John Howell wrote:
At 6:39 PM -0500 11/13/06, dhbailey wrote:
This is an interesting copyright question -- since the Finale file is
simply one more representation of the music which the client holds the
copyright in, I'm surprised he would assign you a copyright in the
file, since you can't
On Nov 13, 2006, at 12:30 PM, Hamilton Greg wrote:
I recently had a client ask for the Finale files for many of his
chamber works I had prepared. It's typically not my policy to release
the original files. I'm wondering what other professional
copyist/engravers are doing when faced with the
On Nov 13, 2006, at 3:05 PM, Noel Stoutenburg wrote:
Now, what I have done with my clients, is to agree in the contract
that the client or his agent or assigns holds contract in the music
composition, but that I hold sole copyright in the file, and while I
have routinely given him a file of
Hi All:
I like to set pages up as a book. If I can have only one page open,
that's perfect especially if you are on a very crowded bandstand or in a
very crowded orchestra pit. After that I like two pages open. In this
case I do a cover page and print the first page of music on it's other
How about including verbal instructions with the parts, like the explanation
you just gave here?
Erica Buxbaum
Bob Florence [EMAIL PROTECTED] wrote:
Hi All:
I like to set pages up as a book. If I can have only one page open,
that's perfect especially if you are on a very crowded
At 03:23 PM 11/14/2006, Bob Florence wrote:
The problem occurs when sending parts (either Finale files or pdfs) to
to another location usually a school. They don't even notice the cover
page and often players will be scuffling with page turns. How do I make
this clear to anyone who is taping
John Howell [EMAIL PROTECTED] wrote:
But of course a Finale file is not a computer program. Or is it?
Undecidable philosophical proposition. If you consider program and data
to be clearly
defined categories, you're going to hit trouble somewhere. Best to
regard them as points
of view. A
At 12:23 PM -0800 11/14/06, Bob Florence wrote:
Hi All:
I like to set pages up as a book. If I can have only one page open,
that's perfect especially if you are on a very crowded bandstand or
in a very crowded orchestra pit. After that I like two pages open.
In this case I do a cover page
On Nov 14, 2006, at 3:23 PM, Bob Florence wrote:
Hi All:
I like to set pages up as a book. If I can have only one page open,
that's perfect especially if you are on a very crowded bandstand or
in a very crowded orchestra pit. After that I like two pages open.
In this case I do a cover
In regarding e-mailing Finale files, I have one rule: I don't.
For your own protection and safety, never e-mail them, no matter how
computer savvy or non-savvy the composer or client is. There are many
pitfalls as to what can happen to your documents after they've been e-mailed
to the next
Bob Florence wrote:
Hi All:
I like to set pages up as a book. If I can have only one page open,
that's perfect especially if you are on a very crowded bandstand or in a
very crowded orchestra pit. After that I like two pages open. In this
case I do a cover page and print the first page of
Ken Moore wrote:
John Howell [EMAIL PROTECTED] wrote:
But of course a Finale file is not a computer program. Or is it?
Undecidable philosophical proposition. If you consider program and data
to be clearly
defined categories, you're going to hit trouble somewhere. Best to
regard them as
Ken Moore quoted:
John Howell [EMAIL PROTECTED] wrote:
But of course a Finale file is not a computer program. Or is it?
Undecidable philosophical proposition. If you consider program and
data to be clearly
defined categories, you're going to hit trouble somewhere.
I believe that this
Very off topic:
I'm trusting that someone on this list will be able to help me with this one.
I know that normal audio cd's use WAV files.
What is the equivalent video file?
What format do video files need to be to be read by a normal DVD player?
Thanks,
Lawrence
On 11/14/06, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
What format do video files need to be to be read by a normal DVD player?
VOB is the file format
Kim
--
Kim Patrick Clow
There's really only two types of music: good and bad. ~ Rossini
___
Erica Buxbaum wrote:
How about including verbal instructions with the parts, like the explanation
you just gave here?
Erica Buxbaum
Thank you Erica:
If my problem was clear to you then I guess that's what I'll have to do.
BF
Bob Florence [EMAIL PROTECTED] wrote:
Hi All:
I like to
John Howell wrote:
At 12:23 PM -0800 11/14/06, Bob Florence wrote:
Hi All:
I like to set pages up as a book. If I can have only one page open,
that's perfect especially if you are on a very crowded bandstand or
in a very crowded orchestra pit. After that I like two pages open. In
this case
At 04:59 PM 11/14/2006, [EMAIL PROTECTED] wrote:
I know that normal audio cd's use WAV files.
Technically, this is not true. A CD burned with WAV files will be a
data CD and will generally only be readable by computer drives, not
standalone CD players. It is true that when you rip a CD to your
On Nov 13, 2006, at 3:30 PM, Hamilton Greg wrote:
I recently had a client ask for the Finale files for many of his
chamber works I had prepared. It's typically not my policy to release
the original files. I'm wondering what other professional
copyist/engravers are doing when faced with the
If I choose to arrange a Renaissance piece that I dig out of the HAM
(Harvard Anthology of Music), Can I be fairly certain that it is in
public domain? If not, how does one find out that status?
Dean
Dean M. Estabrook
[EMAIL PROTECTED]
Have you ever heard of an eleven or thirteen step
Christopher Smith wrote:
Now I provide booklets rather than accordian folds when I get over 4
pages, and I NEVER let anyone else tape my charts unless I know they
will do it properly.
Christopher
One more thing:
I've never done booklets. How do I do it?
When I do a concert, I send
Hi all;
Please forgive my last 2 posts. They were meant for Christopher Smith. I
trust you all had a goos laugh.
Bob Florence
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On Nov 14, 2006, at 5:55 PM, Bob Florence wrote:
Hi all;
Please forgive my last 2 posts. They were meant for Christopher
Smith. I trust you all had a goos laugh.
Actually, the one meant for the list went to the list, and the one
for me came to me. All is well!
Christopher
On Nov 14, 2006, at 5:41 PM, Bob Florence wrote:
Christopher Smith wrote:
Now I provide booklets rather than accordian folds when I get
over 4 pages, and I NEVER let anyone else tape my charts unless I
know they will do it properly.
Christopher
One more thing:
I've never done
Dean M. Estabrook wrote:
If I choose to arrange a Renaissance piece that I dig out of the HAM
(Harvard Anthology of Music), Can I be fairly certain that it is in
public domain? If not, how does one find out that status?
The HAM is copyrighted, renewed in 1974 by Alice Humez and Willi Apel.
H ... very interesting. Somehow, I knew it would be more complex
than I thought. Realistically (which, I realize, has nothing to do
with legal workings), just because they found a raft of literature in
some previously printed format, obviously, and compiled it in their
volume,
On Nov 14, 2006, at 2:41 PM, Bob Florence wrote:
Christopher Smith wrote:
Now I provide booklets rather than accordian folds when I get
over 4 pages, and I NEVER let anyone else tape my charts unless I
know they will do it properly.
Christopher
One more thing:
I've never done
At 2:42 PM -0800 11/14/06, Dean M. Estabrook wrote:
If I choose to arrange a Renaissance piece that I dig out of the HAM
(Harvard Anthology of Music), Can I be fairly certain that it is in
public domain? If not, how does one find out that status?
This is a problem. The originals are PD, no
Well! Nothing like a good goose to provoke laughter
Best,
Les
Les Marsden
Founding Music Director and Conductor,
The Mariposa Symphony Orchestra
Music and Mariposa? Ah, Paradise!!!
http://arts-mariposa.org/symphony.html
http://www.sierratel.com/mcf/nprc/mso.htm
On 14 Nov 2006 at 16:30, Christopher Smith wrote:
You could also include an instruction sheet when sending charts.
Players being what they are (I know, I don't understand it either),
they will often unfold 15-page parts completely, letting them drape
over the stand and sliding them along
On 14 Nov 2006 at 10:13, Mark D Lew wrote:
By
default, under American law, the copyright of any work for hire falls
to the one who is hiring. If a client hires you to write something,
the resulting product belongs to him unless both parties agree
otherwise.
Er, no, I think that's wrong.
On Nov 14, 2006, at 5:29 PM, David W. Fenton wrote:
Er, no, I think that's wrong. Work for hire is only work for hire if
the contract explicitly specifies that it is. Otherwise, the creator
owns the copyright. The exception is if you're an employee of a
company and create the content as part of
On Nov 13, 2006, at 5:08 PM, [EMAIL PROTECTED] wrote:
This is an interesting discussion!
I almost hired a person on the list who clearly is not on the same
page as I,
the composer.
Then this list has served a good purpose: helping to make sure that you
hired someone who is a good match
In a message dated 11/14/06 5:02:46 PM, [EMAIL PROTECTED] writes:
I know that normal audio cd's use WAV files.
No, on the Mac we use AIFF files.
Vivian
Vivian Adelberg Rudow
New:
20th ASCAP Plus Award
CALL FOR PEACE, flute and tape, performance An Die Musik, Baltimore Composers
Forum,
On 14.11.2006 [EMAIL PROTECTED] wrote:
I know that normal audio cd's use WAV files.
This is not correct. Audio CDs have a special format, which doesn't use
files at all. Although Wavs can store the same audio data, so can AIFFs
and SD2 files, and what is on the Audio CD is totally
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