At 7:06 PM -0400 10/4/08, Darcy James Argue wrote:
Not sure if the second partial is reachable on the strings I have in
mind. (Hard to tell since I don't have a 9' grand kicking around to
try it on.) The player will, I think need to touch the fourth
partial instead.
(Light bulb!!!) ARe we
Is there a way to join homophonic layers into one?
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I didn't get your previous message. But yes, I am of course talking
about touching a node on the piano string with one hand while pressing
the corresponding key with the other hand and holding down the sustain
pedal. This is what piano harmonics generally means.
I don't know if there's a
Johannes Gebauer wrote:
Is there a way to join homophonic layers into one?
I think you need to use the Implode Music command.
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On 05.10.2008 dhbailey wrote:
I think you need to use the Implode Music command.
As far as I can tell this takes several staves and combines them, but it
won't work on one staff in several layers.
Johannes
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Johannes Gebauer wrote:
Is there a way to join homophonic layers into one?
The way I've done it in the past:
1) add a scratch staff for each layer to be combined (two layers, two
scratch staves), plus an extra.
2) Set to display active layer only.
3) Choose each layer in succession
4)
Get onto page 3, then update layout. It only applies from the page
you on until the end of the document, so updating layout when you are
on page 4 won't help.
C.
On Oct 5, 2008, at 7:08 PM, Chris Nappi wrote:
Hello all,
I've been on and off this list for many years, but off for a quite
FYI
Musicians use both sides of their brains more frequently than average
people
Vanderbilt University
Thu, 02 Oct 2008 06:11 UTC
Supporting what many of us who are not musically talented have often
felt, new research reveals that trained musicians really do think
differently than the
Chris -
When Update layout doesn't solve this, force a page break on system
#26 and then remove the page break. The double system will be gone.
On Oct 5, 2008, at 6:08 PM, Chris Nappi wrote:
Using the page layout tool, when I squeeze lines onto one page in
order to facilitate page turns,
One possible explanation the researchers offer for the musicians'
elevated use of both brain hemispheres is that many musicians must
be able to use both hands independently to play their instruments.
this is absolutely brilliant. i bet they could get the same results
from guys who every
At 8:45 PM -0400 10/5/08, timothy price wrote:
FYI
Musicians use both sides of their brains more frequently than average people
Vanderbilt University
Thu, 02 Oct 2008 06:11 UTC
Supporting what many of us who are not musically talented have often
felt, new research reveals that trained
On 5 Oct 2008 at 20:45, timothy price wrote:
[quoting an uncited source:]
Folley said. We studied musicians because creative thinking is part
of their daily experience
I do not understand this definition of the word creative thinking.
What is creative about the mechanics of playing a
From what I could tell from what I've read about this:
(1) The sample size was not terribly large (20 in the non-musician group, 20 in
the musician group). Understandable, as they have to pay their subjects, but
still makes it only a preliminary type of study.
(2) It was a correlation study,
At 5:42 PM -1000 10/5/08, [EMAIL PROTECTED] wrote:
From what I could tell from what I've read about this:
(1) The sample size was not terribly large (20 in the non-musician
group, 20 in the musician group). Understandable, as they have to
pay their subjects, but still makes it only a
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