Hmm, funny, I remember reading this on the Finalemusic.com site.
http://www.finalemusic.com/finale/features/enteringnotes/scanning.aspx
Stephen Ellis wrote:
Is there a third-party software that will actually allow you to scan
music and use it in Finale? Sees like I heard about one some time
John Howell [EMAIL PROTECTED] wrote:
The problem is actually that the trumpet has become the all-purpose
instrument, needed for orchestral work, jazz band work, and marching
band work. The cornet, especially one played with the proper
mouthpiece and technique, is a vanishing voice out of
Sure -- I'm always open to new possibilities and even if it won't be
right for my community band, I speak with others for whom it might be a
perfect fit.
Thanks!
David
Aaron Rabushka wrote:
I don't know yet--it's only been out a few weeks. The wind ensemble
marking was MMB's idea rather
Noel Stoutenburg wrote:
dhbailey wrote:
MB wrote:
[snip] In 1992, Congress enacted a law that made renewal automatic
for works
published between 1964 and 1978. However, if a work was published
[snip]
This baffles me, since the 1978 rewrite of the U.S. Copyright law
automatically extended
Lora Crighton wrote:
--- John Howell [EMAIL PROTECTED] wrote:
That is a perfectly ordinary Incipit, showing the
original clefs,
key signature and mensuration sign. That
information is important,
and I'm not sure why you want to delete it. I would
always include
that in any edition of mine,
Ken Moore wrote:
John Howell [EMAIL PROTECTED] wrote:
The problem is actually that the trumpet has become the all-purpose
instrument, needed for orchestral work, jazz band work, and marching
band work. The cornet, especially one played with the proper
mouthpiece and technique, is a
Stephen Ellis wrote:
Is there a third-party software that will actually allow you to scan
music and use it in Finale? Sees like I heard about one some time ago
for Windows (but not for Macs). Any thoughts?
Sharpeye, available from www.recordare.com will produce MusicXML output
which can
dhbailey wrote:
Ken Moore wrote:
John Howell [EMAIL PROTECTED] wrote:
The problem is actually that the trumpet has become the all-purpose
instrument, needed for orchestral work, jazz band work, and marching
band work. The cornet, especially one played with the proper
mouthpiece and
dhbailey wrote:
Ken Moore wrote:
John Howell [EMAIL PROTECTED] wrote:
The problem is actually that the trumpet has become the all-purpose
instrument, needed for orchestral work, jazz band work, and marching
band work. The cornet, especially one played with the proper
mouthpiece and
I have read that as well. Have you any experience with it? I am
interested in actual use, not company hype!
On Aug 26, 2007, at 2:57 AM, Eric Dannewitz wrote:
Hmm, funny, I remember reading this on the Finalemusic.com site.
Stephen Ellis / 2007/08/26 / 01:12 AM wrote:
Is there a third-party software that will actually allow you to scan
music and use it in Finale? Sees like I heard about one some time
ago for Windows (but not for Macs). Any thoughts?
A few years ago, I scanned my own music as TIF then brought
At 11:06 PM 8/23/2007 -0600, Noel Stoutenburg wrote:
Section (h) (8) (A) explicitly defines source country for the purposes
of of Title 17 Section 104, as A nation other than the United States.
Accordingly, (h) (6) (B) specifically applies to items in the public
domain in the United States, but
The boys from Sibelius ran a marketing demo for the General Music
teachers in the public schools. I teach Instrumental Music at 4
elementary schools and did not see the demo, but EVERY general music
teacher I run into can't stop talking bout how cool Sibelius is.
During my 30+ years of
What I don't get is why some schools are using Sibelius, like pushing it
hard in arranging classes, yet at the same time using SmartMusic in
class..it is like they forget totally about Finale..I'm
surprised that MakeMusic doesn't offer some sort of incentive program
for schools to
I have found that trumpeters who do not play cornet will insist that there
is no difference between the two instruments. OTH, cornetists will insist
that a marked difference exists. As both a band and orchestra conductor I
do recognize a difference in the sound. Mind you, I grew up (mid-50s)
Guy Hayden wrote:
I have found that trumpeters who do not play cornet will insist that there
is no difference between the two instruments. OTH, cornetists will insist
that a marked difference exists. As both a band and orchestra conductor I
do recognize a difference in the sound. Mind you, I
And while we're on the subject, my current project calls for three players
to alternate quite often between fluegelhorns and trumpets. Can any of the
trumpeters here enlighten me as to whether orchestral trumpters would have
preferences for the trumpet parts to be written in B-flat or C in these
Hey Aaron,
It will definitely be easier on the player to write for Bb trumpet
doubling fluegelhorn, so that the entire part is in Bb.
Cheers,
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 26 Aug 2007, at 1:43 PM, [EMAIL PROTECTED] wrote:
And while we're on the subject, my current
At 12:06 PM -0400 8/26/07, Lawrence David Eden wrote:
Now I am seeing Sibelius stick it to Finale. I have not used
Sibelius, nor do I intend to, but I am concerned to see MakeMusic
take a back seat to any other notation software. On this list, I
hear mostly complaints about Finale. Why is
On 26-Aug-07, at 1:43 PM, [EMAIL PROTECTED] wrote:
And while we're on the subject, my current project calls for three
players
to alternate quite often between fluegelhorns and trumpets. Can any
of the
trumpeters here enlighten me as to whether orchestral trumpters
would have
preferences
Guy Hayden wrote:
I have found that trumpeters who do not play cornet will insist that there
is no difference between the two instruments.
I suspect that you would also find that those players use mouthpieces
with the same cup, throat, and rim as their trumpet mouthpieces, the
only
At 3:17 PM -0400 8/26/07, John Howell wrote:
Guy Hayden wrote:
I have found that trumpeters who do not play cornet will insist that there
is no difference between the two instruments.
I suspect that you would also find that those players use
mouthpieces with the same cup, throat, and rim as
Sounds logical to me, but I wanted to double-check. Thanks!
Aaron J. Rabushka
[EMAIL PROTECTED]
http://users.waymark.net/arabushk
- Original Message -
From: Darcy James Argue [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Sunday, August 26, 2007 2:58 PM
Subject: Re: [Finale]
Dennis Bathory-Kitsz wrote:
Back in my cute-but-dumb days, I set several forbidden texts, and the
compositions are now not publishable or even performable (technically,
anyway). Good pieces, too.
It seems to me that there is a creative way around this, though finding
a publisher might be a
A-NO-NE Music wrote:
Stephen Ellis / 2007/08/26 / 01:12 AM wrote:
Is there a third-party software that will actually allow you to scan
music and use it in Finale? Sees like I heard about one some time
ago for Windows (but not for Macs). Any thoughts?
A few years ago, I scanned my own
Lawrence David Eden wrote:
The boys from Sibelius ran a marketing demo for the General Music
teachers in the public schools. I teach Instrumental Music at 4
elementary schools and did not see the demo, but EVERY general music
teacher I run into can't stop talking bout how cool Sibelius is.
John Howell wrote:
Given a good product with low key marketing, and a poor product with
aggressive marketing, it seems to get a lot more complicated. The
aggressive marketing is going to gain market share at first, but the
customers it gains will become disillusioned by the poor product and
At 3:09 PM -0600 8/26/07, Noel Stoutenburg wrote:
Dennis Bathory-Kitsz wrote:
Back in my cute-but-dumb days, I set several forbidden texts, and the
compositions are now not publishable or even performable (technically,
anyway). Good pieces, too.
It seems to me that there is a creative way
At 4:32 PM -0600 8/26/07, Noel Stoutenburg wrote:
Further, I noted that Sibelius is marketing to
General Music teachers in public schools. I
don't know how titles work in MD (or in most
places, actually) but when I read the title
General Music Teacher, I think of a grades 1-3
or 1-4, where
I just checked, and it still works with FinMac2k8:
File Scanning Import and Existing TIFF File...
Note that Finale can't read compressed TIFF file. I also don't know why
FinMac doesn't recognize my HP scanner's kernel extension.
--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Boston, MA
From: Lawrence David Eden [EMAIL PROTECTED]
Subject: [Finale] Sibelius demo in the MD public schools
To: FinaleList Finale@shsu.edu
Message-ID: [EMAIL PROTECTED]
Content-Type: text/plain; charset=us-ascii ; format=flowed
The boys from Sibelius ran a marketing demo for the General Music
teachers
John Howell wrote:
At 3:09 PM -0600 8/26/07, Noel Stoutenburg wrote:
Dennis Bathory-Kitsz wrote:
Back in my cute-but-dumb days, I set several forbidden texts, and the
compositions are now not publishable or even performable (technically,
anyway). Good pieces, too.
It seems to me that there is
On Aug 26, 2007, at 8:07 PM, John Howell wrote:
But you still wouldn't have, and couldn't have, without permission,
the text, so the logic of what your suggest escapes me. What would be
the point?
If I write a purely musical piece, with the instruction to be sung to
the words of [poem]
I agree with you, David. When I orchestrate or arrange, and want a specific
sound from an instrument family, I'll have no qualms about using an alto
clarinet (non-doubled) or a couple flugelhorns, or whatever. I mandate that
the ensemble find the instrument or don't play the piece; I'm that
Agree with you, John! Every part is independent!
- Original Message -
From: John Howell [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Saturday, August 25, 2007 4:37 PM
Subject: Re: [Finale] Turn-of-the-century Band Music
At 2:40 PM -0400 8/25/07, Andrew Stiller wrote:
On Aug 24,
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