Depends how low it is. If the part goes below the bottom line G, I would
say yes.
On Sat, Jun 9, 2012 at 3:34 PM, Paul Hayden phayden...@cox.net wrote:
How many years has it been since any composer wrote a horn part in the
bass clef intending it to sound up a fourth? I still write a note about
About the key sigs, I guess I am confused. Are you saying you would rather
them play the wrong notes than pencil in the accis? Because that's your
choice given one rehearsal (which is how many most of my gigs with key sigs
have).
On Sat, Jun 9, 2012 at 3:48 PM, Christopher Smith
the deadline, most likely.
Christopher
On Sat Jun 9, at SaturdayJun 9 6:16 PM, Robert Patterson wrote:
About the key sigs, I guess I am confused. Are you saying you would
rather
them play the wrong notes than pencil in the accis? Because that's your
choice given one rehearsal (which is how many
or the
other that is right 90% of the time.
On Sat, Jun 9, 2012 at 6:06 PM, Robert Patterson
rob...@robertgpatterson.com wrote:
I see as much pops rep as any pro horn player, and almost all of it has
key sigs, so you are certainly going with the flow. Nevertheless I greatly
appreciate when the parts
I am suddenly getting a consistent crash whenever I try to insert a
measure. I seem to remember this happening before, but I don't remember how
to fix it.
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
/out a spellchecker
On Jun 8, 2012, at 9:55 AM, Robert Patterson rob...@robertgpatterson.com
wrote:
I am suddenly getting a consistent crash whenever I try to insert a
measure. I seem to remember this happening before, but I don't remember
how
to fix
A question came up at a rehearsal the other day. Does anyone know what
piece has the first use of a woodblock in an orchestra?
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Ah. But I am interested in particular where it first appears in the score
of a western European orchestra.
On Sun, Jun 3, 2012 at 11:38 AM, John Howell john.how...@vt.edu wrote:
At 10:57 AM -0500 6/3/12, Robert Patterson wrote:
A question came up at a rehearsal the other day. Does anyone know
I think they just wanted to avoid the 13 moniker.
I am not at all happy to hear they are dropping support for 10.5, but by
the time it happens I may not care as much. Whether Patterson Plugins makes
the transition, especially on the Windows side, remains to be seen.
On Wed, May 30, 2012 at 5:44
FinMac 2012.
Is there any quick way to temporarily switch all playback to piano? I have
experimented with MIDI settings, but everything seems to be a pain. In the
old world I usually just changed the instrument assignments in the
Instrument window. If there weren't a lot of staves it was simple
There is a bug in Fin12 with respect (some) inserts. You are lucky that
Finale isn't crashing. I've seen this scenario crash Finale.
On Sun, May 20, 2012 at 12:56 PM, SN jef chippewa
shirl...@newmusicnotation.com wrote:
can anyone confirm this? (mac F2012)
--
open new doc from default; or
I would like clarification on exactly which components of Fin10 require
Rosetta. Finale has been Intel-based since Fin06.
On Fri, May 4, 2012 at 8:22 AM, Young, Chris cyo...@makemusic.com wrote:
Hi Brian,
The initial release of Finale 2010 would have required Rosetta, but if
you're just
, at 11:12 AM, Robert Patterson wrote:
Is there any setting for Human Playback equivalent to the Chase From
Measuer 1 option for traditional MIDI playback? It drives me crazy when
arco sections are played pizz (or vice versa) just because I didn't start
in measure 1
://www.secretsocietymusic.org
On 28 Apr 2012, at 11:12 AM, Robert Patterson wrote:
Is there any setting for Human Playback equivalent to the Chase From
Measuer 1 option for traditional MIDI playback? It drives me crazy
when
arco sections are played pizz (or vice versa) just because I
Is there any setting for Human Playback equivalent to the Chase From
Measuer 1 option for traditional MIDI playback? It drives me crazy when
arco sections are played pizz (or vice versa) just because I didn't start
in measure 1.
___
Finale mailing list
I am about to retract exactly what I said about Fin12 a day or two ago. Up
until now my work with Fin12 was either as a plugin developer or upgrading
an old piece that needed no revisions but needed Unicode text to replace
unworkable EPS graphics. But now that I have started a new piece in Fin12,
,
it would be nice to know if someone else can reproduce the problem!
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 23 Apr 2012, at 1:27 PM, Robert Patterson wrote:
I am about to retract exactly what I said about Fin12 a day or two ago.
Up
until now my work
resumes where it stopped instead of the left
measure. Do you have any suggestions about the most efficient way to do
this? I always used space-click up till now, but that does not activate
Human Playback.
On Mon, Apr 23, 2012 at 12:38 PM, Robert Patterson
rob...@robertgpatterson.com wrote:
Aha
shortcut to stop playback entirely (instead of just pausing it)
but I never learned it, and my click the stop button habit is now wholly
ingrained.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 23 Apr 2012, at 1:45 PM, Robert Patterson wrote:
Darcy, that seems to have
I should probably clarify my position. My belief is that there is never any
reason to upgrade unless there is something in the new version you want.
One of the other posters stated that they wanted the Unicode features in
Fin12 and was already on Fin11. In that case, there is no reason not to
I can only think of one reason not to go from Fin11 to Fin12, esp. if you
can use the Unicode. The Score Manager changes call for a little adjustment
in how you do things, but the significant regression matters only if you
need to enter a lot of instrumental music from before 1900 into Finale. In
My Tuplet Mover plugin can do this (with 2 passes). But you will have to
turn off the engraver tuplet options for it work with them.
On Thu, Apr 19, 2012 at 12:19 AM, Giovanni Andreani
i...@giovanniandreani.eu wrote:
A very interesting feature, this would be! I haven't got this need at the
this (or if possible a picture capture
of tuplet mover) ?
Pierre
-Message d'origine-
From: Robert Patterson
Sent: Thursday, April 19, 2012 2:18 PM
To: finale@SHSU.EDU
Subject: Re: [Finale] tuplets defined per staff
My Tuplet Mover plugin can do this (with 2 passes). But you will have
I can't speak to the specifics of Fin11, having barely used it. But if you
are already on Fin10, the main differences you will notice are
1. Score Manager. This could possibly be a step forward, but if you need to
have transpositions separate from instruments or if you need to upgrade
pre-Fin12
in 2012.
On Wednesday, April 18, 2012, rglan rg...@free.fr wrote:
At 11:13 AM -0500 18/4/12, Robert Patterson wrote:
the main differences you will notice are
Merci for the très compréhensif answer. Are all
these things you mention new to 2012 or did they
appear earlier?
I am not familiar
I am sure Carl can speak for himself, but my recollection was that it was
the transposition problem. If you are entering big 19th scores in Finale,
2012 is a non-starter because of this problem, esp. if an earlier version
is available.
The transposition problem is that Fin2012 forces you to
BTW: Fin2012 does have some linked parts improvements with respect to how
it works with plugins. For expressions, page titles, and (I believe) smart
shapes, if you edit them in part view it unlinks them from the score. This
makes using existing plugins more palatable as well as opening up
PM, Christopher Smith
christopher.sm...@videotron.ca wrote:
On Wed Apr 18, at WednesdayApr 18 2:19 PM, Robert Patterson wrote:
I am sure Carl can speak for himself, but my recollection was that it
was
the transposition problem. If you are entering big 19th scores in
Finale,
2012
Dennis, I would suggest you get involved in the MuseScore project. It is
nowhere close to being able to replace Finale or Sibelius yet, but
precisely because it isn't you might find that it could be molded in a
direction you would like.
Development is extremely active. Anyone who hasn't looked at
:20 AM, dc den...@free.fr wrote:
Le 16/04/2012 15:34, Robert Patterson écrit :
Dennis, I would suggest you get involved in the MuseScore project. It is
nowhere close to being able to replace Finale or Sibelius yet, but
precisely because it isn't you might find that it could be molded
: Robert Patterson rob...@robertgpatterson.com
To: finale@shsu.edu
Sent: Monday, April 16, 2012 8:28 AM
Subject: Re: [Finale] Is FINALE worth continuing?
I suggest you visit the site:
http://musescore.org/
It produces very good output...if the output it produces is what you want
?
--Andrew Stiller
On Apr 12, 2012, at 11:56 PM, Robert Patterson wrote:
I use KompoZer, a free open-source download. It is very basic, but it
lets
you edit the pages WYSWYG. The upload is very poor, though. For upload, I
have found Cyberduck works pretty well. It can synchronize the online
As near as I can tell, all Delete System does is delete the measures in a
system. It does not shuffle the subsequent optimizations correctly, nor
does it correctly carry the Distance From Top value. (Well, it may, but
because the optimizations are all buggered it doesn't matter.)
Has anyone else
Did you drag it to the right folder? (The plugin folder is in a different
location in Fin12, so double-check your program options.)
Did you restart Finale?
On Fri, Apr 13, 2012 at 9:01 AM, Jamin Hoffman jtbh3...@sbcglobal.netwrote:
How do I get TGTools to show up in Fin 2012? I dragged the
I use KompoZer, a free open-source download. It is very basic, but it lets
you edit the pages WYSWYG. The upload is very poor, though. For upload, I
have found Cyberduck works pretty well. It can synchronize the online
directory with the local after you have made your changes.
On Thu, Apr 12,
1. I still keep a separate file for parts, but instead of a different file
per part, it is a single file for all parts. This has tremendous advantages
over different files, although it is admittedly not the Holy Grail. Other
people insist on the Holy Grail of a single file, but if they have
Is there any way to edit the instrument-change map directly? I need to
change the instrument for 1 bar on a bass drum part so that I can add a
cue, but when I only select one bar it changes the part from there forward
rather than just for the selected bar. Normally, I could change back in the
next
[RANT]
Aiiiee. There are so many regressions in Fin12 compared with Fin08, leaving
aside the transposition issues.
1. The removal of staff-lines from Staff Styles. What kind of non-musician
does it take to think that the number of staff lines has anything to do
with the instrument that is
moving function was ON.
Cheers,
Steve
On 3/22/12 12:07 PM, Robert Patterson rob...@robertgpatterson.com
wrote:
Something that is turning into a bother is that I keep accidentally
destroying all my individual vertical staff positioning. I think it
may because it is so easy
Does anyone know a quick way to delete all groups that start after measure
1? Even better, to then extend all groups that do start on measure 1 to
cover the whole piece?
___
Finale mailing list
Finale@shsu.edu
Having spent most of the year till now in plugin land, I have not really
had a chance to do much with Fin12 until now. (My last version was Fin08.)
One of the things that has changed is how one moves staves vertically in
page view. dragging a staff now drags all staves beneath it. I like the
this started in Fin11.
-Randolph Peters
On 2012-03-22, at 10:36 AM, Robert Patterson wrote:
Having spent most of the year till now in plugin land, I have not really
had a chance to do much with Fin12 until now. (My last version was
Fin08.)
One of the things that has changed is how one moves
AM, Jari Williamsson
jari.williams...@mailbox.swipnet.se wrote:
On 2012-03-22 17:13, Aaron Sherber wrote:
On 3/22/2012 11:36 AM, Robert Patterson wrote:
One of the things that has changed is how one moves staves vertically in
page view. dragging a staff now drags all staves beneath it. I
I hope this list will indulge me for announcing the availability of a new
major version of Patterson Plugins available at my website:
http://RobertGPatterson.com
Be aware that the new version will not work with any version of Finale
earlier than Finale 2012.
Thanks,
Robert
The question is, why jump through all those hoops? The old way was vastly
superior to the current implementation (for transposition). I probably will
avoid using Fin12 for any projects that need more than band instrument
transpositions.
On Thu, Feb 16, 2012 at 3:16 AM, Jari Williamsson
Starting in Fin11, staff groups have measure ranges and no longer apply to
systems. On the whole I think this is a terrific improvement, but as far as
I can tell it seems the UI is still mired down in the system-oriented way
of doing things. What I would like to be able to do is select a staff and
I am just a newbie to Fin12, but I am coming to really hate the Score
Manager. I suppose if I had never learned the old way it wouldn't seem so
bad, but I'm an old dog, and this seems like a new trick of little value.
Up until now I had refrained from whining about the Score Manager because I
Great. I don't see said plugin. Is it one of yours, or does it come with
Finale?
On Wed, Feb 15, 2012 at 10:25 AM, Jari Williamsson
jari.williams...@mailbox.swipnet.se wrote:
On 2012-02-15 15:03, Robert Patterson wrote:
Starting in Fin11, staff groups have measure ranges and no longer apply
On 15 Feb 2012, at 9:29 AM, Robert Patterson wrote:
I am just a newbie to Fin12, but I am coming to really hate the Score
Manager. I suppose if I had never learned the old way it wouldn't seem so
bad, but I'm an old dog, and this seems like a new trick of little value.
Up until now I
for a while, then changes to Horn in E, then
back again. I used to use staff styles for this, but now I can't.
Thanks!
Ryan
On Wed, Feb 15, 2012 at 4:54 PM, Robert Patterson
rob...@robertgpatterson.com wrote:
I heartily agree the previous way was flawed, and the more I tinker
transposition that
doesn't use key signatures, but I see no way to get it to change for the
selected measures.
It seems that an easy fix for them would be the ability to add custom
instruments with specific transpositions.
On Wed, Feb 15, 2012 at 5:59 PM, Robert Patterson
rob...@robertgpatterson.com
at 5:59 PM, Robert Patterson
rob...@robertgpatterson.com wrote:
The challenge is that there is no canned instrument Horn in E. The
whole
Fin12 approach is based on the ill-conceived assumption that a change of
transposition means a change of instrument.
If you don't care about playback
It seems that after so much discussion (now missing the colorful voice of
David Fenton), there is a consensus which is that the long fermata
requested is not possible in Finale without a lot of hoop-jumping.
Having seen the two versions of Cosi, it occurred to me that Aaron could
try a
Dang you're right. I don't see any way to break the line in the middle, and
I was sure there was one, too.
On Sun, Feb 12, 2012 at 6:31 PM, Aaron Sherber aa...@sherber.com wrote:
On 2/12/2012 6:26 PM, Robert Patterson wrote:
Having seen the two versions of Cosi, it occurred to me that Aaron
You could do it in the shape designer, but that's pretty painful.
On Sun, Feb 12, 2012 at 7:08 PM, Robert Patterson
rob...@robertgpatterson.com wrote:
Dang you're right. I don't see any way to break the line in the middle,
and I was sure there was one, too.
On Sun, Feb 12, 2012 at 6:31 PM
It seems like you could make one in the Shape Designer without too much
trouble (using the slur tool and a dot).
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
not what you asked for.
On Fri, Feb 10, 2012 at 11:25 AM, Aaron Sherber aa...@sherber.com wrote:
On 2/10/2012 12:17 PM, Robert Patterson wrote:
It seems like you could make one in the Shape Designer without too much
trouble (using the slur tool and a dot).
The slur tool isn't as thick as I'd like
So I have been pursuing my issue of non-playback of pizz and arco
expressions with MakeMusic and finally came to understand that Human
Playback doesn't work with spacebar playback. Once I opened the playback
controls, I could hear the timbre changes.
I am a bit miffed by this. I guess Human
With the playback controls open, when I hit space playback starts where the
playback window thinks it should start, not where I click.
On Mon, Jan 30, 2012 at 12:38 PM, Aaron Sherber aa...@sherber.com wrote:
Hi Darcy,
I'm guessing that Robert is talking about Spacebar-click playback. If
you
, but I also know that the move will be good for
them (and that they will miss their friends in Memphis).
Chuck
On Jan 21, 2012, at 8:25 AM, Robert Patterson wrote:
Is there anyway to have parts and score have different pages sizes
without
having to go in and change the Mac printer
created document, and you have customized expressions and/or
instrument selections.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 20 Jan 2012, at 1:18 PM, Robert Patterson wrote:
Is there any way to control what Human Playback does?
On Fri, Jan 20, 2012
Is there anyway to have parts and score have different pages sizes without
having to go in and change the Mac printer page size to match each time you
print one or the other? This is a long-standing issue for me, and I haven't
figured out if it is possible.
Anyway, can someone tell me how to change the Garritan sound of an
instrument? Specifically, I want to change from arco to pizz (and back).
The old way was to specify a patch change on an expression, but the
Garritan option is grayed out on the playback setup window, and specifying
the old GM
:21, Robert Patterson rob...@robertgpatterson.com
wrote:
Anyway, can someone tell me how to change the Garritan sound of an
instrument? Specifically, I want to change from arco to pizz (and back).
The old way was to specify a patch change on an expression, but the
Garritan option is grayed
).
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 20 Jan 2012, at 12:21 PM, Robert Patterson wrote:
Anyway, can someone tell me how to change the Garritan sound of an
instrument? Specifically, I want to change from arco to pizz (and back).
The old way was to specify
, at 1:18 PM, Robert Patterson wrote:
Is there any way to control what Human Playback does?
On Fri, Jan 20, 2012 at 11:48 AM, Darcy James Argue
djar...@earthlink.netwrote:
Hi Robert,
Human Playback catches and interprets pizz. and arco expressions
automatically, provided
It depends on exactly what you need to do. You can hide barlines with a
staff style, then override them with group barlines. In most cases where I
have needed to do this I have not had to resort to expressions except on
single staves. For single staves, the barline symbols in the Sonata font
come
I can get text repeat marks ( D.S., Coda, etc.) to appear only on the top
staff line irrespective of the settings in the repeat assignment. Even
worse, if I try to use a Staff List to make it show somewhere else, the
repeat mark vanishes altogether. Is this a bug in Fin12?
I ultimately figured out that the file has no extension. The Mac OS Finder
is very confusing because Hide Extension was checked but also grayed out.
On Fri, Jan 13, 2012 at 2:59 AM, Noel Stoutenburg mjol...@ticnet.comwrote:
Robert Patterson wrote:
I am trying to replace the Maestro Default
It has been awhile since I looked at the MOLA guidelines and I have to say
they are much improved since the last time I read them c. 10 years ago.
Some math errors have been fixed, and they are much less prescriptive.
(Even the best editions of Beethoven Symphonies did not meet the MOLA
guidelines
I am trying to replace the Maestro Default File in Finale 2012, but it
appears to have an extension other than .mus (in MacOS). The problem is
that the Hide Extension flag is set in get info and the os won't let me
change it. What's is the extension for Maestro Default File now? Or should
I just
Based on a post from Darcy in October, I am attempting to convert my work
habits to using doc styles, but I am finding minor and major irritants.
Minor irritant: When I use the setup wizard it does not take the Distance
between Staves from the setting in my template. Instead it uses zero. Any
way
So I would like to transfer some settings from older files to my Maestro
Font template file, and I am trying to follow the instructions here:
http://www.finalemusic.com/UserManuals/Finale2012Win/Content/Finale/ID_MENU_FILE_NEW_DEF_DOC.htm
Never mind that there is no longer a Component Files
On 9 January 2012 15:03, Robert Patterson rob...@robertgpatterson.com
wrote:
So I would like to transfer some settings from older files to my Maestro
Font template file, and I am trying to follow the instructions here:
--
Lawrenceyates.co.uk
The website I cited above has a link to a page that will tell you where the
files are in Win.
On Mon, Jan 9, 2012 at 10:50 AM, Lawrence Yates yateslawre...@gmail.comwrote:
Sorry, I should have said, I'm on a PC
On 9 January 2012 16:46, Robert Patterson rob...@robertgpatterson.com
wrote
This message is to let the group know that I have released a new version of
both Patterson Plug-Ins (v3.50) and Copyist Helper (v2.50). The jump in
version number reflects the fact that this version encompasses a full
regression test with Finale 2012. The last time I did a full regression
test was
Hello, I am making a serious effort to move to Fin12 from Fin08. One issue
I am having is that Fin12 doesn't seem to recognize my custom font
annotation files. Does anyone here know what's going on? In previous
versions of Finale (up to Fin09) all I had to do was copy them from the
previous
What's needed is a proper grid with options for what to show and sorting
with clickable headers. But one might as well wish for a flying car.
On Thu, Dec 29, 2011 at 10:04 AM, Aaron Sherber aa...@sherber.com wrote:
On 12/29/2011 10:22 AM, Jari Williamsson wrote:
I would NOT want all the
Hello all. I have decided to upgrade to Fin12 from Fin08. What's the most
intelligent way to go about converting my default settings? I know this has
come up before, so if there is a website or a prior post, just point me
towards it.
Beyond that, is there any way to accomplish any of the
. It would have offered only modest help in alleviating
the pain of my specific task.
Obviously, manually sorting the list is a cure worse than the disease.
On Wed, Dec 28, 2011 at 10:06 PM, Aaron Sherber aa...@sherber.com wrote:
On 12/28/2011 9:14 PM, Robert Patterson wrote:
Hello all. I have
As far as I can tell, David's last contribution to this list was exactly 2
weeks ago on Oct. 26. It was an exhortation to back-up regularly. I think
that is a very fitting farewell, don't you?
___
Finale mailing list
Finale@shsu.edu
Another question for the accumulated jazz wizdom of this list. I need to
indicate an E dominant 7 chord with the 6th (or if you prefer, 13th) added.
None of the suffixes in the default list jumps out me as the right one. What
should it be?
___
Finale
On Fri, Oct 28, 2011 at 1:34 PM, Michael Mathew mmathew_musicp...@yahoo.com
wrote:
If you have a specific context and voicing requirement write it out or we
make decisions based on the context.
So if I write out the context and voicing, is a chord symbol still
useful/required/appreciated?
I'm really confused by this thread. Setting up page numbers on whichever
side you want them is trivially easy, so what's all the grousing about?
Someone explain to me exactly what they want and I'll tell you how to do it.
On Fri, Oct 21, 2011 at 10:25 PM, John Howell john.how...@vt.edu wrote:
On Mon, Oct 3, 2011 at 10:43 AM, Dana Friedman li...@dragonflytech.comwrote:
At 12:53 PM 10/2/2011, you wrote:
it may not work in Mozart, but
it's perfect for Monk.
I know it's perfect for Monk, but I wouldn't be so quick to count out
Mozart. Check out the first few bars of the 2nd half of
dominant of V (V7 of V).
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 1 Oct 2011, at 4:16 PM, Robert Patterson wrote:
Is there any accepted practice for writing aug 6th chords in a jazz
chart?
For example, in the key of D Maj, a Ger 6th would be enharmonically Bb7
be considered tritone substitutions for
the
applied dominant of V (V7 of V).
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 1 Oct 2011, at 4:16 PM, Robert Patterson wrote:
Is there any accepted practice for writing aug 6th chords in a jazz
chart?
For example
Duh. Bb7/Ab of course.
On Sun, Oct 2, 2011 at 12:31 PM, Robert Patterson
rob...@robertgpatterson.com wrote:
G B7/Ab D9/A D7 G. I'll respell the Ab in the bass as G#. It seems like a
better spelling to me, too.
On Sun, Oct 2, 2011 at 12:22 PM, Christopher Smith
christopher.sm
Is there any accepted practice for writing aug 6th chords in a jazz chart?
For example, in the key of D Maj, a Ger 6th would be enharmonically Bb7, but
is there a more appropriate notation? And what about Fr and It 6th chords?
___
Finale mailing list
You could use a Fixed font size for the lyrics.
On Wed, Sep 21, 2011 at 9:30 AM, Jan Angermüller j...@angermueller.comwrote:
Is there a way of reducing the note size of all
notes of a staff with one click and without reducing
the size of the staff itself and without reducing
the font size of
I believe my issue had something to do with multi-measure rests in the
parts. I deleted all the parts (which I had not yet edited in any way) and
then I was able to insert the measures. But I think I could have removed the
multi-meas rests in the parts and gotten the same result, because after
I have a file that consistently crashes when I try to insert new bars early
in the piece. Does anyone else have any experience with this?
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Curious. I sang a church choir for several years (back in the 80s) and I
never saw anything but tenor-treble unless the tenor and bass part were
combined on a staff. Of course if J. S. Bach could contribute to this list,
he would probably lament the loss of the tenor clef, which is so suited to
The first thing to try is Update Smart Word Extensions and Hyphens (in the
Utilities menu). This usually solves the problem. However, be aware that
Finale (or at least Fin08, which is what I use) has a bug that the hyphens
and word extensions only appear correctly on one linked part at a time. So
It looks to me like some of your groups for optimized staff systems didn't
get transferred. TGTools will rebuild them for you if that's the case.
On Fri, Jul 8, 2011 at 9:41 AM, Aaron Sherber aa...@sherber.com wrote:
Hi all,
Time to tap the collective wisdom. I have a score that was created
...@earthlink.netwrote:
Hi Robert,
Is there a reason why you can't cut the paper first, then print?
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 9 Jun 2011, at 11:34 PM, Robert Patterson wrote:
So I've known for some time that Fin08 Mac has a bug that it prints blank
pages under
Does PDF995 have a Mac version? I haven't seen it.
On Fri, Jun 10, 2011 at 6:38 AM, Phil Daley p_da...@tds.net wrote:
At 6/9/2011 11:34 PM, Robert Patterson wrote:
So I've known for some time that Fin08 Mac has a bug that it prints blank
pages under certain conditions. The way to work around
the ODD pages up to the left corner, while the EVEN pages are pushed
up to the right corner, so I only have to make TWO cuts, but the computer
gods are not with me.
Let me know if this works for you, too.
Christopher
On Thu Jun 9, at ThursdayJun 9 11:34 PM, Robert Patterson wrote:
So
So I've known for some time that Fin08 Mac has a bug that it prints blank
pages under certain conditions. The way to work around it is to print to PDF
with the Generic Postscript driver and then print the PDF with the proper
printer driver. Here is how this bit me hard.
I have a 10x13 score that
all attack and no decay, but there was both plenty
of sound and plenty of pitch. I think it will work well for me. I want to
add zing to the attack on a flute sfz note.
On Fri, May 13, 2011 at 1:16 PM, John Howell john.how...@vt.edu wrote:
At 10:30 AM -0500 5/13/11, Robert Patterson wrote:
I'm
701 - 800 of 1546 matches
Mail list logo
