I've seen that often if both notes had black noteheads (e.g. 8th and
quarter, 16th and 8th) as long as the stems went in opposite directions.
David H. Bailey
Phil Daley wrote:
At 5/17/2004 12:26 PM, Harold Owen wrote:
>I was really pleased to find that Finale now allows you to avoid the
>colli
Giovanni Andreani writes:
I agree on separating the noteheads when one is dotted and the other
isn't, but, what I'm composing is related to special teaching
purposes; freezing stems down in layer one also derives by importing
full edited notation from another file. However, I found out what
the
Dear Giovanni,
Using FinMac2k4b I tried to duplicate your problem, but neither one
occurred: Both Fs shared the notehead, and the stems were opposed. Is
"Manual Positioning" set to "Incoporate"? If so, and you had for some
reason moved the note heads apart, then they would remain so after a
spa
At 5/17/2004 12:26 PM, Harold Owen wrote:
>I was really pleased to find that Finale now allows you to avoid the
>collision of unisons only when the noteheads are different. That
>solved the problem of half notes and quarter notes sharing the
>notehead position. However, there should be a way to hav
Giovanni Andreani writes:
Look's like a serious problem:
3/8, bass clef: layer one start's with a 16th F note; layer two
start's with a dotted quarter same F note.
Problem one: the unison between the two layers is not colliding; I
want it to look like one single notehead: Document Options > Music
Look's like a serious problem:
3/8, bass clef: layer one start's with a 16th F note; layer two start's
with a dotted quarter same F note.
Problem one: the unison between the two layers is not colliding; I want
it to look like one single notehead: Document Options > Music Spacing >
Avoid Collisio
