On Tue, 05 Aug 2008 18:54:20 +0200, [EMAIL PROTECTED] wrote:
Pitchwheel alterations last until cancelled (as I said in my followup
post).
Cheers,
- Darcy
The one addition to Finale for which I would give up an eyetooth is a
pitchwheel table attached to each possibility in a
Dennis Bathory-Kitsz [EMAIL PROTECTED]
[...]
Knowing that, though, you can create invisible expressions to bend each
note the appropriate distance (if you can stand the trouble!).
I did that for my Enneakaidekaphonic Variations, in which flats were
distinguished from their nominally
I succeeded very well to get the quartertone stuff entered into Finale
(and I now understand why some people prefer Speedy without MIDI
keyboard). Although playback is not really important to me, I do wonder
whether it is theoretically possible, without having to add expressions
to every note
Johannes Gebauer wrote:
I succeeded very well to get the quartertone stuff entered into Finale
(and I now understand why some people prefer Speedy without MIDI
keyboard). Although playback is not really important to me, I do wonder
whether it is theoretically possible, without having to add
At 03:00 PM 10/16/06 -0400, dhbailey wrote:
Just as a thought, could you create the quarter-tone accidentals as
expressions, with playback set to Pitchwheel?
IIRC you can do that -- but Johannes said the music was already entered.
Dennis
___
At 08:22 PM 10/16/06 +0200, Johannes Gebauer wrote:
I succeeded very well to get the quartertone stuff entered into Finale
(and I now understand why some people prefer Speedy without MIDI
keyboard). Although playback is not really important to me, I do wonder
whether it is theoretically
There's this nice little utility that will tune your synthesizer to any
tuning you like. You can even define your own tuning.
http://www.xs4all.nl/~huygensf/scala/
dhbailey wrote:
Johannes Gebauer wrote:
I succeeded very well to get the quartertone stuff entered into Finale
(and I now
Subject: Re: [Finale] quartertone playback
Johannes Gebauer wrote:
I succeeded very well to get the quartertone stuff entered into Finale
(and I now understand why some people prefer Speedy without MIDI
keyboard). Although playback is not really important to me, I do
wonder
whether
] [mailto:[EMAIL PROTECTED] On Behalf
Of Barbara Touburg
Sent: 16 October 2006 21:06
To: finale@shsu.edu
Subject: Re: [Finale] quartertone playback
There's this nice little utility that will tune your synthesizer to any
tuning you like. You can even define your own tuning.
http://www.xs4all.nl
The easiest way to get microtonal playback within Finale is to set up a
non-standard key signature in Finale, and then play to a synth via a
midi retuning relay program. I use InTun (which can be found at
http://rainwarrior.thenoos.net/intun/index.html ), a realtime midi
retuning program by
Owain Sutton wrote:
I don't think Scala is really the solution to this problem - what seems
to be needed in this case is a way of getting Finale to create quarter
tones out of a standard setup, rather than reprogramming the synth and
then writing music to match.
This would require either a
At 10:24 PM 10/16/06 +0100, Owain Sutton wrote:
Whether it's a task for Finalescript or something yet to be developed,
but I can't see how it's beyond the realms of possibility for notes with
accidental X to be given particular midi data, while notes with
accidentals Y Z are treated normally.
Dennis Bathory-Kitsz wrote:
What if Finale is set up to output a stretched scale, so that C is assigned
60, D is assigned 64, and E is assigned 68, etc., up to 83 for B-1/4#?
Okay, so long as you stay within a single octave, you're golden. But Finale
puts all the pitch classes together. That is,
At 12:31 AM 10/17/06 +0200, Daniel Wolf wrote:
The non-standard key signatures don't work that way. An octave is
defined as having x tones, each tone is assigned to a midi pitch number
mod x, with nominals (white keys) and accidentals distributed as you
like. In this way pitch classes repeat at
On 17.10.2006 Daniel Wolf wrote:
The non-standard key signatures don't work that way. An octave is defined as
having x tones, each tone is assigned to a midi pitch number mod x, with
nominals (white keys) and accidentals distributed as you like. In this way
pitch classes repeat at x midi
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