Hi Finale List!
I have recently started to work with Rachmaninov's B minor prelude (Op.
32, No. 10). It features a LOT of triplets, and the one that is giving
me the biggest problem is the opening motive of dotted 8th-16th-8th as a
triplet covering one quarter note beat. The note durations all
[Klaus Smedegaard Bjerre:]
>Tedious, but you could make a copy of the file. There you could
>delete all notes in the offending bar. Then listen if there is an
>artifact in the bar. If not add the notes one by one and listen after
>each entry, whether something wrong occurs. If so check if the
[David H. Bailey:]
>But I can offer possible suggestion as to why the problem in this
>message happens -- if you have multiple notes all sounding on the same
>midi channel, when a note-off command is sent for some of the notes on
>that channel, it affects the whole channel, so other notes you
Tedious, but you could make a copy of the file. There you could delete all
notes in the offending bar. Then listen if there is an artifact in the bar. If
not add the notes one by one and listen after each entry, whether something
wrong occurs. If so check if the offending note is a resultant
[Christopher Smith wrote:]
>I am suspecting that the left hand Bb is tied over, and the note it
>is tied over to is actually a B natural.
Thanks for your suggestion, Christopher. I thought for a moment
you had it, and kicked myself for not checking. I've just looked again,
and I'm
I am suspecting that the left hand Bb is tied over, and the note it is tied
over to is actually a B natural. You have to be careful in Simple Entry that
tied notes also get the alteration, otherwise it may LOOK like a tied B flat,
but actually be a B natural, which disturbs playback. You said
On 1/7/2018 7:49 AM, Michael Edwards wrote:
> Hallo.
>
>In certain passages of a piece where the texture is more
> complicated than usual (lots of extra sustained notes inserted either
> with an extra temporary layer or by the V1/V2 device in Speedy Entry, or
> a combination of both), I
Hallo.
In certain passages of a piece where the texture is more
complicated than usual (lots of extra sustained notes inserted either
with an extra temporary layer or by the V1/V2 device in Speedy Entry, or
a combination of both), I have noticed that some longer notes don't
sustain
Hallo.
In an organ piece I am entering, the following chord appears near
the end, all notes named in ascending order and all spaced in 3rds:
Ped.: Ab below middle C;
l.h.: C Eb Gb Bb;
r.h.: D F Ab C.
A couple of beats later, all notes are released except the F in
the
