You could leave the whole page numbering business to the PDF creation
proces.
I do it all the time, and I always have multiple documents because I
work a lot with musicals and stuff like that.
So simply produce the PDF's and open e.g. all flute parts in acrobat
professional and do the page
--
From: Stig Christensen [EMAIL PROTECTED]
Sent: Saturday, November 15, 2008 11:24 AM
To: finale@shsu.edu
Subject: Re: [Finale] Page numbers in linked parts
You could leave the whole page numbering business to the PDF creation
proces.
I do it
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of John Howell
Sent: Friday, November 14, 2008 6:09 PM
To: finale@shsu.edu
Subject: Re: [Finale] O.T. Iconography in Music History
At 2:03 PM -0500 11/14/08, Andrew Stiller wrote:
James McKinnon, who
Have recently up-graded to 2009b and for the first time since I commenced
using Finale in 2004, I am unable to find the 'Create Tempo Plug-In', which
has always been under 'Plug-Ins---Expressions---Create Tempo. Now, no plug
in. Am I missing something simple? Help, please.I am in the middle
One of the great improvements they made is that they got rid of it.
It is now an expression, and you have to create it in the expression
editor.
Fun huh?
On Sat, Nov 15, 2008 at 7:52 AM, Rod McDonald [EMAIL PROTECTED] wrote:
Have recently up-graded to 2009b and for the first time since I
Before you know it they do away with everything except the simple rest
palette... I can't wait...
Eric Dannewitz wrote:
One of the great improvements they made is that they got rid of it.
It is now an expression, and you have to create it in the expression
editor.
Fun huh?
At 7:02 AM -0800 11/15/08, Richard Yates wrote:
Yes, exponential.
http://www.math.ucdavis.edu/~kouba/Math21BThomasDIRECTORY/Exponential.pdf
Pipes arranged in a decreasing series of half tone steps do not increase in
length by a constant amount (which would make the profile of their ends a
Hi folks:
I made a HUGE mistake, and got myself a copy of Logic Express to make
MP3s on a Mac (from Finale scores). When I figured out I could do it
with soft fonts, Export to Audio File and iTunes, Logic Express
became needlessly complicated. I think my cost on it was $249. I'd
gladly sell
Yes, exponential.
http://www.math.ucdavis.edu/~kouba/Math21BThomasDIRECTORY/Expo
nential.p
df
Pipes arranged in a decreasing series of half tone steps do not
increase in length by a constant amount (which would make the profile
of their ends a straight line.) The difference in their lengths
Just create an expression in the tempo marks category. There's now
a menu (Insert Note) where you can choose the note value, and if
you continue typing something like = 120, you'll see that Finale
automatically changes to the font defined for tempo marking numbers.
Playback is
On Nov 15, 2008, at 9:47 AM, John Howell wrote:
I thought exponential dealt with powers of 10 or some such thing
It sounds to me like your remembering logarithm. In this context,
exponential just means that the formula describing the line would have
at least one exponent. Like Y equals
Hi everyone:
I'm just asking for different perspectives on a topic. I know everyone
may have different views on it, so don't get into any flame wars over
this please ;)
I'm working on some Wanhal (or Vanhal) and Cannabich symphonies, which
have 2 oboes, 2 horns, 2 bassoons, etc plus the strings.
Any advice on this topic?
I guess it depends on a few things:
1) Is the score for performance, publication, or some other use?
2) (If it's for performance) Are you going to be the only
conductor/music director using the score?
3) (If for publication) on what size paper will
On Nov 14, 2008, at 9:08 PM, John Howell wrote:
At 2:03 PM -0500 11/14/08, Andrew Stiller wrote:
James McKinnon, who taught a course on this at SUNY Buffalo back in
the '70s, made the important distinction of realistic, but not
real. A major example of this is a famous painting of St.
On 15 Nov 2008 at 11:26, Dick Hauser wrote:
On Nov 15, 2008, at 9:47 AM, John Howell wrote:
I thought exponential dealt with powers of 10 or some such thing
It sounds to me like your remembering logarithm. In this context,
exponential just means that the formula describing the line
At 11:26 AM -0800 11/15/08, Dick Hauser wrote:
On Nov 15, 2008, at 9:47 AM, John Howell wrote:
I thought exponential dealt with powers of 10 or some such thing
It sounds to me like your remembering logarithm. In this context,
exponential just means that the formula describing the line
At 2:37 PM -0500 11/15/08, Kim Patrick Clow wrote:
Hi everyone:
I'm just asking for different perspectives on a topic. I know everyone
may have different views on it, so don't get into any flame wars over
this please ;)
I'm working on some Wanhal (or Vanhal) and Cannabich symphonies, which
On Sat, Nov 15, 2008 at 5:54 PM, John Howell [EMAIL PROTECTED] wrote:
And of course there is never any way to make sure that the surviving parts
are the ONLY parts that were copied. You can't prove a negative!
John
Thanks for your reply John, but the interesting thing is, for this
Many thanks to those who helped me this morning. Took me a while to find the
Insert Note command...at my age, I seem to have difficulty seeing what is
directly in front of me! Best Wishes. Rod.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Florence +
At 6:00 PM -0500 11/15/08, Kim Patrick Clow wrote:
On Sat, Nov 15, 2008 at 5:54 PM, John Howell [EMAIL PROTECTED] wrote:
And of course there is never any way to make sure that the surviving parts
are the ONLY parts that were copied. You can't prove a negative!
John
Thanks for your
On 15 Nov 2008 at 18:11, John Howell wrote:
At 6:00 PM -0500 11/15/08, Kim Patrick Clow wrote:
On Sat, Nov 15, 2008 at 5:54 PM, John Howell [EMAIL PROTECTED] wrote:
And of course there is never any way to make sure that the surviving parts
are the ONLY parts that were copied. You can't
On Sat, Nov 15, 2008 at 6:37 PM, David W. Fenton
[EMAIL PROTECTED] wrote:
I've lots of experience with MSS from the period Kim is working and
what I see is that Sinfonia a 18 would mean that there are 18
individual lines (parts) in the score. That wouldn't mean 18 staves,
as the two oboes are
On 15 Nov 2008 at 18:45, Kim Patrick Clow wrote:
On Sat, Nov 15, 2008 at 6:37 PM, David W. Fenton
[EMAIL PROTECTED] wrote:
I've lots of experience with MSS from the period Kim is working and
what I see is that Sinfonia a 18 would mean that there are 18
individual lines (parts) in the
On Sat, Nov 15, 2008 at 7:14 PM, David W. Fenton
[EMAIL PROTECTED] wrote:
The really surprising thing to me has been not so much the heavy
bass, but the completely sparse *inner parts*. Heavy bass can work
very well with a full harmony filled out above them, but in so many
cases you see part
timothy key price
[EMAIL PROTECTED]
On Nov 15, 2008, at 6:02 PM, Rod McDonald wrote:
Many thanks to those who helped me this morning. Took me a while to
find the
Insert Note command...at my age, I seem to have difficulty seeing
what is
directly in front of me! Best Wishes. Rod.
Tempo markings have always been expressions. This functionality was
separated from the expression tool, making it hard to find for many
people.
The create tempo marking PI also did not use the new expression
functionality. Now, everything's in the expression tool, doesn't
require
At 6:37 PM -0500 11/15/08, David W. Fenton wrote:
John, your reply has actually confused me. I do think Kim seems to be
mistaken, but I may have understood him, too.
I've lots of experience with MSS from the period Kim is working and
what I see is that Sinfonia a 18 would mean that there are
On 16 Nov 2008 at 0:45, John Howell wrote:
At 6:37 PM -0500 11/15/08, David W. Fenton wrote:
John, your reply has actually confused me. I do think Kim seems to be
mistaken, but I may have understood him, too.
I've lots of experience with MSS from the period Kim is working and
what I see
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