this is absurd. you set up a template and even if you have to change
a few things for individual projects, 90% of the things you need to
work on ANY score is already there.
I have a template with empty linked parts created.
All of this presupposes that I know how the composition is going
this is absurd, too. the score manager is not just another bloated
pile of dialogues, it is a single unifying dialogue that allowed
integration of a number of things. sure there are glitches, but i
think you underestimate it.
the parts manager is the central point to control the look and
On Aug 26, 2012, at 12:30 AM, SN jef chippewa shirl...@newmusicnotation.com
wrote:
this is absurd. you set up a template and even if you have to change
a few things for individual projects, 90% of the things you need to
work on ANY score is already there.
It works that way for my
Well, linked/voiced parts are bit of a pain in the tuchus to set up, they
aren't done by the setup wizard, and you may very well have to set them all up
brand new for each ensemble.
But otherwise, point taken.
Christopher
On Sun Aug 26, at SundayAug 26 3:30 AM, SN jef chippewa wrote:
On Sun, August 26, 2012 3:40 am, SN jef chippewa wrote:
this is absurd, too. the score manager is not just another bloated
pile of dialogues, it is a single unifying dialogue that allowed
integration of a number of things. sure there are glitches, but i
think you underestimate it.
the
On Sun Aug 26, at SundayAug 26 8:52 AM, Dennis Bathory-Kitsz wrote:
On Sun, August 26, 2012 3:40 am, SN jef chippewa wrote:
this is absurd, too. the score manager is not just another bloated
pile of dialogues, it is a single unifying dialogue that allowed
integration of a number of things.
I never really have worked with tabulature, even if I have been presented for
the principles many years ago.
Having taken up the very small UBass (ukulele bass playing in the correct
contrabass octave) I saw potentials for chord playing beyond those of the long
frets on other basses. I wrote
Sorry, found out that the distance is changed in Score Manager = Other.
That fixes the reading problem, but then the time signature gets ugly. It went
off-center when the 5th line was removed. Any solutions?
Klaus
From: Klaus Smedegaard Bjerre
On Sun, August 26, 2012 9:27 am, Christopher Smith wrote:
No, you haven't missed much. The new part indeed does not inherit adjustments
made to OTHER parts, only adjustments made to the score. This is by design,
and rightly so, because a lot of that stuff would have to be different in an
Greetings, Klaus!
I had some experience with this when I assisted Bruce Eisenbeil, an outstanding
guitarist from the list. The dialogue for this has been transferred from the
edit staff menu to the scoremanager window on the instrument list page. In the
lower right section of the window is a
On Sun Aug 26, at SundayAug 26 10:13 AM, Dennis Bathory-Kitsz wrote:
On Sun, August 26, 2012 9:27 am, Christopher Smith wrote:
No, you haven't missed much. The new part indeed does not inherit adjustments
made to OTHER parts, only adjustments made to the score. This is by design,
and rightly
On Sun, August 26, 2012 10:38 am, Christopher Smith wrote:
Then you have to hit Update Layout
I missed that. Since nothing changed and the system locks didn't appear when I
clicked paste, I just undid the command and went away. Update Layout does
make the system locks appear and the layout
I haven't figured out how to make hand adjustments to note spacing
only in parts yet.
neither have the finale development gnomes
one of those apparently unimportant over (under?) sights that for 5
subsequent versions have remained ignored.
___
In fact, you can't edit ANY items in the measure if they are linked,
voiced parts. I wish everything was unlinkable and editable in parts
AND score. I have complained about this, and all they said was to
extract the part and edit it there.
... so that you are effectively no longer able to
For the past several hours, since you yelled at me, I've been trying
to use the Parts Manager...
oh that wasn't yelling, that was just a light tap on the bottom ;-)
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Hi Chuck, Jef,
To follow up on what Jef wrote, this is probably obvious, but:
If you uncheck the Break MM Rests attribute of the D.S. al Coda expression,
then the expression will actually be hidden in parts where the D.S. measure is
part of a multimeasure rest. So you will have to remember to
Hi Darcy,
Yes, I get this. Thanks. I just haven't worked up the courage to implement it
- fear of forgetting to include the show parts only expression. Perhaps if
there's a way to enter that in the score and have it hidden there and show in
the part, and I don't have to reenter it in the
Hi Chuck,
You can enter the expression in the score, in the first measure of what will
become part of the multimeasure rest that includes the D.S. measure.
Once you enter the expression, right-click (or ctrl-click) the handle and
select Unlink In All Parts. Then deselect Show. (There are also
Originally [Finale] Linked parts to new/extracted parts? thread:
On Aug. 25 SN jef chippewa replied to Chuck Israels question:
Another situation with which I have trouble is when there's a DS, a
to Coda, or a DS al Coda attached to measures included in MM
rests in some parts.
your expression
if you foresee how the parts will look you can place the extra
expression in the 1st measure of the MM in the SC and set it to
appear only in the SC; then set the one in the last measure to only
appear in the SC.
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