While this is excellent advice, since it has approximately zero
chance of ever being adopted by even a significant minority of
participants, I urge all subscribers bothered by the extensive
quoting to subscribe to the regular list, not the digest. (How hard
is it to set up a rule and just
The most annoying arguments on this mailing list are the ones in which
each contribution, no matter how short, quotes all the previous ones.
Even if you have broadband, so that downloading the verbiage is not a
significant delay or expense, it takes time and effort to skip to the
next message
Darcy James Argue wrote:
[snip]
Not to continually hawk my tutorial or anything, but if you want more
information, it's all in there.
[snip]
I think that continually hawking your tutorial is a very good thing --
people need constant reminding of its availability. It's been very
To buy a set, visit http://www.jwpepper.com -- that's one work which I'm
sure won't ever go permanently out of print. It is very much still
available for sale there.
David H. Bailey
keith helgesen wrote:
Sorry to jump in late on something. I have been deleting things unread-
(very busy)
At 06:18 AM 12/14/2006, dhbailey wrote:
And it's these very people who need to download and read your tutorial,
but I bet that most of them have forgotten (or never knew because they
joined the list after you put all that work into it) that it's available.
I, for one, have forgotten where it is
You mean the first one on that page (GPO - Finale2006/Human Playback
Tutorial )? I clicked on the little red dot near the title of the tutorial
and it loaded in my browser window, then I hit save as and saved on my HD
(16 megabytes, really heavy if one has not a fast connection).
- Original
At 08:18 AM 12/14/2006, Marcello Noia wrote:
You mean the first one on that page (GPO - Finale2006/Human Playback
Tutorial )? I clicked on the little red dot near the title of the tutorial
and it loaded in my browser window,
Yes, that's it. But I think it's the *text* on the page that's
I am a convert, but given my current day job, feel free to take that
with a grain of salt ;-).
I'm glad I did switch, I'm a lot faster than ever was with speedy, but
that may be because of my very weak piano skills. I still use speedy
with caps lock for a couple of specific situations (mostly
Click on the red dot at the beginning of the link. It works for me.
Wade
It's also supposed to be available for download from
http://www.garritan.com/GPO-FinalePage.html, but it looks like that
page was coded improperly, and there's actually no active link to the
file. Maybe Darcy can let
When I saw this message, I remembered that Chuck and someone else were talking
about saxes and buying JABB. Maybe this is of some help:
I bought the full versions of GPO and JABB for Finale 2006 and 2007, but for
the past year, I've only been using the program for notation.
So, I've listed
Small clarification, please. My present computer is a 1992 PowerBook
G4, 550 MHz PowerPC G4, 256 MB SDRAM (whatever that means!). The new
computer I will get through the university this spring will be a
MacBook or MacBook Pro, 2.0 GHz, 2.16 GHz or 2.33 GHz Intel Core 2
Duo Processor, 2.0Gb
1992 they had PowerBook G4s? Wow...
I think you meant 2002. I think you'd be better waiting till you get the
MacBook. I was running GPO on a 933Mhz G4 from 2001 ;-), and I could get
about 3 GPO instruments max.
And, Kontkat player, which the Garritan stuff uses, should be updated
And, with your current job, does it allow you to, perhaps, gleam into
the future and predict things like Finale 2007a??
Fisher, Allen wrote:
I am a convert, but given my current day job, feel free to take that
with a grain of salt ;-).
I'm glad I did switch, I'm a lot faster than ever was
On 14 Dec 2006 at 4:25, Darcy James Argue wrote:
While this is excellent advice, since it has approximately zero
chance of ever being adopted by even a significant minority of
participants, I urge all subscribers bothered by the extensive
quoting to subscribe to the regular list, not the
Actually, the folks that did these sell a DVD...
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Barbara Touburg
Sent: Tuesday, December 05, 2006 3:27 PM
To: finale@shsu.edu
Subject: Re: [Finale] OT: Catching Flash videos from the net
Thanks
I could, but then I wouldn't have my current job ;-)
I would keep a close eye on the website for updates, though, if I didn't
have my current job...
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Eric Dannewitz
Sent: Thursday, December 14, 2006
Thanks Mr. Fly-on-the-wall ;-)
Fisher, Allen wrote:
I could, but then I wouldn't have my current job ;-)
I would keep a close eye on the website for updates, though, if I didn't
have my current job...
___
Finale mailing list
Finale@shsu.edu
Why is top-posting an abomination? People who send unedited replies
should be [insert favorite torture here]. There's nothing worse than
scrolling through 4 or 5 or more levels of reply only to see a Me
too. At least with top-posting, I can immediately delete. You imply
that top-posting by
Giz Bowe wrote:
Why is top-posting an abomination? People who send unedited replies
should be [insert favorite torture here]. There's nothing worse than
scrolling through 4 or 5 or more levels of reply only to see a Me too.
At least with top-posting, I can immediately delete. You imply that
Yes (blush), I discovered that a while later. I'm sure that the quality
of the movies on the DVD is much better than of those on youtube. Shame
on me!
Fisher, Allen wrote:
Actually, the folks that did these sell a DVD...
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL
adding to the list: when i define a staff list (not an expression
as i wrongly wrote below...) to show an expression ONLY on the top
staff of score and on NO parts, it doesn't appear in the part... or
in the score either.
?!?!
At 23:25 +0100 12/14/06, shirling neueweise wrote:
3 things
It has something to do with Show Expressions and Repeats in Parts towards
the bottom in the Options Menu. Your file is behaving like it is a Part as
defined in your staff lists. Change the option to Show... for Score and
things
should return to normal.
In a message dated 12/14/06 4:34:32 PM,
ah yes. thanks. is there a purpose to this feature?
i guess to check how things will look in the parts? if this is the
case, i wonder if it is really needed anymore, with linked parts in
2007...
JohnBlane at aol.com JohnBlane at aol.com
It has something to do with Show Expressions and
At 4:42 PM -0500 12/14/06, dhbailey wrote:
It gets to be particularly messy, as you can see in this message,
because I have my e-mail client set to begin the reply after the
quoted material. So David's message to which you replied is between
your reply and mine.
Which is why I always
Actually, Native Instruments released the Universal Kontakt Player 2
on Nov. 30. We're now only waiting for Garritan and MM to release
updated versions of Full GPOJABB / FinGPO, respectively.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 14 Dec 2006, at 2:52 PM, Eric Dannewitz wrote:
Return it! Business people wouldn't put up with that!
Vivian
In a message dated 12/13/06 7:01:11 PM, [EMAIL PROTECTED] writes:
PS. To all music prep people looking to buy an HP 5200 printer, please wait
until this issue is resolved!!!
Vivian Adelberg Rudow
New:
20th ASCAP Plus Award
uh, is there no way to keep the staff groups and brackets as they
appear in the score when generating (linked) parts? i would think
that should be automatic - firstly to generate parts based on group
definitions - and that when adding an instrument to a part (manage
parts) the resulting
i have never used this, because i have always defined the positioning
of expressions with great precision in the dialogue box. and since
2003 (?) it has been possible to set a default positioning which
works according to context. of course i still have to adjust many
things manually for
can someone confirm this? the more time sig changes you have in a
systyem where repeats bars are also present, the more outside the
right side of the system the cautionary time sig sits?
i know i can adjust this using page layout: system space after
music, but this shouldn't happen in the
Nothing? Doesn't the right side change to the appropriate Table of
Contents for the chapter you clicked on? If not, then you should try
downloading and reinstalling Adobe Reader, per my last post.
When I click on 'See next chapter' at the right hand of the screen,
it
gives me the index of
this seems to be because finale does NOT take the document settings
(*) from document options: repeats into account when time signature
changes AND repeat measures appear in the same system. however, it
does adjust for changes to thin and thick barlines in the barline
document options:
Hey all,
In Fin2k7, wasn't there supposed to be some way to move an
authorization from one computer to another, or to de-authorize an
existing computer, without having to call MM during business hours?
If so, uh, how do I do that?
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
help menu: deauthorize
--
shirling neueweise ... new music publishers
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
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http://lists.shsu.edu/mailman/listinfo/finale
On 14 Dec 2006 at 15:00, Giz Bowe wrote:
Why is top-posting an abomination?
Because it reverses the flow of conversation. If you aren't
responding point-by-point (as I am in this post), then possibly you
shouldn't quote anything at all. I interleave my responses to make it
precisely clear
Hey Jef,
Thanks -- I was hoping there would be a way to do it from the new
computer, not the old one. Oh well.
Cheers,
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 14 Dec 2006, at 9:39 PM, shirling neueweise wrote:
help menu: deauthorize
--
shirling neueweise ... new music
On 14 Dec 2006 at 18:25, John Howell wrote:
At 4:42 PM -0500 12/14/06, dhbailey wrote:
It gets to be particularly messy, as you can see in this message,
because I have my e-mail client set to begin the reply after the
quoted material. So David's message to which you replied is between
On Dec 14, 2006, at 8:24 PM, shirling neueweise wrote:
i have never used this, because i have always defined the
positioning of expressions with great precision in the dialogue
box. and since 2003 (?) it has been possible to set a default
positioning which works according to context.
Hi all,
Am I missing something. Is there a way to merge notes from several
layers all into layer 1 on a staff?
I'm opening some XMLs that have notes in several layers on a staff
(same rhythm in all layers) and I
want to merge them into a chord all in layer one.
Regards,
John Hinchey
http://www.bytenet.net/kpclow/finale/flat-to-add.jpg
The note that is pointed with an arrow (G), needs a natural added to
it. But Finale will not let me (I'm assuming because it thinks this
note hasn't had a # before). What would be a solution to adding a
natural sign?
Thanks much.
Kim
--
Kim
At 11:48 PM 12/14/06 -0500, Kim Patrick Clow wrote:
http://www.bytenet.net/kpclow/finale/flat-to-add.jpg
The note that is pointed with an arrow (G), needs a natural added to
it. But Finale will not let me (I'm assuming because it thinks this
note hasn't had a # before). What would be a solution to
Kim Patrick Clow wrote:
http://www.bytenet.net/kpclow/finale/flat-to-add.jpg
The note that is pointed with an arrow (G), needs a natural added to
it. But Finale will not let me (I'm assuming because it thinks this
note hasn't had a # before). What would be a solution to adding a
natural sign?
Kim Patrick Clow / 2006/12/14 / 11:48 PM wrote:
The note that is pointed with an arrow (G), needs a natural added to
it. But Finale will not let me (I'm assuming because it thinks this
note hasn't had a # before). What would be a solution to adding a
natural sign?
I don't know if this answers
In speedy, put the insertion mark on your G and hit *. The natural will appear!
From: Kim Patrick Clow
Sent: Thu 14-Dec-06 23:48
To: finale@shsu.edu
Subject: [Finale] Trouble adding a natural to a note.
http://www.bytenet.net/kpclow/finale/flat-to-add.jpg
The note that is pointed with an
Am I missing something. Is there a way to merge notes from
several layers all into layer 1 on a staff?
It takes a few steps:
Make a separate staff for each layer.
Move each layer into layer 1 on its own staff.
Select all staves.
Mass mover -- Mass Edit -- Utilities -- implode music.
Delete
On 12/14/06 11:48 PM, Kim Patrick Clow [EMAIL PROTECTED] wrote:
http://www.bytenet.net/kpclow/finale/flat-to-add.jpg
The note that is pointed with an arrow (G), needs a natural added to
it. But Finale will not let me (I'm assuming because it thinks this
note hasn't had a # before). What
OK Gurus- now- how does one do this in Simple entry? Not Speedy.
We are talking about simply stating (for whatever reason) that a note should
be sharp, flat, or natural- yes?
I have asked this before and somehow never got an answer.
Cheers Keith in OZ
Keith Helgesen.
Director of Music,
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