it working again? Thanks!
(Feel free to copy me directly as well as answer in the forum since I get it as
a digest.)
-Rob
Rob Deemer
Doctoral Candidate in Music Composition,
Assistant Director, UT New Music Ensemble
The University of Texas at Austin
trying to figure out what toggles that feature from
greyed to
activated.
I'm on a Mac, btw...
--- Noel Stoutenburg [EMAIL PROTECTED] wrote:
Rob Deemer wrote:
Hello all,
I'm finishing up orchestrating a ballet (aka my dissertation) and I'm
running into an
odd
problem. When I'm working
for a book).
Ah, so you *are* on Windows. Mac PDF printing is a bit trickier than
that. Have any Mac users on the list been able to print multiple PDFs
in one go?
Dr. Rob Deemer
Visiting Instructor of Composition
The University of Oklahoma
There are three types of conductors: those who can count
on
it but that was a while ago. Dreaming it might come back someday :-)
Rob
-
Dr. Rob Deemer
The University of Oklahoma
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either - stuff like that
just frustrates good jazz performers (I knew this intuitively years before
but it became more difficult with all the new techniques I had learned).
--
Dr. Rob Deemer
Composer/Conductor
www.robdeemer.com
www.myspace.com/robdeemer
.
By the way, I accepted one of those composition jobs this year (after three
years on the market). :-)
--
Dr. Rob Deemer
Composer/Conductor
www.robdeemer.com
www.myspace.com/robdeemer
Composition Department Chair (beginning Fall of 2007)
SUNY-Fredonia
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into a
computer notation application.
What are your thoughts? Discuss.
-Rob
--
Dr. Rob Deemer
Composer/Conductor
www.robdeemer.com
www.myspace.com/robdeemer
Assistant Professor
Composition Department Chair
School of Music
SUNY-Fredonia
The Composer Next Door
Producer/Host
KCSC-FM
On Sat, October 20, 2007 10:08 pm, Daniel Wolf wrote:
(2) insert a nominal time signature of 2 and 2/3 quarters.
Another option may be to create an 8/6 signature using the shape
designer...not quite as many items to adjust.
-Rob
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Figured someone might be interested in this on Finalelist...
HAL LEONARD CORPORATION -- Hal Leonard Corporation, the world's largest
music print publisher and the world's largest source for classical music
publications, is seeking to fill an entry-level editorial position on our
classical
of them beat the pants off of JazzFont.
Just my two cents...
-Rob
=
Rob Deemer
Doctoral Candidate in Music Composition,
Assistant Director, UT New Music Ensemble
The University of Texas at Austin
__
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New and Improved Yahoo
tempo
indication
that usually comes along with metric moduations.
As a composer, I find it very interesting - as a copyist I'm curious...we still haven't
ansswered the original question: how does one substitute non-traditional numbers into
the
lower section of the time signature?
-Rob
=
Rob
a dotted
half. The math is not readily obvious until you've worked with it a
bit, you'll admit.
Christopherclip
Doh! My bad - I did indeed mean triplets. Sorry for the confusion!
There are three types of conductors - those who can count and those who can't.
-Rob
=
Rob Deemer
Doctoral Candidate
, but it
did
take some explaining on the first rehearsal.
Back to dissertating...
-Rob
=
Rob Deemer
Doctoral Candidate in Music Composition,
Assistant Director, UT New Music Ensemble
The University of Texas at Austin
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Yahoo! Mail
and not the OS or encoding problems.
=
Rob Deemer
Doctoral Candidate in Music Composition,
Assistant Director, UT New Music Ensemble
The University of Texas at Austin
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it there? And what are your
plans for the scores once they're done?
Rob Deemer
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From: John Howell [EMAIL PROTECTED]
It's entirely possible that the chains--especially Kinko's--would
refuse to handle it because it is copyrighted music. You did realize
that it is copyrighted, right? And that your copying it without
permission is an infringement?
Yes, but neither
I have a 21 Syncmaster 213 at home and a 24 Dell at my office, both which
swivel, and I'd recommend them. I don't use it everyday, but it's very
effective when you're dealing with larger scores and other sundry items. I
would never spend the extra money for the Mac monitors - too expensive for
Try PopCharPro (http://www.macility.com/products/popcharpro/)...it does what
you need and is very handy.
Does anyone know how I can enter some of the off the keyboard unicode font
characters into a text block in Finale? Specifically, I'm trying to enter
fractions from the OpenType version of
So far I've only seen the rehearsal marks discussed with letters (including
reordering)...any chance that that also goes for Rehearsal Numbers (that are
linked to whatever measure number the measure is displaying)?
-Rob
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, can anyone identify this? It's been diving me
nuts for years:
stacc. quarters: A C E A, accented half: F, 8ths: E D C B A
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
Dr. Rob Deemer
Assistant Professor of Music
Head of Music Composition
State University of New York
?
Thanks!
-Rob
Dr. Rob Deemer
Assistant Professor of Music
Head of Music Composition
School of Music
State University of New York at Fredonia
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Just my two cents - just purchased a Lexmark W812 a few weeks ago for
about $800 and it works as well as any of the HP large format printers
for a lot less. Hoping to get the duplex unit soon for another $200 or
so...
-Rob
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or put too many measures in
a system, what font you're using matters absolutely zero.
(Bill - glad you've joined in. I've been on the list for years and
have throroughly enjoyed it so far.)
-Rob
Dr. Rob Deemer
Visiting Instructor of Composition
Composition Department Chair
The University of Oklahoma
How do you put a fermata on a barline instead of a note, and is there any
way to make it play back?
Thanks,
Lora
Per Christopher's suggestion, I would create a measure expression that
is center justified and over the left barline. For the playback,
adjusting the tempo would probably get you
I've had great luck with the Edirol PCR-1 - you can choose one that acts as a MIDI controller or an audio interface (RCA Optical). It's light, thin, 25-key, easy to use and plug in (USB) and transportable - I wrote my dissertation (30-min. ballet) on it sitting in coffeeshops all over Austin.
Apologies for breaking into y'all's chat on generational gaps, immigration and American Idol...I've been working on some examples for a textbook gig and have been frustrated by one of Finale's (albeit totally rational) issues. For a normal piece of music with key changes and clef changes, key
A quick articulation question - Finale is great about dealing with articulations that have to go inside slurs or ties and TG tools is great about dealing with collisions with slurs and articulations, but I've been running into difficulty with accents colliding with ties. Does anyone have an idea
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