to go and deliver the music
(exported hi-res tiffs placed in InD). I'll report back.
dhbailey wrote:
There are 3 places to set the page size in Finale, if I recall correctly:
The Page Format for Score and Parts dialog, in the Page Layout / Page
Size
Barbara Touburg wrote:
Suddenly Acrobat is shrinking the contents of a pdf. The page size is
OK, the music is like a postage stamp. I remember this problem has
been coverd before, but I can't remember the solution. I have tried
different settings, even tried new settings, nothing helps. I
At 03:01 PM 7/3/2007, dhbailey wrote:
There are 3 places to set the page size in Finale, if I recall correctly:
The Page Format for Score and Parts dialog, in the Page Layout / Page
Size dialog, and in the Printer setup dialog. All three have to agree
to be sure to get what you want.
I don't
Hiro,
Is this because the C-F interval is the strongest because F supported by
the leading tone E?
**Leigh
On Tue, Jul 3, 2007, A-NO-NE Music [EMAIL PROTECTED] wrote:
I certainly do not deny any chord. My objection is what to call it. C-
E-F-G is a FMaj9(Omit 3) chord, because when you play
It may possibly be...
Go to Finale Preferences-Save and Print:
Uncheck Use Finale's Page Orientation Instead of the Printer's Page
Orientation
Steve
On 7/3/07 12:14 PM, Barbara Touburg [EMAIL PROTECTED] wrote:
Suddenly Acrobat is shrinking the contents of a pdf. The page size is
OK, the
On Jul 3, 2007, at 12:16 PM, dhbailey wrote:
Christopher Smith wrote:
My copy of FinMac 2008 arrived just now. I have to go play a gig,
but I will install this afternoon and report what little I discover.
Wow, when did you order it?
June 27, as soon as I got the notice (I know, I'm an
On Jul 3, 2007, at 3:07 PM, A-NO-NE Music wrote:
Harbie voices F# on E-7(b5). F# doesn't exist on E Locrian.
That's why
it sounds so cool, but one of a famous jazz schools started to call it
Super Locrian. I have a problem with that, big time.
Are you sure that it is the locrian nat2
Leigh Daniels / 2007/07/03 / 03:34 PM wrote:
Is this because the C-F interval is the strongest because F supported by
the leading tone E?
The way I see it, the 3rd is the most important note to characterize the
chord in most, if not all, cases. In other word, leaving 3rd out makes
its character
On Jul 3, 2007, at 2:47 PM, A-NO-NE Music wrote:
Christopher Smith / 2007/07/03 / 02:06 AM wrote:
Then you WOULD call a C triad C5? And C2 would not have a G in it?
I'm sorry, but both these assertions are contrary to what most chord-
symbol reading musicians would agree with.
Oh you
On Jul 3, 2007, at 4:13 PM, A-NO-NE Music wrote:
As when you write minor second bellow the melody, it effectively
destroy
the character of the top note as the melody, F against E in this case
effectively destroy the character of any kind of C chord, and start to
produce gravity shift to F.
Christopher Smith / 2007/07/03 / 04:07 PM wrote:
I like to know what the parent scale is, too, but I think most
improvisors want to know the scale starting from the bass note.
Not me, tho. I rather _see_ the logical scale and want to feel the line
I produce. I am a flute/EWI player. I do
Where do I find that option? I'm on Windows.
Fiskum, Steve wrote:
It may possibly be...
Go to Finale Preferences-Save and Print:
Uncheck Use Finale's Page Orientation Instead of the Printer's Page
Orientation
Steve
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It solved the problem! Hallelujah! Brilliant!
Aaron Sherber wrote:
At 03:01 PM 7/3/2007, dhbailey wrote:
There are 3 places to set the page size in Finale, if I recall correctly:
The Page Format for Score and Parts dialog, in the Page Layout / Page
Size dialog, and in the Printer setup
Christopher Smith / 2007/07/03 / 04:21 PM wrote:
I'm glad nobody told Monk, Miles, Gil Evans or Oliver Nelson that.
We'd be missing a lot of great music.
I used the bad word destroy. I meant blur. These great artists
created unique art-form by doing something _special_. I bet they knew
the
Christopher Smith / 2007/07/03 / 02:06 AM wrote:
Then you WOULD call a C triad C5? And C2 would not have a G in it?
I'm sorry, but both these assertions are contrary to what most chord-
symbol reading musicians would agree with.
Oh you totally misunderstood me. I said num val is the cut off
I've always understood Superlocrian to be built off the seventh
degree of a melodic minor scale so yes it is the same as an altered
scale. Locrian Nat 2 is built off the sixth degree of the melodic
minor scale so it isn't the same as superlocrian. Perhaps this
locrian nat 2 voicing is a
Windows or mac?
- Original Message -
From: Barbara Touburg [EMAIL PROTECTED]
Date: Tuesday, July 3, 2007 8:28 am
Subject: Re: [Finale] OT urgent pdf problems
To: finale@shsu.edu
So I tried to print the piece to my ordinary printer. Guess what?
Same
problem. It seems to be Finale's
The DB sounds an octave lower than written. E.g., if it reads a cello
part (which is often does, hence the term Double Bass), it will sound
an octave lower than the celli.
Dean
On Jul 2, 2007, at 8:45 PM, Will Denayer wrote:
'You need to setup the transposition properly for a double bass
I know if I mistakenly put a too high print quality setting in my print
dialog, then the pdf comes out too small. The one that works for mine is
300 dpi
David Woodcock
[EMAIL PROTECTED] wrote:
Windows or mac?
- Original Message -
From: Barbara Touburg [EMAIL PROTECTED]
Date:
First report, and as expected, I have very little to report of any
use to anyone. Sorry I am such a klutz when it comes to learning new
features, but I am REALLY slow!
The documentation is now HTML, though it opens in Safari instead of
my default browser Firefox, and the windows are preset
At 10:51 PM 7/3/2007, Christopher Smith wrote:
The documentation is now HTML, though it opens in Safari instead of
my default browser Firefox,
This is true. The documentation will open in Safari on Mac and IE on
Windows, regardless of your default browser. I hope this will be
fixed later on.
On 7/3/07, Christopher Smith [EMAIL PROTECTED] wrote:
Complain to MakeMusic if they haven't fixed
your bugs. They sure haven't fixed many of mine!
My impression of this release is that MM didn't care at all about its
existing user base for it. I recently went to a demo that Tom
Carrathers did
FWIW, I pre-ordered the next day after Christopher (in my case, June 28 - so
hopefully I'm only slightly less a suck-up!) and according to the order
details, it was just shipped today, July 3 - with no tracking info yet
available.But with UPS ground, I'll be lucky (or not, as Fin2008 will
I'm the someone, btw.
You know, Aaron, today I checked those three places, didn't change
anything as they were all letter size, and then printed a couple of
Win2007c files: One from scratch (identical to one that printed tiny
yesterday) and one medium-big project I did months ago that always
At 10:51 PM 7/3/2007, Christopher Smith wrote:
Score merger. I notice it is credited to Robert P. Is that OUR Robert
Patterson?
No, it's Robert Piechaud, who also wrote Human Playback and FinaleScript.
Aaron.
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On 04.07.2007 Robert Patterson wrote:
My impression of this release is that MM didn't care at all about its
existing user base for it. I recently went to a demo that Tom
Carrathers did at a convention, and all the improvements in Fin08 seem
to be focused on helping his demo. The whole point
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