passages...)
Christopher
- Original Message -
From: Ryan
Date: Monday, November 22, 2010 2:56 pm
Subject: Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts
To: finale@shsu.edu
> What method do you use if the horn part doesn't have a key signature?
>
> On M
tle experience with the other clefs that it would slow me down
> immeasurably. I have nothing but respect for those among you who read them
> easily!
>
> christopher
>
> - Original Message -
> From: John Howell
> Date: Monday, November 22, 2010 1:17 pm
> Subject:
easily!
christopher
- Original Message -
From: John Howell
Date: Monday, November 22, 2010 1:17 pm
Subject: Re: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts
To: "David H. Bailey" , finale@shsu.edu
> At 6:46 AM -0500 11/22/10, David H. Bailey wrote:
> >
> &g
At 6:46 AM -0500 11/22/10, David H. Bailey wrote:
What I meant by "in reverse" is that if I'm looking at a written F
in an F horn part, I can use the mezzo-soprano clef to get the
concert pitch note (Bb). But what if I'm looking at a concert pitch
score, how do I figure out what note the F h
On 11/21/2010 1:43 PM, John Howell wrote:
At 7:24 AM -0500 11/21/10, David H. Bailey wrote:
I understand the use of clefs to transpose from concert pitch music to
the differently keyed transposing instruments, but is there a chart
somewhere which does things in reverse?
So that looking at a par
At 7:24 AM -0500 11/21/10, David H. Bailey wrote:
I understand the use of clefs to transpose from concert pitch music
to the differently keyed transposing instruments, but is there a
chart somewhere which does things in reverse?
So that looking at a part for F horn, for example, which is print
in
tiefes H or something the like). Or it equals horn in Bb basso (ad 2 flats).
Klaus, who will rather transpose than read C clefs
--- On Sun, 11/21/10, David H. Bailey
wrote:
From: David H. Bailey
Subject: {Spam} Re: [Finale] OT: historical use of C clefs for voice parts
To: finale@shsu.e
orical use of C clefs for voice parts
> To: finale@shsu.edu
> Date: Sunday, November 21, 2010, 1:24 PM
> I understand the use of clefs to
> transpose from concert pitch music to
> the differently keyed transposing instruments, but is there
> a chart
> somewhere which does thin
I understand the use of clefs to transpose from concert pitch music to
the differently keyed transposing instruments, but is there a chart
somewhere which does things in reverse?
So that looking at a part for F horn, for example, which is printed in
the treble clef, what clef would one use to
My trumpet teacher at Ohio State in the early 1990's insisted that all his
students learn clefs in order to transpose on sight. Drives all my friends
nuts... :)
Allen
On 6 Nov, 2010, at 1:22 PM, John Howell wrote:
> As a bonus, once you have learned to use the entire system of movable clefs,
On Sat, Nov 6, 2010 at 2:22 PM, John Howell wrote:
> ...
>
> And of course the notation of vocal tenor parts has baffled more than one
> publisher! The treble clef is incorrect because it shows the wrong octave.
> The tenor C-clef had no such problem. At least one publisher--I think it
> was
At 10:06 PM +0100 11/6/10, Florence + Michael wrote:
Of course Gounod isn't a recent composer, but
that edition is recent and certainly not a
reprint of an earlier edition. It was completely
new in 1972, edited by Fritz Oeser who put back
passages that Gounod had cut before the
premiere. Ac
On 6 Nov 2010, at 19:22, John Howell wrote:
> Gounod is hardly what I'd call a "recent" composer, since he died in 1910.
> And that score is undoubtedly a reprint of a much earlier edition.
Of course Gounod isn't a recent composer, but that edition is recent and
certainly not a reprint of an e
On 6 Nov 2010 at 10:14, Florence + Michael wrote:
> I recently received the conductor's score of Gounod's Faust
> (Henschelverlag Berlin, 1972). I was surprised to find C-clefs used
> for the voice parts in a score this recent: all female voices are
> written in soprano clef and the tenors in teno
At 10:14 AM +0100 11/6/10, Florence + Michael wrote:
I recently received the conductor's score of
Gounod's Faust (Henschelverlag Berlin, 1972). I
was surprised to find C-clefs used for the voice
parts in a score this recent: all female voices
are written in soprano clef and the tenors in
teno
Florence + Michael wrote:
I recently received the conductor's score of Gounod's Faust (Henschelverlag
Berlin, 1972). I was surprised to find C-clefs used for the voice parts in a
score this recent
I'm not surprised to see them in a conductors score, as I've run across
others, while examinin
I recently received the conductor's score of Gounod's Faust (Henschelverlag
Berlin, 1972). I was surprised to find C-clefs used for the voice parts in a
score this recent: all female voices are written in soprano clef and the tenors
in tenor clef. I thought this practice had died out in the 19th
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