On 5/7/2017 12:27 PM, Martin Nickless wrote:
> Hi there was wondering if anybody that predominately writes big-band charts
> Do they enter the changes by playing the cord on a midi keyboard ?
> May I ask if they have built up a library of the complex chords e.g. flat 13
> sharp 11s etc
> Thanks
I
On 7/13/2016 8:18 PM, Mark D Lew wrote:
> In the late 1980s I played around with Lime. I liked Lime in its
> general structure and approach, but it was limited.
>
> The first version of Finale I used was version 2-point-something,
> which I borrowed from a cousin. It wasn’t long before I knew I
On 5/17/2016 11:15 AM, John Roberts wrote:
> 300 euro crossgrade price? My breath will not be bated. They could have
> called it Doremi.
> JR
Tell me about it!
cd
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On 4/9/2016 2:46 PM, Christopher Smith wrote:
> This happens to me sometimes. I doubt Finale is the one at fault. Just create
> a new folder (possibly in a new directory) and save it there.
>
> Also, backup in at least two more places than on your hard drive, along with
> old versions. It isn’t
On 3/30/2016 8:29 AM, Neal Gittleman wrote:
> Greetings…
>
> I’m working on a pop arrangement with chord symbols in the rhythm part that
> manages to get itself into B major. In that section there are chords like
> C#/E# and C#7/E#. But when I enter them, Finale insistently “corrects” them
>
On 3/29/2016 2:18 PM, Martin Nickless wrote:
> Hi again
> Does anybody have any idea how to play in or type in for example G7 #9b9
> In jazz font
>
> does anybody use any third party jazz chords that are more comprehensive than
> the standard issue finale changes ?
> Also do most people type for
On 6/27/2015 3:45 PM, GERALD BERG wrote:
How about just dragging it off the printed page? I do that (with things) all
the time! GJB
I just don't wear them.
:)
cd
From: Darcy James Argue djar...@icloud.com
To: finale@shsu.edu
Sent: Saturday, June 27, 2015 4:58 PM
Subject:
OK - here's one I haven't run across before.
Doing a piece where on the first time through a repeated section, the
dynamic is P and the second time F. Marking it is easy enough, but ..
playback?
Any experience with this? Any ideas?
Carl
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On 4/4/2015 6:01 AM, Raymond Horton wrote:
Anybody see this?
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On 4/4/2015 11:55 AM, Allen Fisher wrote:
I see nothing! Nothing!
Hogan!!!
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Using FinWin2010, all of a sudden all of my drop down menus drop down to
the left instead of the right. No idea how to change this back to what
is normal. Any clues?
Thanks!
Carl
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in FinWIn2010.
Doing a big band chart, open solo section with soli fills. Fills apply
to instruments also having solo changes, so for instance, I have a bar
with a half note, followed by two slashes. The half note has a fall,
and a 'gliss' down is the composer's preferred mark. But it
tonight.
I've gone to just creating an accent and using that, but playback
suffers. Stuff happens, no?
cd
On Feb 12, 2015, at 5:38 PM, dershem ders...@cox.net wrote:
in FinWIn2010.
Doing a big band chart, open solo section with soli fills. Fills
apply to instruments also having solo
On 1/25/2015 11:24 AM, Chuck Israels wrote:
Written music is an impoverished version of what we hear in good
performances. It’s a wonder we even come close.
Drum parts remain somewhat mysterious and are best tailored to the
drummer of the moment. That said, I agree that MM rests are rarely
On 1/23/2015 7:06 AM, Craig Parmerlee wrote:
In most of the big band charts I write, for the drummer I write a
measure or two with the suggest beat pattern, then turn the rest of the
measures into staff style Z so they will appear as a multi-measure rest
up to the next double bar. If there
Working on a piece where there is an optional double from Bari sax to Bass
clarinet. The original has both parts on the same line - stems up and stems
down, which seems pretty efficient.
Question is: How to copy the notes in layer 1 to layer 2, and transpose
only layer 2 to
don't care about playback:
1. Edit-Move Copy Layers (copy layer 1 to layer 2)
2. Switch to layer two.
3. Select Show Active Layer Only
4. Transpose.
If you need playback, you may be able to disable playback for layer
2.
On Mon, Nov 3, 2014 at 8:56 PM, dershem ders...@cox.net wrote
On 10/15/2014 3:34 PM, Lee Actor wrote:
Try this: http://tinyurl.com/mtkeevo. Don't pay extra for lumbar support
(worthless) or forward tilt (less than worthless). You should be able to
price one out between $525-$600, depending on arms and chair size.
-Lee
I paid under $150 for mine, and
On 10/13/2014 7:21 AM, Craig Parmerlee wrote:
I use F2014. On balance, for me it does enough things better than
earlier releases to justify staying on that level. But just barely.
The product is still riddled with bugs. The most annoying ones for me
are in Human Playback. There are all
On 9/29/2014 4:10 PM, Lee Actor wrote:
Finale 2012c, GPO 4. When I use any KS patch for trumpets, they play muted
when encountering con sord. But they seemingly stay muted forever; senza
sord., mute off, norm., nothing gets them to remove the mutes. When I
use con sord./senza sord. for
On 9/19/2014 5:27 PM, Don Hart wrote:
You can also mute things in the instrument list.
On Fri, Sep 19, 2014 at 7:08 PM, trumpe...@verizon.net wrote:
Yes, but that's for the entire playback. It would be very helpful to be
able to define a style (like rhythmic notation) to be muted.
. Thanks!
Carl
On 2014-09-18 05:32, dershem wrote:
Recently got an arrangement for a samba that is written in 4/4 instead
of
2/2.
I plugged everything into Finale (FinWin 2010b) with the intent of just
going in and doubling the duration of everything and re-beaming
Recently got an arrangement for a samba that is written in 4/4 instead of
2/2.
I plugged everything into Finale (FinWin 2010b) with the intent of just
going in and doubling the duration of everything and re-beaming it to 2/2.
That doesn't seem to work - it only changes the duration
On 5/31/2014 10:46 AM, Bill Baker wrote:
I'm a casual user of Finale and I haven't upgraded since 2001, but I'm
trying to figure out how to enter percussion parts so that they'll play
back correctly. What I've done so far is to enter a note on a staff and
test its playback. If what I get
using FinWin2010b
Trying to set up a simple latin percussion line - clave and shaker (2/3
clave).
In a big band score.
I set up the line, put the notes in:
Layer 1: shaker. just 8th notes.
Layer 2 clave. 2/3
Smart Music SoftSynth, garritan ambience.
Layer 10 (drums)
Nothing comes out.
Where
On 4/7/2014 7:47 PM, Chuck Israels wrote:
I am working on a passage in C# minor. When I chose that key, Finale
transposes the Eb instruments nicely into 5 flats - fine, but the Bb
instruments show sharps (D#minor). How can I control this so that the Bb
instruments show up in a flat key?
On 3/16/2014 5:12 PM, J D Thomas wrote:
I had a phone conversation with a client earlier today. And the topic of
doublings came up. This is going to happen in a live situation, not in the
studio. He is going to have a situation where the two clarinets are going to
most likely be playing
On 3/10/2014 12:30 PM, Ryan Beard wrote:
Hi all,
My paper supplier has discontinued the product I like, so I need to switch to
something else. What do you use and where do you get it?
Ryan
Kelly Paper has always been good to me.
cd
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On 3/10/2014 6:28 PM, Ryan Beard wrote:
That's who I use. The paper I like is discontinued.
Sent from my iPad
Ah. And they don't have anything close enough? That sucks.
cd
On Mar 10, 2014, at 5:43 PM, dershem ders...@cox.net wrote:
On 3/10/2014 12:30 PM, Ryan Beard wrote:
Hi all,
My
On 2/23/2014 5:44 PM, Craig Parmerlee wrote:
Well, there are trade-offs, of course. For jazz band charts, I like to
keep the parts to 2 pages for horns and drums, 3 for bass, and no more
than 4 for piano. But I never do a DS or DC that will go back more
than one page.
If there are good
An old friend has found a part to an old concert band piece he remembers
well (and that might be useful to him in his teaching), but has no idea
if the whole piece is still available or published.
Seeing as how many of you deal with a lot of music that might not be
current, I'm throwing this
On 12/20/2013 7:29 PM, Cecil Rigby wrote:
That piece is listed in the library collection of Meridian Community Band,
Okemos, MI.
http://www.meridiancommunityband.org/Meridian_Community_Band//Collection1_fi
les/widget0_markup.html
Their website:
I'm doing a chart, and the composer has some chords as C (7) but
instead of parentheses, the 7 is in a circle. I have never run across
that variant before.
What is he trying to specify?
Carl
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On 11/13/2013 8:14 PM, Raymond Horton wrote:
I would assume G7, but can you ask composer?
On Nov 14, 2013 11:10 AM, dershem ders...@cox.net wrote:
Lost my ouija board - alas, the composer is dead. And Canadian. Don't
know if that makes a difference or not. It's an old Rob McConnell chart
section usually. I'll have to enter the parts
(16 horns) and convert to concert pitch to find out.
cd
On Nov 13, 2013, at 11:08 PM, dershem ders...@cox.net wrote:
I'm doing a chart, and the composer has some chords as C (7) but
instead of parentheses, the 7 is in a circle. I have never run
On 11/13/2013 8:42 PM, Darcy James Argue wrote:
CMA7.
Cheers,
- DJA
Thanks, Darcy.
cd
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On 11/13/2013 8:42 PM, Doug Walter wrote:
I seem to recall occasionally seeing that mean maj7, but I can't remember for
sure. Might that make sense in context?
Doug
It might. [looking...] I see other Maj chords but no Maj7, so, yeah,
it's likely.
cd
On Nov 13, 2013, at 8:09 PM, dershem
On 11/13/2013 8:43 PM, Darcy James Argue wrote:
(It's an idiosyncratic shorthand for major seventh that only ever took hold
in Toronto.)
Cheers,
- DJA
Yeah, that makes as much sense as any of Rob's eccentricities. :)
cd
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On 11/11/2013 3:07 PM, Barbara Levy wrote:
Hello, all
OK, I'm trying to play back a score with a chord progression on the piano
part. Is there any way to turn off the playing of the chords so I can hear
the melody and the other parts I've written? The only way I've found to do
I'm putting an old Kenton chart into Finale (always have a safety copy
in case some bozo loses or destroys a part!) and have found some chord
markings that are new to me.
Measure 1 is D9(flat)
Measure 6 is E9(natural)
This might be how it was done back in the day, but .. how would these be
,
but very old fashioned notation.
cd
On Tue, Dec 25, 2012 at 9:42 PM, dershem ders...@cox.net wrote:
I'm putting an old Kenton chart into Finale (always have a safety copy
in case some bozo loses or destroys a part!) and have found some chord
markings that are new to me.
Measure 1 is D9
at 9:42 PM, dershem ders...@cox.net wrote:
I'm putting an old Kenton chart into Finale (always have a safety copy
in case some bozo loses or destroys a part!) and have found some chord
markings that are new to me.
Measure 1 is D9(flat)
Measure 6 is E9(natural)
This might be how it was done
. It's always useful to have a
second opinion.
cd
On Dec 26, 2012, at 12:49 AM, dershem ders...@cox.net wrote:
On 12/25/2012 9:09 PM, Williams, Jim wrote:
What do the parts tell you?
Sent from my iPhone, so please pardon all the typos.
First one is a D9 - D, F#, A, C, Eb. D7(b9)?
Second
On 9/30/2012 11:06 AM, SN jef chippewa wrote:
not wanting to induce panic, but i hope this doesn't have anything to
do with the file overwrite problem some have had.
i just did a few tests (but haven't got a solution for you, sorry!)
on a document i just set up for the tests.
if the
and change it. It was (like many
things) better in earlier releases.
cd
On Sun, Sep 30, 2012 at 1:23 PM, dershem ders...@cox.net wrote:
On 9/30/2012 11:06 AM, SN jef chippewa wrote:
not wanting to induce panic, but i hope this doesn't have anything to
do with the file overwrite problem some have
On 9/30/2012 12:03 PM, Jari Williamsson wrote:
On 2012-09-30 20:53, dershem wrote:
Yweah, 2012 added a LOT of unnecessary complexity, so you have to go
into the score manager on each part and change it. It was (like many
things) better in earlier releases.
YOU add the complexity...
Best
On 7/16/2012 10:07 PM, Craig Parmerlee wrote:
There is a style of drum set notation that has slash notation in the
measures, but the punches are written as regular notes above the
percussion staff. I can't figure out how to make this happen in
Finale. I trued using a second voice for the
On 5/30/2012 4:05 AM, Steve Parker wrote:
Hi all!
I'm having another bout of trying to sort everything that niggles me
in Finale... ;-)
Any suggestions for chord symbol fonts/settings?
I'm looking for something clear to use with Maestro but with a fairly
'thick' house style (staff lines
On 4/19/2012 1:19 AM, SN jef chippewa wrote:
Extract Parts would NOT save as [filename+partname+ whatevr] - I
had to manually name each part.
There is a standard option for extracting parts, and it has been
there for many years. It existed as a menu option but never worked.
i
On 4/18/2012 11:32 PM, Jari Williamsson wrote:
On 2012-04-19 03:05, dershem wrote:
For one thing, I could not upgrade on-line. I simply would NOT
function, so even though I bought the upgrade on-line, I had to pay
extra for a CD.
Windows with anti-virus program active?
Windows7 (64 bit
On 4/19/2012 5:20 AM, Christopher Smith wrote:
On Thu Apr 19, at ThursdayApr 19 2:14 AM, dershem wrote:
The only option I would like that 2010 doesn't have is to hide
staves in the piano part, and I am used to doing that with a
T-square and x-acto knife.
Carl
Hi Carl,
I know
every step of
the way.
cd
On Apr 18, 2012, at 6:05 PM, dershem wrote:
On 4/18/2012 12:03 AM, SN jef chippewa wrote:
carl, i am about to upgrade a few things, including finale, and
wonder if you could tell me what you found so disastrous moving
from 2010 to 2012 (which is what i would
On 4/18/2012 7:22 PM, Christopher Smith wrote:
On Wed Apr 18, at WednesdayApr 18 9:05 PM, dershem wrote:
On 4/18/2012 12:03 AM, SN jef chippewa wrote:
carl, i am about to upgrade a few things, including finale, and
wonder if you could tell me what you found so disastrous moving
from 2010
On 4/18/2012 12:03 AM, SN jef chippewa wrote:
carl, i am about to upgrade a few things, including finale, and
wonder if you could tell me what you found so disastrous moving from
2010 to 2012 (which is what i would be doing soon).
For one thing, I could not upgrade on-line. I simply would
On 4/15/2012 11:39 PM, Jari Williamsson wrote:
On 2012-04-15 19:44, Howey, Henry wrote:
After dealing with MAC and PC 2012 I now wonder if FINALE is ready to be
ditched.
Personally I think this list has been dying for quite a long time now,
so is your question now if you're going to kill
.
Next to When Hiding Empty Staves, make sure Hide Normally is showing
Changing either one of these option should now let you hide the empty staff.
Thanks!! Just what I needed.
cd
On Mar 17, 2012, at 12:04 AM, dershem wrote:
The vast majority of the music I do is Big Band parts. That means
On 3/17/2012 9:56 AM, TXSTNR POP account wrote:
Why not just delete the unwanted staff? That's what I do in this case.
Because, as I said, there are places where I need a grand staff. Charts
without any need for that just get a simple singe staff.
cd
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The vast majority of the music I do is Big Band parts. That means that
while I occasionally need a full Grand Staff, most of the time I only
need one stave, with Chord Changes and cues.
But you can't Hide Empty Staves in a Grand Staff. And that leaves me
with MUCH longer parts than are
I'm doing an arrangement that calls for bass and contrabass clarinet
parts. Using FinWin 2012a.
There is NO playback for those instruments (though the other instruments
play just fine). Any suggestions for workarounds?
cd
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On 2/29/2012 9:31 AM, wph...@mindspring.com wrote:
Dear Collective Wisdom,
Mac OS 10.6.8, Finale 2011.b
I need help creating ensemble cues on top of a slash drum set part. The
Help Section wants me to check items in [ Staff Styles - Define Staff
Style
-
it paste what is copied?
cd
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,
Jari Williamsson
I stand happily corrected! Is this new in 2012? They don't seem to document
these little things.
Christopher
Tell me about it. :(
cd
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what may be causing this, or how to cure it?
cd
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.
Dean
I was playing a piece the other day where all four of the trombone parts
were on plunger. And the bass bone parts were all trigger parts.
You'd think that Sammy, being a trombonist himself, would know better!
cd
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of the arrangements I'v e been doing, all of the pages
can be considered odd.
Hmmm...
cd
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is being installed (which
is actually bad grammar), and since then, it just sits there and stares
at me.
Re-try from scratch, or...?
Any advice?
cd
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while Finale 2012 is being installed (which
is actually bad grammar), and since then, it just sits there and stares
at me.
Re-try from scratch, or...?
Any advice?
cd
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- Please wait while Finale 2012 is being installed (which
is actually bad grammar), and since then, it just sits there and stares
at me.
Re-try from scratch, or...?
Any advice?
cd
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On 10/13/2011 9:35 PM, Darcy James Argue wrote:
Plug-ins - Notes and Rests - Single Pitch
Cheers,
- DJA
THANKS!!
Carl
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I have a fairly (ridiculously) complex soli section where I'd like to
copy the rhythmic patterns of the trumpet 1 line to the drum part - all
on one line.
Is there a way to take all of the rhythms and put them onto one pitch on
the drum line?
cd
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is a 6/9 Chord.
cd
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On 4/17/2011 9:37 AM, Dean M. Estabrook wrote:
I used to remember this, but (no surprise here) I have forgotten. How do
I get a cued part to NOT play back?
Dean
I would use a hidden expression, setting velocity to 0.
cd
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in the root,
correct?
I've built my chords out of:
Root: Technical Bold 16
Suffix: Technical Bold 16
Alterations (#5, v9): Technical Bold 14
So far it seems to work well, and my rhythm section likes them.
cd
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checked? That can bite you if not prepared.
cd
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A friend is using Finale 2011, while I don't upgrade that often and use
2010. (Both Windows). What is the optimal way for me to read files he
sends me?
cd
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what you mean. Can you give an example?
cd
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what Holst did in The Planets, but I can't. But
it made it easy to read and play.
John
I know Mars was 3+2, but the rest...
You gotta just write what makes the music clear, is my opinion.
cd
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it, but it keeping
musicians from doing it unintentionally. :)
cd
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, 2011, at 3:02 PM, Steve Parker wrote:
My last question for now I promise.
Can I get Finale to place the title and instrument name on each
page automatically?
Thanks,
Steve P.
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For whatever reason, when I type in a 6/9 chord [Example C6/9] it gives
me something different [C6/G].
Why? How can I stop this happening?
cd
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called this week, they just don't get it?
Maybe this has been discussed before, but…
J D Thomas
ThomaStudios
My guess - it is saving the print preferences.
cd
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Please reserve by e-mailing sch...@theproperimageevents.com or by
calling 818-994-4661. Walk-Ins welcome.
Aaugh!!!
I have a gig that day.
learn something good for all of us!
cd
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and take to work to copy onto heavy cream
colored paper, which holds up better and won't run. Hence my search for
a good large format laser.
cd
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On 10/22/2010 8:38 PM, James Cooper wrote:
Does anyone know if this printer can take 12 x 18 paper?
--- JMC
No, but if you hum a few bars, we can fake it.
Most large format lasers top out at 11x17.
cd
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computer?
Thanks for any help you can give me on this
David McKay
I use Finale 2010 under Windows 7 (64-bit), and it works fine. There is
even a 64-bit patch for it that can be downloaded.
cd
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Patrick Sheehan patricksheehanmu...@gmail.com wrote:
Are there any jazz arrangers or jazz copyists on the list who can confirm /
disconfirm this? --
A big band friend of mine and I have a gentlemen's disagreement about the
use of double sharps and double flats in writing parts for big
sneaking through.
Kenton recorded it. Are any of you familiar with it? Have any of you
experimented with the idea of note 1 goes here, note 2 goes to a
different players, etc.?
cd
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I'm trying to set up file sharing between my laptop and desktop to share
my ITunes library, and it's not working.
Have any of you tried this? Any hints?
Both run Windows 7, 64 bit. I can't find the right hoop to jump through
to make them happy.
cd
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, and it still doesn't work.
Hrmph.
Thanks.
cd
On 1 Aug 2010, at 9:36 PM, dershem wrote:
I'm trying to set up file sharing between my laptop and desktop to
share my ITunes library, and it's not working.
Have any of you tried this? Any hints?
Both run Windows 7, 64 bit. I can't find the right hoop
to the manuals (on line, such as they are)
this should work, but...
cd
On Aug 1, 2010, at 6:36 PM, dershem wrote:
I'm trying to set up file sharing between my laptop and desktop to
share my ITunes library, and it's not working.
Have any of you tried this? Any hints?
Both run Windows 7, 64 bit. I
On 7/20/2010 6:30 AM, Barbara Touburg wrote:
Dear all,
What does it mean if a trumpet player gets a roll? Something about his
embrochure?
Barbara
In my 40+ years playing, it means lunch.
cd
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in (or out) of the usual placement.
I hope that allows you to find a context for translation.
cd
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Someone posted a tip here recently about keeping spacing from updating
when you print, and messing up your manual spacing. I meant to print it
but apparently spaced out.
COuld someone re-post, or give me a pointer to it?
Thanks!
cd
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On 7/8/2010 8:24 PM, Ryan wrote:
Doc Options. Multi measure rest. Uncheck box that says update automatically
or some such.
Is that the one you're looking for?
Yes! Thanks.
cd
PS - don't get old, or to busy!
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On 7/7/2010 10:11 AM, John Howell wrote:
At 8:56 PM -0700 7/6/10, dershem wrote:
But a warning is always welcome. I do the same with mute changes,
using get plunger ready and the like. With software, it's easy to
do, and there's really no reason not to.
Absolutely. Case in point: we're
, right?
;)
cd
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On 7/7/2010 6:29 PM, John Howell wrote:
At 5:48 PM -0700 7/7/10, dershem wrote:
The local light opera company is doing Pajama Game this summer.
Apparently it's a popular show right now. :)
Alas, I'm not on the contractor's short list, and won't be in the pit. :(
You'd be welcome in my pit
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