The French Publisher, Durand, has engraving information on a lot of their
music. Small and on the final page.
respectfully,
Michael
- Original Message -
From: dc den...@free.fr
To: finale@shsu.edu, finale@shsu.edu
Sent: Monday, March 29, 2010 11:12:13 PM GMT -08:00 US/Canada
I was an editor for Word Music in the 90's and we credited the engraver on the
inside title sheet. They still do, as do similar publishers.
Sent from my iPhone
On Mar 30, 2010, at 1:12 AM, dc den...@free.fr wrote:
David W. Fenton écrit:
In modern times, I don't think it's ever done for
I am Italian, I play saxophones and clarinet (jazz and blues) and I am a
singer/arranger in a couple of choral ensembles.
Only recently I guessed that the person who signs as Chuck Israels on
this list could be THAT Chuck Israels. Wow!
It's a real pleasure. I read about another Chuck Israels who
Rich Caldwell wrote:
The composer of a piece I'm currently working on said I
should put my name on the last page of the score to
credit myself as the engraver. My first reaction was that
engravers don't normally do this, but I might be assuming
incorrectly. After all, if I'm wrong, I could lose
I stipulate doing so as part of many contracts, putting info in small type
on the bottom of the first page of the full score AND parts, if any
business name and email address - I will also add a date if the piece is
having its premiere.
A symphony's librarian contacted me after seeing
I asked because I guessed that you might be Italian. I will be in Vicenza and
Verona on May 6 - 8, if you are anywhere near there.
Chuck
On Mar 30, 2010, at 12:38 AM, Marcello Noia wrote:
I am Italian, I play saxophones and clarinet (jazz and blues) and I am a
singer/arranger in a couple
At 10:28 PM -0400 3/29/10, Rich Caldwell wrote:
The composer of a piece I'm currently working on said I should put
my name on the last page of the score to credit myself as the
engraver. My first reaction was that engravers don't normally do
this, but I might be assuming incorrectly. After
Hi Rich --
While I would agree with everyone else that for most contemporary
music it's not common, it IS common in musical theatre -- most
computer-engraved (but not hand-engraved) scores I've come across
(especially from MTI) in recent years include the name of the copying
service, if
At 11:17 AM -0400 3/30/10, Michael L Meyer wrote:
Hi Rich --
While I would agree with everyone else that for most contemporary
music it's not common, it IS common in musical theatre -- most
computer-engraved (but not hand-engraved) scores I've come across
(especially from MTI) in recent
Yes--good old Judy Green! I remember cutting their logos (Cameo, Alpheus)
off the bottoms of several works.
Aaron J. Rabushka
arabus...@austin.rr.com
- Original Message -
From: John Howell john.how...@vt.edu
To: finale@shsu.edu
Sent: Tuesday, March 30, 2010 10:02 AM
Subject: Re:
On 3/29/2010 11:40 PM, Richard Huggins wrote:
I was an editor for Word Music in the 90's and we credited the
engraver on the inside title sheet. They still do, as do similar
publishers.
Sent from my iPhone
On Mar 30, 2010, at 1:12 AM, dcden...@free.fr wrote:
David W. Fenton écrit: In modern
Thanks for all the input. It's interesting hearing the different viewpoints.
It's been awhile since I've looked at lots of new music scores, and I must not
have paid attention or noticed the credits.
I think in this case, I'll put my name and work e-mail on the last page, nice
and small, but
Currently I am working on a section in 8/4 time with a measure that starts with
two consecutive dotted quarters. When I REBAR the score (which I wind up doing
innumerable times in the course of any given project) Finale turns the second
dotted quarter into an 8th tied to a quarter, and
Anyone done Finale work for a doctoral dissertation?
An associate has asked me to do some examples that he is going to insert into
his dissertation.
Preparing the .MUS files is not a concern here; what I need to know is if there
is a standard for
the format (.GIF? .TIF? .JPG? other?) and
On 30 Mar 2010 at 10:37, Aaron Rabushka wrote:
Yes--good old Judy Green! I remember cutting their logos (Cameo, Alpheus)
off the bottoms of several works.
I'm not sure I understand the motivation here, and strangely enough,
it came up just this morning when I was looking at the manuscript of
I found this in a Dutch music magazine:
http://www.noteflight.com/
What do we think of this?
Barbara
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On 30 Mar 2010 at 14:40, Williams, Jim wrote:
Anyone done Finale work for a doctoral dissertation?
An associate has asked me to do some examples that he is going to
insert into his dissertation.
Preparing the .MUS files is not a concern here; what I need to know is
if there is a
Barbara Touburg wrote:
I found this in a Dutch music magazine:
http://www.noteflight.com/
What do we think of this?
Barbara
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Any program which doesn't reside on
Barbara Touburg wrote:
I found this in a Dutch music magazine:
http://www.noteflight.com/
What do we think of this?
First impression (based only upon the page of the link, and cursory
perusal of the terms of use): it's an application of cloud computing
applied to music scores. The
Williams, Jim wrote:
Is there no standard at all? Does it vary from school to school?
I'd be very surprised if there is no standard, and more than varying
from school to school, it may, in fact, vary from department to
department within a school. Your associate should be able to provide
arabus...@austin.rr.com wrote:
Currently I am working on a section in 8/4 time with a measure that starts with
two consecutive dotted quarters. When I REBAR the score (which I wind up doing
innumerable times in the course of any given project) Finale turns the second
dotted quarter into an
Why did I cut the logos off? I did not feel like giving free advetising to
Alpheus on every page of my work.
ajr
David W. Fenton lists.fin...@dfenton.com wrote:
On 30 Mar 2010 at 10:37, Aaron Rabushka wrote:
Yes--good old Judy Green! I remember cutting their logos (Cameo, Alpheus)
At 3:16 PM -0400 3/30/10, David W. Fenton wrote:
This has nothing to do with anything but producing a document.
Dissertations are printed documents and the source files or formats
are not relevant to the institutions involved.
Quite possibly no longer true. Or at least no longer true at some
Hi All,
Well, I almost always do the incremental OS updates that Apple sends out, this
time going from 10.6.2 to 10.6.3. As soon as the computer restarted and I
opened Finale, symbols are misplaced everywhere, and nothing is legible. Note
heads appear as slashes, or other strange things,
You have duplicate fonts happening in your system. Go into
/Users/YOURUSERNAME/Library/Fonts and get rid of the duplicates. There
might also be some in /Library/Fonts on the Macintosh HD
Or you could use FontBook which is in Applications..though I have
found it works better to go in and
At 3:59 PM -0400 3/30/10, dhbailey wrote:
Any program which doesn't reside on my computer and the data files
of which I store in my own location separate from the vissicitudes
of web businesses failing is not anything I'm interested in.
For music files I certainly agree. But I just ran
If that's all it is, I can probably fix it. I will try now. Thanks for the
speedy reply.
Chuck
On Mar 30, 2010, at 6:29 PM, Eric Dannewitz wrote:
You have duplicate fonts happening in your system. Go into
/Users/YOURUSERNAME/Library/Fonts and get rid of the duplicates. There might
also
Hi Chuck,
I'm fairly certain it's not 10.6.3. Finale (all versions) is just fine on my
system after installing the 10.6.3 upgrade. I'd recommend reinstalling your
fonts.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 30 Mar 2010, at 9:22 PM, Chuck Israels wrote:
Hi All,
Hi Darcy,
The Finale ones? From the 2010 installer - do a custom install and only do the
fonts?
I tried resolving duplicates in Font book, and that changed nothing in how
Finale displays. This was an instantaneous change, as son as the Mac rebooted
in 10.6.3. Strange. Not panicked yet,
On 30 Mar 2010 at 15:31, Noel Stoutenburg wrote:
Williams, Jim wrote:
Is there no standard at all? Does it vary from school to school?
I'd be very surprised if there is no standard, and more than varying
from school to school, it may, in fact, vary from department to
department within
On 30 Mar 2010 at 21:17, John Howell wrote:
At 3:16 PM -0400 3/30/10, David W. Fenton wrote:
This has nothing to do with anything but producing a document.
Dissertations are printed documents and the source files or formats
are not relevant to the institutions involved.
Quite possibly no
On 30 Mar 2010 at 15:59, dhbailey wrote:
I won't use the internet for storing my
backups -- nothing's truly and verifiably secure on the
internet and nothing's to prevent some such company from
going out of business just at the time when I need to
restore those files to my hard drive.
I had a similar problem. What I figured out was that I had duplicates
in Library/Fonts and Username/Library/Fonts
And that Finale wasn't liking that I had both truetype and Postscript
fonts installed. So, removing the Postscript fonts fixed everything
for me.
On Tue, Mar 30, 2010 at 6:45 PM,
I am trying to deal with that - not sure how to see these things - which ones
are which, but I'm trying. I did re-install the Finale fonts, as Darcy
suggested, from the Finale support site. Now it's just a different mess -
different wrong symbols are appearing.
I keep working on this.
On Tue Mar 30, at TuesdayMar 30 12:09 PM, dershem wrote:
have often run across big band parts, mostly hand-copied, that
used a rubber stamp across the bottom of the page (often, but not
always the last page) with the copyist's name and contact info.
cd
It was a requirement of the Union
On Tue Mar 30, at TuesdayMar 30 9:30 PM, John Howell wrote:
And just this afternoon I learned from the prof. who's been
teaching Apprec for many years that he's using a totally on-line
course. It's from a company that handles everything on line,
there's no textbook, and the students just
I seem to have fixed this - by removing some fonts from the root level and
putting them in the User library. Finale seems to want some of them there.
Others were in the root level font folder, and I removed them from there (some
of these are fonts that are in use in Finale) and, even though I
At 9:49 PM -0400 3/30/10, David W. Fenton wrote:
Now, it may be that some institutions have helpful hints on this, but
the idea of a requirement or standard is to me ludicrous.
My daughter just had her dissertation proposal in Math Education
approved at NYU, so I'll ask her what they
I haven't had to install Finale in a while, but generally programs
assume that they are going to be accessed by multiple users on a
computer, and therefore will put the fonts in the root level
/Library/Fonts. However, it seems that Finale at some point might have,
or intentionally does,
anyone know how to allow finale to beam over grace notes such as groups of
three eighth notes in 6/8 time with grace notes (drum rudiments - flams and
drags etc) in between?
thanks,
jk
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On 30 Mar 2010 at 22:42, John Howell wrote:
At 9:49 PM -0400 3/30/10, David W. Fenton wrote:
Now, it may be that some institutions have helpful hints on this, but
the idea of a requirement or standard is to me ludicrous.
My daughter just had her dissertation proposal in Math Education
On Tue Mar 30, at TuesdayMar 30 9:49 PM, David W. Fenton wrote:
Last I checked, UMI PDFs of dissertations were graphics of scans of
the printed page, not produced from the text of the document. Even if
they *were* produced from the printed document, specifying dpi of
source graphics is not
Yeah, this is touchy, but you have to know how Finale thinks.
In Speedy, you hit the / button normally to create-break beams with
the PREVIOUS eighth note.
The trick is with grace notes, you have to hit EACH grace note ONCE
only, then the following eighth note. There is no way to know if
Hi Chuck,
I have all my fonts in Macintosh HD/Library/Fonts. You should keep all of your
fonts there as well. Your [username]/Library/Fonts folder should be empty, and
you should move any fonts found there to Macintosh HD/Library/Fonts. If there
are fonts you DON'T want to use, you should
On 30 Mar 2010 at 21:57, Christopher Smith wrote:
On Tue Mar 30, at TuesdayMar 30 9:49 PM, David W. Fenton wrote:
Last I checked, UMI PDFs of dissertations were graphics of scans of
the printed page, not produced from the text of the document. Even if
they *were* produced from the
Hi Chuck,
I would recommend removing ALL MakeMusic Finale fonts (not third-party fonts,
but Maestro, Engraver, etc. -- anything that is installed by the Finale
installer), then reinstalling those fonts from the Finale DVD. Obviously you'll
need to quit Finale before doing this, and a reboot
thanks christopher, I was not hitting the grace notes with the / key. once I
started doing that it worked.
I still have not been able to make it work when there are a group of grace
notes (such as an ornament) between some of the regular eighth notes.
I'll keep trying.
best,
jk
On Mar 30,
My Beam Selection plugin will do this automatically, so long as the
grace notes are of 8th or smaller value.
It is not possible to beam over a quarter or larger grace notes in
Finale. (Well, you can do it, but the grace notes have to be in a
different Voice or Layer: a pain.)
On Tue, Mar 30,
I just did this in a recent project, where a sixteenth after a dotted eight had
4 grace note leading up to it:
place the cursor on the last note (the note after the grace notes) and press
the / (slash) key.
Klaus
--- On Wed, 3/31/10, jerry kalaf jka...@sbcglobal.net wrote:
From: jerry kalaf
John wrote:
Rules do NOT have to be either logical or reasonable, they just have
to be followed.
Ah yes, in Army basic training, I would make the hard-nosed
platoon Sgt. be beside himself, when just after he turned off the
barrack's lights, I would shout out, The thinking lamp is
Use the postscript for insertion into WORD documents. They're big but dpi is a
function of the printer, not the object,
Try to size close to actual size. Also, breal multi-line images into smaller
pieces for good pageflow.
Henry Howey
Professor of Music
Sam Houston State University
Box
use layer 2 for the grace notes, placing and hiding rests where the
notes are in layer 1 are that won't allow you to beam across. i did
this recently... or maybe it was with another layer and real notes
(hidden tuplets) at 75%...
I still have not been able to make it work when there are a
That took care of it! Thanks!
Aaron J. Rabushka
arabus...@austin.rr.com
- Original Message -
From: Noel Stoutenburg mjol...@ticnet.com
To: finale@shsu.edu
Sent: Tuesday, March 30, 2010 3:09 PM
Subject: Re: [Finale] trouble with REBARring
arabus...@austin.rr.com wrote:
Currently I
I have not been able to get it to work all the time either (when I am in 3/8.
6/8, 9/8 etc). the layer approach works but is very tedious.
thanks,
jk
On Mar 30, 2010, at 8:53 PM, SN jef chippewa wrote:
use layer 2 for the grace notes, placing and hiding rests where the notes are
in
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