When we used this technique, the players simply blew through the instruments
with the mouthpieces in place. It was audible from the audience.
Cheers,
Lawrence
--
Lawrenceyates.co.uk
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Robert Patterson wrote:
On Sat, Mar 13, 2010 at 7:47 PM, dhbailey
dhbai...@davidbaileymusicstudio.com wrote:
Perhaps the effect differs with different numbers of people doing it, but
I've heard it done quite effectively without anybody reversing mouthpieces.
So help me to understand. You
At 9:52 PM -0600 3/13/10, Robert Patterson wrote:
So help me to understand. You are sitting in the audience of a large
hall listening to an ensemble with a large number of players. How do
you know whether they were reversing their mouthpieces? I ask in all
seriousness, because many players do
All depends on who wins the power game.
Aaron J. Rabushka
arabus...@austin.rr.com
- Original Message -
From: John Howell john.how...@vt.edu
To: finale@shsu.edu
Sent: Sunday, March 14, 2010 1:17 PM
Subject: Re: [Finale] OT: blowing air through brass instruments
At 9:52 PM -0600
Dear Finale List
Working on a mac OSX, Finale 2004.
The glissando marking comes with the wordglissando running up its
back. How can I get rid of the word? Or is there another way to
mark a gliss?
Also - I received no answer about merging, or combining files.
Perhaps
On 3/14/2010 10:03 AM, Katherine Hoover wrote:
Dear Finale List
Working on a mac OSX, Finale 2004.
The glissando marking comes with the wordglissando running up its
back. How can I get rid of the word? Or is there another way to mark a
gliss?
Also - I received no answer about merging, or
On Sun, Mar 14, 2010 at 11:21 AM, Aaron Rabushka
arabus...@austin.rr.com wrote:
All depends on who wins the power game.
As a composer visiting for a couple of days to a professional ensemble
that plays together all the time, you can't win the power game, and
you best not try. Orchestras are one
Been checking the Sibelius/Avid websites on the crossgrade frequently over
the last few weeks, and it is always showing as SOLD OUT for the boxed
version. I'd really rather have the shipped box than the download. The offer
ends this Friday, the 19th. Any suggestions?
At 11:53 AM -0700 3/14/10, toronado...@gmail.com wrote:
Been checking the Sibelius/Avid websites on the crossgrade frequently over
the last few weeks, and it is always showing as SOLD OUT for the boxed
version. I'd really rather have the shipped box than the download. The offer
ends this Friday,
On Mar 14, 2010, at 2:03 PM, Robert Patterson wrote:
reversing the mouthpiece *definitely*
does.
As radical an idea as actual experimentation may be, I tried it on my
trumpet, and by gosh, you get a much louder sound
using the reversed mouthpiece. Imagine that !
timothy.key.price
On Mar 14, 2010, at 11:17 AM, John Howell wrote:
... just as it would be if he tried to write for lute with brass
choir?
That sounds like a challenge!
mdl
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Thanks!
On Sun, Mar 14, 2010 at 1:15 PM, John Howell john.how...@vt.edu wrote:
At 11:53 AM -0700 3/14/10, toronado...@gmail.com wrote:
Been checking the Sibelius/Avid websites on the crossgrade frequently over
the last few weeks, and it is always showing as SOLD OUT for the boxed
version.
dershem wrote:
On 3/14/2010 10:03 AM, Katherine Hoover wrote:
Dear Finale List
Working on a mac OSX, Finale 2004.
The glissando marking comes with the wordglissando running up its
back. How can I get rid of the word? Or is there another way to mark a
gliss?
Also - I received no answer about
On 14 Mar 2010 at 13:17, John Howell wrote:
lute with brass choir
This made me laugh out loud, and start imagining impossible
ensembles. I started with the bass lute with brass choir, and turned
it into solo lute on-stage with antiphonal brass choirs in the side
galleries.
Other than mixing
On 3/14/2010 1:44 PM, David W. Fenton wrote:
On 14 Mar 2010 at 13:17, John Howell wrote:
lute with brass choir
This made me laugh out loud, and start imagining impossible
ensembles. I started with the bass lute with brass choir, and turned
it into solo lute on-stage with antiphonal brass
I'm sorry that there's no stock in the online store at the moment. I
checked on this with my colleagues this past Friday and they assure me
that more stock is on its way to the warehouse, and it should be back in
stock on Tuesday or Wednesday.
Daniel
--
Daniel Spreadbury
Senior Product Manager
At 4:44 PM -0400 3/14/10, David W. Fenton wrote:
On 14 Mar 2010 at 13:17, John Howell wrote:
lute with brass choir
This made me laugh out loud, and start imagining impossible
ensembles. I started with the bass lute with brass choir, and turned
it into solo lute on-stage with antiphonal
On Mar 14, 2010, at 5:16 PM, dershem wrote:
On 3/14/2010 1:44 PM, David W. Fenton wrote:
On 14 Mar 2010 at 13:17, John Howell wrote:
lute with brass choir
This made me laugh out loud, and start imagining impossible
ensembles. I started with the bass lute with brass choir, and turned
it
I'm trying to get Finale to play back a piece of music that goes from
2/4 to 6/8 and I want it to do dotted quarter note = quarter
notebut the human playback doesn't seem to catch it.
ideas/
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I'd try putting in a hidden expression for playback where the dotted
quarter had the same mm values as the preceding half note. Seems to
me that should work.
Chuck
On Mar 14, 2010, at 4:26 PM, Eric Dannewitz wrote:
I'm trying to get Finale to play back a piece of music that goes from
On 3/14/2010 4:45 PM, Eric Dannewitz wrote:
Oh, so you can't just graphically have a quarter note then an = then a
dotted quarter? :-/
That's the easy part. But if you use playback, it will change the
tempo. If you don't use playback, it's very simple.
cd
On Sun, Mar 14, 2010 at 4:44
Man, thats lamewe have all this other fluff in Finale, but
something like this you have to hack around to get the playback to
work correctly?
On Sun, Mar 14, 2010 at 4:56 PM, dershem ders...@cox.net wrote:
On 3/14/2010 4:45 PM, Eric Dannewitz wrote:
Oh, so you can't just graphically have
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http://members.cox.net/dershem
Well, it is true that it will do the same thing as I want, assigning
the dotted quarter the same numeric value as the quarter, but ideally
i think in a score you'd want the graphical dotted quarter = quarter
and then when it switches back to 2/4 a graphical quarter = dotted
quarter. Just seems
Eric,
When I want to do this, I use text expressions, defined for playback.
In this case, I'd have three expressions. One is a quarter note, which
is not defined for playback. The other two look the similar--(=
000) and ( . = 000) where 000 is the value representing the tempo.
These two
Eric Dannewitz wrote:
Well, it is true that it will do the same thing as I want, assigning
the dotted quarter the same numeric value as the quarter, but ideally
i think in a score you'd want the graphical dotted quarter = quarter
and then when it switches back to 2/4 a graphical quarter = dotted
Katherine Hoover wrote:
I'm working on a Mac OS 10, with Finale 2004. I would like to combine
two files (parts for movements 1 2) into one. I couldn't find
information under combine or under merge. How can i do this?
[Note: My experience is that trying to merge files involves a lot of
Excellent instructions, Noel.
I would add one thing:
Noel Stoutenburg wrote:
When files contain lyrics, I have had the best luck when I did not try
to merge the lyrics by this method. Based upon my experience, if I
were called upon to do this, between step 2 and 3 above, I would
delete all
Ray Horton wrote:
One could also try zapping all of the lyrics in the target file (go into
edit lyrics and erase them there), then copy the lyrics from the lyric
staves in each both source files onto the same staves in the target
file. (Change the filter under Edit if necessary.). I believe you
On Mar 14, 2010, at 9:35 PM, Noel Stoutenburg wrote:
It is my experience with various versions of Windows Finale, that
copying lyrics into a file which already contains lyrics produces
results which cannot be predicted based upon Finale documentation.
In general, when trying to copy lyrics
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