[Frameworks] a question about negative film stock for s-8mm

2013-05-22 Thread Marco Poloni
Dear Frameworkers, I have a question about film stock for Super-8mm. I am back from a scouting trip for a 16mm film project. I did all the location filming in Super-8mm because I wanted to use the material in the film as well. I worked with my Leicina Special with a Schneider Optivaron 6-66mm

Re: [Frameworks] a question about negative film stock for s-8mm

2013-05-22 Thread Buck Bito - Movette
Hi Marco, I've never been happy with Super-8 neg. and the loss of Ekta 100D spells the end of color Super-8 for me. Even on the most serious Super-8 scanner I know of in the U.S. at Cinelicious I see what you are complaining about when it comes to the skies and other areas that should be 'fluid'.

Re: [Frameworks] a question about negative film stock for s-8mm

2013-05-22 Thread Roger Wilson
Hi Marco, Can I ask what f-stop/t-stop you were working with? I find with these stocks it is very important to use the sharpest part of your lens. With both of these stocks I like to work with a 5.6 f-stop and use ND's when needed. Roger D. Wilson613 324 -

Re: [Frameworks] a question about negative film stock for s-8mm

2013-05-22 Thread Marco Poloni
Hi Roger, I was shooting mostly between F/4 and F/8, but sometimes at full aperture at dusk (clearly not the best condition). You have a point, regardless of the lens which is one of the best made for S-8mm. The skies look terrible regardless of aperture: day shoots, sunny or cloudy, dusk shoots.

Re: [Frameworks] a question about negative film stock for s-8mm

2013-05-22 Thread Marco Poloni
Hi Buck, Thanks so much about your reply. Sharp and really informative. I will wait for more replies but already want to react to your email. I had a look at the footage you linked. Yes, the sky looks terrible when shot with 200T and 500T, even when scanned at Cinelicious. Consistent with what I

Re: [Frameworks] a question about negative film stock for s-8mm

2013-05-22 Thread Marco Poloni
Thanks Dickie, the footage is very beautiful indeed. I can also confirm that Fuji Velvia is amazing in 35mm slides. On 22 May 2013 22:38, Dicky dickyvann...@gmail.com wrote: The Fuji Velvia looks quite nice as Super 8. If you want to see what it looks like, watch some of Paul Clipson's films. I

Re: [Frameworks] a question about negative film stock for s-8mm

2013-05-22 Thread Marco Poloni
PS Andec FIlm here in Berlin sells Wittner Chrome V50 D (reversible) cartridges (the Material inside is Fujchrome Velvia 50 Daylight): http://www.andecfilm.de/en/e_s8_e6-ec64t.htm As I said I should make a test Kodak Vision 3 50D vs Velvia 50D... Thanks again Buck! M On 22 May 2013 22:35, Buck

Re: [Frameworks] a question about negative film stock for s-8mm

2013-05-22 Thread Buck Bito - Movette
Hi Marco, I just did a quick search and found a very promising test roll of S8 Vision3 50D on Vimeo. It seems to show that the fluidity you're looking for is possible with this stock: http://vimeo.com/62358313 -I'd love to see the comparison with Velvia you propose. --Good luck! ---Buck Lawrence

Re: [Frameworks] a question about negative film stock for s-8mm

2013-05-22 Thread Jeff Kreines - Kinetta
On May 22, 2013, at 3:35 PM, Buck Bito - Movette b...@movettefilm.com wrote: Even on the most serious Super-8 scanner I know of in the U.S. at Cinelicious I An old Spirit that only does interlace? Not so much. Ever hear of Kinetta? :-) ___

[Frameworks] CVM online auction begins! Fischinger, Hirsh and contemporary artwork, posters, books

2013-05-22 Thread C Keefer
CVM's online Benefit Auction started today, May 22!Please help spread the word:www.centerforvisualmusic.org/2013SilentAuction.htmlWe invite you to view some amazing work in Center for Visual Music's 2nd benefit auction. The auction features several pieces by Oskar Fischinger: two early 1940s oils