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On Aug 25, 2015, at 5:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
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Hi
I'm looking for some images for my forthcoming book and wondered if anybody
here would be able to help or have any leads.
1) I am looking for an image of the New Cinema, St Marks Place, NYC and / or of
one of their programs / posters (ideally for Rome 78).
2) Also if anyone has any
Dear Friends,
Let me share with You our new short film: Non-Places: Beyond the Infinite.
This is its short synopsis:
The French anthropologist Marc Augé's classic essay (Non-Places:
Introduction to an Anthropology of Supermodernity) meets with Stanley
Kubrick's 2001: A Space Odyssey in some
I'm doing something on films that employ scratching directly on celluloid
like Brakhage's Chinese Series, David Gatten's Fragrant Portals..., Dona
Cameron's World Trade Alphabet, Barbel Neubauer's work, Pierre Hebert's
work, Storm DeHirsch's Peyote Queen, and Len Lye's Free Radicals.
What am I
oh, and Su Friedrich's Gently Down the Stream
On Tue, Aug 25, 2015 at 3:08 PM, Tess Takahashi tess.takaha...@gmail.com
wrote:
I'm doing something on films that employ scratching directly on celluloid
like Brakhage's Chinese Series, David Gatten's Fragrant Portals..., Dona
Cameron's World
*Su Friedrich's GENTLY DOWN THE STREAM and THE TIES THAT BIND.*
*Robert Huot's SCRATCH*
*Diana Barrie's MAGIC EXPLAINED*
*Taka Iimura's 1 TO 60 SECONDS*
*I'll keep thinkin'*
*Scott*
On Tue, Aug 25, 2015 at 12:08 PM, Tess Takahashi tess.takaha...@gmail.com
wrote:
I'm doing something on
There's Rey Parla's films from the 90s:
Sporadic Germinatipn
Rumba Abstracta
M
Sent from my iPhone
On Aug 25, 2015, at 3:08 PM, Tess Takahashi tess.takaha...@gmail.com wrote:
I'm doing something on films that employ scratching directly on celluloid
like Brakhage's Chinese Series, David
Hi Tess,
I and other members of Olympia, WA. Crackpot Crafters (Devon Damonte, Jason
Gutz, Eric Sarai, Meg Myhre, and several others) have been doing a lot of
scratching on 16mm and 35, among other techniques, but not necessarily
completing them as finished films. More likely projecting loops
Some other Brakhage films that employ scratching: earliest example
(briefly) is in Reflections On Black (1955); later, more
substantially, in He was born, he suffered, he died (1974); and
later yet, several films with words scratched over image, I . . .
Dreaming (1988), For Marilyn
Sharits' S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED. And 8 billion other films.
(This is going to end up being a LONG list.)
On Aug 25, 2015, at 3:14 PM, Scott MacDonald smacd...@hamilton.edu wrote:
Su Friedrich's GENTLY DOWN THE STREAM and THE TIES THAT BIND.
Robert Huot's SCRATCH
Much of Aldo Tambellini’s early film work:
Black Is
Blackout
and others
On Aug 25, 2015, at 3:14 PM, Scott MacDonald smacd...@hamilton.edu wrote:
Su Friedrich's GENTLY DOWN THE STREAM and THE TIES THAT BIND.
Robert Huot's SCRATCH
Diana Barrie's MAGIC EXPLAINED
Taka Iimura's 1 TO 60
Hi, Tess—
Norman McLaren, “Blinkity Blank.” Maybe some other McLaren films?
--Bill
From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of
Tess Takahashi
Sent: August 25, 2015 3:09 PM
To: Experimental Film Discussion List
Subject: [Frameworks] Titles of scratch films
Tess, I think Pat O'Neill's COREOPSIS also employed scratching.
On 8/25/15 4:11 PM, William Wees, Dr. wrote:
Hi, Tess—
Norman McLaren, “Blinkity Blank.” Maybe some other McLaren films?
--Bill
*From:*FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] *On
Tess, hi -
I had a colleague in the Film Department, recently transplanted to Ann Arbor,
who wouldn't let a frame of her film go through the gate unless she had
scratched on it.
I overstate but Naz Dincel's practice relentlessly involves scratching on her
film -- or, that is to say,
Paul Bush http://www.paulbushfilms.com/films/scratchingdiagram.htm
Zig Zag (1994) by Ricard Reeves https://vimeo.com/8713615
there are MANY MANY more out there. I believe there's a section in Cecile
Starr and Robert Russett's Experimental Animation book... right?
good luck,
Warren
On Tue, Aug
³Chemical Scratching² - I¹m sticking to that. Yeah.
On 8/25/15 4:26 PM, Beebe, Roger W. beebe...@osu.edu wrote:
But her Hand Eye Coordination certainly counts, even if Removed doesn¹t
On Aug 25, 2015, at 5:21 PM, Warren Cockerham warrencocker...@gmail.com
wrote:
Hey Patrick (and
Animated scratching: Broken Down Film (Osamu Tezuka, 1985)
Naomi Uman¹s Removed (1999)
Isidore Isou¹s Venom and Eternity (1951)
But, these and the other suggestions so far, um, only scratch the surface.
Patrick F.
On 8/25/15 3:44 PM, Carl E Bogner crlel...@uwm.edu wrote:
Tess,
Hey Patrick (and Tess)..
I thought that Naomi Uman's REMOVED was a scratched film for many years
too. But, she told me a few years ago that she applied (clear?) nail polish
to the parts of the images she wanted to keep -- frame by frame - for many
months. Then, she gave the film a bleach bath...
But her Hand Eye Coordination certainly counts, even if Removed doesn’t…
On Aug 25, 2015, at 5:21 PM, Warren Cockerham
warrencocker...@gmail.commailto:warrencocker...@gmail.com wrote:
Hey Patrick (and Tess)..
I thought that Naomi Uman's REMOVED was a scratched film for many years too.
But,
Schneeman's Fuses has some scratching of photographed film. Also in this vein
there is Peyote Queen by Storm de Hirsch. There are expanded animation works by
for e.g. Greg Pope, Bruce McClure, Dirk de Bruyn - all of whom employ
scratching of and removal of emulsion. For my own part I am
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